An Eagle Flight by José Rizal
An Eagle Flight by José Rizal
The House on the Pasig.
It was toward the end of October. Don Santiago de los Santos, better known as Captain Tiago, was giving a dinner; and though, contrary to custom, he had not announced it until that very afternoon, it had become before evening the sole topic of conversation, not only at Binondo, but in the other suburbs of Manila, and even in the city itself. Captain Tiago passed for the most lavish of entertainers, and it was well known that the doors of his home, like those of his country, were closed to nobody and nothing save commerce and all new or audacious ideas. The news spread, therefore, with lightning rapidity in the world of the sycophants, the unemployed and idle, whom heaven has multiplied so generously at Manila.
The dinner was given in a house of the Calle de Anloague, which may yet be recognized, if an earthquake has not demolished it. This house, rather large and of a style common to the country, stood near an arm of the Pasig, called the Boco de Binondo, a rio which, like all others of Manila, washing along the multiple output of baths, sewers, and fishing grounds serves as a means of transport, and even furnishes drinking-water, if such be the humor of the Chinese carrier. Scarcely at intervals of a half-mile is this powerful artery of the quarter where the traffic is most important, the movement most active, dotted with bridges; and these, in ruins at one end six months of the year and inapproachable the remaining six at the other, give horses a pretext for plunging into the water, to the great surprise of preoccupied mortals in carriages dozing tranquilly or philosophizing on the progress of the century.
The house of Captain Tiago was rather low and on lines sufficiently incorrect. A grand staircase with green balustrades, carpeted at intervals, led from the vestibule, with its squares of colored faience, to the main floor, between Chinese pedestals ornamented with fantastic designs, supporting vases and jardinières of flowers.
At the top of the staircase was a large apartment, called here caida, which for this night served at once as dining- and music-room. In the centre, a long table, luxuriously set, seemed to promise to diners-out the most soothing satisfaction, at the same time threatening the timid girl-the dalaga-who for six mortal hours must submit to the companionship of strange and diverse people.
In contrast to these mundane preparations, richly colored pictures of religious subjects hung about the walls, and at the end of the apartment, imprisoned in ornate and splendid Renaissance carving, was a curious canvas of vast dimensions, bearing the inscription, "Our Lady of Peace and of Safe Journeys, Venerated at Antipolo." The ceiling was prettily decorated with jewelled Chinese lamps, cages without birds, spheres of crystal faced with colored foil, faded air plants, botetes, etc. On the river side, through fantastic arches, half Chinese, half European, were glimpses of a terrace, with trellises and arbors, illuminated by little colored lanterns. Brilliant chandeliers, reflected in great mirrors, lighted the apartment. On a platform of pine was a superb grand piano. In a panel of the wall, a large portrait in oil represented a man of agreeable face, in frock coat, robust, straight, symmetrical as the gavel between his jewelled fingers.
The crowd of guests almost filled the room; the men separated from the women, as in Catholic churches and synagogues. An old cousin of Captain Tiago's was receiving alone. Her appearance was kindly, but her tongue not very flexible to the Castilian. She filled her r?le by offering to the Spaniards trays of cigarettes and buyos, and giving the Filipinos her hand to kiss. The poor old lady, wearied at last, profited by the sound of breaking china to go out hurriedly, grumbling at maladroits. She did not reappear.
Whether the pictures roused a spirit of devotion, whether the women of the Philippines are exceptional, the feminine part of the assembly remained silent. Scarcely was heard even a yawn, stifled behind a fan. The men made more stir. The most interesting and animated group was formed by two monks, two Spanish provincials, and an officer, seated round a little table, on which were wine and English biscuits.
The officer, an old lieutenant, tall and morose, looked a Duke of Alba, retired into the Municipal Guard. He spoke little and dryly. One of the monks was a young Dominican, handsome, brilliant, precociously grave; it was the curate of Binondo. Consummate dialectician, he could escape from a distinguo like an eel from a fisherman's nets. He spoke seldom, and seemed to weigh his words.
The other monk talked much and gestured more. Though his hair was turning gray, he seemed to have preserved all his vigor. His carriage, his glance, his large jaws, his herculean frame, gave him the air of a Roman patrician in disguise. Yet he seemed genial, and if the timbre of his voice was autocratic, his frank and merry laugh removed any disagreeable impression, so far even that one pardoned his appearing in the salon with unshod feet.
One of the provincials, a little man with a black beard, had nothing remarkable about him but his nose, which, to judge from its size, ought not to have belonged to him entire. The other, young and blond, seemed newly arrived in the country. The Franciscan was conversing with him somewhat warmly.
"You will see," said he, "when you have been here several months; you will be convinced that to legislate at Madrid and to execute in the Philippines is not one and the same thing."
"But--"
"I, for example," continued Brother Dámaso, raising his voice to cut off the words of his objector, "I, who count twenty-three years of plane and palm, can speak with authority. I spent twenty years in one pueblo. In twenty years one gets acquainted with a town. San Diego had six thousand souls. I knew each inhabitant as if I'd borne and reared him-with which foot this one limped, how that one's pot boiled-and I tell you the reforms proposed by the Ministers are absurd. The Indian is too indolent!"
"Ah, pardon me," said the young man, speaking low and drawing nearer; "that word rouses all my interest. Does it really exist from birth, this indolence of the native, or is it, as some travellers say, only an excuse of our own for the lack of advancement in our colonial policy?"
"Bah! ask Se?or Laruja, who also knows the country well; ask him if the ignorance and idleness of the Indians are not unparalleled?"
"In truth!" the little dark man made haste to affirm; "nowhere will you find men more careless."
"Nor more corrupt, nor more ungrateful."
"Nor more ill-bred."
The young man looked about uneasily. "Gentlemen," said he, still speaking low, "it seems to me we are the guests of Indians, and that these young ladies--"
"Bah, you are too timid: Santiago does not consider himself an Indian, besides, he isn't here. These are the scruples of a newcomer. Wait a little. When you have slept in our strapped beds, eaten the tinola, and seen our balls and fêtes, you'll change your tone. And more, you will find that the country is going to ruin; she is ruined already!"
"What does your reverence mean?" cried the lieutenant and Dominican together.
"The evil all comes from the fact that the Government sustains wrong-doers in the face of the ministers of God," continued the Franciscan, raising his voice and facing about. "When a curate rids his cemetery of a malefactor, no one, not even the king, has the right to interfere; and a wretched general, a petty general from nowhere--"
"Father, His Excellency is viceroy," said the officer, rising. "His Excellency represents His Majesty the king."
"What Excellency?" retorted the Franciscan, rising in turn. "Who is this king? For us there is but one King, the legitimate--"
"If you do not retract that, Father, I shall make it known to the governor-general," cried the lieutenant.
"Go to him now, go!" retorted Father Dámaso; "I'll loan you my carriage."
The Dominican interposed.
"Se?ores," said he in a tone of authority, "you should not confuse things, nor seek offence where there is none intended. We must distinguish in the words of Father Dámaso those of the man from those of the priest. The latter per se can never offend, because they are infallible. In the words of the man, a sub-distinction must be made, into those said ab irato, those said ex ore, but not in corde, and those said in corde. It is these last only that can offend, and even then everything depends. If they were not premeditated in mente, but simply arose per accidens in the heat of the conversation--"
At this interesting point there joined the group an old Spaniard, gentle and inoffensive of aspect. He was lame, and leaned on the arm of an old native woman, smothered in curls and frizzes, preposterously powdered, and in European dress. With relief every one turned to salute them. It was Doctor de Espada?a and his wife, the Doctora Do?a Victorina. The atmosphere cleared.
"Which, Se?or Laruja, is the master of the house?" asked the young provincial. "I haven't been presented."
"They say he has gone out."
"No presentations are necessary here," said Brother Dámaso; "Santiago is a good fellow."
Er hat das Pulfer nicht erfunden. "He didn't invent gunpowder," added Laruja.
"What, you too, Se?or de Laruja?" said Do?a Victorina over her fan. "How could the poor man have invented gunpowder when, if what they say is true, the Chinese made it centuries ago?"
"The Chinese? 'Twas a Franciscan who invented it," said Brother Dámaso.
"A Franciscan, no doubt; he must have been a missionary to China," said the Se?ora, not disposed to abandon her idea.
"Who is this with Santiago?" asked the lieutenant. Every one looked toward the door, where two men had just entered. They came up to the group around the table.
The Social Cancer: A Complete English Version of Noli Me Tangere from the Spanish of José Rizal By Charles Derbyshire. Recorded in the history of human sufferings is a cancer of so malignant a character that the least touch irritates it and awakens in it the sharpest pains. Thus, how many times, when in the midst of modern civilizations I have wished to call thee before me, now to accompany me in memories, now to compare thee with other countries, hath thy dear image presented itself showing a social cancer like to that other! Desiring thy welfare, which is our own, and seeking the best treatment, I will do with thee what the ancients did with their sick, exposing them on the steps of the temple so that every one who came to invoke the Divinity might offer them a remedy. And to this end, I will strive to reproduce thy condition faithfully, without discriminations.
Arabella, a state-trained prodigy, won freedom after seven brutal years. Back home, she found her aunt basking in her late parents' mansion while her twin sister scrounged for scraps. Fury ignited her genius. She gutted the aunt's business overnight and enrolled in her sister's school, crushing the bullies. When cynics sneered at her "plain background," a prestigious family claimed her and the national lab hailed her. Reporters swarmed, influencers swooned, and jealous rivals watched their fortunes crumble. Even Asher-the rumored ruthless magnate-softened, murmuring, "Fixed your mess-now be mine."
Luna has tried her best to make her forced marriage to Xen work for the sake of their child. But with Riley and Sophia- Xen's ex-girlfriend and her son in the picture. She fights a losing battle. Ollie, Xen's son is neglected by his father for a very long time and he is also suffering from a mysterious sickness that's draining his life force. When his last wish to have his dad come to his 5th birthday party is dashed by his failure to show up, Ollie dies in an accident after seeing his father celebrate Riley's birthday with Sophia and it's displayed on the big advertising boards that fill the city. Ollie dies and Luna follows after, unable to bear the grief, dying in her mate's hands cursing him and begging for a second chance to save her son. Luna gets the opportunity and is woken up in the past, exactly one year to the day Sophia and Riley show up. But this time around, Luna is willing to get rid of everyone and anyone even her mate if he steps in her way to save her son.
The sterile white of the operating room blurred, then sharpened, as Skye Sterling felt the cold clawing its way up her body. The heart monitor flatlined, a steady, high-pitched whine announcing her end. Her uterus had been removed, a desperate attempt to stop the bleeding, but the blood wouldn't clot. It just kept flowing, warm and sticky, pooling beneath her. Through heavy eyes, she saw a trembling nurse holding a phone on speaker. "Mr. Kensington," the nurse's voice cracked, "your wife... she's critical." A pause, then a sweet, poisonous giggle. Seraphina Miller. "Liam is in the shower," Seraphina's voice purred. "Stop calling, Skye. It's pathetic. Faking a medical emergency on our anniversary? Even for you, that's low." Then, Liam's bored voice: "If she dies, call the funeral home. I have a meeting in the morning." Click. The line went dead. A second later, so did Skye. The darkness that followed was absolute, suffocating, a black ocean crushing her lungs. She screamed into the void, a silent, agonizing wail of regret for loving a man who saw her as a nuisance, for dying without ever truly living. Until she died, she didn't understand. Why was her life so tragically wasted? Why did her husband, the man she loved, abandon her so cruelly? The injustice of it all burned hotter than the fever in her body. Then, the air rushed back in. Skye gasped, her body convulsing violently on the mattress. Her eyes flew open, wide and terrified, staring blindly into the darkness. Her trembling hand reached for her phone. May 12th. Five years ago. She was back.
"Let's get married," Mia declares, her voice trembling despite her defiant gaze into Stefan's guarded brown eyes. She needs this, even if he seems untouchable. Stefan raises a skeptical brow. "And why would I do that?" His voice was low, like a warning, and it made her shiver even though she tried not to show it. "We both have one thing in common," Mia continues, her gaze unwavering. "Shitty fathers. They want to take what's ours and give it to who they think deserves it." A pointed pause hangs in the air. "The only difference between us is that you're an illegitimate child, and I'm not." Stefan studies her, the heiress in her designer armor, the fire in her eyes that matches the burn of his own rage. "That's your solution? A wedding band as a weapon?" He said ignoring the part where she just referred to him as an illegitimate child. "The only weapon they won't see coming." She steps closer, close enough for him to catch the scent of her perfume, gunpowder and jasmine. "Our fathers stole our birthrights. The sole reason they betrayed us. We join forces, create our own empire that'll bring down theirs." A beat of silence. Then, Stefan's mouth curves into something sharp. "One condition," he murmurs, closing the distance. "No divorces. No surrenders. If we're doing this, it's for life" "Deal" Mia said without missing a beat. Her father wants to destroy her life. She wouldn't give him the pleasure, she would destroy her life as she seems fit. ................ Two shattered heirs. One deadly vow. A marriage built on revenge. Mia Meyers was born to rule her father's empire (so she thought), until he named his bastard son heir instead. Stefan Sterling knows the sting of betrayal too. His father discarded him like trash. Now the rivals' disgraced children have a poisonous proposal: Marry for vengeance. Crush their fathers' legacies. Never speak of divorce. Whoever cracks first loses everything. Can these two rivals, united by their vengeful hearts, pull off a marriage of convenience to reclaim what they believe is rightfully theirs? Or will their fathers' animosity, and their own complicated pasts tear their fragile alliance apart?
In their previous lives, Gracie married Theo. Outwardly, they were the perfect academic couple, but privately, she became nothing more than a stepping stone for his ambition, and met a tragic end. Her younger sister Ellie wed Brayden, only to be abandoned for his true love, left alone and disgraced. This time, both sisters were reborn. Ellie rushed to marry Theo, chasing the success Gracie once had-unaware she was repeating the same heartbreak. Gracie instead entered a contract marriage with Brayden. But when danger struck, he defended her fiercely. Could fate finally rewrite their tragic endings?
I'm a moaning mess as Antonio slams into me from behind. His hips hit me hard, and each deep thrust sends shockwaves through my body. My breasts bounce with every movement, my eyes roll back, and I moan his name without control. The pleasure he gives me is overwhelming-I can't hold it in. I feel my walls tighten around his thick length. The pressure builds fast, and then- I explode around him, my orgasm tearing through me. He groans loud and deep as he releases inside me, his hot seed spilling into me in thick pulses. Just when I think he's done, his grip shifts. He turns me over and lays me flat on the bed. His dark eyes stare into mine for a moment, filled with raw hunger. I glance down- He's still hard. Before I can react, he grabs my wrists, pins me down, and pushes himself inside me again. He fills me completely. My hips rise on instinct, meeting his rhythm. Our bodies move together, locked in a wild, uncontrollable dance. "You're fucking sweet," he groans, his voice rough and breathless. "I can't get enough of you... not after that night, Sol," he growls, slamming into me harder. The force of his words and his thrusts make my body shake. "Come for me," he commands, his voice low and full of heat. And just like that, my body trembles. Waves of pleasure crash over me. I cry out, shaking with the force of my orgasm. "Mine," he growls again, louder this time. His voice is feral, wild, like a beast claiming what belongs to him. The sound sends a shiver down my spine. *** Solene was betrayed, humiliated, and erased by Rowan Brook, the man she once called husband, Solene is left with nothing but her name and a burning hunger for revenge. She turns to the one man powerful enough to destroy the Brooks family from within: Rowan's estranged and dangerous uncle, Antonio Rodriguez. He's ruthless. A playboy who never sleeps with the same woman twice. But when Solene walks into his world, he doesn't just break the rules, he creates new ones just for her. What begins as a calculated game quickly spirals into obsession, power plays, and secrets too deadly to stay buried. Because Solene isn't just anyone's ex... she's the woman they should've never underestimated. Can she survive the price of revenge? Or will her heart become the next casualty? And when the truth comes out, will Antonio still choose her... or destroy her?
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