Double Trouble by Herbert Quick
Double Trouble by Herbert Quick
Deep in the Well where blushing hides the shrinking
and Naked Truth,
I have dived, and dared to fetch ensnared this Fragment
of tested Sooth;
And one of the purblind Race of Men peered with a curious Eye
Over the Curb as I fetched it forth, and besought me
to drop that Lie:
But all ye who long for Certitude, and who yearn for the
Ultimate Fact,
Who know the Truth and in spite of Ruth tear piecemeal
the Inexact,
Come list to my Lay that I sing to-day, and choose betwixt
him and me,
And choosing show that ye always know the Lie from the Veritee!
-The Rime of the Sheeted Spoorn.
"Baggs," said Mr. Amidon, "take things entirely into your own hands. I'm off."
"All right," said Baggs. "It's only a day's run to Canada; but in case I should prove honest, and need to hear from you, you'll leave your address?"
Mr. Amidon[1] frowned and made a gesture expressive of nervousness.
"No," said he, in a high-pitched and querulous tone. "No! I want to see if this business owns me, or if I own it. Why should you need to communicate with me? Whenever I'm off a day you always sign everything; and I shall be gone but a day on any given date this time; so it's only the usual thing, after all. I shall not leave any address; and don't look for me until I step in at that door! Good-by."
And he walked out of the bank, went home, and began looking over for the last time his cameras, films, tripods and the other paraphernalia of his fad.
"This habit of running off alone, Florian," said Mrs. Baggs, his sister, housekeeper, general manager, and the wife of Baggs-his confidential clerk and silent partner-"gives me an uneasy feeling. If you had only done as I wanted you to do, you'd have had some one--"
"Now, Jennie," said he, "we have settled that question a dozen times, and we can't go over it again if I am to catch the 4:48 train. Keep your eye on the men, and keep Baggs up in the collar, and see that Wilkes and Ranger get their just dues. I must have rest, Jennie; and as for the wife, why, there'll be more some day for this purely speculative family of yours if we-- By the way, there's the whistle at Anderson's crossing. Good-by, my dear!"
On the 4:48 train, at least until it had aged into the 7:30 or 8:00, Mr. Florian Amidon, banker, and most attractive unmarried man of Hazelhurst, was not permitted to forget that his going away was an important event. The fact that he was rich, from the viewpoint of the little mid-western town, unmarried and attractive, easily made his doings important, had nothing remarkable followed. But he had exceptional points as a person of consequence, aside from these. His father had been a scholar, and his mother so much of a grande dame as to have old worm-eaten silks and laces with histories. The Daughters of the American Revolution always went to the Amidons for ancient toggery for their eighteenth-century costumes-and checks for their deficits. The family even had a printed genealogy. Moreover, Florian had been at the head of his class in the high school, had gone through the family alma mater in New England, and been finished in Germany. Hazelhurst, therefore, looked on him as a possession, and thought it knew him.
We, however, may confide to the world that Hazelhurst knew only his outer husk, and that Mr. Amidon was inwardly proud of his psychological hinterland whereof his townsmen knew nothing. To Hazelhurst his celibacy was the banker's caution, waiting for something of value in the matrimonial market: to him it was a bashful and palpitant-almost maidenly-expectancy of the approach of some radiant companion of his soul, like those which spoke to him from the pages of his favorite poets.
This was silly in a mere business man! If found out it would have justified a run on the bank.
To Hazelhurst he was a fixed and integral part of their society: to himself he was a galley-slave chained to the sweep of percentages, interest-tables, cash-balances, and lines of credit, to whom there came daily the vision of a native Arcadia of art, letters and travel. It was good business to allow Hazelhurst to harbor its illusions; it was excellent pastime and good spiritual nourishment for Amidon to harbor his; and one can see how it may have been with some quixotic sense of seeking adventure that he boarded the train.
What followed was so extraordinary that everything he said or did was remembered, and the record is tolerably complete. He talked with Simeon Woolaver, one of his tenants, about the delinquent rent, and gave Simeon a note to Baggs relative to taking some steers in settlement. This was before 5:17, at which time Mr. Woolaver got off at Duxbury.
"He was entirely normal," said Simeon during the course of his examination-"more normal than I ever seen him; an' figgered the shrink on them steers most correct from his standp'int, on a business card with a indelible pencil. He done me out of about eight dollars an' a half. He was exceedin'ly normal-up to 5:17!"
Mr. Amidon also encountered Mrs. Hunter and Miss Hunter in the parlor-car, immediately after leaving Duxbury. Miss Hunter was on her way to the Maine summer resorts with the Senator Fowlers, to whom Mrs. Hunter was taking her. Mrs. Hunter noticed nothing peculiar in his behavior, except the pointed manner in which he passed the chair by Minnie's side, and took the one by herself. This seemed abnormal to Mrs. Hunter, whose egotism had its center in her daughter; but those who remembered the respectful terror with which he regarded women between the ages of eighteen and thirty-five failed to see exceptional conduct in this. His lawyer, Judge Blodgett, with whom he went into the buffet at about seven, found him in conversation with these two ladies.
"He seemed embarrassed," said the judge, "and was blushing. Mrs. Hunter was explaining the new style in ladies' figures, and asking him if he didn't think Minnie was getting much plumper. As soon as he saw me he yelled: 'Hello, Blodgett! Come into the buffet! I want to see you about some legal matters.' He excused himself to the ladies, and we went into the buffet."
"What legal matters did he place before you?" said his interlocutor.
"Two bottles of beer," said the judge, "and a box of cigars. Then he talked Browning to me until 9:03, when he got off at Elm Springs Junction, to take the Limited north. He was wrong on Browning, but otherwise all right."
It was, therefore, at 9:03, or 9:05 (for the engineer's report showed the train two minutes late out of Elm Springs Junction), that Florian Amidon became the sole occupant of this remote country railway platform. He sat on a trunkful of photographer's supplies, with a suit-case and a leather bag at his back. It was the evening of June twenty-seventh, 1896. All about the lonely station the trees crowded down to the right of way, and rustled in a gentle evening breeze. Somewhere off in the wood, his ear discerned the faint hoot of an owl. Across the track in a pool under the shadow of the semaphore, he heard the full orchestra of the frogs, and saw reflected in the water the last exquisite glories of expiring day lamped by one bright star. Leaning back, he partly closed his eyelids, and wondered why so many rays came from the star-with the vague wonder of drowsiness, which comes because it has been in the habit of coming from one's earliest childhood. The star divided into two, and all its beams swam about while his gaze remained fixed, and nothing seemed quite in the focus of his vision.
Putting out his hand, presently, he touched a window, damp with vapor and very cold. On the other side he felt a coarse curtain, and where the semaphore stood, appeared a perpendicular bar of dim light. A vibratory sound somewhere near made him think that the owls and frogs had begun snoring. He heard horrible hissings and the distant clangor of a bell; and then all the platform heaved and quaked under him as if it were being dragged off into the woods. He sprang upward, received a blow upon his head, rolled off to the floor, and--
Stood in the middle of a sleeping-car, clad only in pajamas; and a scholarly-looking negro porter looked down in his face, laying gentle hands upon him, and addressing him in soothing tones.
"Huht yo' haid, Mr. Brassfield? Kind o' dreamin', wasn't yo', suh?" said the porter. "Bettah tuhn in again, suh. I'll wake yo' fo' N'Yohk. Yo' kin sleep late on account of the snow holdin' us back. Jes' lay down, Mr. Brassfield; it's only 3:35."
A lady's eye peeped forth from the curtain of a near-by berth, and vanished instantly. Mr. Amidon, seeing it, plunged back into the shelter from which he had tumbled, and lay there trembling-trembling, forsooth, because, instead of summer, it seemed winter; for Elm Springs Junction, it appeared to be a moving train on some unknown road, going God knew where; and for Florian Amidon, in his outing suit, it had the appearance of a somnambulistic wretch in his night-clothes, who was addressed by the unfamiliar porter as Mr. Brassfield!
[1] Editorial Note: As reflecting light on the personal characteristics of Mr. Florian Amidon, whose remarkable history is the turning-point of this narrative, we append a brief note by his college classmate and lifelong acquaintance, the well-known Doctor J. Galen Urquhart, of Hazelhurst, Wisconsin. The note follows:
"At the time when the following story opens, Mr. Florian Amidon was about thirty years of age. Height, five feet ten and three-quarters inches; weight, one hundred and seventy-eight pounds. For general constitutional and pathological facts, see Sheets 2 to 7, inclusive, attached hereto. Subject well educated, having achieved distinction in linguistic, philological and literary studies in his university. (See Sheet 1, attached.) Neurologically considered, family history of subject (see Sheets 8 and 10) shows nothing abnormal, except that his father, a chemist, wrote an essay opposing the atomic theory, and a cousin is an epileptic. I regard these facts as significant. Volitional and inhibitory faculties largely developed; may be said to be a man of strong will-power end self-control. The following facts may be noted as possibly symptomatic of neurasthenia; fondness for the poetry of Whitman and Browning (see Nordau); tendency to dabble in irregular systems of medical practice; pronounced nervous and emotional irritability during adolescence; aversion to young women in society; stubborn clinging to celibacy. In posture, gait and general movements, the following may be noted: vivacious in conversation; possessed of great mobility of facial expression; anteroposterior sway marked and occasionally anterosinistral, and greatly augmented so as to approach Romberg symptom on closure of eyes, but no ataxic evidences in locomotion. Taking the external malleolus as the datum, the vertical and lateral pedal oscillation--"
The editor regrets to say that space forbids any further incorporation of Doctor Urquhart's very illuminating note at this place. It may appear at some time as a separate essay or volume.
For eight years, Cecilia Moore was the perfect Luna, loyal, and unmarked. Until the day she found her Alpha mate with a younger, purebred she-wolf in his bed. In a world ruled by bloodlines and mating bonds, Cecilia was always the outsider. But now, she's done playing by wolf rules. She smiles as she hands Xavier the quarterly financials-divorce papers clipped neatly beneath the final page. "You're angry?" he growls. "Angry enough to commit murder," she replies, voice cold as frost. A silent war brews under the roof they once called home. Xavier thinks he still holds the power-but Cecilia has already begun her quiet rebellion. With every cold glance and calculated step, she's preparing to disappear from his world-as the mate he never deserved. And when he finally understands the strength of the heart he broke... It may be far too late to win it back.
My wealthy husband, Nathaniel, stormed in, demanding a divorce to be with his "dying" first love, Julia. He expected tears, pleas, even hysteria. Instead, I calmly reached for a pen, ready to sign away our life for a fortune. For two years, I played the devoted wife in our sterile penthouse. That night, Nathaniel shattered the facade, tossing divorce papers. "Julia's back," he stated, "she needs me." He expected me to crumble. But my calm "Okay" shocked him. I coolly demanded his penthouse, shares, and a doubled stipend, letting him believe I was a greedy gold digger. He watched, disgusted, convinced I was a monster. He couldn't fathom my indifference or ruthless demands. He saw avarice, not a carefully constructed facade. His betrayal had awakened something far more dangerous. The second the door closed, the dutiful wife vanished. I retrieved a burner phone and a Glock, ready to expose the elaborate lie he and Julia had built.
After two years of marriage, Sadie was finally pregnant. Filled with hope and joy, she was blindsided when Noah asked for a divorce. During a failed attempt on her life, Sadie found herself lying in a pool of blood, desperately calling Noah to ask him to save her and the baby. But her calls went unanswered. Shattered by his betrayal, she left the country. Time passed, and Sadie was about to be wed for a second time. Noah appeared in a frenzy and fell to his knees. "How dare you marry someone else after bearing my child?"
Maia grew up a pampered heiress-until the real daughter returned and framed her, sending Maia to prison with help from her fiancé and family. Four years later, free and married to Chris, a notorious outcast, everyone assumed Maia was finished. They soon discovered she was secretly a famed jeweler, elite hacker, celebrity chef, and top game designer. As her former family begged for help, Chris smiled calmly. "Honey, let's go home." Only then did Maia realize her "useless" husband was a legendary tycoon who'd adored her from the start.
Serena Vance, an unloved wife, clutched a custom-made red velvet cake to her chest, enduring the cold rain outside an exclusive Upper East Side club. She hoped this small gesture for her husband, Julian, would bridge the growing chasm between them on their third anniversary. But as she neared the VIP suite, her world shattered. Julian's cold, detached voice sliced through the laughter, revealing he considered her nothing more than a "signature on a piece of paper" for a trust fund, mocking her changed appearance and respecting only another woman, Elena. The indifference in his tone was a physical blow, a brutal severance, not heartbreak. She gently placed the forgotten cake on the floor, leaving her wedding ring and a diamond necklace as she prepared to abandon a marriage built on lies. Her old life, once a prison of quiet suffering and constant humiliation, now lay in ruins around her. Three years of trying to be seen, to be loved, were erased by a few cruel words. Why had she clung to a man who saw her as a clause in a will, a "creature," not a wife? The shame and rage hardened her heart, freezing her tears. Returning to an empty penthouse, she packed a single battered suitcase, leaving behind every symbol of her failed marriage. With a burner phone, she dialed a number she hadn't touched in a decade, whispering, "Godfather, I'm ready to come home."
On the day of their wedding anniversary, Joshua's mistress drugged Alicia, and she ended up in a stranger's bed. In one night, Alicia lost her innocence, while Joshua's mistress carried his child in her womb. Heartbroken and humiliated, Alicia demanded a divorce, but Joshua saw it as yet another tantrum. When they finally parted ways, she went on to become a renowned artist, sought out and admired by everyone. Consumed by regret, Joshua darkened her doorstep in hopes of reconciliation, only to find her in the arms of a powerful tycoon. "Say hello to your sister-in-law."
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