Mother Meg by Catharine Shaw
Mother Meg by Catharine Shaw
UT 'im down, 'e can walk as well as anythink."
It was a cold day in May, when the sun was hidden behind leaden clouds, and the wind swept along the streets as if determined to clear them of every loiterer who should venture to assure himself that it was not March, and could not be so cold.
The few people who had ventured out in spring clothing bid fair to "repent it many a day," and those who were happy enough to have winter wraps drew them closer, and hurried along, the sooner to get into some shelter. The omnibus men dashed their arms across their breasts for warmth, and everybody, gentle or simple, looked nipped up with the strong east wind.
"Put 'im down," said a hard-featured woman, who was walking slowly along by the side of the road; "it won't matter 'is walkin' now."
The man thus addressed was a thin, brow-beaten looking individual, who was carrying a child of some three years old in his arms. His clothes were threadbare, his knees peeped through his worn trousers, and his whole appearance was most deplorable. The woman by his side was as poorly clad as himself, outwardly at least, but seemed to suffer less from it. She was not thin, and if looked at closely, appeared to be well fed, and perhaps to have no lack of drink either. She carried a small infant in her arms, wrapped in a large dirty shawl.
The three-year-old child had a pale, suffering little face, which looked as if tears were often very near. His eyes were terribly weak, and when he was set down by the man he looked as if he would have fallen. But the woman disengaged one of her hands, and said impatiently, dragging him towards her, "Come along, Dickie, none o' yer nonsense; walk on like a good boy."
The child gave one glance at her stern face, and then tottered on silently, occasionally rubbing his poor little eyes with the back of his tiny hand.
The wind met them round the corners; it seemed to be everywhere, and at every gust the miserable-looking party looked more miserable still.
"How much 'ave yer took?" asked the man, as if he could turn and run home.
The woman felt for her pocket, and after some fumbling she said in a low voice, "Two-and-eight, I should think."
"Won't that do?" said the man, shivering. Then glancing sideways at the child, he went on, "'E'll not walk many more steps, and if you don't take care 'e'll not be hout to-morrer, nor next day neither; 'e's most done, 'e is."
The woman turned round and was going to speak, when a respectable couple, dressed in warm cloth, silks, and furs, came in sight.
In a moment her manner changed. "Take 'im up," she said in a wheedling tone, "'e's tired, 'e is, and cold; carry 'im a bit, George."
The child, too cold and weary to care, was taken resistlessly into the man's arms, and laid his head on his shoulder, and the party paused, looking expectantly at the lady and gentleman who were fast approaching.
"My good woman, this is a bitter day for such little ones to be out," said the gentleman kindly; "have you far to go?"
"Over London Bridge, sir, down that way."
"That's a long distance," he exclaimed; "and you all look perished with the cold."
"That we are, sir," answered the woman, sniffing, "and my good man, sir, just now was a-saying that though we hadn't took a ha'penny, sir, this day, we must give it up. But it's hard to see 'em suffer, sir, and have no bread nor firing to give 'em."
The man shook his head dolorously at each sentence, and the weak little child shut his eyes, as a fresh gust of wind seemed ready to blind him altogether.
"That child ought not to be out on such a day as this at all," said the lady almost severely.
"What is poor folk to do, my lady?" asked the woman, "there's no work, and there's no food; and surely we'd be better to get a bit of broken victuals or a copper from some Christian gentleman than to starve at home, like rats in a hole!"
"Well, well," said the gentleman with a ponderous sigh, "it makes one's heart ache, Clarissa. Here, my good woman, go home now and buy some food and coals, and get that poor child warm."
He gave her a shilling and passed on, and the woman, catching sight of a policeman whom she recognized bearing down upon them, they hastily turned the other way and set off in the direction of London Bridge as fast as they could go.
The man knew it was useless to put Dickie down to walk, for he had seen all day that the child was very ill. His light weight, however, was not a great trouble, for he was very small for his age, and now was so thin and emaciated with hardship that the man doubted if he should ever carry him again.
"I wish yer'd git some one else," he exclaimed at last, for some remnants of humanity were left in his heart, and he had not carried that tender little mite for six months without some feeling as near akin to love as he was capable of.
His wife turned on him sharply. "Yer know we can't! There's lots o' reasons why 'e is the best one as we can git. Look at them soft brown curls of 'is, what allers takes the ladies, and 'is small size for carryin'; and then yer know as well as I do as 'is mother's dead, and 'is father ain't of no account, and is glad to git a pint or two in return for our havin' 'im. I wish you wouldn't be such a simpleton, George."
The man sighed. Long ago he had given up contending with his imperious wife, but sometimes as now, he walked along morosely, and his thoughts were best known to himself.
"I'd save 'im from it if I could," he muttered to himself, "but I've thought that 'afore, and it ain't no use. Still I shan't forgit-though I ain't no good at anythink now."
They had now reached London Bridge, and soon after turned down one of the narrow streets leading from the main thoroughfare, and again under a long low archway running beneath the first floor rooms of one of the houses, and so emerged into a court squalid and forlorn, which contained the house they called home.
Just as they were turning in at the door a crippled child of some thirteen or fourteen years came down the stairs to meet them. She silently held out her arms for little Dickie, and without vouchsafing more than one dark look at the woman's face, and then another hopeless one at her little brother's, she slowly ascended again, step by step, till weary and panting she laid him down on an old mattress in the corner of the crowded room where she lived.
"Dickie," she moaned, burying her face in his neck, where the soft waves of his golden-brown hair felt like silk against it, "Dickie, are they goin' to kill you right out? Dickie--!"
* * *
Left to Ourselves; or, John Headley's Promise. by Catharine Shaw
"You'll be my wife on paper only. You'll have everything-except my heart. You'll never be Marina." For five years, Lily lived as David's secret wife-his poised secretary by day, his invisible stand-in by night. Every cold touch reminded her she was just a replacement. Every whispered "Marina" cut deeper than the last. Then his ex returned. And without hesitation, David cast Lily aside like she meant nothing. So she did what she should have done years ago. She signed the divorce papers. She walked away. But now, David couldn't escape her absence. Her silence burned him in ways Marina never could. And suddenly, the man who swore he'd never love her was determined to get her back. By any means necessary. Even if it meant breaking her all over again. She paid the price for loving him once. Now, he'd pay for losing her forever.
For eight years, Cecilia Moore was the perfect Luna, loyal, and unmarked. Until the day she found her Alpha mate with a younger, purebred she-wolf in his bed. In a world ruled by bloodlines and mating bonds, Cecilia was always the outsider. But now, she's done playing by wolf rules. She smiles as she hands Xavier the quarterly financials-divorce papers clipped neatly beneath the final page. "You're angry?" he growls. "Angry enough to commit murder," she replies, voice cold as frost. A silent war brews under the roof they once called home. Xavier thinks he still holds the power-but Cecilia has already begun her quiet rebellion. With every cold glance and calculated step, she's preparing to disappear from his world-as the mate he never deserved. And when he finally understands the strength of the heart he broke... It may be far too late to win it back.
After five years of playing the perfect daughter, Rylie was exposed as a stand-in. Her fiancé bolted, friends scattered, and her adoptive brothers shoved her out, telling her to grovel back to her real family. Done with humiliation, she swore to claw back what was hers. Shock followed: her birth family ruled the town's wealth. Overnight, she became their precious girl. The boardroom brother canceled meetings, the genius brother ditched his lab, the musician brother postponed a tour. As those who spurned her begged forgiveness, Admiral Brad Morgan calmly declared, "She's already taken."
For three years, Natalie gave everything to be the perfect wife and mother, believing her love and effort could finally earn her a place in their hearts. Yet her sacrifices were met with betrayal from her husband and cold rejection from her son. In their eyes, she was nothing but a manipulator, using vulnerability to get her way. Her husband turned his back, her son misunderstood her, and she never truly belonged. Heartbroken yet determined, Natalie left her old life behind. When her family finally begged for a second chance, she looked at them and said, "It's too late."
I just got my billionaire husband to sign our divorce papers. He thinks it's another business document. Our marriage was a business transaction. I was his secretary by day, his invisible wife by night. He got a CEO title and a rebellion against his mother; I got the money to save mine. The only rule? Don't fall in love. I broke it. He didn't. So I'm cashing out. Thirty days from now, I'm gone. But now he's noticing me. Touching me. Claiming me. The same man who flaunts his mistresses is suddenly burning down a nightclub because another man insulted me. He says he'll never let me go. But he has no idea I'm already halfway out the door. How far will a billionaire go to keep a wife he never wanted until she tried to leave?
Trigger/Content Warning: This story contains mature themes and explicit content intended for adult audiences(18+). Reader discretion is advised. It includes elements such as BDSM dynamics, explicit sexual content, toxic family relationships, occasional violence and strong language. This is not a fluffy romance. It is intense, raw and messy, and explores the darker side of desire. ***** "Take off your dress, Meadow." "Why?" "Because your ex is watching," he said, leaning back into his seat. "And I want him to see what he lost." ••••*••••*••••* Meadow Russell was supposed to get married to the love of her life in Vegas. Instead, she walked in on her twin sister riding her fiance. One drink at the bar turned to ten. One drunken mistake turned into reality. And one stranger's offer turned into a contract that she signed with shaking hands and a diamond ring. Alaric Ashford is the devil in a tailored Tom Ford suit. Billionaire CEO, brutal, possessive. A man born into an empire of blood and steel. He also suffers from a neurological condition-he can't feel. Not objects, not pain, not even human touch. Until Meadow touches him, and he feels everything. And now he owns her. On paper and in his bed. She wants him to ruin her. Take what no one else could have. He wants control, obedience... revenge. But what starts as a transaction slowly turns into something Meadow never saw coming. Obsession, secrets that were never meant to surface, and a pain from the past that threatens to break everything. Alaric doesn't share what's his. Not his company. Not his wife. And definitely not his vengeance.
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