The Huge Hunter by Edward S. Ellis
The Huge Hunter by Edward S. Ellis
'HOWLY vargin! what is that?' exclaimed Mickey McSquizzle, with something like horrified amazement.
'By the Jumping Jehosiphat, naow if that don't, beat all natur'!'
'It's the divil, broke loose, wid full steam on!'
There was good cause for these exclamations upon the part of the Yankee and Irishman, as they stood on the margin of Wolf Ravine, and gazed off over the prairie. Several miles to the north, something like a gigantic man could be seen approaching, apparently at a rapid gait for a few seconds, when it slackened its speed, until it scarcely moved.
Occasionally it changed its course, so that it went nearly at right angles. At such times, its colossal proportions were brought out in full relief, looking like some Titan as it took its giant strides over the prairie.
The distance was too great to scrutinize the phenomenon closely; but they could see that a black volume of smoke issued either from its mouth or the top of its head, while it was drawing behind it a sort of carriage, in which a single man was seated, who appeared to control the movements of the extraordinary being in front of him.
No wonder that something like superstitious have filled the breasts of the two men who had ceased hunting for gold, for a few minutes, to view the singular apparition; for such a thing had scarcely been dreamed of at that day, by the most imaginative philosophers; much less had it ever entered the head of these two men on the western prairies.
'Begorrah, but it's the ould divil, hitched to his throttin 'waging, wid his ould wife howlding the reins!' exclaimed Mickey, who had scarcely removed his eyes from the singular object.
'That there critter in the wagon is a man,' said Hopkins, looking as intently in the same direction. 'It seems to me,' he added, a moment later, 'that there's somebody else a-sit-ting alongside of him, either a dog or a boy. Wal, naow, ain't that queer?'
'Begorrah! begorrah! do ye hear that? What shall we do?'
At that instant, a shriek like that of some agonized giant came home to them across the plains, and both looked around, as if about to flee in terror; but the curiosity of the Yankee restrained him. His practical eye saw that whatever it might be, it was a human contrivance, and there could be nothing supernatural about it.
'Look!'
Just after giving its ear-splitting screech, it turned straight toward the two men, and with the black smoke rapidly puffing from the top of its head, came tearing along at a tremendous rate.
Mickey manifested some nervousness, but he was restrained by the coolness of Ethan, who kept his position with his eye fixed keenly upon it.
Coming at such a railroad speed, it was not long in passing the intervening space. It was yet several hundred yards distant, when Ethan Hopkins gave Mickey a ringing slap upon the shoulder.
'Jerusalem! who do ye s'pose naow, that man is sitting in the carriage and holding the reins?'
'Worrah, worrah! why do you ax me, whin I'm so frightened entirely that I don't know who I am myself?'
'Its Baldy.'
'Git out!' replied the Irishman, but added the next moment, 'am I shlaping or dhraming? It's Baldy or his ghost.'
It certainly was no ghost, judging from the manner in which it acted; for he sat with his hat cocked on one side, a pipe in his mouth, and the two reins in his hands, just as the skillful driver controls the mettlesome horses and keeps them well in hand.
He was seated upon a large pile of wood, while near nestled a little hump-backed, bright-eyed boy, whose eyes sparkled with delight at the performance of the strange machine.
The speed of the steam man gradually slackened, until it came opposite the men, when it came to a dead halt, and the grinning 'Baldy,' as he was called, (from his having lost his scalp several years before, by the Indians), tipped his hat and said:
'Glad to see you hain't gone under yit. How'd you git along while I was gone?'
But the men were hardly able to answer any questions yet, until they had learned something more about the strange creation before them. Mickey shied away, as the timid steed does at first sight of the locomotive, observing which, the boy (at a suggestion from Baldy), gave a string in his hand a twitch, whereupon the nose of the wonderful thing threw out a jet of steam with the sharp screech of the locomotive whistle. Mickey sprung a half dozen feet backward, and would have run off at full speed down the ravine, had not Ethan Hopkins caught his arm.
'What's the matter, Mickey, naow! Hain't you ever heard anything like a locomotive whistle?'
'Worrah, worrah, now, but is that the way the crather blows its nose? It must have a beautiful voice when it shnores at night.'
Perhaps at this point a description of the singular mechanism should be given. It was about ten feet in hight, measuring to the top of the 'stove-pipe hat,' which was fashioned after the common order of felt coverings, with a broad brim, all painted a shiny black. The face was made of iron, painted a black color, with a pair of fearful eves, and a tremendous grinning mouth. A whistle-like contrivance was trade to answer for the nose. The steam chest proper and boiler, were where the chest in a human being is generally supposed to be, extending also into a large knapsack arrangement over the shoulders and back. A pair of arms, like projections, held the shafts, and the broad flat feet were covered with sharp spikes, as though he were the monarch of base-ball players. The legs were quite long, and the step was natural, except when running, at which time, the bolt uprightness in the figure showed different from a human being.
In the knapsack were the valves, by which the steam or water was examined. In front was a painted imitation of a vest, in which a door opened to receive the fuel, which, together with the water, was carried in the wagon, a pipe running along the shaft and connecting with the boiler.
The lines which the driver held controlled the course of the steam man; thus, by pulling the strap on the right, a deflection was caused which turned it in that direction, and the same acted on the other side. A small rod, which ran along the right shaft, let out or shut off the steam, as was desired, while a cord, running along the left, controlled the whistle at the nose.
The legs of this extraordinary mechanism were fully a yard apart, so as to avoid the danger of its upsetting, and at the same time, there was given more room for the play of the delicate machinery within. Long, sharp, spike-like projections adorned those toes of the immense feet, so that there was little danger of its slipping, while the length of the legs showed that, under favorable circumstances, the steam man must be capable of very great speed.
After Ethan Hopkins had some what familiarized himself with the external appearance of this piece of mechanism, he ventured upon a more critical examination.
The door being opened in front, showed a mass of glowing coals lying in the capacious abdomen of the giant; the hissing valves in the knapsack made themselves apparent, and the top of the hat or smoke-stack had a sieve-like arrangement, such as is frequently seen on the locomotive.
There were other little conveniences in the way of creating a draft, and of shutting it off when too great, which could scarcely be understood without a scrutiny of the figure itself.
The steam man was a frightful looking object, being painted of a glossy black, with a pair of white stripes down its legs, and with a face which was intended to be of a flesh color, but, which was really a fearful red.
To give the machinery an abundance of room, the steam man was exceedingly corpulent, swelling out to aldermanic proportions, which, after all, was little out of harmony with its immense hight.
The wagon dragged behind was an ordinary four-wheeled vehicle, with springs, and very strong wheels, a framework being arranged, so that when necessary it could be securely covered. To guard against the danger of upsetting it was very broad, with low wheels, which it may be safely said were made to 'hum' when the gentleman got fairly under way.
Such is a brief and Imperfect description of this wonderful steam man, as it appeared on its first visit to the Western prairies.
The Launch Boys' Cruise in the Deerfoot by Edward S. Ellis
"I heard you're going to marry Marcelo. Is this perhaps your revenge against me? It's very laughable, Renee. That man can barely function." Her foster family, her cheating ex, everyone thought Renee was going to live in pure hell after getting married to a disabled and cruel man. She didn't know if anything good would ever come out of it after all, she had always thought it would be hard for anyone to love her but this cruel man with dark secrets is never going to grant her a divorce because she makes him forget how to breathe.
In her previous life, Kimberly endured the betrayal of her husband, the cruel machinations of an evil woman, and the endless tyranny of her in-laws. It culminated in the bankruptcy of her family, and ultimately, her death. After being reborn, she resolved to seek retribution against those who had wronged her, and ensure her family's prosperity. To her shock, the most unattainable man from her past suddenly set his sights on her. "You may have overlooked me before, but I shall capture your heart this time around."
Rumors said that Lucas married an unattractive woman with no background. In the three years they were together, he remained cold and distant to Belinda, who endured in silence. Her love for him forced her to sacrifice her self-worth and her dreams. When Lucas' true love reappeared, Belinda realized that their marriage was a sham from the start, a ploy to save another woman's life. She signed the divorce papers and left. Three years later, Belinda returned as a surgical prodigy and a maestro of the piano. Lost in regret, Lucas chased her in the rain and held her tightly. "You are mine, Belinda."
The roasted lamb was cold, a reflection of her marriage. On their third anniversary, Evelyn Vance waited alone in her Manhattan penthouse. Then her phone buzzed: Alexander, her husband, had been spotted leaving the hospital, holding his childhood sweetheart Scarlett Sharp's hand. Alexander arrived hours later, dismissing Evelyn's quiet complaint with a cold reminder: she was Mrs. Vance, not a victim. Her mother's demands reinforced this role, making Evelyn, a brilliant mind, feel like a ghost. A dangerous indifference replaced betrayal. The debt was paid; now, it was her turn. She drafted a divorce settlement, waiving everything. As Alexander's tender voice drifted from his study, speaking to Scarlett, Evelyn placed her wedding ring on his pillow, moved to the guest suite, and locked the door. The dull wife was gone; the Oracle was back.
For eight years, Cecilia Moore was the perfect Luna, loyal, and unmarked. Until the day she found her Alpha mate with a younger, purebred she-wolf in his bed. In a world ruled by bloodlines and mating bonds, Cecilia was always the outsider. But now, she's done playing by wolf rules. She smiles as she hands Xavier the quarterly financials-divorce papers clipped neatly beneath the final page. "You're angry?" he growls. "Angry enough to commit murder," she replies, voice cold as frost. A silent war brews under the roof they once called home. Xavier thinks he still holds the power-but Cecilia has already begun her quiet rebellion. With every cold glance and calculated step, she's preparing to disappear from his world-as the mate he never deserved. And when he finally understands the strength of the heart he broke... It may be far too late to win it back.
Silvia lost everything in one night-her parents,her trust,and her mate. Coming home from their funeral,she found her "fated"partner,Zack,tangled with another she-wolf. "You'll always be my Luna... even if I need variety,"he said,smirking. Heartbroken but fierce,she rejected him-and turned to someone far more dangerous. "I need help,"she whispered. Sherman leaned closer,his voice like silk over steel. "I offer more than help,little wolf. I offer everything he couldn't give you." Now married to Zack's powerful half-brother,Silvia plays a deadly game of loyalty,vengeance,and survival. But Sherman Carter doesn't help for free-and as their bond deepens,truths unravel. Is Silvia just a pawn in Sherman's war? Or is she becoming the Queen who'll burn the whole pack down? When love,betrayal,and bloodlines collide,how far will one omega go to save her family-and destroy the mate who broke her soul?
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