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The Sword of Deborah by F. Tennyson Jesse
The Sword of Deborah by F. Tennyson Jesse
This world of initials ... in which the members of the British Expeditionary Force live and move-it is a bewildering place for the outsider. Particularly to one who, like the writer, has never been able to think in initials, any more than in dates or figures. The members of the B.E.F.-and that at least is a set of letters that conveys something to all of us-not only live amidst initials, but are themselves embodied initials.
To them the string of letters they reel off is no meaningless form, no mere abracadabra to impress the supplicant, but each is a living thing, coloured, definitely patterned, standing for something in flesh and blood, or stone and mortar; something concrete and present to the mind's eye at the mere mention.
Just as, to anyone who does not know New York, it seems as though all the streets must sound exactly alike, being merely numbered, while, to anyone who knows them, the words East Sixty First, say, are as distinct from East Twenty First, distinct with a whole vivid personality of their own, as Half Moon Street from Threadneedle Street-so, to the initiate in the game, the letters so lightly rattled off to designate this or that official or institution stand for vivid, real, colourable things.
But at first one is reminded forcibly of that scene in "Anna Karenina" where Levin proposes to Kitty for the second time by means of writing in chalk on a table the letters "W, y, t, m, i, c, n, b, d, t, m, n, o, t," and Kitty, with great intelligence, guesses that they mean "When you told me it could never be, did that mean never, or then?" Kitty, if you remember, replies in initials at almost equal length, and Levin displays an intelligence equal to hers. I had always found that scene hard of credence, but I have come to the conclusion that Levin and Kitty would have been invaluable at H.Q.B.R.C.S., A.P.O. 3, B.E.F.
And the fog of initials is symbolic in a double manner; for not only do the initials stand for what they represent to those who know, but in their very lack of meaning for those who do not, they typify with a peculiar aptness the fact that after all we at home in England, particularly we ladies of England who live at home in ease, know very little indeed of even what the letters B.E.F. stand for. We have hazy ideas on the subject. Vaguely we know, for instance, that there are women, lots of women, working out in France, though quite at what, beyond nursing, we don't seem to know. Motor drivers ... of course, yes, we have heard of them. There is a vague impression that they are having the time of their lives, probably being quite useful too ... but of the technique of the thing, so to speak, what do we know? About as much as we know when we first hear the clouds of initials rattling like shrapnel about our heads if we go over to France.
And if we at home know so little, how can other countries know, who have no inner working knowledge of English temperaments and training to go upon as a rough guide to at least the probable trend of things? How can we expect them to know? And yet knowledge of what every section of the working community is doing was never so vital as at the present moment, because never before has so much of the world been working together on the same job-and the biggest job in history.
It is always a good thing to know what other folk are doing, even when they are not your sort, and what they are doing does not affect you, because it teaches proportion and widens vision-how much more important, then, when what they are doing is what you are doing too, or what you may yet come to do?
Gentle reader-and even more especially ungentle reader-if in these pages I occasionally ask you to listen to my own personal confession both of faith and of unfaith-please realise that it is not because I imagine there is any particular interest in my way of seeing things, but simply because it is only so that I can make you see them too. You are looking through my window, that is all, and it is not even a window that I opened for myself, but that had to be opened for me. If you will realise that I went and saw all I did see, not as myself, but as you, it will give you the idea I am wishful to convey to you. Anything I feel is only valuable because my feeling of it may mean your feeling of it too. Therefore, when you read "I" in these pages, don't say "Here's this person talking of herself again ..." say "Here am I, myself. This person only saw these things so that I should see them."
If you don't it will be nine-tenths my fault and one-tenth your own.
Just as all the apparently endless combinations of initials in France are symbols of living realities to those who understand them, and of their ignorance to those who don't just as the very heading of "A.B.C." which I have given this chapter typifies both those combinations of initials and the fact that you and I are beginning at the very beginning-for no one could have been more blankly ignorant than I when I went over to France-so the letter "I" whenever it occurs in this book is a symbol for You.
* * *
On the night of her wedding, Evelyn Knight paid the ultimate price for trusting the wrong man-her husband murdered her with his own hands. But fate grants her a second chance. Reborn on the very day she's meant to marry Nathaniel Andrews, Evelyn wastes no time. This time, she won't be the victim. She escapes the altar and makes a bold move-straight into the arms of her husband's sworn rival. "Mr. Everett, will you marry me?" "This a surrender?" "No," she smirks. "This is a tactical retreat followed by a counterattack." What begins as a calculated alliance quickly spirals into something far more dangerous-obsession, protection, desire. Julian Everett never expected to fall for the woman who barged into his life like a storm. But now that he has her, he won't let her go. This time, Evelyn isn't just rewriting her fate-She's taking her revenge one kiss at a time.
Kaelyn devoted three years tending to her husband after a terrible accident. But once he was fully recovered, he cast her aside and brought his first love back from abroad. Devastated, Kaelyn decided on a divorce as people mocked her for being discarded. She went on to reinvent herself, becoming a highly sought-after doctor, a champion racer, and an internationally renowned architectural designer. Even then, the traitors sneered in disdain, believing Kaelyn would never find someone. But then the ex-husband’s uncle, a powerful warlord, returned with his army to ask for Kaelyn’s hand in marriage.
Once, Sabrina trusted the wrong man and paid for it with her life, dragging down the only person who ever tried to help her. Fate offered her a rare reset, and this time, she pledged herself to Theo-the savior she had overlooked before. A partnership for convenience blossomed into something fierce, with Theo showing her tenderness she never expected. Revenge became her mission while he quietly shielded her. When their pact neared its end, Theo blocked her exit, whispering, "You're leaving me?" She faltered. "Maybe one more year." Yet soon, a baby was on the way. What the hell? That wasn't the deal!
Sunlit hours found their affection glimmering, while moonlit nights ignited reckless desire. But when Brandon learned his beloved might last only half a year, he coolly handed Millie divorce papers, murmuring, "This is all for appearances; we'll get married again once she's calmed down." Millie, spine straight and cheeks dry, felt her pulse go hollow. The sham split grew permanent; she quietly ended their unborn child and stepped into a new beginning. Brandon unraveled, his car tearing down the street, unwilling to let go of the woman he'd discarded, pleading for her to look back just once.
In the eighteen years of her life, Brianna had endured relentless abuse from her family, living in constant fear. One fateful day, two dignified figures approached her and revealed a shocking truth: she was their long-lost daughter, heiress to the wealthiest family in the city-the Owens. Desperate for love and acceptance, Brianna hoped to escape her past. Instead, she fell victim to Cassie, a cunning impostor who manipulated their parents against her while feigning distress. Rather than forging a connection with her real family, Brianna found herself betrayed and isolated. When a car accident left Brianna in a vegetative state, she found herself able to listen to everything around her, though unable to respond. Bitterly, she realized her parents didn't care for her; they visited just once. A month later, Cassie visited, disconnecting the ventilator before leaning in to whisper coldly, "Goodbye, my dear sister. You shouldn't have come back. You are meant for that despicable, wretched family." Somehow, fate granted Brianna a second chance. Reborn and fueled by rage, she vowed to make everyone who had wronged her pay dearly. This time, she would seize the life that had been stolen from her.
Madisyn was stunned to discover that she was not her parents' biological child. Due to the real daughter's scheming, she was kicked out and became a laughingstock. Thought to be born to peasants, Madisyn was shocked to find that her real father was the richest man in the city, and her brothers were renowned figures in their respective fields. They showered her with love, only to learn that Madisyn had a thriving business of her own. "Stop pestering me!" said her ex-boyfriend. "My heart only belongs to Jenna." "How dare you think that my woman has feelings for you?" claimed a mysterious bigwig.
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