The House on the Moor, v. 2/3

The House on the Moor, v. 3/3 by Mrs. Oliphant

Margaret Oliphant was one of the most prolific and popular writers of her day. Her domestic novels are steeped in the broad social, political, and religious worlds of the Victorian era, and her Chronicles of Carlingford series stands as an insightful portrait of English life. 'Phoebe ,Junior', the last of this series, examines Victorian class dynamics by following the social mobility of one family and the effects of this mobility on the daughter, Phoebe.

Merkland; or, Self Sacrifice by Mrs. Oliphant

OUT of the darkest depths of life, where vice and crime and misery abound, comes the Byron of the twentieth century, the poet of the vagabond and the proletariat, Maxim Gorky. Not like the beggar, humbly imploring for a crust in the name of the Lord, nor like the jeweller displaying his precious stones to dazzle and tempt the eye, he comes to the world,— nay, in accents of Tyrtaeus this commoner of Nizhni Novgorod spurs on his troops of freedom-loving heroes to conquer, as it were, the placid, self- satisfied literatures of to-day, and bring new life to pale, bloodless frames.

These words were spoken in the garden of Dinglefield Rectory on a very fine summer day a few years ago. The speaker was Mr. Damerel, the rector, a middle-aged man with very fine, somewhat worn features, a soft benignant smile, and, as everybody said who knew him, the most charming manners in the world. He was a man of very elegant mind as well as manners. He did not preach often, but when he did preach all the educated persons in his congregation felt that they had very choice fare indeed set before them. I am afraid the poor folk liked the curate best, but then the curate liked them best, and it mattered very little to any man or woman of refinement what sentiment existed between the cottagers and the curate. Mr. Damerel was perfectly kind and courteous to everybody, gentle and simple, who came in his way, but he was not fond of poor people in the abstract.

I THOUGHT I heard a slight rustle, as if Sarah had taken off her spectacles, but I was really so interested in the matter which I was then discussing with Mr. Cresswell, our solicitor, that I did not look round, as I certainly should have done in any other circumstances; but imagine my utter amazement and the start which Mr. Cresswell gave, nearly upsetting the ink on the drab table-cover, which never could have got the better of it, when my sister Sarah, who never speaks except to me, and then only in a whisper, pronounced distinctly, loud out, the following words: “His Christian name was Richard Arkwright; he was called after the cotton-spinner; that was the chief thing against him in my father’s days.”

For ten years, Daniela showered her ex-husband with unwavering devotion, only to discover she was just his biggest joke. Feeling humiliated yet determined, she finally divorced him. Three months later, Daniela returned in grand style. She was now the hidden CEO of a leading brand, a sought-after designer, and a wealthy mining mogul-her success unveiled at her triumphant comeback. Her ex-husband's entire family rushed over, desperate to beg for forgiveness and plead for another chance. Yet Daniela, now cherished by the famed Mr. Phillips, regarded them with icy disdain. "I'm out of your league."

"You don't belong here. Get out!" Hanna, the rightful Wheeler daughter, came back only to be expelled by her family. Her fiancé cheated on her with the fake daughter, her brothers looked down on her, and her father ignored her. Then, she crossed paths with Chris, the formidable leader of the Willis family and her fiancé's uncle. "Let's pretend it never happened." Despite Hanna's hope to part ways, Chris insisted she be responsible. He threatened to reveal Hanna's true talents as an outstanding doctor, a brilliant screenwriter, and the brains behind a famous design studio, forcing her into marriage. Chris was once asked to protect someone. Destiny reunited them in tricky circumstances. He had planned to keep his promise and provide a safe haven, only to find Hanna was far from the delicate woman she seemed. She was witty and cunning...

Eliana reunited with her family, now ruined by fate: Dad jailed, Mom deathly ill, six crushed brothers, and a fake daughter who'd fled for richer prey. Everyone sneered. But at her command, Eliana summoned the Onyx Syndicate. Bars opened, sickness vanished, and her brothers rose-one walking again, others soaring in business, tech, and art. When society mocked the "country girl," she unmasked herself: miracle doctor, famed painter, genius hacker, shadow queen. A powerful tycoon held her close. "Country girl? She's my fiancée!" Eliana glared at him. "Dream on." Resolutely, he vowed never to let go.

Lyric had spent her life being hated. Bullied for her scarred face and hated by everyone-including her own mate-she was always told she was ugly. Her mate only kept her around to gain territory, and the moment he got what he wanted, he rejected her, leaving her broken and alone. Then, she met him. The first man to call her beautiful. The first man to show her what it felt like to be loved. It was only one night, but it changed everything. For Lyric, he was a saint, a savior. For him, she was the only woman that had ever made him cum in bed-a problem he had been battling for years. Lyric thought her life would finally be different, but like everyone else in her life, he lied. And when she found out who he really was, she realized he wasn't just dangerous-he was the kind of man you don't escape from. Lyric wanted to run. She wanted freedom. But she desired to navigate her way and take back her respect, to rise above the ashes. Eventually, she was forced into a dark world she didn't wish to get involved with.

Rumors said that Lucas married an unattractive woman with no background. In the three years they were together, he remained cold and distant to Belinda, who endured in silence. Her love for him forced her to sacrifice her self-worth and her dreams. When Lucas' true love reappeared, Belinda realized that their marriage was a sham from the start, a ploy to save another woman's life. She signed the divorce papers and left. Three years later, Belinda returned as a surgical prodigy and a maestro of the piano. Lost in regret, Lucas chased her in the rain and held her tightly. "You are mine, Belinda."

The whispers said that out of bitter jealousy, Hadley shoved Eric's beloved down the stairs, robbing the unborn child of life. To avenge, Eric forced Hadley abroad and completely cut her off. Years later, she reemerged, and they felt like strangers. When they met again, she was the nightclub's star, with men ready to pay fortunes just to glimpse her elusive performance. Unable to contain himself, Eric blocked her path, asking, "Is this truly how you earn a living now? Why not come back to me?" Hadley's lips curved faintly. "If you’re eager to see me, you’d better join the queue, darling."