One Day by Anonymous
One Day by Anonymous
The Prince tore the missive fiercely from its envelope, and scowled at the mocking glint of the royal crown so heavily embossed at the top of the paper. What a toy it was, he thought, to cost so much, and eventually to mean so little! Roughly translated, the letter ran as follows:
"Your Royal Highness will be gratified to learn that at last a satisfactory alliance has been arranged between the Princess Elodie of Austria and your royal self. It is the desire of both courts and councils that the marriage shall be solemnized on the fifteenth of the May following your twenty-first birthday, at which time the coronation ceremony takes place that is to place the crown of the kingdom upon the head of the son of our beloved and ever-to-be-regretted Imperatorskoye. The Court and Council extend greetings and congratulations upon the not far distant approach of both auspicious events to your Royal Highness, which cannot fail to afford the utmost satisfaction in every detail to the ever-beautiful-and-never-to-be-sufficiently beloved Prince Paul.
"Imperator-to-be, we salute thee. We kiss thy feet."
The letter was sealed with the royal crest and signed by the Regent-the Boy's uncle-the Grand Duke Peter, his mother's brother, who had been his guardian and protector almost from his birth. The young prince knew that his uncle loved him, knew that the Grand Duke desired nothing on earth so much as the happiness of his beloved sister's only son-and yet at this crisis of the Boy's life, even his uncle was as powerless to help as was Paul Verdayne, the Englishman.
"The Princess Elodie!" he grumbled. "Who the devil is this Princess Elodie, anyway? Austrian blood has no particular charm for me! They might at least have told me something a little more definite about the woman they have picked out to be the mother of my children. A man usually likes to look an animal over before he purchases!"
Known to London society as Monsieur Zalenska, the Prince had come up to town with the Verdaynes, and was apparently enjoying to the utmost the frivolities of London life.
At a fashionable garden party he sat alone, in a seclusion he had long sought and had finally managed to secure, behind a hedge of hawthorn where none but lovers, and men and women troubled as he was troubled, cared to conceal themselves.
The letter, long-expected and dreaded, had finally crossed the continent to his hand. It was only the written confirmation of the sentence Fate had pronounced upon him, even as it had pronounced similar sentences upon princes and potentates since the beginning of thrones and kingdoms.
While the Prince-or Paul Zalenska, as I will now call him-sat in his brooding brown study, clutching the imperial letter tightly in his young hand, his attention was arrested by the sound of voices on the other side of the hawthorn hedge.
He listened idly, at first, to what seemed to be a one-sided conversation, in a dull, emotionless feminine voice-a discourse on fashion, society chit-chat, and hopeless nonentities, interspersed with bits of gossip. Could women never talk about anything else? he thought impatiently.
But his displeasure did not seem to affect the course of things at all. The voice, completely unconscious of the aversion it aroused in the invisible listener, continued its dreary, expressionless monotone.
"What makes you so silent, Opal? You haven't said a word to-day that you didn't absolutely have to say. If all American girls are as dreamy as you, I wonder why our English lords are so irresistibly attracted across the water when in search of brides!"
And then the Boy on the other side of the hedge felt his sluggish pulse quicken, and almost started to his feet, impelled by a sudden thrill of delight; for another voice had spoken-a voice of such infinite charm and sweetness and vitality, yet with languorous suggestion of emotional heights and depths, that he felt a vague sense of disappointment when the magnetic notes finally died away.
"Brides?" the voice echoed, with a lilt of girlish laughter running through the words. "You mean 'bribes,' don't you? For I assure you, dear cousin, it is the metallic clink of American gold, and nothing else, that lures your great men over the sea. As for my silence, ma belle, I have been uncommunicative because there really seemed nothing at all worth saying. I can't accustom myself to small-talk-I can't even listen to it patiently. I always feel a wild impulse to fly far, far away, where I can close my ears to it all and listen to my own thoughts. I'm sorry if I disappoint you, Alice-I seem to disappoint everybody that I would like to please-but I assure you, laugh at my dreams as you may, to me my dream-life is far more attractive and beautiful than what you term Life. Forgive me if I hurt you, cousin. I'm peculiarly constituted, perhaps, but I don't like this twaddle, and I can't help it! Everything in England is so beautiful, and yet its society seems so-so hopelessly unsatisfactory to one who longs to live!"
"To live, Opal? We are not dead, surely! What do you mean by life?"
And so her name was Opal! How curiously the name suited the voice! The Boy, as he listened, felt that no other name could possibly have matched that voice-the opal, that glorious gem in which all the fires of the sun, the iridescent glories of the rainbow, and the cold brilliance of ice and frost and snow seemed to blend and crystallize. All this, and more, was in that mysteriously fascinating voice.
"To live, Alice?" echoed the voice again. "To live? Why, to live is to feel!-to feel every emotion of which the human soul is capable, to rise to the heights of love, and knowledge, and power; to sink-if need be-to the deepest depths of despair, but, at all costs, at all hazards, to live!-to experience in one's own nature all the reality and fullness of the deathless emotions of life!"
The voice sank almost to the softness of a whisper, yet even then was vibrant, alive, intense.
"Ah, Alice, from my childhood up, I have dreamed of life and longed for it. What life really is, each must decide for himself, must he not? Some, they say, sleep their way through a dreamless existence, and never, never wake to realities. Alice, I have sometimes wondered if that was to be my fate, have wondered and wondered until I have cried out in real terror at the hideous prospect! Surely Fate could not be so cruel as to implant such a desperate desire in a soul that never was to know its fulfilment. Could it, Alice? Tell me, could it?"
The Boy held his breath now.
Who was this girl, anyhow, who seemed to express his own thoughts as accurately as he himself could have done? He was bored no longer. He was roused, stirred, awakened-and intensely interested. It was as though the voice of his own soul spoke to him in a dream.
The cold, lifeless voice now chimed in again. In his impatience the Boy clenched his fists and shut his teeth together hard. Why didn't she keep still? He didn't want to miss a single note he might have caught of the voice-that other! Why did this nonentity-for one didn't have to see her to be sure that she was that-have to interrupt and rob him of his pleasure?
"I don't understand you, Opal," she was saying. (Of course she didn't, thought the Boy-how could she?) "I am sure that I live. And yet I have never felt that way-thank goodness! It's vulgar to feel too deeply, Mamma used to say, and as I have grown older, I can see that she was right. The best people never show any excess of emotion. That is for tragedy queens, operatic stars, and-the women we do not talk about! Ladies cultivate repose!"
("Repose!-mon Dieu!" thought Paul, behind the hedge. He wished that she would!)
"And yet, Alice, you are-married!"
"Married?-of course!-why not?" and the eavesdropper fancied he could see the wide-open gaze of well-bred English surprise that accompanied the words. "One has to marry, of course. That is what we are created for. But one doesn't make a fuss about it. It's only a custom-a ceremony-and doesn't change existence much for most women, if they choose sensibly. Of course there is always the chance of a mésalliance! A woman has to risk that."
"And you don't-love?"
The Boy was struck by a note that was almost horror in the opaline voice so near him.
"Love? Why, Opal, of course we do! It's easy to love, you know, when a man is decent and half-way good to one. I am sure I think a great deal of Algernon; but I dare say I should have thought as much of any other man I had happened to marry. That is a wife's duty!"
"Duty!-and you call that love?" The horror in the tones had now changed to scorn.
"You have strange ideas of life, Opal. I should be afraid to indulge them if I were you-really I should! You have lived so much in books that you seem to have a very garbled idea of the world. Fiction is apt to be much of a fairy tale, a crazy exaggeration of what living really consists of!"
"Afraid? Why should I be afraid? I am an American girl, remember, and Americans are afraid of nothing-nothing! Come, cousin, tell to me, if you can, why I should be afraid."
"Oh, I don't know! really I don't!" There was a troubled, perplexed note in the English voice now. "Such notions are apt to get girls into trouble, and lead them to some unhappy fate. Too much 'life'-as you call it-must mean suffering, and sorrow, and many tears-and maybe, sin!"
There was a shocked note in the voice of the young English matron as she added the last word, and her voice sank to a whisper. But Paul Zalenska heard, and smiled.
"Suffering, and sorrow, and many tears," repeated the American girl, musingly, "and maybe-sin!" Then she went on, firmly, "Very well, Alice, give me the suffering and sorrow, and many tears-and the sin, too, if it must be, for we are all sinners of greater or less degree-but at any rate, give me life! My life may still be far off in the future, but when the time comes, I shall certainly know, and-I shall live!"
"You are a peculiar girl, Opal, and-we don't say those things in England."
"No, you don't say those things, you cold English women! You do not even feel them! As for sin, Alice, to my mind there can be no worse sin under heaven than you commit when you give yourself to a man whom you do not love better than you could possibly love any other. Oh, it is a sin-it must be-to sell yourself like that! It's no wonder, I think, that your husbands are so often driven to 'the women we do not talk about' for-consolation!"
"Opal! Opal! hush! What are you saying? You really-but see! isn't that Algernon crossing the terrace? He is probably looking for us."
"And like a dutiful English wife, you mustn't fail to obey, I suppose! Lead the way, cousin mine, and I'll promise to follow you with due dignity and decorum."
And the rustle of silken skirts heralded the departure of the ladies away from the hedge and beyond Paul's hearing.
Then he too started at an eager, restless pace for the centre of the crowd. He had quite forgotten the future so carefully arranged for him, and was off in hot pursuit of-what? He did not know! He only knew that he had heard a voice, and-he followed!
As he rejoined the guests, he looked with awakened interest into every face, listened with eager intensity to every voice. But all in vain. It did not occur to him that he might easily learn from his hostess the identity of her American guest; and even if the thought had presented itself to him, he would never have acted upon it. The experience was his alone, and he would have been unwilling to share it with any one.
He was no longer bored as earlier in the afternoon, and he carried the assurance of enthusiasm and interest in his every glance and motion. People smiled at the solitary figure, and whispered that he must have lost Verdayne. But for once in his life, the Boy was not looking for his friend.
But neither did he find the voice!
Usually among the first to depart on such occasions as these, this time he remained until almost all the crowd had made their adieux. And it was with a keen sense of disappointment that he at last entered his carriage for the home of the Verdaynes. He was hearing again and again in the words of the voice, as it echoed through his very soul, "When my time comes, I shall certainly know, and I shall-live!"
The letter in his pocket no longer scorched the flesh beneath. He had forgotten its very existence, nor did he once think of the Princess Elodie of Austria. What had happened to him?
Had he fallen in love with a-voice?
* * *
A complete study of escapements in watchmaking, as well as a short account of the history and development of the escapement in horology. With helpful diagrams and a wealth of fascinating information, this volume is highly recommended for those with an interest in clockmaking and horology in general. Contents include: "The Detaches Lever Escapement," "The Cylinder Escapement," "The Chronometer Escapement," "History of Escapements," and "Putting in a New Cylinder." Many vintage books such as this are increasingly scarce and expensive. We are republishing this volume now in an affordable, modern edition complete with a specially commissioned new introduction. First published in 1904.
Aristotle's Masterpiece, also known as The Works of Aristotle, the Famous Philosopher, is a sex manual and a midwifery book that was popular in England from the early modern period through to the 19th century. It was first published in 1684 and written by an unknown author who falsely claimed to be Aristotle. As a consequence the author is now described as a Pseudo-Aristotle, the collective name for unidentified authors who masqueraded as Aristotle. It is claimed that the book was banned in Britain until the 1960s, although there was no provision in the UK for "banning" books as such. However reputable publishers and booksellers might have been cautious about vending Aristotle's Masterpiece, at least in the wake of the 1857 Obscene Publications Act. After Nicholas Culpeper's Directory for Midwives had been published in 1651, other writers and booksellers sought to emulate its great success. Aristotle's Masterpiece was among the two dozen works in the genre which were published in the following decades. This was in sharp contrast to the three titles which had been published on the subject in the previous century. Through the seventeenth and eighteenth century, the work was published in three different versions in 9, 20 and 78 editions respectively. It was probably the most widely reprinted book on a medical subject in the eighteenth and early nineteenth century. The first version borrowed most of its content from two earlier works, the Secret Miracles of Nature by Levinus Lemnius and the anonymous Complete Midwives Practice Enlarged. The latter had been a successful work by itself, coming second only to Culpeper's Directory for Midwives in number of seventeenth century editions.[1] A second version was released by publisher Benjamin Harris in 1697. The first half contained most of the first version and the second half was borrowed from John Sadler's A Sick Women's Private Looking-Glas, which was published in 1636. The third version was published around 1710 was more different from the previous versions, but again copied material from other works on the subject. These included the Directory for Midwives, John Pechey's 1698 version of the Compleate Midwive's Practice Enlarged and other popular books on sex and reproduction available at the time.[The third version was still printed and sold to a general audience in the early twentieth century. It remained unchanged from the eighteenth century editions because scientifically superior information on sexuality had not yet become available. Because the book was still based on the ancient theory of humorism it provided some misinformation, in particular on the home remedies it prescribed. Nevertheless, it was in fact more accurate and less harmful than some popular works on sexuality dating from the late nineteenth century. The title of the work was possibly chosen because Aristotle was seen as a sex expert in early modern England. Another popular pseudo-Aristotelian text which covered sex and reproduction, Aristotle's Problems (1595), had been responsible for this reputation. The real Aristotle had also written works about the reproduction of animals (such as History of Animals and Generation of Animals) and was considered an authority on scientific matters in general. The third version is divided in two parts. The first part covers anatomy, sexual intercourse and marriage. The second part was intended for married women and explains pregnancy and midwifery. The first part starts with a description of the male and female sex organs in the first chapter. The second chapter advocates sexual intercourse in monogamous relationships and warns against polygamy and adultery because it is forbidden by Christian doctrine. It finishes with an explanation of when the reproductive age begins and ends. The third chapter explores virginity. It correctly states that a torn hymen does not mean a woman is not a virgin
For eight years, Cecilia Moore was the perfect Luna, loyal, and unmarked. Until the day she found her Alpha mate with a younger, purebred she-wolf in his bed. In a world ruled by bloodlines and mating bonds, Cecilia was always the outsider. But now, she's done playing by wolf rules. She smiles as she hands Xavier the quarterly financials-divorce papers clipped neatly beneath the final page. "You're angry?" he growls. "Angry enough to commit murder," she replies, voice cold as frost. A silent war brews under the roof they once called home. Xavier thinks he still holds the power-but Cecilia has already begun her quiet rebellion. With every cold glance and calculated step, she's preparing to disappear from his world-as the mate he never deserved. And when he finally understands the strength of the heart he broke... It may be far too late to win it back.
The rain assaulted the glass, mirroring the storm inside me. For three years, I, Vivian Sterling, played the perfect wife to Julian Kensington, draining my life. The antique clock ticked, a reminder of time lost. Then, I found it: a blonde hair on Julian's suit, reeking of Midnight Rose, and a text, ""Candy: You left your cufflinks on my nightstand. I'm already missing you."" My world shattered, revealing his betrayal. This was just the beginning. I exposed Julian's fraud and his family's violent plots, surviving assassination. But their malice stole my past. Then Alexander Vance, my protector, uncovered a terrifying truth: my birth mother was alive, held captive by a shadowy order. My life was a lie, built to shield me from my dangerous bloodline. I found strength and love with Alexander, the man who walked into fire for me. Yet, as I prepared to rescue my mother, a new life stirred within me, a secret threatening to complicate the impending war.
Her fiance and her best friend worked together and set her up. She lost everything and died in the street. However, she was reborn. The moment she opened her eyes, her husband was trying to strangle her. Luckily, she survived that. She signed the divorce agreement without hesitation and was ready for her miserable life. To her surprise, her mother in this life left her a great deal of money. She turned the tables and avenged herself. Everything went well in her career and love when her ex-husband came to her.
Corinne devoted three years of her life to her boyfriend, only for it to all go to waste. He saw her as nothing more than a country bumpkin and left her at the altar to be with his true love. After getting jilted, Corinne reclaimed her identity as the granddaughter of the town's richest man, inherited a billion-dollar fortune, and ultimately rose to the top. But her success attracted the envy of others, and people constantly tried to bring her down. As she dealt with these troublemakers one by one, Mr. Hopkins, notorious for his ruthlessness, stood by and cheered her on. "Way to go, honey!"
The acrid smell of smoke still clung to Evelyn in the ambulance, her lungs raw from the penthouse fire. She was alive, but the world around her felt utterly destroyed, a feeling deepened by the small TV flickering to life. On it, her husband, Julian Vance, thousands of miles away, publicly comforted his mistress, Serena Holloway, shielding her from paparazzi after *her* "panic attack." Julian's phone went straight to voicemail. Alone in the hospital with second-degree burns, Evelyn watched news replays, her heart rate spiking. He protected Serena from camera flashes while Evelyn burned. When he finally called, he demanded she handle insurance, dismissing the fire; Serena's voice faintly heard. The shallow family ties and pretense of marriage evaporated. A searing injustice and cold anger replaced pain; Evelyn knew Julian had chosen to let her burn. "Evelyn Vance died in that fire," she declared, ripping out her IV. Armed with a secret fortune as "The Architect," Hollywood's top ghostwriter, she walked out. She would divorce Julian, reclaim her name, and finally step into the spotlight as an actress.
Serena Vance, an unloved wife, clutched a custom-made red velvet cake to her chest, enduring the cold rain outside an exclusive Upper East Side club. She hoped this small gesture for her husband, Julian, would bridge the growing chasm between them on their third anniversary. But as she neared the VIP suite, her world shattered. Julian's cold, detached voice sliced through the laughter, revealing he considered her nothing more than a "signature on a piece of paper" for a trust fund, mocking her changed appearance and respecting only another woman, Elena. The indifference in his tone was a physical blow, a brutal severance, not heartbreak. She gently placed the forgotten cake on the floor, leaving her wedding ring and a diamond necklace as she prepared to abandon a marriage built on lies. Her old life, once a prison of quiet suffering and constant humiliation, now lay in ruins around her. Three years of trying to be seen, to be loved, were erased by a few cruel words. Why had she clung to a man who saw her as a clause in a will, a "creature," not a wife? The shame and rage hardened her heart, freezing her tears. Returning to an empty penthouse, she packed a single battered suitcase, leaving behind every symbol of her failed marriage. With a burner phone, she dialed a number she hadn't touched in a decade, whispering, "Godfather, I'm ready to come home."
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