Ruth Fielding at Silver Ranch by Alice B. Emerson
Ruth Fielding at Silver Ranch by Alice B. Emerson
Where the Silver Ranch trail branches from the state road leading down into Bullhide, there stretch a rambling series of sheds, or "shacks," given up to the uses of a general store and provision emporium; beside it is the schoolhouse. This place on the forked trails is called "The Crossing," and it was the only place nearer than the town of Bullhide where the scattered population of this part of Montana could get any supplies.
One of Old Bill Hicks' herds was being grazed on that piece of rolling country, lying in the foothills, right behind the Crossing, and two of his cow punchers had ridden in for tobacco. Being within sight of rows upon rows of tinned preserves (the greatest luxury extant to the cowboy mind), and their credit being good with Lem Dickson, who kept the store, the two cattle herders-while their cayuses stood with drooping heads, their bridle-reins on the road before them-each secured a can of peaches, and sitting cross-legged on the porch before the store, opened the cans with their knives and luxuriated in the contents.
"Old man's nigh due, ain't he?" asked Lem, the storekeeper, lowering himself into a comfortable armchair that he kept for his own particular use on the porch.
"Gittin' to Bullhide this mawnin'," drawled one of the cowboys. "An' he's got what he went for, too."
"Bill Hicks most usually does git what he goes after, don't he?" retorted the storekeeper.
The other puncher chuckled. "This time Old Bill come near goin' out after rabbit an' only bringin' back the hair," he said. "Jane Ann is just as much of a Hicks as Bill himself-you take it from me. She made her bargain b'fore Old Bill got her headed back to the ranch, I reckon. Thar's goin' to be more newfangled notions at Silver Ranch from now on than you kin shake a stick at. You hear me!"
"Old Bill can stand scattering a little money around as well as any man in this State," Lem said, ruminatively. "He's made it; he's saved it; now he might's well l'arn to spend some of it."
"And he's begun. Jane Ann's begun for him, leastways," said one of the cowboys. "D'ye know what Mulvey brought out on his wagon last Sat'day?"
"I knowed he looked like pitchers of 'movin' day' in New York City, or Chicago, when he passed along yere," grunted the storekeeper. "Eight head o' mules he was drivin'."
"He sure was," agreed the cow puncher. "There was all sorts of trucks and gew-gaws. But the main thing was a pinanner."
"A piano?"
"That's what I said. And that half-Injun, Jib Pottoway, says he kin play on the thing. But it ain't to be unboxed till the boss and Jane Ann comes."
"And they'll be gittin' along yere some time to-day," said the other cowboy, throwing his empty tin away. "And when they come, Lem, they're sure goin' to surprise yuh."
"What with?"
"With what they sail by yere in," drawled the puncher.
"Huh? what's eatin' on you, Bud? Old Bill ain't bought an airship, has he?"
"Mighty nigh as bad," chuckled the other. "He's bought Doosenberry's big automobile, I understand, and Jane Ann's brought a bunch of folks with her that she met down East, and they're just about goin' to tear the vitals out o' Silver Ranch-now you hear me!"
"A steam wagon over these trails!" grunted the storekeeper. "Waal!"
"And wait till Old Bill sees a bunch of his steers go up in the air when they sets eyes on the choo-choo wagon," chuckled Bud. "That'll about finish the automobile business, I bet yuh!"
"Come on, Bud!" shouted his mate, already astride his pony.
The two cowboys were off and lashing their ponies to a sharp run in half a minute. Scarcely had they disappeared behind a grove of scrub trees on the wind-swept ridge beyond the store when the honk of an automobile horn startled the slow-motioned storekeeper out of his chair.
A balloon of dust appeared far down the trail. Out of this there shot the long hood of a heavy touring car, which came chugging up the rise making almost as much noise as a steam roller. Lem Dickson shuffled to the door of the store and stuck his head within.
"Sally!" he bawled. "Sally!"
"Yes, Paw," replied a sweet, if rather shrill, voice from the open stairway that led to the upper chamber of the store-building.
"Here comes somebody I reckon you'll wanter see," bawled the old man.
There was a light step on the stair; but it halted on the last tread and a lithe, red-haired, peachy complexioned girl looked into the big room.
"Well, now, Paw," she said, sharply. "You ain't got me down yere for that bashful Ike Stedman, have you? For if he's come prognosticating around yere again I declare I'll bounce a bucket off his head. He's the biggest gump!"
"Come on yere, gal!" snapped her father. "I ain't said nothin' about Ike. This yere's Bill Hicks an' all his crowd comin' up from Bullhide in a blamed ol' steam waggin."
Sally ran out through the store and reached the piazza just as the snorting automobile came near and slowed down. A lithe, handsome, dark girl was at the wheel; beside her was a very pretty, plump girl with rosy cheeks and the brightest eyes imaginable; the third person crowded into the front seat was a youth who looked so much like the girl who was running the machine that they might have changed clothes and nobody would have been the wiser-save that Tom Cameron's hair was short and his twin sister, Helen's, was long and curly. The girl between the twins was Ruth Fielding.
In the big tonneau of the car was a great, tall, bony man with an enormous "walrus" mustache and a very red face; beside him sat a rather freckled girl with snapping black eyes, who wore very splendid clothes as though she was not used to them. With this couple were a big, blond boy and three girls-one of them so stout that she crowded her companions on the seat into their individual corners, and packed them in there somewhat after the nature of sardines in a can.
"Hello, Sally!" cried the girl in the very fine garments, stretching her hand out to greet the storekeeper's daughter as the automobile came to a stop.
"Hi, Lem!" bawled the man with the huge mustache. "Is Silver Ranch on the map yet, or have them punchers o' mine torn the face of Nater all to shreds an' only left me some o' the pieces?"
"I dunno 'bout that, Bill," drawled the fat storekeeper, shuffling down the steps in his list slippers, and finally reached and shaking the hand of Mr. William Hicks, owner of Silver Ranch. "But when some of your cows set their eyes on this contraption they're goin' to kick holes in the air-an' that's sartain!"
"The cows will have to get used to seeing this automobile, Lem Dickson," snapped the ranchman's niece, who had been speaking with Sally. "For uncle's bought it and it beats riding a cayuse, I tell you!"
"By gollies!" grunted Bill Hicks, "it bucks wuss'n any critter I ever was astride of." But he spoke softly, and nobody but the storekeeper noticed what he said.
"Mean to say you've bought this old chuck-waggin from Doosenberry?" demanded the storekeeper.
"Uh-huh," nodded Mr. Hicks.
"Wal, you're gittin' foolish-like in your old age, Bill," declared his friend.
"No I ain't; I'm gittin' wise," retorted the ranchman, with a wide grin.
"How's that?"
"I'm l'arnin' how to git along with Jane Ann," declared Mr. Hicks, with a delighted chortle, and pinching the freckled girl beside him.
"Ouch!" exclaimed his niece. "What's the matter, Uncle Bill?"
"He says he's bought this contraption to please you, Jane Ann," said the storekeeper. "But what'll Old Trouble-Maker do when he sees it-heh?"
"Gee!" ejaculated the ranchman. "I never thought o' that steer."
"I reckon Old Trouble-Maker will have to stand for it," scoffed the ranchman's niece, tossing her head. "Now, Sally, you ride out and see us. These girls from down East are all right. And we're going to have heaps of fun at Silver Ranch after this."
Helen Cameron touched a lever and the big car shot ahead again.
"She's a mighty white girl, that Sally Dickson," declared Jane Ann Hicks (who hated her name and preferred to be called "Nita"). "She's taught school here at the Crossing for one term, too. And she's sweet in spite of her peppery temper--"
"What could you expect?" demanded the stout girl, smiling all over her face as she looked back at the red-haired girl at the store. "She has a more crimson topknot than the Fox here--"
There came a sudden scream from the front seat of the automobile. The car, under Helen Cameron's skillful manipulation, had turned the bend in the trail and the chapparel instantly hid the store and the houses at the Crossing. Right ahead of them was a rolling prairie, several miles in extent. And up the rise toward the trail was coming, in much dust, a bunch of cattle, with two or three punchers riding behind and urging the herd to better pasture.
"Oh! see all those steers," cried Ruth Fielding. "Do you own all of them, Mr. Hicks?"
"I reckon they got my brand on 'em, Miss," replied the ranchman. "But that's only a leetle bunch-can't be more'n five hundred-coming up yere. I reckon, Miss Helen, that we'd better pull up some yere. If them cows sees us--"
"See there! see there!" cried the stout girl in the back seat.
As she spoke in such excitement, Helen switched off the power and braked the car. Out of the chapparel burst, with a frantic bellow, a huge black and white steer-wide horned, ferocious of aspect-quite evidently "on the rampage." The noise of the passing car had brought him out of concealment. He plunged into the trail not ten yards behind the slowing car.
"Goodness me!" shouted the big boy who sat beside Bill Hicks and his niece. "What kind of a beast is that? It's almost as big as an elephant!"
"Oh!" cried the girl called "The Fox." "That surely isn't the kind of cattle you have here, is it? He looks more like a buffalo. See! he's coming after us!"
The black and white steer did look as savage as any old buffalo bull and, emitting a bellow, shook his head at the automobile and began to cast the dust up along his flanks with his sharp hoofs. He was indeed of a terrifying appearance.
"It's Old Trouble-Maker!" cried Jane Ann Hicks.
"He looks just as though his name fitted him," said Tom Cameron, who had sprung up to look back at the steer.
At that moment the steer lowered his head and charged for the auto. The girls shrieked, and Tom cried:
"Go ahead, Nell! let's leave that beast behind."
Before his sister could put on speed again, however, the big boy, who was Bob Steele, sang out:
"If you go on you'll stampede that herd of cattle-won't she, Mr. Hicks? Why, we're between two fires, that's what we are!"
"And they're both going to be hot," groaned Tom. "Why, that Old Trouble-Maker will climb right into this car in half a minute!"
Ruth Fielding in the Great Northwest by Alice B. Emerson
Alice B. Emerson was a pseudonym used by a number of writers hired by the conglomerate Stratemeyer Syndicat to make popular kids books, especially for young girls. These include the Beth Gordon and Ruth Fielding series.
Alice B. Emerson was a pseudonym used by a number of writers hired by the conglomerate Stratemeyer Syndicat to make popular kids books, especially for young girls. These include the Beth Gordon and Ruth Fielding series.
Ruth, Helen, and Tom watch a moving picture company film scenes near the Red Mill. As they watch, the starring actress, Hazel Gray, falls into the river and is swept downstream. Ruth and her friends rescue Miss Gray and take her to the Red Mill to recover. The next day, Ruth meets the producer, Mr. Hammond, who promises to read Ruth's scenario when she impulsively confides that she is planning to write one. Soon after the friends return to school, the East Dormitory burns and is a complete loss. All of the girls housed in that building, including Ruth and her friends, lose all of their possessions. It is soon learned that Dr. Tellingham allowed the insurance to lapse, and there is no money to rebuild the dormitory. In the meantime, Ruth submits her scenario to Mr. Hammond and is thrilled when he accepts it. After her scenario is accepted, Ruth gets a wonderful idea about how she can help the school raise money to rebuild the dormitory. In the Italian garden scenes, the seniors and juniors were used. Ruth calls a meeting of all of the students and suggests her idea of writing a moving picture scenario that will be filmed on the campus. The proceeds from the film would go towards rebuilding the dormitory. In this way, all of the girls would contribute to the fund, since they would be the extras in the film. This idea is met with enthusiasm, and Ruth soon gains Mr. Hammond's approval.
Ruth and Helen eagerly await the arrival of Jane Ann Hicks, who is to attend Briarwood Hall this year. The girls experience a great deal of worry when they learn that Jane's train has been wrecked. Jane is fine, but a boy named Jerry Sheming has been hurt. Jerry is taken to the Red Mill where Aunt Alvirah and Ruth care for him. Jerry reveals that he used to live on Cliff Island, but his uncle was cheated out of his land. His uncle lost his treasure box in a landslide, and with it, the papers needed to prove his claim to the island. Uncle Pete lost his mind and entered an insane asylum, and Jerry was forced to leave. Jerry hopes to someday find the treasure box and prove his uncle's claim. Ruth and her friends leave for Briarwood Hall, and Jerry stays behind at the Red Mill. The girls do their best to make Jane Ann fit in and try to keep her from being hazed as a new girl. Unfortunately, Jane Ann has much trouble fitting in with the other girls until she uses her lassoing technique in a rescue. Things gradually get better for Jane. She shot over the yawning edge of the chasm and disappeared. After a time, the girls are invited to Cliff Island for Christmas by Belle Tingley, whose father has purchased the island. Ruth is certain that Mr. Tingley did nothing to cheat Jerry's Uncle Pete, but the man who sold him the island must have cheated Jerry's uncle. Ruth sends word to Jerry to travel to the island and arranges for Mr. Tingley to give him a job. Later, Jerry is ordered arrested by the real estate man and is forced to hide in a cave. Ruth and her friends search the island for some sign of Uncle Pete's treasure chest. In time, the truth is discovered, Jerry is reunited with his uncle, and Ruth and her friends return home after a happy vacation.
Gabriela learned her boyfriend had been two-timing her and writing her off as a brainless bimbo, so she drowned her heartache in reckless adventure. One sultry blackout night she tumbled into bed with a stranger, then slunk away at dawn, convinced she'd succumbed to a notorious playboy. She prayed she'd never see him again. Yet the man beneath those sheets was actually Wesley, the decisive, ice-cool, unshakeable CEO who signed her paychecks. Assuming her heart was elsewhere, Wesley returned to the office cloaked in calm, but every polite smile masked a dark surge of possessive jealousy.
After five years of playing the perfect daughter, Rylie was exposed as a stand-in. Her fiancé bolted, friends scattered, and her adoptive brothers shoved her out, telling her to grovel back to her real family. Done with humiliation, she swore to claw back what was hers. Shock followed: her birth family ruled the town's wealth. Overnight, she became their precious girl. The boardroom brother canceled meetings, the genius brother ditched his lab, the musician brother postponed a tour. As those who spurned her begged forgiveness, Admiral Brad Morgan calmly declared, "She's already taken."
Madisyn was stunned to discover that she was not her parents' biological child. Due to the real daughter's scheming, she was kicked out and became a laughingstock. Thought to be born to peasants, Madisyn was shocked to find that her real father was the richest man in the city, and her brothers were renowned figures in their respective fields. They showered her with love, only to learn that Madisyn had a thriving business of her own. "Stop pestering me!" said her ex-boyfriend. "My heart only belongs to Jenna." "How dare you think that my woman has feelings for you?" claimed a mysterious bigwig.
The thunder cracked over the Hamptons, but it was nothing compared to Elena Sharp's scream. She lay twisted on the marble foyer, accusing me of trying to kill her baby. My husband, Julian, walked in, saw the scene, and his eyes froze me out of his life forever. He didn't listen, shoving a separation agreement across the desk, accusing me of murder. Stripped of my name and home, I was thrown out, left with nothing but my clothes and a terrifying secret growing inside me. My accounts frozen, I ended up in a crumbling Philadelphia row house, forced to pawn heirlooms. During a fire, my water broke, and I delivered our premature daughter, June, whose lungs were damaged. I stole formula to feed her, facing massive medical bills. Accused of destroying an heir, I was exiled while carrying his true legacy, fighting for every breath. The injustice burned, but June's life was my only fight. Three years later, June needed life-saving surgery. Julian's dying grandmother called me back with the funds, forcing a cruel charade with the man who hated me, a man still oblivious to his daughter.
"My sister threatens to take my mate. And I let her keep him." Born without a wolf, Seraphina is the disgrace of her pack-until a drunken night leaves her pregnant and married to Kieran, the ruthless Alpha who never wanted her. But their decade-long marriage was no fairytale. For ten years, she endured the humiliation: No Luna title. No mating mark. Just cold sheets and colder stares. When her perfect sister returned, Kieran filed for divorce the same night. And her family was happy to see her marriage broken. Seraphina didn't fight but left silently. However, when danger struck, shocking truths emerged: ☽ That night wasn't an accident ☽ Her "defect" is actually a rare gift ☽ And now every Alpha-including her ex-husband-will fight to claim her Too bad she's done being owned. *** Kieran's growl vibrated through my bones as he pinned me against the wall. The heat of him seared through layers of fabric. "You think leaving is that easy, Seraphina?" His teeth grazed the unmarked skin of my throat. "You. Are. Mine." A hot palm slid up my thigh. "No one else will ever touch you." "You had ten years to claim me, Alpha." I bared my teeth in a smile. "Funny how you only remember I'm yours... when I'm walking away."
I'm a moaning mess as Antonio slams into me from behind. His hips hit me hard, and each deep thrust sends shockwaves through my body. My breasts bounce with every movement, my eyes roll back, and I moan his name without control. The pleasure he gives me is overwhelming-I can't hold it in. I feel my walls tighten around his thick length. The pressure builds fast, and then- I explode around him, my orgasm tearing through me. He groans loud and deep as he releases inside me, his hot seed spilling into me in thick pulses. Just when I think he's done, his grip shifts. He turns me over and lays me flat on the bed. His dark eyes stare into mine for a moment, filled with raw hunger. I glance down- He's still hard. Before I can react, he grabs my wrists, pins me down, and pushes himself inside me again. He fills me completely. My hips rise on instinct, meeting his rhythm. Our bodies move together, locked in a wild, uncontrollable dance. "You're fucking sweet," he groans, his voice rough and breathless. "I can't get enough of you... not after that night, Sol," he growls, slamming into me harder. The force of his words and his thrusts make my body shake. "Come for me," he commands, his voice low and full of heat. And just like that, my body trembles. Waves of pleasure crash over me. I cry out, shaking with the force of my orgasm. "Mine," he growls again, louder this time. His voice is feral, wild, like a beast claiming what belongs to him. The sound sends a shiver down my spine. *** Solene was betrayed, humiliated, and erased by Rowan Brook, the man she once called husband, Solene is left with nothing but her name and a burning hunger for revenge. She turns to the one man powerful enough to destroy the Brooks family from within: Rowan's estranged and dangerous uncle, Antonio Rodriguez. He's ruthless. A playboy who never sleeps with the same woman twice. But when Solene walks into his world, he doesn't just break the rules, he creates new ones just for her. What begins as a calculated game quickly spirals into obsession, power plays, and secrets too deadly to stay buried. Because Solene isn't just anyone's ex... she's the woman they should've never underestimated. Can she survive the price of revenge? Or will her heart become the next casualty? And when the truth comes out, will Antonio still choose her... or destroy her?
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