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The Night Riders by Henry C. Wood
The Night Riders by Henry C. Wood
The early morning sunlight entered boldly through the small panes of glass into the kitchen of the toll-house and fell in a checkered band across the breakfast table set against the sill of the one long, low window.
The meal was a simple one, plainly served, but a touch of gold and purple-royal colors of the season-was given it by a bunch of autumn flowers, golden-rod and wild aster, stuck in a glass jar set on the window sill.
A glance at the two seated at each end of the narrow table would have enabled one to decide quickly to whom was due this desire for ornamentation, for the mother was a sharp-featured, rather untidy-looking woman, on whom the burden of hard work and poverty had laid certain harsh lines not easily eradicated, while the daughter's youth and comeliness had overcome them as a fine jewel may assert its beauty despite a cheap setting.
The sun's lambent rays, falling across the girl's shapely head and shoulders, touched to deeper richness the auburn hair, gathered in a large, loose coil, that rested low upon her neck, and also accentuated the clear, delicately-tinted complexion like a semi-transparency that is given rare old china when the light illumines it.
The meal was eaten almost in silence, but toward the end of the breakfast Mrs. Brown looked up suddenly, her cup of coffee raised partly to her lips, and said, in her querulous treble:
"Sally, Foster Crain says aigs air fetchin' fo'hteen an' a half cents in town. Count what's stored away in the big gourd, when you git through eatin', an' take 'em in this mornin'."
"How am I to go?" asked her daughter, looking up from her plate. "Joe's limping from that nail he picked up yesterday."
"Likely somebody'll be passin' the gate that'll give you a seat. The Squire may be along soon." A certain inflection crept into the speaker's voice.
"I'll walk," announced Sally, with sudden determination. "It's cool and pleasant, and I'd as soon walk as ride."
The mother looked across furtively to where her daughter sat.
"I don't see what makes you so set ag'in the Squire," she said, plaintively, a few moments later, as if she had divined her daughter's unuttered thoughts.
"He's an old fool!" declared Sally, promptly.
"An' it strikes me that you're somethin' of a young one!" retorted her mother sharply.
The girl made no answer, save a perceptible shrug of her pretty shoulders, and soon afterward got up and began to clear away the breakfast dishes. Mrs. Brown sighed deeply.
"Most girls would be powerful vain to have the Squire even notice 'em," the mother continued, in a more persuasive tone, as a sort of balm offering to the girl's wounded feelings. She placed her cup and saucer in her plate and put back a small piece of unused butter on the side of the butter dish, then slowly arose from the table.
"It's seldom a po' gyurl has such a good chance to better her condition, if she was only willin' to do so," she continued argumentatively, for the subject was a favorite theme with her, and she had rung its changes for the listener's benefit on more than one occasion. She gave her daughter a sidelong glance-partly of inquiry, partly of reproach-and turned to her work.
Sally, with something like an impatient jerk, lifted from the stove the steaming kettle and poured a part of the hot contents into the dish-pan on the table, but she made no answer, though soon the clatter of tins and dishes-perhaps they rattled a little louder than usual-mingled as a sort of accompaniment to the reminiscent monologue that Mrs. Brown carried on at intervals during her work.
"It's all owin' to the Squire's kindness an' interest in us that we're fixed this comfortable, for, dear knows I'd never got the toll-gate in the first place if it hadn't been for his influence, an' now, if you'd only give him any encouragement at all, you might be a grand sight better off. Such chances don't grow as thick as blackberries in summer, I can tell you."
The dishes and tins rattled angrily, but Sally said not a word.
"About the only good showin' a poor gyurl has in this world is to marry as well as she can, an' when she neglects to do this, she's got nobody to blame but herself-not a soul."
Sally had the dishes all washed and laid in a row on the table to drain, and now she caught them up, one by one, and began to polish away vigorously, as if the effort afforded a certain relief to her feelings, since she had chosen to take refuge in silence.
"S'posin' he is old an' ugly," soliloquized Mrs. Brown, abruptly breaking into speech again, and seemingly addressing her remarks to the skillet she was then cleaning, and which she held up before her and gazed into intently, as a lady of fashion might do a hand glass at her toilet. "What o' that? Beauty's only skin deep, an' old age is likely to come to us all sooner or later. It's all the better if he is along in years," she added, with a sudden chuckle and a second furtive glance over the top of the skillet toward the girl, to see if she was listening. "Then he ain't so likely to live forever, an' a trim young widow, with property of her own an' money in bank, can mighty soon find a chance to marry ag'in, if she's a mind to."
A cloud of anger swept over the listener's face, which the mother failed to see, as the skillet again intervened.
"There ain't nothin' like havin' a home of your own, an' knowin' you've got a shelter for your old age-no, indeed, they ain't! The Squire's mighty well fixed; he's got a real good farm, an' turnpike stock, an' cash, an' a nice, comfortable house besides."
"Comfortable!" exclaimed Sally, with a toss of her head, and breaking her resolve to keep silent. "It looks like a ha'nted barn stuck back amongst them cedar trees down in the hollow. No wonder his first wife went crazy an' hung herself up in the attic, poor thing! They say he treated her shameful mean."
Sally had looked upon this house many times and with conflicting thoughts as she passed it now and then. An air of neglect and loneliness hung about the spot. The house, hopelessly ugly and angular, was set far back from the road in the midst of a large yard given over to weeds and untrimmed shrubbery, while a clump of gloomy-looking cedars defied even the brightness of sun and sky.
"You can't put credit into everything you hear," admonished Mrs. Brown, breaking ruthlessly into her daughter's musings. "Besides, a spry young girl can pretty much have her own way when she marries a man so much older than herself.
"There's Serena Lowe, that use' to be," she continued, reminiscently. "She an' her fam'ly was about as poor as Job's turkey when we went to school together, an' many's the time I've divided my dinner with her because she didn't seem to have any too much of her own.
"But she had a downright pretty face-all white an' pink, like a doll's-an' it helped her to ketch old Bartholomew Rice, an' now she rides around in her own kerridge an' pair, mind you, an' no prouder woman ever lived this minute. You'd think from the airs she gives herself that she was born in the best front room on a Sunday.
"The Squire's as good as hinted to me that if he could marry the one he wants, he wouldn't in the least mind goin' to the expense of paintin' an' fixin' up the place till you wouldn't know it," insinuated Mrs. Brown, dropping her voice to a more confidential tone.
"He'd have to paint an' fix hisself up, too, till you wouldn't know him, either, before I'd even so much as look at him," tartly asserted Sally.
"A tidy young wife could change his looks an' the looks of the house in a mighty little while, if she only had a mind to do so," suggested Mrs. Brown, in subtly persuasive tones. "It must be dreadful lonesome livin' as he does, with nobody to look after things."
"He might have kept his nephew for company," insisted Sally, with a sudden ring of resentment in her voice. "He drove him away."
"Which likely he wouldn't have done if Milt hadn't been so headstrong an' wild. You know the Squire's goin' to have his own way about things."
"About some things," corrected Sally.
"Mebbe about all, sooner or later," said Mrs. Brown, in hopeful prediction. "He ain't a man to give up easy when he sets his mind in a certain direction."
"Perhaps his nephew isn't, either," suggested her daughter, with a little tinge of color deepening in each cheek.
"No, an' that's just the cause an' upshot of the whole trouble!" cried the mother, in a sudden flash of vehemence, dropping the persuasive tones she had heretofore employed for resentful chiding. "His nephew's at the bottom of it all, an' you seem ready an' willin' to throw away a good chance of a nice, comfortable home an' deprive me of a shelter in my old age just for the sake of that no-account Milt Derr, who happens to have smooth ways an' a nimble tongue. It looks like he's fairly bewitched you."
* * *
Belinda thought after divorce, they would part ways for good - he could live his life on his own terms, while she could indulge in the rest of hers. However, fate had other plans in store. "My darling, I was wrong. Would you please come back to me?" The man, whom she once loved deeply, lowered his once proud head humbly. "I beg you to return to me." Belinda coldly pushed away the bouquet of flowers he had offered her and coolly replied, "It's too late. The bridge has been burned, and the ashes have long since scattered to the wind!"
When I was eight, Dante Moretti pulled me from the fire that killed my family. For ten years, the powerful crime boss was my protector and my god. Then, he announced his engagement to another woman to unite two criminal empires. He brought her home and named her the future mistress of the Moretti family. In front of everyone, his fiancée forced a cheap metal collar around my neck, calling me their pet. Dante knew I was allergic. He just watched, his eyes cold, and ordered me to take it. That night, I listened through the walls as he took her to his bed. I finally understood the promise he’d made me as a child was a lie. I wasn't his family. I was his property. After a decade of devotion, my love for him finally turned to ash. So on his birthday, the day he celebrated his new future, I walked out of his gilded cage for good. A private jet was waiting to take me to my real father—his greatest enemy.
Life was a bed of roses for Debra, the daughter of Alpha. That was until she had a one-night stand with Caleb. She was sure he was her mate as determined by Moon Goddess. But this hateful man refused to accept her. Weeks passed before Debra discovered that she was pregnant. Her pregnancy brought shame to her and everyone she loved. Not only was she driven out, but her father was also hunted down by usurpers. Fortunately, she survived with the help of the mysterious Thorn Edge Pack. Five years passed and Debra didn't hear anything from Caleb. One day, their paths crossed again. They were both on the same mission—carrying out secret investigations in the dangerous Roz Town for the safety and posterity of their respective packs. Caleb was still cold toward her. But as time went on, he fell head over heels in love with her. He tried to make up for abandoning her, but Debra wasn't having any of it. She was hell-bent on hiding her daughter from him and also making a clean break. What did the future hold for the two as they journeyed in Roz Town? What kind of secrets would they find? Would Caleb win Debra's heart and get to know his lovely daughter? Find out!
Everyone was shocked to the bones when the news of Rupert Benton's engagement broke out. It was surprising because the lucky girl was said to be a plain Jane, who grew up in the countryside and had nothing to her name. One evening, she showed up at a banquet, stunning everyone present. "Wow, she's so beautiful!" All the men drooled, and the women got so jealous. What they didn't know was that this so-called country girl was actually an heiress to a billion-dollar empire. It wasn't long before her secrets came to light one after the other. The elites couldn't stop talking about her. "Holy smokes! So, her father is the richest man in the world?" "She's also that excellent, but mysterious designer who many people adore! Who would have guessed?" Nonetheless, people thought that Rupert didn't love her. But they were in for another surprise. Rupert released a statement, silencing all the naysayers. "I'm very much in love with my beautiful fiancee. We will be getting married soon." Two questions were on everyone's minds: "Why did she hide her identity? And why was Rupert in love with her all of a sudden?"
The moment I saw my husband massaging his dead brother’s pregnant mistress’s feet, I knew my marriage was over. He moved her into our home under the guise of “family duty,” forcing me to watch as he prioritized her comfort over our vows. The final betrayal came when she stole and deliberately broke my mother’s priceless necklace. When I slapped her for the desecration, my husband struck me across the face to defend her. He had violated a sacred honor code by putting his hands on the daughter of another Don—an act of war. I looked him in the eye and swore on my mother’s grave that I would bring a bloody revenge upon his entire family. Then I made one phone call to my father, and the demolition of his empire began.
On the day of their wedding anniversary, Joshua's mistress drugged Alicia, and she ended up in a stranger's bed. In one night, Alicia lost her innocence, while Joshua's mistress carried his child in her womb. Heartbroken and humiliated, Alicia demanded a divorce, but Joshua saw it as yet another tantrum. When they finally parted ways, she went on to become a renowned artist, sought out and admired by everyone. Consumed by regret, Joshua darkened her doorstep in hopes of reconciliation, only to find her in the arms of a powerful tycoon. "Say hello to your sister-in-law."
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