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The Harvard Classics Shelf of Fiction - German by J. W. von Goethe
The Harvard Classics Shelf of Fiction - German by J. W. von Goethe
At the junction of the Kurfürstendamm and the Kurfürstenstrasse, diagonally across from the Zoological Garden, there still remained, about the middle of the seventies, a large market-garden, extending towards the open country. The little house belonging to this property had but three windows, and was set about a hundred paces back in a front garden; yet in spite of its small size and its secluded position, it could be plainly seen from the road that ran past.
But all else that belonged to the place, and indeed formed the principal part of it, was hidden behind this little dwelling as if by the side-scenes of a theatre, and only a little red and green painted tower with a half broken dial beneath its peak (nothing remained of the clock itself) gave one a hint, that behind this "coulisse" something more must be hidden, a hint which was confirmed from time to time by the rising and circling of a flock of pigeons around the tower, and still more by the occasional barking of a dog. Where this dog was actually kept it was indeed impossible to find out, in spite of the fact that the door of the house, which was close to the left corner, stood open early and late and afforded a glimpse of a small part of the yard. However, nothing seemed to have been purposely hidden, and yet everyone who came along the road at the time when our story begins, had to be satisfied with a glimpse of the little house with its three windows and of a few fruit trees that stood in the front garden.
It was the week after Whitsunday, when the days are so long that it seems as if the dazzling light would never come to an end. But to-day the sun was already hidden behind the church-tower of Wilmersdorf and instead of the light, with which it had filled the front garden all day, the shades of evening had already fallen, and the half mysterious silence was only surpassed by that of the little house which was occupied by old Frau Nimptsch and her adopted daughter Lena as tenants. But Frau Nimptsch was sitting as usual by the large low hearth in her front room, which took in the whole width of the house, and, bending forward, she was gazing at a blackened old tea kettle, whose lid kept up a continual rattling, although the steam was pouring out of the spout. The old woman was holding her hands out towards the glowing embers and was so lost in her thoughts and dreams that she did not hear the hall door open and a stout woman enter somewhat noisily. Only when the latter cleared her throat and greeted her friend and neighbor, our Frau Nimptsch, quite affectionately by name, did the latter turn around and speak to her guest in friendly fashion and with a touch of playfulness: "Well, this is good in you, dear Frau D?rr, to come over again. And from the 'castle' too. For it is a castle and always will be. It has a tower. And now do sit down.... I just saw your dear husband go out. Of course he would have to. For this is his evening at the bowling alley."
She who received this friendly greeting as Frau D?rr was not only stout, but was an especially imposing-looking woman, who produced the impression of narrow-mindedness as well as that of kindliness and trustworthiness. Meanwhile Frau Nimptsch apparently took no offence and only repeated: "Yes, his evening at the bowling alley. But what I was going to say was, that D?rr's hat really will not do any longer. It is all threadbare and really disgraceful. You ought to take it away from him and put another in its place. Perhaps he would never know the difference.... And now draw up your chair, dear Frau D?rr, or perhaps over there where the footstool is.... Lena, you know, has slipped out and left me in the lurch again."
"Has he been here?"
"Of course he has. And they have both gone a little way towards Wilmersdorf; nobody comes along the footpath. But they may be back again any minute."
"Well, then I had better go."
"Oh, no indeed, dear Frau D?rr. He will not stay. And even if he should, you know, he would not mind."
"I know, I know. And how are things then?"
"Why, how should they be? I believe she is thinking of something even if she does not want others to know it, and she is imagining something or other."
"Oh, my goodness," said Frau D?rr, as she drew up a somewhat higher stool instead of the footstool that had been offered her. "Oh, my goodness, then it's bad. Whenever one begins to imagine things, trouble begins. It is just like the Amen in church. See here, dear Frau Nimptsch, it was just the very same with me, only there was no imagining. And that is just why everything was really quite different."
Apparently Frau Nimptsch did not really understand what Frau D?rr meant, and so the latter went on: "And because I never took any notions into my head, things always went perfectly well and smoothly and now I have D?rr. Oh well, that isn't much, but still it is something respectable and I can show my face everywhere. And that is why I went to church with him too, and not merely to the registrar's office. If you only go to the registrar's office, there will always be talk."
Frau Nimptsch nodded.
But Frau D?rr repeated: "Yes, in church, in the Matth?ikirche. But this is what I was really going to say, don't you see, my dear Frau Nimptsch, I was really taller and more pleasing than Lena, and if I was not prettier (for that is something one can never rightly know and tastes differ so), yet my figure was stouter and a great many like that. Yes, so much is certain. But even if I was, as you might say, more solid and weighed more, and there was a something about me--well yes, there was something about me--yet I was always very innocent, almost simple; and as to him, my Count, with his fifty years on his shoulders, well, he was very simple too and always very gay and would never behave properly. And before very long, I told him: 'No, no, Count, this will never do; I can't allow anything like this....' And old people are always like that. I will only say, dear Frau Nimptsch, you can't imagine anything of the sort. It was dreadful. And now when I see Lena's Baron, it makes me ashamed to think what mine was like. And now as to Lena herself. My Lord, of course she isn't exactly an angel, but she is neat and industrious and knows how to do everything, and loves order and practical things. And don't you see, Frau Nimptsch, that is just the sad part of it. These fly-abouts, that are here to-day and there to-morrow, well, they never come to grief, they always fall on their feet like a cat, but such a good child, who takes everything seriously, and does everything for the sake of love, that is bad.... Or perhaps it may not be so bad; you only adopted her and she is not your own flesh and blood and perhaps she is a princess or something like that."
At this conjecture Frau Nimptsch shook her head and looked as if she were about to answer. But Frau D?rr had already risen and said, as she looked along the garden path: "Heavens, there they come. And he is just in civilian's clothes, with coat and trousers to match. But you would notice him all the same! And now he is whispering something in her ear and she is smiling to herself. But she is blushing so.... And now he is going away. And now ... Really, I believe, he is turning back. No, no, he is only saying good-bye again and she is throwing him a kiss.... Yes, I think something like that would have suited me.... No, mine was not like that."
Frau D?rr went on talking, until Lena came in and greeted both women.
Abandoned as a child and orphaned by murder, Kathryn swore she'd reclaim every shred of her stolen birthright. When she returned, society called her an unpolished love-child, scoffing that Evan had lost his mind to marry her. Only Evan knew the truth: the quiet woman he cradled like porcelain hid secrets enough to set the city trembling. She doubled as a legendary healer, an elusive hacker, and the royal court's favorite perfumer. At meetings, the directors groaned at the lovey-dovey couple, "Does she really have to be here?" Evan shrugged. "Happy wife, happy life." Soon her masks fell, and those who sneered bowed in awe.
On the night of her wedding, Evelyn Knight paid the ultimate price for trusting the wrong man-her husband murdered her with his own hands. But fate grants her a second chance. Reborn on the very day she's meant to marry Nathaniel Andrews, Evelyn wastes no time. This time, she won't be the victim. She escapes the altar and makes a bold move-straight into the arms of her husband's sworn rival. "Mr. Everett, will you marry me?" "This a surrender?" "No," she smirks. "This is a tactical retreat followed by a counterattack." What begins as a calculated alliance quickly spirals into something far more dangerous-obsession, protection, desire. Julian Everett never expected to fall for the woman who barged into his life like a storm. But now that he has her, he won't let her go. This time, Evelyn isn't just rewriting her fate-She's taking her revenge one kiss at a time.
Livia Shelby, 19, is forced into marriage with Damian Alexander - a ruthless CEO with a cold heart. Hate simmers beneath the surface, and sometimes it blurs the line between resentment and desire. But what happens when the love that grows between them is bound by a contract... and forbidden to be spoken? Author's Note: This book has been previously published on several platforms. This version is a revised and improved edition.
In her past life, she trusted the wrong people-and betrayed the one man who loved her most. Blinded by lies, she pushed her fiancé into ruin. Yet even as the world turned against him, he forgave her. And in the end, he slaughtered all her enemies, before using the final blade to follow her into death. Now reborn, she swears to rewrite her fate. This time, she tears apart the fake innocents, crushes the traitors, and rises in brilliance-only for one purpose: to win back the heart of the man she once destroyed. But little does she know. He never truly left. From the shadows, he has already laid his trap, created a world where she can only fall-back into his arms. A love once buried in blood and regret will now reignite amidst vengeance, redemption, and fate's cruel game.
Kaelyn devoted three years tending to her husband after a terrible accident. But once he was fully recovered, he cast her aside and brought his first love back from abroad. Devastated, Kaelyn decided on a divorce as people mocked her for being discarded. She went on to reinvent herself, becoming a highly sought-after doctor, a champion racer, and an internationally renowned architectural designer. Even then, the traitors sneered in disdain, believing Kaelyn would never find someone. But then the ex-husband’s uncle, a powerful warlord, returned with his army to ask for Kaelyn’s hand in marriage.
Hannah Rodriguez was fired from her place of work, and at the same time, she received a call from her lawyer that her husband had filed for a divorce. Heartbroken, she ran to her best friend's house to cry out her despair, but she unexpectedly saw her husband having sex with her best friend. Her mother-in-law had thrown her things out of the house. Having nowhere else to go, she was left on the street, where she was kidnapped and raped. Shamed and humiliated, she packed her stuff and left the country. Fast forward, five years later. Hannah is back with a set of Beautiful octuplets, ready to make the people who hurt her in the past pay for what they did to her, but what happened when a mysterious man came from nowhere, claiming he was the father of the octuplets? What happens when she finds out the man has a striking resemblance to her octuplets?
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