George Gissing was a British novelist, most famous for his novels The Nether World, New Grub Street, and The Odd Women. He is said to have been primarily influenced by Emile Zola.
George Gissing was a British novelist, most famous for his novels The Nether World, New Grub Street, and The Odd Women. He is said to have been primarily influenced by Emile Zola.
The sea-wind in his hair, his eyes agleam with the fresh memory of Alpine snows, Will Warburton sprang out of the cab, paid the driver a double fare, flung on to his shoulder a heavy bag and ran up, two steps at a stride, to a flat on the fourth floor of the many-tenanted building hard by Chelsea Bridge. His rat-tat-tat brought to the door a thin yellow face, cautious in espial, through the narrow opening.
"Is it you, sir?"
"All right, Mrs. Hopper! How are you?-how are you?"
He threw his bag into the passage, and cordially grasped the woman's hands.
"Dinner ready? Savagely hungry. Give me three minutes, and serve."
For about that length of time there sounded in the bedroom a splashing and a blowing; then Warburton came forth with red cheeks. He seized upon a little pile of letters and packets which lay on his writing-table, broke envelopes, rent wrappers, and read with now an ejaculation of pleasure, now a grunt of disgust, and again a mirthful half roar. Then, dinner-the feeding of a famished man of robust appetite and digestion, a man three or four years on the green side of thirty. It was a speedy business, in not much more than a quarter of an hour there disappeared a noble steak and its appurtenances, a golden-crusted apple tart, a substantial slice of ripe Cheddar, two bottles of creamy Bass.
"Now I can talk!" cried Will to his servant, as he threw himself into a deep chair, and began lighting his pipe. "What's the news? I seem to have been away three months rather than three weeks."
"Mr. Franks called yesterday, sir, late in the afternoon, when I was here cleaning. He was very glad to hear you'd be back to-day, and said he might look in to-night."
"Good! What else?"
"My brother-in-law wishes to see you, sir. He's in trouble again-lost his place at Boxon's a few days ago. I don't exac'ly know how it happened, but he'll explain everything. He's very unfortunate, sir, is Allchin."
"Tell him to come before nine to-morrow morning, if he can."
"Yes, sir. I'm sure it's very kind of you, sir."
"What else?"
"Nothing as I can think of just now, sir."
Warburton knew from the woman's way of speaking that she had something still in her mind; but his pipe being well lit, and a pleasant lassitude creeping over him, he merely nodded. Mrs. Hopper cleared the table, and withdrew.
The window looked across the gardens of Chelsea Hospital (old-time Ranelagh) to the westward reach of the river, beyond which lay Battersea Park, with its lawns and foliage. A beam of the July sunset struck suddenly through the room. Warburton was aware of it with half-closed eyes; he wished to stir himself, and look forth, but languor held his limbs, and wreathing tobacco-smoke kept his thoughts among the mountains. He might have quite dozed off had not a sudden noise from within aroused him-the unmistakable crash of falling crockery. It made him laugh, a laugh of humorous expostulation. A minute or two passed, then came a timid tap at his door, and Mrs. Hopper showed her face.
"Another accident, sir, I'm sorry to say," were her faltering words.
"Extensive?"
"A dish and two plates, I'm sorry to say, sir."
"Oh, that's nothing."
"Of course I shall make them good, sir."
"Pooh! Aren't there plates enough?"
"Oh, quite enough-just yet, sir."
Warburton subdued a chuckle, and looked with friendly smile at his domestic, who stood squeezing herself between the edge of the door and the jamb-her habit when embarrassed. Mrs. Hopper had served him for three years; he knew all her weaknesses, but thought more of her virtues, chief of which were honest intention and a moderate aptitude for plain cooking. A glance about this room would have proved to any visitor that Mrs. Hopper's ideas of cleanliness were by no means rigid, her master had made himself to a certain extent responsible for this defect; he paid little attention to dust, provided that things were in their wonted order. Mrs. Hopper was not a resident domestic; she came at stated hours. Obviously a widow, she had a poor, loose-hung, trailing little body, which no nourishment could plump or fortify. Her visage was habitually doleful, but contracted itself at moments into a grin of quaint drollery, which betrayed her for something of a humorist.
"My fingers is all gone silly to-day, sir," she pursued. "I daresay it's because I haven't had much sleep these last few nights."
"How's that?"
"It's my poor sister, sir-my sister Liza, I mean-she's had one of her worst headaches-the extra special, we call 'em. This time it's lasted more than three days, and not one minute of rest has the poor thing got."
Warburton was all sympathy; he inquired about the case as though it were that of an intimate friend. Change of air and repose were obvious remedies; no less obviously, these things were out of the question for a working woman who lived on a few shillings a week.
"Do you know of any place she could go to?" asked Warburton, adding carelessly, "if the means were provided."
Mrs. Hopper squeezed herself more tightly than ever between door and jamb. Her head was bent in an abashed way, and when she spoke it was in a thick, gurgling tone, only just intelligible.
"There's a little lodging 'ouse at Southend, sir, where we used to go when my 'usband could afford it."
"Well, look here. Get a doctor's opinion whether Southend would do; if not, which place would. And just send her away. Don't worry about the money."
Experience enabled Mrs. Hopper to interpret this advice. She stammered gratitude.
"How's your other sister-Mrs. Allchin?" Warburton inquired kindly.
"Why, sir, she's doing pretty well in her 'ealth, sir, but her baby died yesterday week. I hope you'll excuse me, sir, for all this bad news just when you come back from your holiday, and when it's natural as you don't feel in very good spirits."
Will had much ado not to laugh. On his return from a holiday, Mrs. Hopper always presumed him to be despondent in view of the resumption of daily work. He was beginning to talk of Mrs. Allchin's troubles, when at the outer door sounded a long nervous knock.
"Ha! That's Mr. Franks."
Mrs. Hopper ran to admit the visitor.
This book is a replica, produced from digital images of the original. It was scanned at the University of Toronto Libraries and may contain defects, missing
The summer day in 1874 which closed the annual session of Whitelaw College was marked by a special ceremony, preceding the wonted distribution of academic rewards.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The Moving Picture Girls: Or, First Appearances in Photo Dramas" is part of "The Moving Picture Girls" series. "The Moving Picture Girls" is a series about the adventures of Ruth and Alice DeVere who live with their father who is an actor.
Novelist, born at Wakefield. In his novels he depicted the environment and struggles of the lower and lower middle classes with a somewhat pessimistic and depressing realism, although his last work, The Private Papers of Henry Ryecroft, seemed to usher in the dawn of a somewhat brighter outlook. His other novels include Demos [1886], Thyrza [1887], The Nether World [1889], New Grub Street [1891], Born in Exile [1892], In the Year of Jubilee [1894], and The Town Traveller [1898]. He died at St. Jean de Luz in the Pyrenees.
One of George Gissing's greatest strengths as a novelist was his ability to highlight differences between socioeconomic classes and all the advantages that a higher class standing can bestow. That's the idea at the center of the gripping epic Thyrza, which Gissing himself identified as one of his favorites from his own body of work. Working-class Thyrza Trent was born with beauty, brains, and ambition—but she doesn't have the social status necessary to be able to fully leverage these gifts.
Three years into marriage, Brett's past love returned from overseas. Without warning, Caylee received divorce papers. "I've treated you fairly, Caylee. You're too cruel to stay as my wife. Please leave," Brett said. She signed the papers and walked away, knowing her debt for Brett's help was already paid. After that, she entered high society and amazed everyone with her hidden identity. Months later, Brett called in tears, only to hear wedding music. A man replied, "My wife's pregnant. Just move on." Then Caylee's gentle voice came through. "Honey, the wedding is starting. Who is that?" He kissed her. "Just a wrong number."
"You need a bride, I need a groom. Why don't we get married?" Both abandoned at the altar, Elyse decided to tie the knot with the disabled stranger from the venue next door. Pitying his state, she vowed to spoil him once they were married. Little did she know that he was actually a powerful tycoon. Jayden thought Elyse only married him for his money, and planned to divorce her when she was no longer of use to him. But after becoming her husband, he was faced with a new dilemma. "She keeps asking for a divorce, but I don't want that! What should I do?"
I gave him three years of silent devotion behind a mask I never wanted to wear. I made a wager for our bond-he paid me off like a mistress. "Chloe's back," Zane said coldly. "It's over." I laughed, poured wine on his face, and walked away from the only love I'd ever known. "What now?" my best friend asked. I smiled. "The real me returns." But fate wasn't finished yet. That same night, Caesar Conrad-the Alpha every wolf feared-opened his car door and whispered, "Get in." Our gazes collided. The bond awakened. No games. No pretending. Just raw, unstoppable power. "Don't regret this," he warned, lips brushing mine. But I didn't. Because the mate I'd been chasing never saw me. And the one who did? He's ready to burn the world for me.
Sunlit hours found their affection glimmering, while moonlit nights ignited reckless desire. But when Brandon learned his beloved might last only half a year, he coolly handed Millie divorce papers, murmuring, "This is all for appearances; we'll get married again once she's calmed down." Millie, spine straight and cheeks dry, felt her pulse go hollow. The sham split grew permanent; she quietly ended their unborn child and stepped into a new beginning. Brandon unraveled, his car tearing down the street, unwilling to let go of the woman he'd discarded, pleading for her to look back just once.
In the eighteen years of her life, Brianna had endured relentless abuse from her family, living in constant fear. One fateful day, two dignified figures approached her and revealed a shocking truth: she was their long-lost daughter, heiress to the wealthiest family in the city-the Owens. Desperate for love and acceptance, Brianna hoped to escape her past. Instead, she fell victim to Cassie, a cunning impostor who manipulated their parents against her while feigning distress. Rather than forging a connection with her real family, Brianna found herself betrayed and isolated. When a car accident left Brianna in a vegetative state, she found herself able to listen to everything around her, though unable to respond. Bitterly, she realized her parents didn't care for her; they visited just once. A month later, Cassie visited, disconnecting the ventilator before leaning in to whisper coldly, "Goodbye, my dear sister. You shouldn't have come back. You are meant for that despicable, wretched family." Somehow, fate granted Brianna a second chance. Reborn and fueled by rage, she vowed to make everyone who had wronged her pay dearly. This time, she would seize the life that had been stolen from her.
Being second best is practically in my DNA. My sister got the love, the attention, the spotlight. And now, even her damn fiancé. Technically, Rhys Granger was my fiancé now-billionaire, devastatingly hot, and a walking Wall Street wet dream. My parents shoved me into the engagement after Catherine disappeared, and honestly? I didn't mind. I'd crushed on Rhys for years. This was my chance, right? My turn to be the chosen one? Wrong. One night, he slapped me. Over a mug. A stupid, chipped, ugly mug my sister gave him years ago. That's when it hit me-he didn't love me. He didn't even see me. I was just a warm-bodied placeholder for the woman he actually wanted. And apparently, I wasn't even worth as much as a glorified coffee cup. So I slapped him right back, dumped his ass, and prepared for disaster-my parents losing their minds, Rhys throwing a billionaire tantrum, his terrifying family plotting my untimely demise. Obviously, I needed alcohol. A lot of alcohol. Enter him. Tall, dangerous, unfairly hot. The kind of man who makes you want to sin just by existing. I'd met him only once before, and that night, he just happened to be at the same bar as my drunk, self-pitying self. So I did the only logical thing: I dragged him into a hotel room and ripped off his clothes. It was reckless. It was stupid. It was completely ill-advised. But it was also: Best. Sex. Of. My. Life. And, as it turned out, the best decision I'd ever made. Because my one-night stand isn't just some random guy. He's richer than Rhys, more powerful than my entire family, and definitely more dangerous than I should be playing with. And now, he's not letting me go.
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