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African Camp Fires by Stewart Edward White
African Camp Fires by Stewart Edward White
There are many interesting hotels scattered about the world, with a few of which I am acquainted and with a great many of which I am not. Of course all hotels are interesting, from one point of view or another. In fact, the surest way to fix an audience's attention is to introduce your hero, or to display your opening chorus in the lobby or along the fa?ade of a hotel.
The life, the movement and colour, the drifting individualities, the pretence, the bluff, the self-consciousness, the independence, the ennui, the darting or lounging servants, the very fact that of those before your eyes seven out of ten are drawn from distant and scattered places, are sufficient in themselves to invest the smallest hostelry with glamour. It is not of this general interest that I would now speak. Nor is it my intention at present to glance at the hotels wherein "quaintness" is specialized, whether intentionally or no. There are thousands of them; and all of them well worth the discriminating traveller's attention. Concerning some of them-as the old inns at Dives-sur-Mer and at Mont St. Michel-whole books have been written. These depend for their charm on a mingled gift of the unusual and the picturesque. There are, as I have said, thousands of them; and of their cataloguing, should one embark on so wide a sea, there could be no end. And, again, I must for convenience exclude the altogether charming places, like the Tour d'Argent of Paris, Simpson's of the Strand,[1] and a dozen others that will spring to every traveller's memory, where the personality of the host, or of a chef, or even a waiter, is at once a magnet for the attraction of visitors and a reward for their coming. These, too, are many. In the interest to which I would draw attention, the hotel as a building or as an institution has little part. It is indeed a fa?ade, a mise en scènebefore which play the actors that attract our attention and applause. The set may be as modernly elaborate as Peacock Alley of the Waldorf or the templed lobby of the St. Francis; or it may present the severe and Elizabethan simplicity of the stone-paved veranda of the Norfolk at Nairobi-the matter is quite inessential to the spectator. His appreciation is only slightly and indirectly influenced by these things. Sunk in his arm-chair-of velvet or of canvas-he puffs hard and silently at his cigar, watching and listening as the pageant and the conversation eddy by.
Of such hotels I number that gaudy and polysyllabic hostelry the Grand H?tel du Louvre et de la Paix at Marseilles. I am indifferent to the facts that it is situated on that fine thoroughfare, the Rue de Cannebière, which the proud and untravelled native devoutly believes to be the finest street in the world; that it possesses a dining-room of gilded and painted repoussé work so elaborate and wonderful that it surely must be intended to represent a tinsmith's dream of heaven; that its concierge is the most impressive human being on earth except Ludwig von Kampf (whom I have never seen); that its head waiter is sadder and more elderly and forgiving than any other head waiter; and that its hushed and cathedral atmosphere has been undisturbed through immemorial years. That is to be expected; and elsewhere to be duplicated in greater or lesser degree. Nor in the lofty courtyard, or the equally lofty halls and reading-rooms, is there ever much bustle and movement. People sit quietly, or move with circumspection. Servants glide. The fall of a book or teaspoon, the sudden closing of a door, are events to be remarked. Once a day, however, a huge gong sounds, the glass doors of the inner courtyard are thrown open with a flourish, and enters the huge bus fairly among those peacefully sitting at the tables, horses' hoofs striking fire, long lash-cracking volleys, wheels roaring amid hollow reverberations. From the interior of this bus emerge people; and from the top, by means of a strangely-constructed hooked ladder, are decanted boxes, trunks, and appurtenances of various sorts. In these people, and in these boxes, trunks, and appurtenances, are the real interest of the Grand H?tel du Louvre et de la Paix of the marvellous Rue Cannebière of Marseilles.
For at Marseilles land ships, many ships, from all the scattered ends of the earth; and from Marseilles depart trains for the North, where is home, or the way home for many peoples. And since the arrival of ships is uncertain, and the departure of trains fixed, it follows that everybody descends for a little or greater period at the Grand H?tel du Louvre et de la Paix.
They come lean and quiet and a little yellow from hard climates, with the names of strange places on their lips, and they speak familiarly of far-off things. Their clothes are generally of ancient cut, and the wrinkles and camphor aroma of a long packing away are yet discernible. Often they are still wearing sun helmets or double terai hats, pending a descent on a Piccadilly hatter two days hence. They move slowly and languidly; the ordinary piercing and dominant English enunciation has fallen to modulation; their eyes, while observant and alert, look tired. It is as though the far countries have sucked something from the pith of them in exchange for great experiences that nevertheless seem of little value; as though these men, having met at last face to face the ultimate of what the earth has to offer in the way of danger, hardship, difficulty, and the things that try men's souls, having unexpectedly found them all to fall short of both the importance and the final significance with which human-kind has always invested them, were now just a little at a loss. Therefore they stretch their long, lean frames in the wicker chairs, they sip the long drinks at their elbows, puff slowly at their long, lean cheroots, and talk spasmodically in short sentences.
Of quite a different type are those going out-young fellows full of northern health and energy, full of the eagerness of anticipation, full of romance skilfully concealed, self-certain, authoritative, clear voiced. Their exit from the bus is followed by a rain of hold-alls, bags, new tin boxes, new gun cases, all lettered freshly-an enormous kit doomed to diminution. They overflow the place, ebb towards their respective rooms; return scrubbed and ruddy, correctly clad, correctly unconscious of everybody else; sink into more wicker chairs. The quiet brown and yellow men continue to puff at their cheroots, quite eclipsed. After a time one of them picks up his battered old sun helmet and goes out into the street. The eyes of the newcomers follow him. They fall silent; and their eyes, under cover of pulled moustache, furtively glance towards the lean man's companions. Then on that office falls a great silence, broken only by the occasional rare remarks of the quiet men with the cheroots. The youngsters are listening with all their ears, though from their appearance no one would suspect that fact. Not a syllable escapes them. These quiet men have been there; they have seen with their own eyes; their lightest word is saturated with the mystery and romance of the unknown. Their easy, matter-of-fact, everyday knowledge is richly wonderful. It would seem natural for these young-young men to question these old-young men of that which they desire so ardently to know; but that isn't done, you know. So they sit tight, and pretend they are not listening, and feast their ears on the wonderful syllables-Ankobar, Kabul, Peshawur, Annam, Nyassaland, Kerman, Serengetti, Tanganika, and many others. On these beautiful syllables must their imaginations feed, for that which is told is as nothing at all. Adventure there is none, romance there is none, mention of high emprise there is none. Adventure, romance, high emprise have to these men somehow lost their importance. Perhaps such things have been to them too common-as well mention the morning egg. Perhaps they have found that there is no genuine adventure, no real romance except over the edge of the world where the rainbow stoops.
The bus rattles in and rattles out again. It takes the fresh-faced young men down past the inner harbour to where lie the tall ships waiting. They and their cargo of exuberance, of hope, of energy, of thirst for the bubble adventure, the rainbow romance, sail away to where these wares have a market. And the quiet men glide away to the North. Their wares have been marketed. The sleepy, fierce, passionate, sunny lands have taken all they had to bring. And have given in exchange? Indifference, ill-health, a profound realization that the length of days are as nothing at all; a supreme agnosticism as to the ultimate value of anything that a single man can do, a sublime faith that it must be done, the power to concentrate, patience illimitable; contempt for danger, disregard of death, the intention to live; a final, weary estimate of the fact that mere things are as unimportant here as there, no matter how quaintly or fantastically they are dressed or named, and a corresponding emptiness of anticipation for the future-these items are only a random few of the price given by the ancient lands for that which the northern races bring to them. What other alchemical changes have been wrought only these lean and weary men could know-if they dared look so far within themselves. And even if they dared, they would not tell.
FOOTNOTES:
[1]
In old days before the "improvements."
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Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."Six Little Bunkers at Cousin Tom's" by Laura Lee Hope is part of the Six Little Bunkers series. The Six Little Bunkers series is about the adventures of the Bunker Family when they had no access to technology.
Season 1: Vanessa Saxon was once married to Luca Kensington, the cold and distant CEO of K Group. But when she was seven months pregnant, her adopted sister, Beatriz Langley, falsely accused her of having an affair with her best friend, Daxton Radcliffe, and carrying his child. The worst part? Luca believed Beatriz. In a fit of rage, Luca demanded their baby be removed prematurely, leading to a tragic event where Vanessa nearly died from the ordeal. Saved by Daxton, Vanessa disappeared. Now, five years later, she returns-stronger and determined-alongside her daughter, Isla Saxon, to exact her revenge on those who wronged her. SEASON 2: Framed for a crime she didn't commit, Senna Thorne lost everything-her family, her freedom, and the man she once loved. Betrayed and abandoned, she was sentenced to a fate worse than death. Magnus Voss, the ruthless billionaire who once held her heart, now sees her as nothing more than a murderer, a woman unworthy of mercy. But when fate grants her a second chance, she returns under a new name, Zara Skye-no longer the broken woman he cast aside. Yet Magnus refuses to let go. He sees her, he feels her, and deep down, he knows-she is the ghost that haunts him, the love he once destroyed. But this time, Senna isn't here for love. She's here for vengeance. When their paths collide once more, will he uncover the truth before it's too late? Or will her revenge burn them both to ashes?
On her wedding day, Isla faced a series of disasters no bride could ever imagine. Her fiancé, Jeremy, dropped a bombshell in front of the entire congregation, revealing an explicit video of her and another man-a video she had no knowledge of or clue how it came to be. To make matters worse, Jeremy took things further by proposing to her sister right then and there. Devastated beyond belief, Isla ran out of the chapel-and his life-without looking back. She swore never to let herself be humiliated like that again and decided that love was no longer worth the risk. With her heart in pieces, she headed to the nearest bar to drown her sorrows in alcohol, where, in a haze of pain and anger, she met a handsome stranger. What was meant to be a fleeting escape turned into a one-night stand. She disappeared without a trace, determined to sever all ties with Jeremy. That included quitting her job at his father's company-she didn't want anything to do with him or his family anymore. As she searched for a new beginning, fate led her into the path of Jaxon Waverly. Jaxon Waverly-a billionaire CEO by day and a fearless Mafia leader by night. Isla becomes his secretary, unknown to her and Jaxon himself that she is Jaxon's long-lost love and unforgettable one-night-stand. Determined to win her over, Jaxon will stop at nothing to make her his wife.
"Mr. Evans, please maintain some dignity. Don't forget I'm your brother's wife!" Having caught her husband and best friend together in the bed, Elena wanted nothing more than to exact revenge on the people she once called family. She refused to be a pitiful divorcee and vowed to make everyone who had once looked down on her beg for forgiveness. And to start with her newfound freedom, Elena indulges in a one-night stand with a stranger. However, what was meant to be a fleeting escape turns into a nightmare when she learns that the stranger is none other than her husband's older brother! Would Elena be free from the shackles of her marriage? Or would the mysterious stranger make her life a living hell since he seemed to have a personal vendetta against his family? [The story is 18+ and involves mature content.]
Corinne devoted three years of her life to her boyfriend, only for it to all go to waste. He saw her as nothing more than a country bumpkin and left her at the altar to be with his true love. After getting jilted, Corinne reclaimed her identity as the granddaughter of the town's richest man, inherited a billion-dollar fortune, and ultimately rose to the top. But her success attracted the envy of others, and people constantly tried to bring her down. As she dealt with these troublemakers one by one, Mr. Hopkins, notorious for his ruthlessness, stood by and cheered her on. "Way to go, honey!"
Natalie used to think she could melt Connor’s icy heart, but she was sorely mistaken. When at last she decided to leave, she discovered that she was pregnant. Even so, she chose to quietly leave his world, prompting Connor to mobilize all of his resources and expand his business to a global scale—all in a bid to find her. But there was no trace of Natalie. Connor slowly spiraled into madness, turning the city upside down and leaving chaos in his wake. Natalie finally surfaced years later, with wealth and power of her own, only to find herself entangled with Connor once again.
Janice, the long-forgotten legitimate heiress, made her way back to her family, pouring her heart into winning their hearts. Yet, she had to relinquish her very identity, her academic credentials, and her creative works to her foster sister. In return for her sacrifices, she found no warmth, only deeper neglect. Resolute, Janice vowed to cut off all emotional bonds. Transformed, she now stood as a master of martial arts, adept in eight languages, an esteemed medical expert, and a celebrated designer. With newfound resolve, she declared, "From this day forward, no one in this family shall cross me."
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