Facing the World by Jr. Horatio Alger
Facing the World by Jr. Horatio Alger
"Here's a letter for you, Harry," said George Howard. "I was passing the hotel on my way home from school when Abner Potts called out to me from the piazza, and asked me to bring it."
The speaker was a bright, round-faced boy of ten. The boy whom he addressed was five or six years older. Only a week previous he had lost his father, and as the family consisted only of these two, he was left, so far as near relatives were concerned, alone in the world.
Immediately after the funeral he had been invited home by Mr. Benjamin Howard, a friend of his father, but in no manner connected with him by ties of relationship.
"You can stay here as long as you like, Harry," said Mr. Howard, kindly. "It will take you some time to form your plans, perhaps, and George will be glad to have your company."
"Thank you, Mr. Howard," said Harry, gratefully.
"Shall you look for some employment here?"
"No; my father has a second cousin in Colebrook, named John Fox. Before he died he advised me to write to Mr. Fox, and go to his house if I should receive an invitation."
"I hope for your sake, he will prove a good man. What is his business?"
"I don't know, nor did my father. All I know is, that he is considered a prosperous man. This letter is from him."
It was inclosed in a brown envelope, and ran as follows:
"HARRY VANE: I have received your letter saying that your father wants me to be your guardeen. I don't know as I have any objections, bein' a business man it will come easy to me, and I think your father was wise to seleck me. I am reddy to receave you any time. You will come to Bolton on the cars. That is eight miles from here, and there is a stage that meats the trane. It wouldn't do you any harm to walk, but boys ain't so active as they were in my young days. The stage fare is fifty cents, which I shall expect you to pay yourself, if you ride.
"There is one thing you don't say anything about-how much proparty your pa left. I hope it is a good round sum, and I will take good care of it for you. Ennybody round here will tell you that John Fox is a good man of business, and about as sharp as most people. Mrs. Fox will be glad to see you, and my boy, Joel, will be glad to have someone to keep him company. He is about sixteen years old. You don't say how old you are, but from your letter I surmise that you are as much as that. You will find a happy united famerly, consistin' of me and my wife, Joel and his sister, Sally. Sally is fourteen, just two years younger than Joel. We live in a comfortable way, but we don't gorge ourselves on rich, unhelthy food. No more at present. Yours to command,
"JOHN FOX."
Harry smiled more than once as he read this letter.
"Your relative isn't strong on spelling," remarked Mr. Howard, as he laid the letter on the table.
"No, sir; but he appears to be strong on economy. It is a comfort to know that I shall not be injured by 'rich, unhelthy food.'"
"When do you mean to start for Colebrook?" asked Mr. Howard.
"To-morrow morning. I have been looking at a railroad guide, and I find it will bring me to Colebrook in time for supper."
"We should be glad to have you stay with us as long as possible, Harry."
"Thank you, Mr. Howard, I don't doubt that, but the struggle of life is before me, and I may as well enter upon it at once."
At four o'clock in the afternoon the conductor of the train on which Harry was a passenger called out Bolton.
Harry snatched up his carpetbag, and made his way to the door, for this was the place where he was to take the stage for Colebrook.
Two other passengers got out at the same time. One was an elderly man, and the other a young man of twenty-five. They appeared to be father and son, and, as Harry learned afterward they were engaged in farming.
"Any passengers for Colebrook?" inquired the driver of the old-fashioned Concord stage, which was drawn up beside the platform.
"There's Obed and me," said the old farmer.
"May I ride on the seat with you?" asked Harry of the driver.
"Sartain. Where are you going?"
"To Colebrook."
"Then this is your team."
Harry climbed up with a boy's activity, and sat down on the broad seat, congratulating himself that he would have a chance to see the country, and breathe better air than those confined inside.
Soon the driver sat down on the box beside him, and started the horses.
"You're a stranger, ain't you?" he remarked, with an inquisitive glance at his young traveling companion.
"Yes; I've never been here before."
"Are you going to the tavern?"
"No; I'm going to the house of Mr. John Fox. Do you know him?"
"I reckon everybody round here knows John Fox."
"I don't know him. He is to be my guardian."
"Sho! You'll have a queer guardeen."
"Why queer?"
"The fact is, old John'll cheat you out of your eye teeth ef he gets a chance. He's about the sharpest man round."
"He can't cheat me out of much," returned Harry, not especially reassured by this remark. "What is the business of Mr. Fox?"
"Well, he's got some land, but he makes his livin' chiefly by tradin' hosses, auctioneerin', and such like."
"What sort of a woman is Mrs. Fox?"
"She's a good match for the old man. She's about as mean as he is."
"Mr. Fox wrote me that he had two children."
"Yes, there's Joel-he's about your age. He's a chip of the old block-red-headed and freckled, just like the old man. I don't believe Joel ever spent a cent in his life. He hangs on to money as tight as ef his life depended on it."
"There's a girl, too, isn't there?"
"Yes, Sally. She looks like her ma, except she's red-headed like her pa."
"I'm glad to know something of the family, but I'm afraid I shan't enjoy myself very much among the Foxes."
With such conversation Harry beguiled the way. On the whole, he enjoyed the ride. There were hills and here and there the road ran through the woods. He could hear the singing of birds, and, notwithstanding what he had heard he felt in good spirits.
At length the stage entered the village of Colebrook. It was a village of moderate size-about two hundred houses being scattered over a tract half a mile square. Occupying a central position was the tavern, a square, two-story building, with a piazza in front, on which was congregated a number of villagers. After rapidly scanning them, the driver said:
"Do you see that tall man over there leanin' against a post?"
"Yes."
"That's your guardeen! That's John Fox himself, as large as life, and just about as homely."
Slow and Sure: The Story of Paul Hoffman the Young Street-Merchant by Jr. Horatio Alger
Alger's writings happened to correspond with America's Gilded Age, a time of increasing prosperity in a nation rebuilding from the Civil War.This is another fine work by Alger in the vein of 'rags to riches' tales.
The class of boys described in the present volume was called into existence only a few years since, but they are already so numerous that one can scarcely ride down town by any conveyance without having one for a fellow-passenger. Most of them reside with their parents and have comfortable homes, but a few, like the hero of this story, are wholly dependent on their own exertions for a livelihood.
A youth of sturdy qualities elects to follow the calling of a deckhand on a Hudson River steamboat...
Alger describes young men in the city trying to get a head as newsboys, match boys, pedlars, street musicians, and many others. Through luck and hard work, sixteen-year-old Ohio farm boy Nat finds surprising success in nineteenth-century New York City.
This book is written in the typical Alger style. Herbert is a poor boy who sets out, with the help of his great uncle, to clear his father's name of a crime he did not commit...
Vesper's marriage to Julian Sterling was a gilded cage. One morning, she woke naked beside Damon Sterling, Julian's terrifying brother, then found a text: Julian's mistress was pregnant. Her world shattered, but the real nightmare had just begun. Julian's abuse escalated, gaslighting Vesper, funding his secret life. Damon, a germaphobic billionaire, became her unsettling anchor amidst his chaos. As "Iris," Vesper exposed Julian's mistress, Serena Sharp, sparking brutal war: poisoned drinks, a broken leg, and the horrifying truth-Julian murdered her parents, trapping Vesper in marriage. The man she married was a killer. Broken and betrayed, Vesper was caught between monstrous brothers, burning with injustice. Refusing victimhood, Vesper reclaimed her identity. Fueled by vengeance, she allied with Damon, who vowed to burn his empire for her. Julian faced justice, but matriarch Eleanor's counterattack forced Vesper's choice as a hitman aimed for her.
Aurora woke up to the sterile chill of her king-sized bed in Sterling Thorne's penthouse. Today was the day her husband would finally throw her out like garbage. Sterling walked in, tossed divorce papers at her, and demanded her signature, eager to announce his "eligible bachelor" status to the world. In her past life, the sight of those papers had broken her, leaving her begging for a second chance. Sterling's sneering voice, calling her a "trailer park girl" undeserving of his name, had once cut deeper than any blade. He had always used her humble beginnings to keep her small, to make her grateful for the crumbs of his attention. She had lived a gilded cage, believing she was nothing without him, until her life flatlined in a hospital bed, watching him give a press conference about his "grief." But this time, she felt no sting, no tears. Only a cold, clear understanding of the mediocre man who stood on a pedestal she had painstakingly built with her own genius. Aurora signed the papers, her name a declaration of independence. She grabbed her old, phoenix-stickered laptop, ready to walk out. Sterling Thorne was about to find out exactly how expensive "free" could be.
Gabriela learned her boyfriend had been two-timing her and writing her off as a brainless bimbo, so she drowned her heartache in reckless adventure. One sultry blackout night she tumbled into bed with a stranger, then slunk away at dawn, convinced she'd succumbed to a notorious playboy. She prayed she'd never see him again. Yet the man beneath those sheets was actually Wesley, the decisive, ice-cool, unshakeable CEO who signed her paychecks. Assuming her heart was elsewhere, Wesley returned to the office cloaked in calm, but every polite smile masked a dark surge of possessive jealousy.
"You don't belong here. Get out!" Hanna, the rightful Wheeler daughter, came back only to be expelled by her family. Her fiancé cheated on her with the fake daughter, her brothers looked down on her, and her father ignored her. Then, she crossed paths with Chris, the formidable leader of the Willis family and her fiancé's uncle. "Let's pretend it never happened." Despite Hanna's hope to part ways, Chris insisted she be responsible. He threatened to reveal Hanna's true talents as an outstanding doctor, a brilliant screenwriter, and the brains behind a famous design studio, forcing her into marriage. Chris was once asked to protect someone. Destiny reunited them in tricky circumstances. He had planned to keep his promise and provide a safe haven, only to find Hanna was far from the delicate woman she seemed. She was witty and cunning...
For three quiet, patient years, Christina kept house, only to be coldly discarded by the man she once trusted. Instead, he paraded a new lover, making her the punchline of every town joke. Liberated, she honed her long-ignored gifts, astonishing the town with triumph after gleaming triumph. Upon discovering she'd been a treasure all along, her ex-husband's regret drove him to pursue her. "Honey, let's get back together!" With a cold smirk, Christina spat, "Fuck off." A silken-suited mogul slipped an arm around her waist. "She's married to me now. Guards, get him the hell out of here!"
Serena Vance, an unloved wife, clutched a custom-made red velvet cake to her chest, enduring the cold rain outside an exclusive Upper East Side club. She hoped this small gesture for her husband, Julian, would bridge the growing chasm between them on their third anniversary. But as she neared the VIP suite, her world shattered. Julian's cold, detached voice sliced through the laughter, revealing he considered her nothing more than a "signature on a piece of paper" for a trust fund, mocking her changed appearance and respecting only another woman, Elena. The indifference in his tone was a physical blow, a brutal severance, not heartbreak. She gently placed the forgotten cake on the floor, leaving her wedding ring and a diamond necklace as she prepared to abandon a marriage built on lies. Her old life, once a prison of quiet suffering and constant humiliation, now lay in ruins around her. Three years of trying to be seen, to be loved, were erased by a few cruel words. Why had she clung to a man who saw her as a clause in a will, a "creature," not a wife? The shame and rage hardened her heart, freezing her tears. Returning to an empty penthouse, she packed a single battered suitcase, leaving behind every symbol of her failed marriage. With a burner phone, she dialed a number she hadn't touched in a decade, whispering, "Godfather, I'm ready to come home."
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