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George Gissing was a British novelist, most famous for his novels The Nether World, New Grub Street, and The Odd Women. He is said to have been primarily influenced by Emile Zola.
George Gissing was a British novelist, most famous for his novels The Nether World, New Grub Street, and The Odd Women. He is said to have been primarily influenced by Emile Zola.
The sea-wind in his hair, his eyes agleam with the fresh memory of Alpine snows, Will Warburton sprang out of the cab, paid the driver a double fare, flung on to his shoulder a heavy bag and ran up, two steps at a stride, to a flat on the fourth floor of the many-tenanted building hard by Chelsea Bridge. His rat-tat-tat brought to the door a thin yellow face, cautious in espial, through the narrow opening.
"Is it you, sir?"
"All right, Mrs. Hopper! How are you?-how are you?"
He threw his bag into the passage, and cordially grasped the woman's hands.
"Dinner ready? Savagely hungry. Give me three minutes, and serve."
For about that length of time there sounded in the bedroom a splashing and a blowing; then Warburton came forth with red cheeks. He seized upon a little pile of letters and packets which lay on his writing-table, broke envelopes, rent wrappers, and read with now an ejaculation of pleasure, now a grunt of disgust, and again a mirthful half roar. Then, dinner-the feeding of a famished man of robust appetite and digestion, a man three or four years on the green side of thirty. It was a speedy business, in not much more than a quarter of an hour there disappeared a noble steak and its appurtenances, a golden-crusted apple tart, a substantial slice of ripe Cheddar, two bottles of creamy Bass.
"Now I can talk!" cried Will to his servant, as he threw himself into a deep chair, and began lighting his pipe. "What's the news? I seem to have been away three months rather than three weeks."
"Mr. Franks called yesterday, sir, late in the afternoon, when I was here cleaning. He was very glad to hear you'd be back to-day, and said he might look in to-night."
"Good! What else?"
"My brother-in-law wishes to see you, sir. He's in trouble again-lost his place at Boxon's a few days ago. I don't exac'ly know how it happened, but he'll explain everything. He's very unfortunate, sir, is Allchin."
"Tell him to come before nine to-morrow morning, if he can."
"Yes, sir. I'm sure it's very kind of you, sir."
"What else?"
"Nothing as I can think of just now, sir."
Warburton knew from the woman's way of speaking that she had something still in her mind; but his pipe being well lit, and a pleasant lassitude creeping over him, he merely nodded. Mrs. Hopper cleared the table, and withdrew.
The window looked across the gardens of Chelsea Hospital (old-time Ranelagh) to the westward reach of the river, beyond which lay Battersea Park, with its lawns and foliage. A beam of the July sunset struck suddenly through the room. Warburton was aware of it with half-closed eyes; he wished to stir himself, and look forth, but languor held his limbs, and wreathing tobacco-smoke kept his thoughts among the mountains. He might have quite dozed off had not a sudden noise from within aroused him-the unmistakable crash of falling crockery. It made him laugh, a laugh of humorous expostulation. A minute or two passed, then came a timid tap at his door, and Mrs. Hopper showed her face.
"Another accident, sir, I'm sorry to say," were her faltering words.
"Extensive?"
"A dish and two plates, I'm sorry to say, sir."
"Oh, that's nothing."
"Of course I shall make them good, sir."
"Pooh! Aren't there plates enough?"
"Oh, quite enough-just yet, sir."
Warburton subdued a chuckle, and looked with friendly smile at his domestic, who stood squeezing herself between the edge of the door and the jamb-her habit when embarrassed. Mrs. Hopper had served him for three years; he knew all her weaknesses, but thought more of her virtues, chief of which were honest intention and a moderate aptitude for plain cooking. A glance about this room would have proved to any visitor that Mrs. Hopper's ideas of cleanliness were by no means rigid, her master had made himself to a certain extent responsible for this defect; he paid little attention to dust, provided that things were in their wonted order. Mrs. Hopper was not a resident domestic; she came at stated hours. Obviously a widow, she had a poor, loose-hung, trailing little body, which no nourishment could plump or fortify. Her visage was habitually doleful, but contracted itself at moments into a grin of quaint drollery, which betrayed her for something of a humorist.
"My fingers is all gone silly to-day, sir," she pursued. "I daresay it's because I haven't had much sleep these last few nights."
"How's that?"
"It's my poor sister, sir-my sister Liza, I mean-she's had one of her worst headaches-the extra special, we call 'em. This time it's lasted more than three days, and not one minute of rest has the poor thing got."
Warburton was all sympathy; he inquired about the case as though it were that of an intimate friend. Change of air and repose were obvious remedies; no less obviously, these things were out of the question for a working woman who lived on a few shillings a week.
"Do you know of any place she could go to?" asked Warburton, adding carelessly, "if the means were provided."
Mrs. Hopper squeezed herself more tightly than ever between door and jamb. Her head was bent in an abashed way, and when she spoke it was in a thick, gurgling tone, only just intelligible.
"There's a little lodging 'ouse at Southend, sir, where we used to go when my 'usband could afford it."
"Well, look here. Get a doctor's opinion whether Southend would do; if not, which place would. And just send her away. Don't worry about the money."
Experience enabled Mrs. Hopper to interpret this advice. She stammered gratitude.
"How's your other sister-Mrs. Allchin?" Warburton inquired kindly.
"Why, sir, she's doing pretty well in her 'ealth, sir, but her baby died yesterday week. I hope you'll excuse me, sir, for all this bad news just when you come back from your holiday, and when it's natural as you don't feel in very good spirits."
Will had much ado not to laugh. On his return from a holiday, Mrs. Hopper always presumed him to be despondent in view of the resumption of daily work. He was beginning to talk of Mrs. Allchin's troubles, when at the outer door sounded a long nervous knock.
"Ha! That's Mr. Franks."
Mrs. Hopper ran to admit the visitor.
This book is a replica, produced from digital images of the original. It was scanned at the University of Toronto Libraries and may contain defects, missing
The summer day in 1874 which closed the annual session of Whitelaw College was marked by a special ceremony, preceding the wonted distribution of academic rewards.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The Moving Picture Girls: Or, First Appearances in Photo Dramas" is part of "The Moving Picture Girls" series. "The Moving Picture Girls" is a series about the adventures of Ruth and Alice DeVere who live with their father who is an actor.
Novelist, born at Wakefield. In his novels he depicted the environment and struggles of the lower and lower middle classes with a somewhat pessimistic and depressing realism, although his last work, The Private Papers of Henry Ryecroft, seemed to usher in the dawn of a somewhat brighter outlook. His other novels include Demos [1886], Thyrza [1887], The Nether World [1889], New Grub Street [1891], Born in Exile [1892], In the Year of Jubilee [1894], and The Town Traveller [1898]. He died at St. Jean de Luz in the Pyrenees.
One of George Gissing's greatest strengths as a novelist was his ability to highlight differences between socioeconomic classes and all the advantages that a higher class standing can bestow. That's the idea at the center of the gripping epic Thyrza, which Gissing himself identified as one of his favorites from his own body of work. Working-class Thyrza Trent was born with beauty, brains, and ambition—but she doesn't have the social status necessary to be able to fully leverage these gifts.
She spent ten years chasing after the right brother, only to fall for the wrong one in one weekend. ~~~ Sloane Mercer has been hopelessly in love with her best friend, Finn Hartley, since college. For ten long years, she's stood by him, stitching him back together every time Delilah Crestfield-his toxic on-and-off girlfriend-shattered his heart. But when Delilah gets engaged to another man, Sloane thinks this might finally be her chance to have Finn for herself. She couldn't be more wrong. Heartbroken and desperate, Finn decides to crash Delilah's wedding and fight for her one last time. And he wants Sloane by his side. Reluctantly, Sloane follows him to Asheville, hoping that being close to Finn will somehow make him see her the way she's always seen him. Everything changes when she meets Knox Hartley, Finn's older brother-a man who couldn't be more different from Finn. He's dangerously magnetic. Knox sees right through Sloane and makes it his mission to pull her into his world. What starts as a game-a twisted bet between them-soon turns into something deeper. Sloane is trapped between two brothers: one who's always broken her heart and another who seems hell-bent on claiming it... no matter the cost. CONTENT WARNING: This story is strongly 18+. It delves into dark romance themes such as obsession and lust with morally complex characters. While this is a love story, reader discretion is advised.
My husband was in the shower, the sound of water a familiar rhythm to our mornings. I was just placing a cup of coffee on his desk, a small ritual in our five years of what I thought was a perfect marriage. Then, an email notification flashed on his laptop: "You're invited to the Christening of Leo Thomas." Our last name. The sender: Hayden Cleveland, a social media influencer. An icy dread settled in. It was an invitation for his son, a son I didn't know existed. I went to the church, hidden in the shadows, and saw him holding a baby, a little boy with his dark hair and eyes. Hayden Cleveland, the mother, leaned on his shoulder, a picture of domestic bliss. They looked like a family. A perfect, happy family. My world crumbled. I remembered him refusing to have a baby with me, citing work pressure. All his business trips, the late nights-were they spent with them? The lie was so easy for him. How could I have been so blind? I called the Zurich Architectural Fellowship, a prestigious program I had deferred for him. "I' d like to accept the fellowship," I said, my voice eerily calm. "I can leave immediately."
Cornered, Melinda cut a desperate deal with the man she most hated-Declan, the ex‑husband who bankrupted her family for another woman's revenge. Days were spent enduring that woman's petty cruelties; nights found her submitting to Declan's cold desire while she hunted the truth. He later watched, unmoved, as his beloved pushed Melinda from a rooftop. Years on, she returned a self‑made billionaire, child in arms, and crushed his fortune. Choked with emotion, he begged, "I was wrong-remarry me." Looping her arm through his rival's, she answered, "Never." Declan looked at the miniature version of himself in her arms and shattered.
Five years into marriage, Hannah caught Vincent slipping into a hotel with his first love-the woman he never forgot. The sight told her everything-he'd married her only for her resemblance to his true love. Hurt, she conned him into signing the divorce papers and, a month later, said, "Vincent, I'm done. May you two stay chained together." Red-eyed, he hugged her. "You came after me first." Her firm soon rocketed toward an IPO. At the launch, Vincent watched her clasp another man's hand. In the fitting room, he cornered her, tears burning in his eyes. "Is he really that perfect? Hannah, I'm sorry... marry me again."
After three loveless years, Neil's betrayal deeply wounded Katelyn. She wasted no time in getting rid of that scoundrel! After the divorce, she devoted herself to career pursuits. Rising to prominence as a top designer, skilled doctor, and brilliant hacker, she became a revered icon. Neil, realizing his grave mistake, tried in vain to win her back, only to witness her magnificent wedding to another. As their vows were broadcast on the world's largest billboard, Vincent slid a ring onto Katelyn's finger and declared, "Katelyn is now my wife, a priceless treasure. Let all who covet her beware!"
Yelena discovered that she wasn't her parents' biological child. After seeing through their ploy to trade her as a pawn in a business deal, she was sent away to her barren birthplace. There, she stumbled upon her true origins-a lineage of historic opulence. Her real family showered her with love and adoration. In the face of her so-called sister's envy, Yelena conquered every adversity and took her revenge, all while showcasing her talents. She soon caught the attention of the city's most eligible bachelor. He cornered Yelena and pinned her against the wall. "It's time to reveal your true identity, darling."
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