The Call of the Cumberlands

Close to the serried backbone of the Cumberland ridge through a sky of mountain clarity, the sun seemed hesitating before its descent to the horizon. The sugar-loaf cone that towered above a creek called Misery was pointed and edged with emerald tracery where the loftiest timber thrust up its crest plumes into the sun. On the hillsides it would be light for more than an hour yet, but below, where the waters tossed themselves along in a chorus of tiny cascades, the light was already thickening into a cathedral gloom.

Down there the "furriner" would have seen only the rough course of the creek between moss-velveted and shaded bowlders of titanic proportions. The native would have recognized the country road in these tortuous twistings. Now there were no travelers, foreign or native, and no sounds from living throats except at intervals the clear "Bob White" of a nesting partridge, and the silver confidence of the red cardinal flitting among the pines. Occasionally, too, a stray whisper of breeze stole along the creek-bed and rustled the beeches, or stirred in the broad, fanlike leaves of the "cucumber trees." A great block of sandstone, to whose summit a man standing in his saddle could scarcely reach his fingertips, towered above the stream, with a gnarled scrub oak clinging tenaciously to its apex. Loftily on both sides climbed the mountains cloaked in laurel and timber.

Suddenly the leafage was thrust aside from above by a cautious hand, and a shy, half-wild girl appeared in the opening. For an instant she halted, with her brown fingers holding back the brushwood, and raised her face as though listening. Across the slope drifted the call of the partridge, and with perfect imitation she whistled back an answer. It would have seemed appropriate to anyone who had seen her that she should talk bird language to the birds. She was herself as much a wood creature as they, and very young. That she was beautiful was not strange. The women of the mountains have a morning-glory bloom-until hardship and drudgery have taken toll of their youth-and she could not have been more than sixteen.

It was June, and the hills, which would be bleakly forbidding barriers in winter, were now as blithely young as though they had never known the scourging of sleet or the blight of wind. The world was abloom, and the girl, too, was in her early June, and sentiently alive with the strength of its full pulse-tide. She was slim and lithely resilient of step. Her listening attitude was as eloquent of pausing elasticity as that of the gray squirrel. Her breathing was soft, though she had come down a steep mountainside, and as fragrant as the breath of the elder bushes that dashed the banks with white sprays of blossom. She brought with her to the greens and grays and browns of the woodland's heart a new note of color, for her calico dress was like the red cornucopias of the trumpet-flower, and her eyes were blue like little scraps of sky. Her heavy, brown-red hair fell down over her shoulders in loose profusion. The coarse dress was freshly briar-torn, and in many places patched; and it hung to the lithe curves of her body in a fashion which told that she wore little else. She had no hat, but the same spirit of childlike whimsey that caused her eyes to dance as she answered the partridge's call had led her to fashion for her own crowning a headgear of laurel leaves and wild roses. As she stood with the toes of one bare foot twisting in the gratefully cool moss, she laughed with the sheer exhilaration of life and youth, and started out on the table top of the huge rock. But there she halted suddenly with a startled exclamation, and drew instinctively back. What she saw might well have astonished her, for it was a thing she had never seen before and of which she had never heard. Now she paused in indecision between going forward toward exploration and retreating from new and unexplained phenomena. In her quick instinctive movements was something like the irresolution of the fawn whose nostrils have dilated to a sense of possible danger. Finally, reassured by the silence, she slipped across the broad face of the flat rock for a distance of twenty-five feet, and paused again to listen.

At the far edge lay a pair of saddlebags, such as form the only practical equipment for mountain travelers. They were ordinary saddlebags, made from the undressed hide of a brindle cow, and they were fat with tight packing. A pair of saddlebags lying unclaimed at the roadside would in themselves challenge curiosity. But in this instance they gave only the prefatory note to a stranger story. Near them lay a tin box, littered with small and unfamiliar-looking tubes of soft metal, all grotesquely twisted and stained, and beside the box was a strangely shaped plaque of wood, smeared with a dozen hues. That this plaque was a painter's sketching palette was a thing which she could not know, since the ways of artists had to do with a world as remote from her own as the life of the moon or stars. It was one of those vague mysteries that made up the wonderful life of "down below." Even the names of such towns as Louisville and Lexington meant nothing definite to this girl who could barely spell out, "The cat caught the rat," in the primer. Yet here beside the box and palette stood a strange jointed tripod, and upon it was some sort of sheet. What it all meant, and what was on the other side of the sheet became a matter of keenly alluring interest. Why had these things been left here in such confusion? If there was a man about who owned them he would doubtless return to claim them. Possibly he was wandering about the broken bed of the creek, searching for a spring, and that would not take long. No one drank creek water. At any moment he might return and discover her. Such a contingency held untold terrors for her shyness, and yet to turn her back on so interesting a mystery would be insupportable. Accordingly, she crept over, eyes and ears alert, and slipped around to the front of the queer tripod, with all her muscles poised in readiness for flight.

A half-rapturous and utterly astonished cry broke from her lips. She stared a moment, then dropped to the moss-covered rock, leaning back on her brown hands and gazing intently. She sat there forgetful of everything except the sketch which stood on the collapsible easel.

"Hit's purty!" she approved, in a low, musical murmur. "Hit's plumb dead beautiful!" Her eyes were glowing with delighted approval.

She had never before seen a picture more worthy than the chromos of advertising calendars and the few crude prints that find their way into the roughest places, and she was a passionate, though totally unconscious, devotée of beauty. Now she was sitting before a sketch, its paint still moist, which more severe critics would have pronounced worthy of accolade. Of course, it was not a finished picture-merely a study of what lay before her-but the hand that had placed these brushstrokes on the academy board was the sure, deft hand of a master of landscape, who had caught the splendid spirit of the thing, and fixed it immutably in true and glowing appreciation. Who he was; where he had gone; why his work stood there unfinished and abandoned, were details which for the moment this half-savage child-woman forgot to question. She was conscious only of a sense of revelation and awe. Then she saw other boards, like the one upon the easel, piled near the paint -box. These were dry, and represented the work of other days; but they were all pictures of her own mountains, and in each of them, as in this one, was something that made her heart leap.

To her own people, these steep hillsides and "coves" and valleys were a matter of course. In their stony soil, they labored by day: and in their shadows slept when work was done. Yet, someone had discovered that they held a picturesque and rugged beauty; that they were not merely steep fields where the plough was useless and the hoe must be used. She must tell Samson: Samson, whom she held in an artless exaltation of hero-worship; Samson, who was so "smart" that he thought about things beyond her understanding; Samson, who could not only read and write, but speculate on problematical matters.

Suddenly she came to her feet with a swift-darting impulse of alarm. Her ear had caught a sound. She cast searching glances about her, but the tangle was empty of humanity. The water still murmured over the rocks undisturbed. There was no sign of human presence, other than herself, that her eyes could discover-and yet to her ears came the sound again, and this time more distinctly. It was the sound of a man's voice, and it was moaning as if in pain. She rose and searched vainly through the bushes of the hillside where the rock ran out from the woods. She lifted her skirts and splashed her bare feet in the shallow creek water, wading persistently up and down. Her shyness was forgotten. The groan was a groan of a human creature in distress, and she must find and succor the person from whom it came.

Certain sounds are baffling as to direction. A voice from overhead or broken by echoing obstacles does not readily betray its source. Finally she stood up and listened once more intently-her attitude full of tense earnestness.

"I'm shore a fool," she announced, half-aloud. "I'm shore a plumb fool." Then she turned and disappeared in the deep cleft between the gigantic bowlder upon which she had been sitting and another-small only by comparison. There, ten feet down, in a narrow alley littered with ragged stones, lay the crumpled body of a man. It lay with the left arm doubled under it, and from a gash in the forehead trickled a thin stream of blood. Also, it was the body of such a man as she had not seen before.