The King of Ireland's Son by Padraic Colum
The King of Ireland's Son by Padraic Colum
Connal was the name of the King who ruled over Ireland at that time. He had three sons, and, as the fir-trees grow, some crooked and some straight, one of them grew up so wild that in the end the King and the King's Councillor had to let him have his own way in everything. This youth was the King's eldest son and his mother had died before she could be a guide to him.
Now after the King and the King's Councillor left him to his own way the youth I'm telling you about did nothing but ride and hunt all day. Well, one morning he rode abroad-
His hound at his heel,
His hawk on his wrist;
A brave steed to carry him whither he list,
And the blue sky over him,
and he rode on until he came to a turn in the road. There he saw a gray old man seated on a heap of stones playing a game of cards with himself. First he had one hand winning and then he had the other. Now he would say "That's my good right," and then he would say "Play and beat that, my gallant left." The King of Ireland's Son sat on his horse to watch the strange old man, and as he watched him he sang a song to himself
I put the fastenings on my boat
For a year and for a day,
And I went where the rowans grow,
And where the moorhens lay;
And I went over the stepping-stones
And dipped my feet in the ford,
And came at last to the Swineherd's house,-
The Youth without a Sword.
A swallow sang upon his porch
"Glu-ee, glu-ee, glu-ee,"
"The wonder of all wandering,
The wonder of the sea;"
A swallow soon to leave ground sang
"Glu-ee, glu-ee, glu-ee."
"Prince," said the old fellow looking up at him, "if you can play a game as well as you can sing a song, I'd like if you would sit down beside me."
"I can play any game," said the King of Ireland's Son. He fastened his horse to the branch of a tree and sat down on the heap of stones beside the old man.
"What shall we play for?" said the gray old fellow.
"Whatever you like," said the King of Ireland's Son.
"If I win you must give me anything I ask, and if you win I shall give you anything you ask. Will you agree to that?"
"If it is agreeable to you it is agreeable to me," said the King of Ireland's Son.
They played, and the King of Ireland's Son won the game. "Now what do you desire me to give, King's Son?" said the gray old fellow.
"I shan't ask you for anything," said the King of Ireland's Son, "for I think you haven't much to give."
"Never mind that," said the gray old fellow. "I mustn't break my promise, and so you must ask me for something."
"Very well," said the King's Son. "Then there's a field at the back of my father's Castle and I want to see it filled with cattle to-morrow morning. Can you do that for me?"
"I can," said the gray old fellow.
"Then I want fifty cows, each one white with a red ear, and a white calf going beside each cow."
"The cattle shall be as you wish."
"Well, when that's done I shall think the wager has been paid," said the King of Ireland's son. He mounted his horse, smiling at the foolish old man who played cards with himself and who thought he could bring together fifty white kine, each with a red ear, and a white calf by the side of each cow. He rode away
His hound at his heel,
His hawk on his wrist;
A brave steed to carry him whither he list,
And the green ground under him,
and he thought no more of the gray old fellow.
But in the morning, when he was taking his horse out of the stable, he heard the grooms talking about a strange happening. Art, the King's Steward, had gone out and had found the field at the back of the Castle filled with cattle. There were fifty white red-eared kine there and each cow had a white calf at her side. The King had ordered Art, his Steward, to drive them away. The King of Ireland's Son watched Art and his men trying to do it. But no sooner were the strange cattle put out at one side of the field than they came back on the other. Then down came Maravaun, the King's Councillor. He declared they were enchanted cattle, and that no one on Ireland's ground could put them away. So in the seven-acre field the cattle stayed.
When the King of Ireland's Son saw what his companion of yesterday could do he rode straight to the glen to try if he could have another game with him. There at the turn of the road, on a heap of stones, the gray old fellow was sitting playing a game of cards, the right hand against the left. The King of Ireland's Son fastened his horse to the branch of a tree and dismounted.
"Did you find yesterday's wager settled?" said the gray old fellow.
"I did," said the King of Ireland's Son.
"Then shall we have another game of cards on the same understanding?" said the gray old fellow.
"I agree, if you agree," said the King of Ireland's son. He sat under the bush beside him and they played again. The King of Ireland's Son won.
"What would you like me to do for you this time?" said the gray old fellow.
Now the King's Son had a step-mother, and she was often cross-tempered, and that very morning he and she had vexed each other. So he said, "Let a brown bear, holding a burning coal in his mouth, put Caintigern the Queen from her chair in the supper-room to-night."
"It shall be done," said the gray old fellow.
Then the King of Ireland's Son mounted his horse and rode away
His hound at his heel,
His hawk on his wrist;
A brave steed to carry him whither he list,
And the green ground under him,
and he went back to the Castle. That night a brown bear, holding a burning coal in his mouth, came into the supper-room and stood between Caintigern the Queen and the chair that belonged to her. None of the servants could drive it away, and when Maravaun, the King's Councillor, came he said, "This is an enchanted creature also, and it is best for us to leave it alone." So the whole company went and left the brown bear in the supper-room seated 'in the Queen's chair.
Also known as The Children's Homer, this is Irish writer Padraic Colum's retelling of the events of Homer's Iliad and Odyssey for young people. Colum's rich, evocative prose narrates the travails of Odysseus, King of Ithaca: his experiences fighting the Trojan War, and his ten years' journey home to his faithful wife Penelope and his son Telemachus.
As for the youth who had tried to steal the white horse that the King owned, he was bound hand and foot and taken into the castle of the King. There he was thrown down beside the trestles of the great table, and the hot wax from the candles that lighted the supper board dripped down upon him. And it was told to him that at the morrow’s sunrise he would be slain with the sword.
Narine never expected to survive. Not after what was done to her body, mind, and soul. But fate had other plans. Rescued by Supreme Alpha Sargis, the kingdom's most feared ruler, she finds herself under the protection of a man she doesn't know... and a bond she doesn't understand. Sargis is no stranger to sacrifice. Ruthless, ambitious, and loyal to the sacred matebond, he's spent years searching for the soul fate promised him, never imagining she would come to him broken, on the brink of death, and afraid of her own shadow. He never meant to fall for her... but he does. Hard and fast. And he'll burn the world before letting anyone hurt her again. What begins in silence between two fractured souls slowly grows into something intimate and real. But healing is never linear. With the court whispering, the past clawing at their heels, and the future hanging by a thread, their bond is tested again and again. Because falling in love is one thing. Surviving it? That's a war of its own. Narine must decide, can she survive being loved by a man who burns like fire, when all she's ever known is how not to feel? Will she shrink for the sake of peace, or rise as Queen for the sake of his soul? For readers who believe even the most fractured souls can be whole again, and that true love doesn't save you. It stands beside you while you save yourself.
The sterile white of the operating room blurred, then sharpened, as Skye Sterling felt the cold clawing its way up her body. The heart monitor flatlined, a steady, high-pitched whine announcing her end. Her uterus had been removed, a desperate attempt to stop the bleeding, but the blood wouldn't clot. It just kept flowing, warm and sticky, pooling beneath her. Through heavy eyes, she saw a trembling nurse holding a phone on speaker. "Mr. Kensington," the nurse's voice cracked, "your wife... she's critical." A pause, then a sweet, poisonous giggle. Seraphina Miller. "Liam is in the shower," Seraphina's voice purred. "Stop calling, Skye. It's pathetic. Faking a medical emergency on our anniversary? Even for you, that's low." Then, Liam's bored voice: "If she dies, call the funeral home. I have a meeting in the morning." Click. The line went dead. A second later, so did Skye. The darkness that followed was absolute, suffocating, a black ocean crushing her lungs. She screamed into the void, a silent, agonizing wail of regret for loving a man who saw her as a nuisance, for dying without ever truly living. Until she died, she didn't understand. Why was her life so tragically wasted? Why did her husband, the man she loved, abandon her so cruelly? The injustice of it all burned hotter than the fever in her body. Then, the air rushed back in. Skye gasped, her body convulsing violently on the mattress. Her eyes flew open, wide and terrified, staring blindly into the darkness. Her trembling hand reached for her phone. May 12th. Five years ago. She was back.
Kathryn was the true daughter, but Jolene stole her life and set her up for ruin. After a brutal kidnapping scheme, Kathryn's loyalty to her brothers and fiancé was met with cruel betrayal. Narrowly escaping, she chose to cut all ties and never forgive them. Then she shocked the world: the miracle doctor for the elite, a top-tier hacker, a financial mastermind, and now the untouchable star her family could only watch from afar. Her brothers begged, her parents pleaded, her ex wanted her back-Kathryn exposed them all. The world gasped as the richest man confessed his love for her.
My husband Julian celebrated our five-year anniversary by sleeping with his mistress. He thought I was a clueless trophy wife, too dim to notice the vanilla and tuberose scent on his expensive suits. He was wrong. For years, I played Mrs. Vance, hiding my brilliance while Julian claimed my patents. An anonymous email confirmed his ultimate betrayal: photos of him and Scarlett Kensington in ecstasy. My heart didn't break; it solidified into ice at five years wasted. I activated "The Protocol" for a new identity and escape countdown. Playing the doting wife, I plotted his downfall, catching him with his mistress selling my work, and publicly snapping his credit card. His betrayals and stolen work ignited a cold, calculated fury. He had no idea the monster he'd created. I was dismantling his empire. I shredded his patent papers, stripping him of his ill-gotten gains. With a final tap, I initiated "Identity Erasure." Mrs. Vance was dead. Dr. Evelyn Thorne had just begun her counterattack.
In the glittering world of high society and cutthroat ambition, a single sentence shatters a marriage: "Let's get a divorce." For three years, Claire Thompson has lived in exile, her marriage to the powerful Nelson Cooper a hollow shell existing only on paper. Shipped abroad on her wedding day and utterly forgotten, she returns only to be handed divorce papers. But Claire is no longer the timid, heartbroken girl she once was. Behind her quiet facade lies a woman transformed, secretly rejoicing at her newfound freedom. However, freedom comes with a price. As Claire signs the papers with relief, a chilling phone call reveals a dark truth: the threats she faced overseas were no accident, and the trail leads shockingly close to home-to the family that raised her and the husband who discarded her. Just as she prepares to sever all ties, a twist of fate pulls her back into the gilded cage. Nelson, for reasons unknown, suddenly stalls the divorce. Meanwhile, the family that disowned her and the fragile, manipulative sister who stole her life are determined to ruin her reputation and drive her out for good. But Claire is playing a different game now. With a mysterious new identity, powerful allies, and secrets of her own, she is no one's pawn. As hidden truths unravel and loyalties are tested, a stunning question emerges: In this high-stakes battle of love, betrayal, and revenge, who is truly trapping whom?
Rumors said that Lucas married an unattractive woman with no background. In the three years they were together, he remained cold and distant to Belinda, who endured in silence. Her love for him forced her to sacrifice her self-worth and her dreams. When Lucas' true love reappeared, Belinda realized that their marriage was a sham from the start, a ploy to save another woman's life. She signed the divorce papers and left. Three years later, Belinda returned as a surgical prodigy and a maestro of the piano. Lost in regret, Lucas chased her in the rain and held her tightly. "You are mine, Belinda."
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