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A Great Man (1904), which Bennett subtitled "A Frolic," gives his humorous talent full rein. The novel is a hilarious character study of Henry Shakespeare Knight from his humble beginnings to his assent to the pinnacle of fame as a popular writer.
A Great Man (1904), which Bennett subtitled "A Frolic," gives his humorous talent full rein. The novel is a hilarious character study of Henry Shakespeare Knight from his humble beginnings to his assent to the pinnacle of fame as a popular writer.
On an evening in 1866 (exactly eight hundred years after the Battle of Hastings) Mr. Henry Knight, a draper's manager, aged forty, dark, clean-shaven, short, but not stout, sat in his sitting-room on the second-floor over the shop which he managed in Oxford Street, London. He was proud of that sitting-room, which represented the achievement of an ideal, and he had a right to be proud of it. The rich green wall-paper covered with peonies in full bloom (poisoning by arsenical wall-paper had not yet been invented, or Mr.
Knight's peonies would certainly have had to flourish over a different hue) matched the magenta table-cloth of the table at which Mr. Knight was writing, and the magenta table-cloth matched the yellow roses which grew to more than exhibition size on the Axminster carpet; and the fine elaborate effect thus produced was in no way impaired, but rather enhanced and invigorated, by the mahogany bookcase full of imperishable printed matter, the horsehair sofa netted in a system of antimacassars, the waxen flowers in their glassy domes on the marble mantelpiece, the Canterbury with its spiral columns, the rosewood harmonium, and the posse of chintz-protected chairs. Mr. Knight, who was a sincere and upright man, saw beauty in this apartment. It uplifted his soul, like soft music in the gloaming, or a woman's face.
Mr. Knight was writing in a large book. He paused in the act of composition, and, putting the pen between his teeth, glanced through the pages of the volume. They were filled with the drafts of letters which he had addressed during the previous seven years to the editors of various newspapers, including the Times, and several other organs great then but now extinct. In a space underneath each letter had been neatly gummed the printed copy, but here and there a letter lacked this certificate of success, for Mr. Knight did not always contrive to reach his public. The letters were signed with pseudonyms, such as A British Citizen, Fiat Justitia, Audi Alteram Partem, Indignant, Disgusted, One Who Knows, One Who Would Like to Know, Ratepayer, Taxpayer, Puzzled, and Pro Bono Publico-especially Pro Bono Publico. Two letters, to a trade periodical, were signed A Draper's Manager of Ten Years' Standing, and one, to the Clerkenwell News, bore his own real name.
The letter upon which he was now engaged was numbered seventy-five in the series, and made its appeal to the editor of the Standard. Having found inspiration, Mr. Knight proceeded, in a hand distinguished by many fine flourishes:
' ... It is true that last year we only paid off some four millions, but the year before we paid, I am thankful to say, more than nine millions. Why, then, this outcry against the allocation of somewhat less than nine millions out of our vast national revenue towards the further extinction of the National Debt? It is not the duty of the State, as well as of the individual, to pay its debts? In order to support the argument with which I began this communication, perhaps you will permit me, sir, to briefly outline the history of the National Debt, our national shame. In 1688 the National Debt was little more than six hundred thousand pounds....'
After briefly outlining the history of the National Debt, Mr. Knight began a new paragraph thus:
'In the immortal words of Shakspere, wh--'
But at this point he was interrupted. A young and pleasant woman in a white apron pushed open the door.
'Henry,' she called from the doorway.
'Well?'
'You'd better go now.'
'Very well, Annie; I'll go instantly.'
He dropped the pen, reduced the gas to a speck of blue, and in half a minute was hurrying along Oxford Street. The hour was ten o'clock, and the month was July; the evening favoured romance. He turned into Bury Street, and knocked like fate at a front-door with a brass tablet on it, No. 8 of the street.
'No, sir. He isn't in at the moment, sir,' said the maid who answered Mr. Knight's imperious summons.
'Not in!' exclaimed Mr. Knight.
'No, sir. He was called away half an hour ago or hardly, and may be out till very late.'
'Called away!' exclaimed Mr. Knight. He was astounded, shocked, pained. 'But I warned him three months ago!'
'Did you, sir? Is it anything very urgent, sir?'
'It's--' Mr. Knight hesitated, blushing. The girl looked so young and innocent.
'Because if it is, master left word that anyone was to go to Dr. Christopher's, 22, Argyll Street.'
'You will be sure to tell your master that I came,' said Mr. Knight frigidly, departing.
At 22, Argyll Street he was informed that Dr. Christopher had likewise been called away, and had left a recommendation that urgent cases, if any, should apply to Dr. Quain Short, 15, Bury Street. His anger was naturally increased by the absence of this second doctor, but it was far more increased by the fact that Dr. Quain Short happened to live in Bury Street. At that moment the enigma of the universe was wrapped up for him in the question, Why should he have been compelled to walk all the way from Bury Street to Argyll Street merely in order to walk all the way back again? And he became a trinity consisting of Disgusted, Indignant, and One Who Would Like to Know, the middle term predominating. When he discovered that No. 15, Bury Street, was exactly opposite No. 8, Bury Street, his feelings were such as break bell-wires.
'Dr. Quain Short is at the Alhambra Theatre this evening with the family,' a middle-aged and formidable housekeeper announced in reply to Mr. Knight's query. 'In case of urgency he is to be fetched. His box is No. 3.'
'The Alhambra Theatre! Where is that?' gasped Mr. Knight.
It should be explained that he held the stage in abhorrence, and, further, that the Alhambra had then only been opened for a very brief period.
'Two out, and the third at the theatre!' Mr. Knight mused grimly, hastening through Seven Dials. 'At the theatre, of all places!'
A letter to the Times about the medical profession was just shaping itself in his mind as he arrived at the Alhambra and saw that a piece entitled King Carrot filled the bill.
'King Karrot!' he muttered scornfully, emphasizing the dangerously explosive consonants in a manner which expressed with complete adequacy, not only his indignation against the entire medical profession, but his utter and profound contempt for the fatuities of the modern stage.
The politeness of the officials and the prompt appearance of Dr. Quain Short did something to mollify the draper's manager of ten years' standing, though he was not pleased when the doctor insisted on going first to his surgery for certain requisites. It was half-past eleven when he returned home; Dr. Quain Short was supposed to be hard behind.
'How long you've been!' said a voice on the second flight of stairs, 'It's all over. A boy. And dear Susan is doing splendidly. Mrs. Puddiphatt says she never saw such a--'
From the attic floor came the sound of a child crying shrilly and lustily:
'Aunt Annie! Aunt Annie! Aunt Annie!'
'Run up and quieten him!' Mr. Knight commanded. 'It's like him to begin making a noise just now. I'll take a look at Susan-and my firstborn.'
* * *
Arnold Bennett (1867-1931) was a prolific British writer and journalist. Bennett is popular for fiction such as The Old Wives' Tale and also for non-fiction works such as How to Live on 24 Hours a Day and Mental Efficiency. This edition of The Old Adam: A Story of Adventure includes a table of contents.
Arnold Bennett (1867-1931) was a prolific British writer and journalist. Bennett is popular for fiction such as The Old Wives' Tale and also for non-fiction works such as How to Live on 24 Hours a Day and Mental Efficiency. This edition of The Ghost: A Modern Fantasy includes a table of contents.
Arnold Bennett was a prolific British writer who penned dozens of works across all genres, from adventurous fiction to propaganda and nonfiction. He wrote plays like Judith and historical novels like Tales of the Five Towns.
Dodo Collections brings you another classic from Arnold Bennett, '"Denry the Audacious."' Like many of Arnold Bennett's works of fiction, the comic novel Denry the Audacious is set among the quaint village lanes of the Potteries District of Staffordshire. It is amidst this humble environment that the one-of-a-kind character Edward Henry Machin emerges from poverty and, largely through the force of his own indomitable will, achieves a measure of power and influence. Enoch Arnold Bennett (always known as Arnold Bennett) was one of the most remarkable literary figures of his time, a product of the English Potteries that he made famous as the Five Towns. Yet he could hardly wait to escape his home town, and he did so by the sheer force of his ambition to succeed as an author. In his time he turned his hand to every kind of writing, but he will be remembered for such novels as The Old Wives' Tale, the Clayhanger trilogy (Clayhanger, Hilda Lessways, and These Twain), and The Card. He also wrote such intriguing self-improvement books as Literary Taste, How To Live on 24 Hours a Day, The Human Machine, etc. After a local education Bennett finished his education at the University of London and for a time was editor of Woman magazine. After 1900 he devoted himself entirely to writing; dramatic criticism was one of his foremost interests. Bennett is best known, however, for his novels, several of which were written during his residence in France. Bennett's infancy was spent in genteel poverty, which gave way to prosperity as his father succeeded as a solicitor. From this provincial background he became a novelist.His enduring fame is as a Chronicler of the Potteries towns, the setting and inspiration of some of his most famous and enduring literary work and the place where he grew up.
Anna Tellwright, daughter of a wealthy but miserly and dictatorial father, lives in the Potteries area of Staffordshire, England. Her activities are strictly controlled by the Methodist church. Anna struggles for freedom and independence against her father's restraints, and her inward battle between wanting to please her father and wanting to help Willie Price whose father, Titus Price, committed suicide after falling into bankruptcy and debt.
Arnold Bennett (1867-1931) was a prolific British writer and journalist. Bennett is popular for fiction such as The Old Wives' Tale and also for non-fiction works such as How to Live on 24 Hours a Day and Mental Efficiency. This edition of The Matador of the Five Towns and Other Stories includes a table of contents.
Rena got into an entanglement with a big shot when she was drunk one night. She needed Waylen's help while he was drawn to her youthful beauty. As such, what was supposed to be a one-night stand progressed into something serious. All was well until Rena discovered that Waylen's heart belonged to another woman. When his first love returned, he stopped coming home, leaving Rena all alone for many nights. She put up with it until she received a check and farewell note one day. Contrary to how Waylen expected her to react, Rena had a smile on her face as she bid him farewell. "It was fun while it lasted, Waylen. May our paths never cross. Have a nice life." But as fate would have it, their paths crossed again. This time, Rena had another man by her side. Waylen's eyes burned with jealousy. He spat, "How the hell did you move on? I thought you loved only me!" "Keyword, loved!" Rena flipped her hair back and retorted, "There are plenty of fish in the sea, Waylen. Besides, you were the one who asked for a breakup. Now, if you want to date me, you have to wait in line." The next day, Rena received a credit alert of billions and a diamond ring. Waylen appeared again, got down on one knee, and uttered, "May I cut in line, Rena? I still want you."
The day Raina gave birth should have been the happiest of her life. Instead, it became her worst nightmare. Moments after delivering their twins, Alexander shattered her heart-divorcing her and forcing her to sign away custody of their son, Liam. With nothing but betrayal and heartbreak to her name, Raina disappeared, raising their daughter, Ava, on her own.Years later, fate comes knocking when Liam falls gravely ill. Desperate to save his son, Alexander is forced to seek out the one person he once cast aside. Alexander finds himself face to face with the woman he underestimated, pleading for a second chance-not just for himself, but for their son. But Raina is no longer the same broken woman who once loved him.No longer the woman he left behind. She has carved out a new life-one built on strength, wealth, and a long-buried legacy she expected to uncover.Raina has spent years learning to live without him.The question is... Will she risk reopening old wounds to save the son she never got to love? or has Alexander lost her forever?
Rumors said that Lucas married an unattractive woman with no background. In the three years they were together, he remained cold and distant to Belinda, who endured in silence. Her love for him forced her to sacrifice her self-worth and her dreams. When Lucas' true love reappeared, Belinda realized that their marriage was a sham from the start, a ploy to save another woman's life. She signed the divorce papers and left. Three years later, Belinda returned as a surgical prodigy and a maestro of the piano. Lost in regret, Lucas chased her in the rain and held her tightly. "You are mine, Belinda."
Kaelyn devoted three years tending to her husband after a terrible accident. But once he was fully recovered, he cast her aside and brought his first love back from abroad. Devastated, Kaelyn decided on a divorce as people mocked her for being discarded. She went on to reinvent herself, becoming a highly sought-after doctor, a champion racer, and an internationally renowned architectural designer. Even then, the traitors sneered in disdain, believing Kaelyn would never find someone. But then the ex-husband’s uncle, a powerful warlord, returned with his army to ask for Kaelyn’s hand in marriage.
Hazel Queen had loved her husband with all her heart for three years. But the one thing she never saw coming was the cold, shocking truth: he wanted a divorce because his mistress was pregnant. Heartbroken and betrayed, Hazel decides to move on and returns to Queen Corp, where she steps into her true role as the powerful female president, worth hundreds of millions. This revelation shocks her ex-husband, Damon Price, who never knew that the woman he left behind was the mastermind behind the famous Queen Corp-the Heiress of the Queen family, who had supposedly died in a fire three years ago.
"Sign the divorce papers and get out!" Leanna got married to pay a debt, but she was betrayed by her husband and shunned by her in-laws. Seeing that her efforts were in vain, she agreed to divorce and claimed her half of the properties. With her purse plump from the settlement, Leanna enjoyed her newfound freedom. The constant harassment from her ex's mistress never fazed her. She took back her identities as top hacker, champion racer, medical professor, and renowned jewelry designer. Then someone discovered her secret. Matthew smiled. "Will you have me as your next husband?"
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