The Marne by Edith Wharton
The Marne by Edith Wharton
Ever since the age of six Troy Belknap of New York had embarked for Europe every June on the fastest steamer of one or another of the most expensive lines.
With his family he had descended at the dock from a large noiseless motor, had kissed his father good-bye, turned back to shake hands with the chauffeur (a particular friend), and trotted up the gang-plank behind his mother's maid, while one welcoming steward captured Mrs. Belknap's bag, and another led away her miniature French bull-dog-also a particular friend of Troy's.
From that hour all had been delight. For six golden days Troy had ranged the decks, splashed in the blue salt water brimming his huge porcelain tub, lunched and dined with the grown-ups in the Ritz restaurant, and swaggered about in front of the children who had never crossed before, and didn't know the stewards, or the purser, or the captain's cat, or on which deck you might exercise your dog, or how to induce the officer on the watch to let you scramble up for a minute to the bridge. Then, when these joys began to pall, he had lost himself in others deeper and dearer. Another of his cronies, the library steward, had unlocked the book-case doors for him, and, buried for hours in the depths of a huge library armchair (there weren't any to compare with it on land), he had ranged through the length and breadth of several literatures.
These six days of bliss would have been too soon over if they had not been the mere prelude to intenser sensations. On the seventh morning-generally at Cherbourg-Troy Belknap followed his mother, and his mother's maid, and the French bull, up the gang-plank and into another large noiseless motor, with another chauffeur (French, this one) to whom he was also deeply attached, and who sat grinning and cap-touching at the wheel. And then-in a few minutes, so swiftly and smilingly was the way of Mrs. Belknap smoothed-the noiseless motor was off, and they were rushing eastward through the orchards of Normandy.
The little boy's happiness would have been complete if there had been more time to give to the beautiful things that flew past them: thatched villages with square-towered churches in hollows of the deep green country, or grey shining towns above rivers on which cathedrals seemed to be moored like ships; miles and miles of field and hedge and park falling away from high terraced houses, and little embroidered stone manors reflected in reed-grown moats under ancient trees.
Unfortunately Mrs. Belknap always had pressing engagements in Paris. She had made appointments beforehand with all her dressmakers, and, as Troy was well aware, it was impossible, at the height of the season, to break such engagements without losing one's turn, and having to wait weeks and weeks to get a lot of nasty rags that one had seen, by that time, on the back of every other woman in the place.
Luckily, however, even Mrs. Belknap had to eat; and during the halts in the shining towns, where a succulent luncheon was served in a garden or a flowery courtyard, Troy had time (as he grew bigger) to slip away alone, and climb to the height where the cathedral stood, or at least to loiter and gaze in the narrow crooked streets, between gabled cross-beamed houses, each more picture-bookishly quaint than its neighbours.
In Paris, in their brightly-lit and beflowered hotel drawing-room, he was welcomed by Madame Lebuc, an old French lady smelling of crape, who gave him lessons and took him and the bull-dog for walks, and who, as he grew older, was supplemented, and then replaced, by an ugly vehement young tutor, of half-English descent, whose companionship opened fresh fields and pastures to Troy's dawning imagination.
Then in July-always at the same date-Mr. Belknap was deposited at the door by the noiseless motor, which had been down to Havre to fetch him; and a few days later they all got into it, and while Madame Lebuc (pressing a packet of chocolates into her pupil's hand) waved a damp farewell from the doorway, the Pegasus motor flew up the Champs élysées, devoured the leafy alleys of the Bois, and soared away to new horizons.
Most often they were mountain horizons, for the tour invariably ended in the Swiss Alps. But there always seemed to be new ways (looked out by Mr. Belknap on the map) of reaching their destination; ways lovelier, more winding, more wonderful, that took in vast sweeping visions of France from the Seine to the Rhone. And when Troy grew older the vehement young tutor went with them, and once they all stopped and lunched at his father's house, on the edge of a gabled village in the Argonne, with a view stretching away for miles toward the Vosges and Alsace. Mr. and Mrs. Belknap were very kind people, and it would never have occurred to them to refuse M. Gantier's invitation to lunch with his family; but they had no idea of the emotions stirred in their son's eager bosom by what seemed to them merely a rather inconvenient deviation from their course. Troy himself was hardly aware of these emotions at the time, though his hungry interest in life always made him welcome the least deflection from the expected. He had simply thought what kind jolly people the Gantiers were, and what fun it was to be inside one of the quaint stone houses, with small window-panes looking on old box-gardens, that he was always being whisked past in the motor. But later he was to re-live that day in all its homely details.
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The Hermit and the Wild Woman and Other Stories by Edith Wharton
Summer, also set in rural New England, is often considered a companion to Ethan Frome -Wharton herself called it \u201cthe hot Ethan\u201d-in its portrayal of a young woman's sexual and social awakening. Bunner Sisters takes place in the narrow, dusty streets of late nineteenth-century New York City, where the constrained but peaceful lives of two spinster shopkeepers are shattered when they meet a man who becomes the unworthy focus of all their pent-up hopes. ?? All three of these novellas feature realistic and haunting characters as vivid as any Wharton ever conjured, and together they provide a superb introduction to the shorter fiction of one of our greatest writers.
Edith Wharton was one of the most famous American authors of the early 20th century. Wharton's writings were known for their witty presentation on upper class society in America. This edition of The Hermit and the Wild Woman, and Other Stories includes a table of contents.
In the title story, a scientist's satirical book is taken as gospel by his readers. In "Expiation" a charity-minded author convinces a bishop to denounce her work. In "The Lady's Maid's Bell," a servant is haunted by her late predecessor. This 1904 collection also includes "The Mission of Jane," "The Quicksand," "A Venetian Night's Entertainment," and more.
The roasted lamb was cold, a reflection of her marriage. On their third anniversary, Evelyn Vance waited alone in her Manhattan penthouse. Then her phone buzzed: Alexander, her husband, had been spotted leaving the hospital, holding his childhood sweetheart Scarlett Sharp's hand. Alexander arrived hours later, dismissing Evelyn's quiet complaint with a cold reminder: she was Mrs. Vance, not a victim. Her mother's demands reinforced this role, making Evelyn, a brilliant mind, feel like a ghost. A dangerous indifference replaced betrayal. The debt was paid; now, it was her turn. She drafted a divorce settlement, waiving everything. As Alexander's tender voice drifted from his study, speaking to Scarlett, Evelyn placed her wedding ring on his pillow, moved to the guest suite, and locked the door. The dull wife was gone; the Oracle was back.
I was finally brought back to the billionaire Vance estate after years in the grimy foster system, but the luxury Lincoln felt more like a funeral procession. My biological family didn't welcome me with open arms; they looked at me like a stain on a silk shirt. They thought I was a "defective" mute with cognitive delays, a spare part to be traded away. Within hours of my arrival, my father decided to sell me to Julian Thorne, a bitter, paralyzed heir, just to secure a corporate merger. My sister Tiffany treated me like trash, whispering for me to "go back to the gutter" before pouring red wine over my dress in front of Manhattan's elite. When a drunk cousin tried to lay hands on me at the engagement gala, my grandmother didn't protect me-she raised her silver-topped cane to strike my face for "embarrassing the family." They called me a sacrificial lamb, laughing as they signed the prenuptial agreement that stripped me of my freedom. They had no idea I was E-11, the underground hacker-artist the world was obsessed with, or that I had already breached their private servers. I found the hidden medical records-blood types A, A, and B-a biological impossibility that proved my "parents" were harboring a scandal that could ruin them. Why bring me back just to discard me again? And why was Julian Thorne, the man supposedly bound to a wheelchair, secretly running miles at dawn on his private estate? Standing in the middle of the ballroom, I didn't plead for mercy. I used a text-to-speech app to broadcast a cold, synthetic threat: "I have the records, Richard. Do you want me to explain genetics to the press, or should we leave quietly?" With the "paralyzed" billionaire as my unexpected accomplice, I walked out of the Vance house and into a much more dangerous game.
Aurora woke up to the sterile chill of her king-sized bed in Sterling Thorne's penthouse. Today was the day her husband would finally throw her out like garbage. Sterling walked in, tossed divorce papers at her, and demanded her signature, eager to announce his "eligible bachelor" status to the world. In her past life, the sight of those papers had broken her, leaving her begging for a second chance. Sterling's sneering voice, calling her a "trailer park girl" undeserving of his name, had once cut deeper than any blade. He had always used her humble beginnings to keep her small, to make her grateful for the crumbs of his attention. She had lived a gilded cage, believing she was nothing without him, until her life flatlined in a hospital bed, watching him give a press conference about his "grief." But this time, she felt no sting, no tears. Only a cold, clear understanding of the mediocre man who stood on a pedestal she had painstakingly built with her own genius. Aurora signed the papers, her name a declaration of independence. She grabbed her old, phoenix-stickered laptop, ready to walk out. Sterling Thorne was about to find out exactly how expensive "free" could be.
I gave him three years of silent devotion behind a mask I never wanted to wear. I made a wager for our bond-he paid me off like a mistress. "Chloe's back," Zane said coldly. "It's over." I laughed, poured wine on his face, and walked away from the only love I'd ever known. "What now?" my best friend asked. I smiled. "The real me returns." But fate wasn't finished yet. That same night, Caesar Conrad-the Alpha every wolf feared-opened his car door and whispered, "Get in." Our gazes collided. The bond awakened. No games. No pretending. Just raw, unstoppable power. "Don't regret this," he warned, lips brushing mine. But I didn't. Because the mate I'd been chasing never saw me. And the one who did? He's ready to burn the world for me.
I watched my husband sign the papers that would end our marriage while he was busy texting the woman he actually loved. He didn't even glance at the header. He just scribbled the sharp, jagged signature that had signed death warrants for half of New York, tossed the file onto the passenger seat, and tapped his screen again. "Done," he said, his voice devoid of emotion. That was Dante Moretti. The Underboss. A man who could smell a lie from a mile away but couldn't see that his wife had just handed him an annulment decree disguised beneath a stack of mundane logistics reports. For three years, I scrubbed his blood out of his shirts. I saved his family's alliance when his ex, Sofia, ran off with a civilian. In return, he treated me like furniture. He left me in the rain to save Sofia from a broken nail. He left me alone on my birthday to drink champagne on a yacht with her. He even handed me a glass of whiskey—her favorite drink—forgetting that I despised the taste. I was merely a placeholder. A ghost in my own home. So, I stopped waiting. I burned our wedding portrait in the fireplace, left my platinum ring in the ashes, and boarded a one-way flight to San Francisco. I thought I was finally free. I thought I had escaped the cage. But I underestimated Dante. When he finally opened that file weeks later and realized he had signed away his wife without looking, the Reaper didn't accept defeat. He burned down the world to find me, obsessed with reclaiming the woman he had already thrown away.
Rumors said that Lucas married an unattractive woman with no background. In the three years they were together, he remained cold and distant to Belinda, who endured in silence. Her love for him forced her to sacrifice her self-worth and her dreams. When Lucas' true love reappeared, Belinda realized that their marriage was a sham from the start, a ploy to save another woman's life. She signed the divorce papers and left. Three years later, Belinda returned as a surgical prodigy and a maestro of the piano. Lost in regret, Lucas chased her in the rain and held her tightly. "You are mine, Belinda."
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