Life's Little Ironies by Thomas Hardy
Life's Little Ironies by Thomas Hardy
To the eyes of a man viewing it from behind, the nut-brown hair was a wonder and a mystery. Under the black beaver hat, surmounted by its tuft of black feathers, the long locks, braided and twisted and coiled like the rushes of a basket, composed a rare, if somewhat barbaric, example of ingenious art. One could understand such weavings and coilings being wrought to last intact for a year, or even a calendar month; but that they should be all demolished regularly at bedtime, after a single day of permanence, seemed a reckless waste of successful fabrication.
And she had done it all herself, poor thing. She had no maid, and it was almost the only accomplishment she could boast of. Hence the unstinted pains.
She was a young invalid lady-not so very much of an invalid-sitting in a wheeled chair, which had been pulled up in the front part of a green enclosure, close to a bandstand, where a concert was going on, during a warm June afternoon. It had place in one of the minor parks or private gardens that are to be found in the suburbs of London, and was the effort of a local association to raise money for some charity. There are worlds within worlds in the great city, and though nobody outside the immediate district had ever heard of the charity, or the band, or the garden, the enclosure was filled with an interested audience sufficiently informed on all these.
As the strains proceeded many of the listeners observed the chaired lady, whose back hair, by reason of her prominent position, so challenged inspection. Her face was not easily discernible, but the aforesaid cunning tress-weavings, the white ear and poll, and the curve of a cheek which was neither flaccid nor sallow, were signals that led to the expectation of good beauty in front. Such expectations are not infrequently disappointed as soon as the disclosure comes; and in the present case, when the lady, by a turn of the head, at length revealed herself, she was not so handsome as the people behind her had supposed, and even hoped-they did not know why.
For one thing (alas! the commonness of this complaint), she was less young than they had fancied her to be. Yet attractive her face unquestionably was, and not at all sickly. The revelation of its details came each time she turned to talk to a boy of twelve or thirteen who stood beside her, and the shape of whose hat and jacket implied that he belonged to a well-known public school. The immediate bystanders could hear that he called her 'Mother.'
When the end of the recital was reached, and the audience withdrew, many chose to find their way out by passing at her elbow. Almost all turned their heads to take a full and near look at the interesting woman, who remained stationary in the chair till the way should be clear enough for her to be wheeled out without obstruction. As if she expected their glances, and did not mind gratifying their curiosity, she met the eyes of several of her observers by lifting her own, showing these to be soft, brown, and affectionate orbs, a little plaintive in their regard.
She was conducted out of the gardens, and passed along the pavement till she disappeared from view, the schoolboy walking beside her. To inquiries made by some persons who watched her away, the answer came that she was the second wife of the incumbent of a neighbouring parish, and that she was lame. She was generally believed to be a woman with a story-an innocent one, but a story of some sort or other.
In conversing with her on their way home the boy who walked at her elbow said that he hoped his father had not missed them.
'He have been so comfortable these last few hours that I am sure he cannot have missed us,' she replied.
'Has, dear mother-not have!' exclaimed the public-school boy, with an impatient fastidiousness that was almost harsh. 'Surely you know that by this time!'
His mother hastily adopted the correction, and did not resent his making it, or retaliate, as she might well have done, by bidding him to wipe that crumby mouth of his, whose condition had been caused by surreptitious attempts to eat a piece of cake without taking it out of the pocket wherein it lay concealed. After this the pretty woman and the boy went onward in silence.
That question of grammar bore upon her history, and she fell into reverie, of a somewhat sad kind to all appearance. It might have been assumed that she was wondering if she had done wisely in shaping her life as she had shaped it, to bring out such a result as this.
In a remote nook in North Wessex, forty miles from London, near the thriving county-town of Aldbrickham, there stood a pretty village with its church and parsonage, which she knew well enough, but her son had never seen. It was her native village, Gaymead, and the first event bearing upon her present situation had occurred at that place when she was only a girl of nineteen.
How well she remembered it, that first act in her little tragi-comedy, the death of her reverend husband's first wife. It happened on a spring evening, and she who now and for many years had filled that first wife's place was then parlour-maid in the parson's house.
When everything had been done that could be done, and the death was announced, she had gone out in the dusk to visit her parents, who were living in the same village, to tell them the sad news. As she opened the white swing-gate and looked towards the trees which rose westward, shutting out the pale light of the evening sky, she discerned, without much surprise, the figure of a man standing in the hedge, though she roguishly exclaimed as a matter of form, 'Oh, Sam, how you frightened me!'
He was a young gardener of her acquaintance. She told him the particulars of the late event, and they stood silent, these two young people, in that elevated, calmly philosophic mind which is engendered when a tragedy has happened close at hand, and has not happened to the philosophers themselves. But it had its bearing upon their relations.
'And will you stay on now at the Vicarage, just the same?' asked he.
She had hardly thought of that. 'Oh, yes-I suppose!' she said. 'Everything will be just as usual, I imagine?'
He walked beside her towards her mother's. Presently his arm stole round her waist. She gently removed it; but he placed it there again, and she yielded the point. 'You see, dear Sophy, you don't know that you'll stay on; you may want a home; and I shall be ready to offer one some day, though I may not be ready just yet.
'Why, Sam, how can you be so fast! I've never even said I liked 'ee; and it is all your own doing, coming after me!'
'Still, it is nonsense to say I am not to have a try at you like the rest.' He stooped to kiss her a farewell, for they had reached her mother's door.
'No, Sam; you sha'n't!' she cried, putting her hand over his mouth. 'You ought to be more serious on such a night as this.' And she bade him adieu without allowing him to kiss her or to come indoors.
The vicar just left a widower was at this time a man about forty years of age, of good family, and childless. He had led a secluded existence in this college living, partly because there were no resident landowners; and his loss now intensified his habit of withdrawal from outward observation. He was still less seen than heretofore, kept himself still less in time with the rhythm and racket of the movements called progress in the world without. For many months after his wife's decease the economy of his household remained as before; the cook, the housemaid, the parlour-maid, and the man out-of-doors performed their duties or left them undone, just as Nature prompted them-the vicar knew not which. It was then represented to him that his servants seemed to have nothing to do in his small family of one. He was struck with the truth of this representation, and decided to cut down his establishment. But he was forestalled by Sophy, the parlour-maid, who said one evening that she wished to leave him.
'And why?' said the parson.
'Sam Hobson has asked me to marry him, sir.'
'Well-do you want to marry?'
'Not much. But it would be a home for me. And we have heard that one of us will have to leave.'
A day or two after she said: 'I don't want to leave just yet, sir, if you don't wish it. Sam and I have quarrelled.'
He looked up at her. He had hardly ever observed her before, though he had been frequently conscious of her soft presence in the room. What a kitten-like, flexuous, tender creature she was! She was the only one of the servants with whom he came into immediate and continuous relation. What should he do if Sophy were gone?
Sophy did not go, but one of the others did, and things went on quietly again.
When Mr. Twycott, the vicar, was ill, Sophy brought up his meals to him, and she had no sooner left the room one day than he heard a noise on the stairs. She had slipped down with the tray, and so twisted her foot that she could not stand. The village surgeon was called in; the vicar got better, but Sophy was incapacitated for a long time; and she was informed that she must never again walk much or engage in any occupation which required her to stand long on her feet. As soon as she was comparatively well she spoke to him alone. Since she was forbidden to walk and bustle about, and, indeed, could not do so, it became her duty to leave. She could very well work at something sitting down, and she had an aunt a seamstress.
The parson had been very greatly moved by what she had suffered on his account, and he exclaimed, 'No, Sophy; lame or not lame, I cannot let you go. You must never leave me again!'
He came close to her, and, though she could never exactly tell how it happened, she became conscious of his lips upon her cheek. He then asked her to marry him. Sophy did not exactly love him, but she had a respect for him which almost amounted to veneration. Even if she had wished to get away from him she hardly dared refuse a personage so reverend and august in her eyes, and she assented forthwith to be his wife.
Thus it happened that one fine morning, when the doors of the church were naturally open for ventilation, and the singing birds fluttered in and alighted on the tie-beams of the roof, there was a marriage-service at the communion-rails, which hardly a soul knew of. The parson and a neighbouring curate had entered at one door, and Sophy at another, followed by two necessary persons, whereupon in a short time there emerged a newly-made husband and wife.
Mr. Twycott knew perfectly well that he had committed social suicide by this step, despite Sophy's spotless character, and he had taken his measures accordingly. An exchange of livings had been arranged with an acquaintance who was incumbent of a church in the south of London, and as soon as possible the couple removed thither, abandoning their pretty country home, with trees and shrubs and glebe, for a narrow, dusty house in a long, straight street, and their fine peal of bells for the wretchedest one-tongued clangour that ever tortured mortal ears. It was all on her account. They were, however, away from every one who had known her former position; and also under less observation from without than they would have had to put up with in any country parish.
Sophy the woman was as charming a partner as a man could possess, though Sophy the lady had her deficiencies. She showed a natural aptitude for little domestic refinements, so far as related to things and manners; but in what is called culture she was less intuitive. She had now been married more than fourteen years, and her husband had taken much trouble with her education; but she still held confused ideas on the use of 'was' and 'were,' which did not beget a respect for her among the few acquaintances she made. Her great grief in this relation was that her only child, on whose education no expense had been and would be spared, was now old enough to perceive these deficiencies in his mother, and not only to see them but to feel irritated at their existence.
Thus she lived on in the city, and wasted hours in braiding her beautiful hair, till her once apple cheeks waned to pink of the very faintest. Her foot had never regained its natural strength after the accident, and she was mostly obliged to avoid walking altogether. Her husband had grown to like London for its freedom and its domestic privacy; but he was twenty years his Sophy's senior, and had latterly been seized with a serious illness. On this day, however, he had seemed to be well enough to justify her accompanying her son Randolph to the concert.
That, however, was thirteen years ago, and, in respect of the first opinion, I venture to think that those who care to read the story now will be quite astonished at the scrupulous propriety observed therein on the relations of the sexes; ...
Jocelyn Pierston, celebrated sculptor, tries to create an image of his ideal woman - his imaginary "Well-Beloved" - in stone, just as he tries to find her in the flesh.
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Dieses Werk ist Teil der Buchreihe TREDITION CLASSICS. Der Verlag tredition aus Hamburg ver??ffentlicht in der Buchreihe TREDITION CLASSICS Werke aus mehr als zwei Jahrtausenden. Diese waren zu einem Gro??teil vergriffen oder nur noch antiquarisch erh??ltlich. Mit der Buchreihe TREDITION CLASSICS verfolgt tredition das Ziel, tausende Klassiker der Weltliteratur verschiedener Sprachen wieder als gedruckte B\u00fccher zu verlegen \u2013 und das weltweit! Die Buchreihe dient zur Bewahrung der Literatur und F??rderung der Kultur. Sie tr??gt so dazu bei, dass viele tausend Werke nicht in Vergessenheit geraten.
Using the restoration of a castle as a framework, classic novelist Thomas Hardy (1840-1928) considers the ancient analogy between architecture and philosophy. "Laodicean" is a term for early Christians lukewarm in their beliefs. Hardy's character, passionate architect George Somerset finds himself captivated by "Laodicean" Paula Power, whose views on conventions of any kind are lukewarm at best.
A dozen minor novels that have been published in the periodical press collected together.
For eight years, Cecilia Moore was the perfect Luna, loyal, and unmarked. Until the day she found her Alpha mate with a younger, purebred she-wolf in his bed. In a world ruled by bloodlines and mating bonds, Cecilia was always the outsider. But now, she's done playing by wolf rules. She smiles as she hands Xavier the quarterly financials-divorce papers clipped neatly beneath the final page. "You're angry?" he growls. "Angry enough to commit murder," she replies, voice cold as frost. A silent war brews under the roof they once called home. Xavier thinks he still holds the power-but Cecilia has already begun her quiet rebellion. With every cold glance and calculated step, she's preparing to disappear from his world-as the mate he never deserved. And when he finally understands the strength of the heart he broke... It may be far too late to win it back.
I stood outside my husband's study, the perfect mafia wife, only to hear him mocking me as an "ice sculpture" while he entertained his mistress, Aria. But the betrayal went deeper than infidelity. A week later, my saddle snapped mid-jump, leaving me with a shattered leg. Lying in the hospital bed, I overheard the conversation that killed the last of my love. My husband, Alessandro, knew Aria had sabotaged my gear. He knew she could have killed me. Yet, he told his men to let it go. He called my near-death experience a "lesson" because I had bruised his mistress's ego. He humiliated me publicly, freezing my accounts to buy family heirlooms for her. He stood by while she threatened to leak our private tapes to the press. He destroyed my dignity to play the hero for a woman he thought was a helpless orphan. He had no idea she was a fraud. He didn't know I had installed micro-cameras throughout the estate while he was busy pampering her. He didn't know I had hours of footage showing his "innocent" Aria sleeping with his guards, his rivals, and even his staff, laughing about how easy he was to manipulate. At the annual charity gala, in front of the entire crime family, Alessandro demanded I apologize to her. I didn't beg. I didn't cry. I simply connected my drive to the main projector and pressed play.
Camille Lewis was the forgotten daughter, the unloved wife, the woman discarded like yesterday's news. Betrayed by her husband, cast aside by her own family, and left for dead by the sister who stole everything, she vanished without a trace. But the weak, naive Camille died the night her car was forced off that bridge. A year later, she returns as Camille Kane, richer, colder, and more powerful than anyone could have imagined. Armed with wealth, intelligence, and a hunger for vengeance, she is no longer the woman they once trampled on. She is the storm that will tear their world apart. Her ex-husband begs for forgiveness. Her sister's perfect life crumbles. Her parents regret the daughter they cast aside. But Camille didn't come back for apologies, she came back to watch them burn. But as her enemies fall at her feet, one question remains: when the revenge is over, what's left? A mysterious trillionaire Alexander Pierce steps into her path, offering something she thought she lost forever, a future. But can a woman built on ashes learn to love again? She rose from the fire to destroy those who betrayed her. Now, she must decide if she'll rule alone... or let someone melt the ice in her heart.
The night I discovered my husband's whore was carrying his heir, I smiled for the cameras-and plotted his ruin. Scarlett was born a queen-heir to a powerful legacy, Luna of the Dark Moon Pack by blood and by sacrifice. She gave everything to Alexander: her love, her loyalty, her life. In return, he paraded his mistress before their pack... and dared to call it duty. But Scarlett won't be another broken woman weeping in the shadows. She'll wear her crown of thorns with pride, tear down every lie built around her, and when she strikes, it will be glorious. The Alpha forgot that the woman he betrayed is far more dangerous than the girl who once loved him.
For three quiet, patient years, Christina kept house, only to be coldly discarded by the man she once trusted. Instead, he paraded a new lover, making her the punchline of every town joke. Liberated, she honed her long-ignored gifts, astonishing the town with triumph after gleaming triumph. Upon discovering she'd been a treasure all along, her ex-husband's regret drove him to pursue her. "Honey, let's get back together!" With a cold smirk, Christina spat, "Fuck off." A silken-suited mogul slipped an arm around her waist. "She's married to me now. Guards, get him the hell out of here!"
Kristine planned to surprise her husband with a helicopter for their fifth anniversary, then learned the marriage had been a setup from day one. The man she called a husband never loved her-it was all one hell of a lie. She dropped the act, shed a lot of weight, and rebuilt herself, ready to make every bastard eat their words. After an impulsive remarriage, she accidentally exposed who she really was: a star designer and heir to a billion-dollar empire. And the bodyguard she'd hired was him all along! Who would've known, the "college student" she married turned out to be a feared underworld kingpin.
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