An Eagle Flight by José Rizal
An Eagle Flight by José Rizal
The House on the Pasig.
It was toward the end of October. Don Santiago de los Santos, better known as Captain Tiago, was giving a dinner; and though, contrary to custom, he had not announced it until that very afternoon, it had become before evening the sole topic of conversation, not only at Binondo, but in the other suburbs of Manila, and even in the city itself. Captain Tiago passed for the most lavish of entertainers, and it was well known that the doors of his home, like those of his country, were closed to nobody and nothing save commerce and all new or audacious ideas. The news spread, therefore, with lightning rapidity in the world of the sycophants, the unemployed and idle, whom heaven has multiplied so generously at Manila.
The dinner was given in a house of the Calle de Anloague, which may yet be recognized, if an earthquake has not demolished it. This house, rather large and of a style common to the country, stood near an arm of the Pasig, called the Boco de Binondo, a rio which, like all others of Manila, washing along the multiple output of baths, sewers, and fishing grounds serves as a means of transport, and even furnishes drinking-water, if such be the humor of the Chinese carrier. Scarcely at intervals of a half-mile is this powerful artery of the quarter where the traffic is most important, the movement most active, dotted with bridges; and these, in ruins at one end six months of the year and inapproachable the remaining six at the other, give horses a pretext for plunging into the water, to the great surprise of preoccupied mortals in carriages dozing tranquilly or philosophizing on the progress of the century.
The house of Captain Tiago was rather low and on lines sufficiently incorrect. A grand staircase with green balustrades, carpeted at intervals, led from the vestibule, with its squares of colored faience, to the main floor, between Chinese pedestals ornamented with fantastic designs, supporting vases and jardinières of flowers.
At the top of the staircase was a large apartment, called here caida, which for this night served at once as dining- and music-room. In the centre, a long table, luxuriously set, seemed to promise to diners-out the most soothing satisfaction, at the same time threatening the timid girl-the dalaga-who for six mortal hours must submit to the companionship of strange and diverse people.
In contrast to these mundane preparations, richly colored pictures of religious subjects hung about the walls, and at the end of the apartment, imprisoned in ornate and splendid Renaissance carving, was a curious canvas of vast dimensions, bearing the inscription, "Our Lady of Peace and of Safe Journeys, Venerated at Antipolo." The ceiling was prettily decorated with jewelled Chinese lamps, cages without birds, spheres of crystal faced with colored foil, faded air plants, botetes, etc. On the river side, through fantastic arches, half Chinese, half European, were glimpses of a terrace, with trellises and arbors, illuminated by little colored lanterns. Brilliant chandeliers, reflected in great mirrors, lighted the apartment. On a platform of pine was a superb grand piano. In a panel of the wall, a large portrait in oil represented a man of agreeable face, in frock coat, robust, straight, symmetrical as the gavel between his jewelled fingers.
The crowd of guests almost filled the room; the men separated from the women, as in Catholic churches and synagogues. An old cousin of Captain Tiago's was receiving alone. Her appearance was kindly, but her tongue not very flexible to the Castilian. She filled her r?le by offering to the Spaniards trays of cigarettes and buyos, and giving the Filipinos her hand to kiss. The poor old lady, wearied at last, profited by the sound of breaking china to go out hurriedly, grumbling at maladroits. She did not reappear.
Whether the pictures roused a spirit of devotion, whether the women of the Philippines are exceptional, the feminine part of the assembly remained silent. Scarcely was heard even a yawn, stifled behind a fan. The men made more stir. The most interesting and animated group was formed by two monks, two Spanish provincials, and an officer, seated round a little table, on which were wine and English biscuits.
The officer, an old lieutenant, tall and morose, looked a Duke of Alba, retired into the Municipal Guard. He spoke little and dryly. One of the monks was a young Dominican, handsome, brilliant, precociously grave; it was the curate of Binondo. Consummate dialectician, he could escape from a distinguo like an eel from a fisherman's nets. He spoke seldom, and seemed to weigh his words.
The other monk talked much and gestured more. Though his hair was turning gray, he seemed to have preserved all his vigor. His carriage, his glance, his large jaws, his herculean frame, gave him the air of a Roman patrician in disguise. Yet he seemed genial, and if the timbre of his voice was autocratic, his frank and merry laugh removed any disagreeable impression, so far even that one pardoned his appearing in the salon with unshod feet.
One of the provincials, a little man with a black beard, had nothing remarkable about him but his nose, which, to judge from its size, ought not to have belonged to him entire. The other, young and blond, seemed newly arrived in the country. The Franciscan was conversing with him somewhat warmly.
"You will see," said he, "when you have been here several months; you will be convinced that to legislate at Madrid and to execute in the Philippines is not one and the same thing."
"But--"
"I, for example," continued Brother Dámaso, raising his voice to cut off the words of his objector, "I, who count twenty-three years of plane and palm, can speak with authority. I spent twenty years in one pueblo. In twenty years one gets acquainted with a town. San Diego had six thousand souls. I knew each inhabitant as if I'd borne and reared him-with which foot this one limped, how that one's pot boiled-and I tell you the reforms proposed by the Ministers are absurd. The Indian is too indolent!"
"Ah, pardon me," said the young man, speaking low and drawing nearer; "that word rouses all my interest. Does it really exist from birth, this indolence of the native, or is it, as some travellers say, only an excuse of our own for the lack of advancement in our colonial policy?"
"Bah! ask Se?or Laruja, who also knows the country well; ask him if the ignorance and idleness of the Indians are not unparalleled?"
"In truth!" the little dark man made haste to affirm; "nowhere will you find men more careless."
"Nor more corrupt, nor more ungrateful."
"Nor more ill-bred."
The young man looked about uneasily. "Gentlemen," said he, still speaking low, "it seems to me we are the guests of Indians, and that these young ladies--"
"Bah, you are too timid: Santiago does not consider himself an Indian, besides, he isn't here. These are the scruples of a newcomer. Wait a little. When you have slept in our strapped beds, eaten the tinola, and seen our balls and fêtes, you'll change your tone. And more, you will find that the country is going to ruin; she is ruined already!"
"What does your reverence mean?" cried the lieutenant and Dominican together.
"The evil all comes from the fact that the Government sustains wrong-doers in the face of the ministers of God," continued the Franciscan, raising his voice and facing about. "When a curate rids his cemetery of a malefactor, no one, not even the king, has the right to interfere; and a wretched general, a petty general from nowhere--"
"Father, His Excellency is viceroy," said the officer, rising. "His Excellency represents His Majesty the king."
"What Excellency?" retorted the Franciscan, rising in turn. "Who is this king? For us there is but one King, the legitimate--"
"If you do not retract that, Father, I shall make it known to the governor-general," cried the lieutenant.
"Go to him now, go!" retorted Father Dámaso; "I'll loan you my carriage."
The Dominican interposed.
"Se?ores," said he in a tone of authority, "you should not confuse things, nor seek offence where there is none intended. We must distinguish in the words of Father Dámaso those of the man from those of the priest. The latter per se can never offend, because they are infallible. In the words of the man, a sub-distinction must be made, into those said ab irato, those said ex ore, but not in corde, and those said in corde. It is these last only that can offend, and even then everything depends. If they were not premeditated in mente, but simply arose per accidens in the heat of the conversation--"
At this interesting point there joined the group an old Spaniard, gentle and inoffensive of aspect. He was lame, and leaned on the arm of an old native woman, smothered in curls and frizzes, preposterously powdered, and in European dress. With relief every one turned to salute them. It was Doctor de Espada?a and his wife, the Doctora Do?a Victorina. The atmosphere cleared.
"Which, Se?or Laruja, is the master of the house?" asked the young provincial. "I haven't been presented."
"They say he has gone out."
"No presentations are necessary here," said Brother Dámaso; "Santiago is a good fellow."
Er hat das Pulfer nicht erfunden. "He didn't invent gunpowder," added Laruja.
"What, you too, Se?or de Laruja?" said Do?a Victorina over her fan. "How could the poor man have invented gunpowder when, if what they say is true, the Chinese made it centuries ago?"
"The Chinese? 'Twas a Franciscan who invented it," said Brother Dámaso.
"A Franciscan, no doubt; he must have been a missionary to China," said the Se?ora, not disposed to abandon her idea.
"Who is this with Santiago?" asked the lieutenant. Every one looked toward the door, where two men had just entered. They came up to the group around the table.
The Social Cancer: A Complete English Version of Noli Me Tangere from the Spanish of José Rizal By Charles Derbyshire. Recorded in the history of human sufferings is a cancer of so malignant a character that the least touch irritates it and awakens in it the sharpest pains. Thus, how many times, when in the midst of modern civilizations I have wished to call thee before me, now to accompany me in memories, now to compare thee with other countries, hath thy dear image presented itself showing a social cancer like to that other! Desiring thy welfare, which is our own, and seeking the best treatment, I will do with thee what the ancients did with their sick, exposing them on the steps of the temple so that every one who came to invoke the Divinity might offer them a remedy. And to this end, I will strive to reproduce thy condition faithfully, without discriminations.
Two years of marriage left Brinley questioning everything, her supposed happiness revealed as nothing but sham. Abandoning her past for Colin, she discovered only betrayal and a counterfeit wedding. Accepting his heart would stay frozen, she called her estranged father, agreeing to the match he proposed. Laughter followed her, with whispers of Colin's power to toss her aside. Yet, she reinvented herself-legendary racer, casino mastermind, and acclaimed designer. When Colin tried to reclaim her, another man pulled Brinley close. "She's already carrying my child. You can't move on?"
Vivian clutched her Hermès bag, her doctor's words echoing: "Extremely high-risk pregnancy." She hoped the baby would save her cold marriage, but Julian wasn't in London as his schedule claimed. Instead, a paparazzi photo revealed his early return-with a blonde woman, not his wife, at the private airport exit. The next morning, Julian served divorce papers, callously ending their "duty" marriage for his ex, Serena. A horrifying contract clause gave him the right to terminate her pregnancy or seize their child. Humiliated, demoted, and forced to fake an ulcer, Vivian watched him parade his affair, openly discarding her while celebrating Serena. This was a calculated erasure, not heartbreak. He cared only for his image, confirming he would "handle" the baby himself. A primal rage ignited her. "Just us," she whispered to her stomach, vowing to sign the divorce on her terms, keep her secret safe, and walk away from Sterling Corp for good, ready to protect her child alone.
"Stella once savored Marc's devotion, yet his covert cruelty cut deep. She torched their wedding portrait at his feet while he sent flirty messages to his mistress. With her chest tight and eyes blazing, Stella delivered a sharp slap. Then she deleted her identity, signed onto a classified research mission, vanished without a trace, and left him a hidden bombshell. On launch day she vanished; that same dawn Marc's empire crumbled. All he unearthed was her death certificate, and he shattered. When they met again, a gala spotlighted Stella beside a tycoon. Marc begged. With a smirk, she said, ""Out of your league, darling."
Brenna lived with her adoptive parents for twenty years, enduring their exploitation. When their real daughter appeared, they sent Brenna back to her true parents, thinking they were broke. In reality, her birth parents belonged to a top circle that her adoptive family could never reach. Hoping Brenna would fail, they gasped at her status: a global finance expert, a gifted engineer, the fastest racer... Was there any end to the identities she kept hidden? After her fiancé ended their engagement, Brenna met his twin brother. Unexpectedly, her ex-fiancé showed up, confessing his love...
Silvia lost everything in one night-her parents,her trust,and her mate. Coming home from their funeral,she found her "fated"partner,Zack,tangled with another she-wolf. "You'll always be my Luna... even if I need variety,"he said,smirking. Heartbroken but fierce,she rejected him-and turned to someone far more dangerous. "I need help,"she whispered. Sherman leaned closer,his voice like silk over steel. "I offer more than help,little wolf. I offer everything he couldn't give you." Now married to Zack's powerful half-brother,Silvia plays a deadly game of loyalty,vengeance,and survival. But Sherman Carter doesn't help for free-and as their bond deepens,truths unravel. Is Silvia just a pawn in Sherman's war? Or is she becoming the Queen who'll burn the whole pack down? When love,betrayal,and bloodlines collide,how far will one omega go to save her family-and destroy the mate who broke her soul?
Rumors said that Lucas married an unattractive woman with no background. In the three years they were together, he remained cold and distant to Belinda, who endured in silence. Her love for him forced her to sacrifice her self-worth and her dreams. When Lucas' true love reappeared, Belinda realized that their marriage was a sham from the start, a ploy to save another woman's life. She signed the divorce papers and left. Three years later, Belinda returned as a surgical prodigy and a maestro of the piano. Lost in regret, Lucas chased her in the rain and held her tightly. "You are mine, Belinda."
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