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The Compleat Bachelor by Oliver Onions
The Compleat Bachelor by Oliver Onions
"Perhaps, Rollo," said my sister (Caroline Butterfield, spinster), "you would like to go on to your club, and call for me in an hour or so. There will only be women, I expect."
"Carrie," I replied, "your consideration does you credit; but no company that you may enter is too bad for me. I insist on accompanying you. It is my first duty as a brother."
Carrie laughed.
"I believe you like it, Rol," she said. "Molly Chatterton says Loring says you never go to a club if you can have tea with a married woman."
"It is the one reward of a blameless reputation," I replied; "but that Loring Chatterton should say so is rank ingratitude, considering his own ante-nuptial record. Rank ingratitude."
We dismounted together at Millicent Dixon's door, and were admitted to the hall. Carrie gave my necktie an attentive little tug, slapped my cheek (Carrie is justly proud of her middle-aged brother, and likes to show him off to advantage), and preceded me into Millie Dixon's drawing-room. Some half-dozen ladies were engaged in the usual five-o'clock flirtation with tea and cake, and contributing to the feminine hum which didn't subside in the least as we entered.
"He would come, Millie," said Caroline, after a cross-over kiss on both cheeks, "but you can lean him up in a corner and give him some tea to keep him quiet."
This from my own flesh and blood!
Millie Dixon gave me a laughing nod over her shoulder, and busied herself preparing the cup that should have the effect Carrie suggested. I sat down, and composed myself to listen to the restful chatter that was supposed not to interest me. Mrs. Loring Chatterton, at my side, was rippling gently on the subject of a School of Art Needlework Exhibition, while Carrie and Mrs. Carmichael talked Marshall and Snelgrove to Cicely Vicars and Mrs. Julian Joyce. I have no disdain for ladies' babble-it is quite as entertaining as starting-price and stock-exchange gossip, and much prettier. But I couldn't get Chatterton's remark out of my mind.
"Cream or lemon, Mr. Butterfield?" called Miss Dixon from the other side of the room.
"Yes, if you please," I answered absently, while Miss Dixon looked a deprecating query as to when I should be sensible. I roused, and turned to Mrs. Loring Chatterton.
"Where is Loring to-day?" I asked.
"Oh, I don't know," she replied. "I told him I shouldn't want him this afternoon, so he said he would count the dreary hours till joy returned. I expect he went to count them at some club."
"Loring always was ardent," I remarked, looking meditatively into my cup. "I seem to remember that kind of thing from Loring before. Long before you knew him, Mrs. Chatterton."
"What do you mean, Mr. Butterfield?"
"Nothing, my dear Mrs. Chatterton," I replied. "Nothing out of the way. But you don't suppose that Loring had the good fortune to happen on the perfect gem without-what shall I say?-preliminary prospecting?"
Mrs. Chatterton and I are old friends. She laughed.
"Do you think you can make me inquisitive, Mr. Butterfield? I know all about that. Why, I made Loring tell me every--"
It was my turn to laugh.
"Then there is nothing more to say," I answered. "Loring is my friend-he has claims upon me. He has, doubtless, given himself quite away, and half his bachelor friends into the bargain. I think I see him doing it. Isn't that a pretty gown Carrie is wearing? I chose it for her."
"Loring told me a great deal," said Mrs. Chatterton musingly.
"The buttons are from her grandmother's wedding-gown."
"And he was so clumsy and boyish," she continued.
Words were superfluous. I smiled.
"Anyway," Mrs. Loring went on, "I don't think it fair. Men have half a dozen flirtations before they are married their wives know nothing about."
"And women, Mrs. Chatterton?" I asked.
"Some women, Mr. Butterfield, may not be scrupulous. But--"
The unfinished sentence was a résume of female virtue since the days of Penelope.
"What are you two so interested in?" cried Mrs. Carmichael from a remote sofa. I had just caught her eye.
Mrs. Loring placed her hand beseechingly on my sleeve, but I hardened my heart.
"We were recalling the time, Mrs. Kit," I replied, "before your several husbands were enticed from the liberty of bachelor life; we were commenting on the change in them."
"You should be able to appreciate the difference, Mr. Butterfield," returned Mrs. Carmichael. "You are just where they left you years and years ago."
"Yes, ma'am," I replied, "I have not been able to bury my memory in the wedding-service, nor forget my past in a honeymoon. I am still as unregenerate as, say, Kit Carmichael was before he met you."
"You are a great deal worse," returned Mrs. Kit.
"You refuse a very pretty compliment, Mrs. Carmichael," I replied.
"Yes, at Kit's expense. It was you who made Kit as bad as he was. He told me so."
The perfidy of these married friends! Rol Butterfield, you have no use for them when they sacrifice you on their nuptial altars. Their eyes lost their singleness with their hearts, and your reputation has gone for a kiss. Well, you have your revenge on their wives, if you care to use it.
The spark of righteous war was kindled within me. I leaned forward, and spoke my speech with icy distinctness.
"So I am responsible for Carmichael's past, am I, Mrs. Kit? Listen to me. There was not a more abandoned and desperately wicked trio in London than Kit Carmichael-your meek brother, Miss Dixon-and Loring--"
Mrs. Chatterton endeavoured to stop me with a hot teaspoon laid on my hand, but I still testified.
"And Loring Chatterton. Not content with steeping their own souls in infamy, they must needs go afield, and corrupt the spotless name of one-oh, Carrie, Carrie, what your poor brother has suffered! And now to be told in his old-his middle-age that he did it all!"
Mrs. Kit and Cicely Vicars had put their heads together, and were endeavouring to put aside the damning testimony in mock admiration of the dramatic skill with which it was uttered. Cicely Vicars had best be very careful. I was to be leaned up in a corner and given tea, was I?
"Doesn't Mr. Butterfield look well with the light behind him?" said Mrs. Vicars with a pretty gesture of her hand. Mrs. Vicars paints flowers, and asks her friends what they would really like for wedding presents.
"Mr. Butterfield may have the Light behind him, Mrs. Vicars," I replied, "but he has no regrets for a misspent youth. Charlie Vicars wasted his youth most shamefully. Mornings in the park, with a young lady in a pink frock-is that not so, Mrs. Loring?"
I turned to her suddenly.
"It was a green frock," said Mrs. Loring thoughtlessly; then turned quite pink. It was a pretty situation. Loring might have treasured that blush. I was avenged.
Millicent Dixon came to the rescue.
"Carrie, dear," she said, "you are the only one who has any influence over that irrepressible man. Do gag him for a few minutes;" and passed over a plate of gaufrettes, which Carrie brought to me.
I held the plate to Mrs. Loring Chatterton, who, a reminiscence of fun still in her eyes, accepted the peace-offering with a warning shake of her head.
"Mr. Butterfield," she said, "you never were anything but mischievous, and it's my opinion you never will be. Oh, I wish I could get you off my hands. There are plenty of nice girls. Look at Millie there," she whispered.
"Mrs. Loring," I replied, "once upon a time there was a fox, who was caught in a trap, and had his tail cut off. After that--"
"Ah well, I suppose you know your own mind. But, Mr. Butterfield"-she leaned over, and spoke quite low-"I believe you make out your young days-and Loring's-to have been much worse than they were. Do you not, now?"
Mrs. Loring had a little beauty-spot on her conscience which she thought was a stain.
Later in his career, the novelist who worked under the pen name Oliver Onions turned his focus to ghost stories and tales of the supernatural. However, his early work spanned a number of genres, including historical fiction, science fiction, and detective fiction. A Case in Camera delves deeply into a puzzling murder, and it's sure to please readers who appreciate well-written mysteries.
English artist and author George Oliver Onions is credited as one of the most important figures in the development of the psychological thriller. In the classic novel Mushroom Town, Onions puts his keen eye for detail to work in a loving portrait of a fictionalized village in Wales.
Everyone was shocked to the bones when the news of Rupert Benton's engagement broke out. It was surprising because the lucky girl was said to be a plain Jane, who grew up in the countryside and had nothing to her name. One evening, she showed up at a banquet, stunning everyone present. "Wow, she's so beautiful!" All the men drooled, and the women got so jealous. What they didn't know was that this so-called country girl was actually an heiress to a billion-dollar empire. It wasn't long before her secrets came to light one after the other. The elites couldn't stop talking about her. "Holy smokes! So, her father is the richest man in the world?" "She's also that excellent, but mysterious designer who many people adore! Who would have guessed?" Nonetheless, people thought that Rupert didn't love her. But they were in for another surprise. Rupert released a statement, silencing all the naysayers. "I'm very much in love with my beautiful fiancee. We will be getting married soon." Two questions were on everyone's minds: "Why did she hide her identity? And why was Rupert in love with her all of a sudden?"
Sawyer, the world's top arms dealer, stunned everyone by falling for Maren—the worthless girl no one respected. People scoffed. Why chase a useless pretty face? But when powerful elites began gathering around her, jaws dropped. "She's not even married to him yet—already cashing in on his power?" they assumed. Curious eyes dug into Maren's past... only to find she was a scientific genius, a world-renowned medical expert, and heiress to a mafia empire. Later, Sawyer posted online. "My wife treats me like the enemy. Any advice?"
For three quiet, patient years, Christina kept house, only to be coldly discarded by the man she once trusted. Instead, he paraded a new lover, making her the punchline of every town joke. Liberated, she honed her long-ignored gifts, astonishing the town with triumph after gleaming triumph. Upon discovering she'd been a treasure all along, her ex-husband's regret drove him to pursue her. "Honey, let's get back together!" With a cold smirk, Christina spat, "Fuck off." A silken-suited mogul slipped an arm around her waist. "She's married to me now. Guards, get him the hell out of here!"
The whispers said that out of bitter jealousy, Hadley shoved Eric's beloved down the stairs, robbing the unborn child of life. To avenge, Eric forced Hadley abroad and completely cut her off. Years later, she reemerged, and they felt like strangers. When they met again, she was the nightclub's star, with men ready to pay fortunes just to glimpse her elusive performance. Unable to contain himself, Eric blocked her path, asking, "Is this truly how you earn a living now? Why not come back to me?" Hadley's lips curved faintly. "If you’re eager to see me, you’d better join the queue, darling."
Maia grew up a pampered heiress-until the real daughter returned and framed her, sending Maia to prison with help from her fiancé and family. Four years later, free and married to Chris, a notorious outcast, everyone assumed Maia was finished. They soon discovered she was secretly a famed jeweler, elite hacker, celebrity chef, and top game designer. As her former family begged for help, Chris smiled calmly. "Honey, let's go home." Only then did Maia realize her "useless" husband was a legendary tycoon who'd adored her from the start.
Katherine endured mistreatment for three years as Julian's wife, sacrificing everything for love. But when his sister drugged her and sent her to a client's bed, Katherine finally snapped. She left behind divorce papers, walking away from the toxic marriage. Years later, Katherine returned as a radiant star with the world at her feet. When Julian saw her again, he couldn't ignore the uncanny resemblance between her new love and himself. He had been nothing but a stand-in for someone else. Desperate to make sense of the past, Julian pressed Katherine, asking, "Did I mean nothing to you?"
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