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"Brood of the Witch Queen" is a 1918 supernatural novel by Arthur Henry Sarsfield Ward, known better under his pseudonym, Sax Rohmer. Sax Rohmer was a prolific eng novelist. He is best remembered for his series of novels featuring the master criminal Dr. Fu Manchu. The story deals with Robert Cairn and his suspicions of Antony Ferrara, the adopted son of an old friend and colleague of Robert's father, Dr Bruce Cairn, of infernal magic and supernatural influence. (Excerpt from Wikipedia)
Robert Cairn looked out across the quadrangle. The moon had just arisen, and it softened the beauty of the old college buildings, mellowed the harshness of time, casting shadow pools beneath the cloisteresque arches to the west and setting out the ivy in stronger relief upon the ancient walls. The barred shadow on the lichened stones beyond the elm was cast by the hidden gate; and straight ahead, where, between a quaint chimney-stack and a bartizan, a triangular patch of blue showed like spangled velvet, lay the Thames. It was from there the cooling breeze came.
But Cairn's gaze was set upon a window almost directly ahead, and west below the chimneys. Within the room to which it belonged a lambent light played.
Cairn turned to his companion, a ruddy and athletic looking man, somewhat bovine in type, who at the moment was busily tracing out sections on a human skull and checking his calculations from Ross's Diseases of the Nervous System.
"Sime," he said, "what does Ferrara always have a fire in his rooms for at this time of the year?"
Sime glanced up irritably at the speaker. Cairn was a tall, thin Scotsman, clean-shaven, square jawed, and with the crisp light hair and grey eyes which often bespeak unusual virility.
"Aren't you going to do any work?" he inquired pathetically. "I thought you'd come to give me a hand with my basal ganglia. I shall go down on that; and there you've been stuck staring out of the window!"
"Wilson, in the end house, has got a most unusual brain," said Cairn, with apparent irrelevance.
"Has he!" snapped Sime.
"Yes, in a bottle. His governor is at Bart's; he sent it up yesterday. You ought to see it."
"Nobody will ever want to put your brain in a bottle," predicted the scowling Sime, and resumed his studies.
Cairn relighted his pipe, staring across the quadrangle again. Then-
"You've never been in Ferrara's rooms, have you?" he inquired.
Followed a muffled curse, crash, and the skull went rolling across the floor.
"Look here, Cairn," cried Sime, "I've only got a week or so now, and my nervous system is frantically rocky; I shall go all to pieces on my nervous system. If you want to talk, go ahead. When you're finished, I can begin work."
"Right-oh," said Cairn calmly, and tossed his pouch across. "I want to talk to you about Ferrara."
"Go ahead then. What is the matter with Ferrara?"
"Well," replied Cairn, "he's queer."
"That's no news," said Sime, filling his pipe; "we all know he's a queer chap. But he's popular with women. He'd make a fortune as a nerve specialist."
"He doesn't have to; he inherits a fortune when Sir Michael dies."
"There's a pretty cousin, too, isn't there?" inquired Sime slyly.
"There is," replied Cairn. "Of course," he continued, "my governor and Sir Michael are bosom friends, and although I've never seen much of young Ferrara, at the same time I've got nothing against him. But-" he hesitated.
"Spit it out," urged Sime, watching him oddly.
"Well, it's silly, I suppose, but what does he want with a fire on a blazing night like this?"
Sime stared.
"Perhaps he's a throw-back," he suggested lightly. "The Ferraras, although they're counted Scotch-aren't they?-must have been Italian originally-"
"Spanish," corrected Cairn. "They date from the son of Andrea Ferrara, the sword-maker, who was a Spaniard. C?sar Ferrara came with the Armada in 1588 as armourer. His ship was wrecked up in the Bay of Tobermory and he got ashore-and stopped."
"Married a Scotch lassie?"
"Exactly. But the genealogy of the family doesn't account for Antony's habits."
"What habits?"
"Well, look." Cairn waved in the direction of the open window. "What does he do in the dark all night, with a fire going?"
"Influenza?"
"Nonsense! You've never been in his rooms, have you?"
"No. Very few men have. But as I said before, he's popular with the women."
"What do you mean?"
"I mean there have been complaints. Any other man would have been sent down."
"You think he has influence-"
"Influence of some sort, undoubtedly."
"Well, I can see you have serious doubts about the man, as I have myself, so I can unburden my mind. You recall that sudden thunderstorm on Thursday?"
"Rather; quite upset me for work."
"I was out in it. I was lying in a punt in the backwater-you know, our backwater."
"Lazy dog."
"To tell you the truth, I was trying to make up my mind whether I should abandon bones and take the post on the Planet which has been offered me."
"Pills for the pen-Harley for Fleet? Did you decide?"
"Not then; something happened which quite changed my line of reflection."
The room was becoming cloudy with tobacco smoke.
"It was delightfully still," Cairn resumed. "A water rat rose within a foot of me and a kingfisher was busy on a twig almost at my elbow. Twilight was just creeping along, and I could hear nothing but faint creakings of sculls from the river and sometimes the drip of a punt-pole. I thought the river seemed to become suddenly deserted; it grew quite abnormally quiet-and abnormally dark. But I was so deep in reflection that it never occurred to me to move.
"Then the flotilla of swans came round the bend, with Apollo-you know Apollo, the king-swan?-at their head. By this time it had grown tremendously dark, but it never occurred to me to ask myself why. The swans, gliding along so noiselessly, might have been phantoms. A hush, a perfect hush, settled down. Sime, that hush was the prelude to a strange thing-an unholy thing!"
Cairn rose excitedly and strode across to the table, kicking the skull out of his way.
"It was the storm gathering," snapped Sime.
"It was something else gathering! Listen! It got yet darker, but for some inexplicable reason, although I must have heard the thunder muttering, I couldn't take my eyes off the swans. Then it happened-the thing I came here to tell you about; I must tell somebody-the thing that I am not going to forget in a hurry."
He began to knock out the ash from his pipe.
"Go on," directed Sime tersely.
"The big swan-Apollo-was within ten feet of me; he swam in open water, clear of the others; no living thing touched him. Suddenly, uttering a cry that chilled my very blood, a cry that I never heard from a swan in my life, he rose in the air, his huge wings extended-like a tortured phantom, Sime; I can never forget it-six feet clear of the water. The uncanny wail became a stifled hiss, and sending up a perfect fountain of water-I was deluged-the poor old king-swan fell, beat the surface with his wings-and was still."
"Well?"
"The other swans glided off like ghosts. Several heavy raindrops pattered on the leaves above. I admit I was scared. Apollo lay with one wing right in the punt. I was standing up; I had jumped to my feet when the thing occurred. I stooped and touched the wing. The bird was quite dead! Sime, I pulled the swan's head out of the water, and-his neck was broken; no fewer than three vertebrae fractured!"
A cloud of tobacco smoke was wafted towards the open window.
"It isn't one in a million who could wring the neck of a bird like Apollo, Sime; but it was done before my eyes without the visible agency of God or man! As I dropped him and took to the pole, the storm burst. A clap of thunder spoke with the voice of a thousand cannon, and I poled for bare life from that haunted backwater. I was drenched to the skin when I got in, and I ran up all the way from the stage."
"Well?" rapped the other again, as Cairn paused to refill his pipe.
"It was seeing the firelight flickering at Ferrara's window that led me to do it. I don't often call on him; but I thought that a rub down before the fire and a glass of toddy would put me right. The storm had abated as I got to the foot of his stair-only a distant rolling of thunder.
"Then, out of the shadows-it was quite dark-into the flickering light of the lamp came somebody all muffled up. I started horribly. It was a girl, quite a pretty girl, too, but very pale, and with over-bright eyes. She gave one quick glance up into my face, muttered something, an apology, I think, and drew back again into her hiding-place."
"He's been warned," growled Sime. "It will be notice to quit next time."
"I ran upstairs and banged on Ferrara's door. He didn't open at first, but shouted out to know who was knocking. When I told him, he let me in, and closed the door very quickly. As I went in, a pungent cloud met me-incense."
"Incense?"
"His rooms smelt like a joss-house; I told him so. He said he was experimenting with Kyphi-the ancient Egyptian stuff used in the temples. It was all dark and hot; phew! like a furnace. Ferrara's rooms always were odd, but since the long vacation I hadn't been in. Good lord, they're disgusting!"
"How? Ferrara spent vacation in Egypt; I suppose he's brought things back?"
"Things-yes! Unholy things! But that brings me to something too. I ought to know more about the chap than anybody; Sir Michael Ferrara and the governor have been friends for thirty years; but my father is oddly reticent-quite singularly reticent-regarding Antony. Anyway, have you heard about him, in Egypt?"
"I've heard he got into trouble. For his age, he has a devil of a queer reputation; there's no disguising it."
"What sort of trouble?"
"I've no idea. Nobody seems to know. But I heard from young Ashby that Ferrara was asked to leave."
"There's some tale about Kitchener-"
"By Kitchener, Ashby says; but I don't believe it."
"Well-Ferrara lighted a lamp, an elaborate silver thing, and I found myself in a kind of nightmare museum. There was an unwrapped mummy there, the mummy of a woman-I can't possibly describe it. He had pictures, too-photographs. I shan't try to tell you what they represented. I'm not thin-skinned; but there are some subjects that no man anxious to avoid Bedlam would willingly investigate. On the table by the lamp stood a number of objects such as I had never seen in my life before, evidently of great age. He swept them into a cupboard before I had time to look long. Then he went off to get a bath towel, slippers, and so forth. As he passed the fire he threw something in. A hissing tongue of flame leapt up-and died down again."
"What did he throw in?"
"I am not absolutely certain; so I won't say what I think it was, at the moment. Then he began to help me shed my saturated flannels, and he set a kettle on the fire, and so forth. You know the personal charm of the man? But there was an unpleasant sense of something-what shall I say?-sinister. Ferrara's ivory face was more pale than usual, and he conveyed the idea that he was chewed up-exhausted. Beads of perspiration were on his forehead."
"Heat of his rooms?"
"No," said Cairn shortly. "It wasn't that. I had a rub down and borrowed some slacks. Ferrara brewed grog and pretended to make me welcome. Now I come to something which I can't forget; it may be a mere coincidence, but-. He has a number of photographs in his rooms, good ones, which he has taken himself. I'm not speaking now of the monstrosities, the outrages; I mean views, and girls-particularly girls. Well, standing on a queer little easel right under the lamp was a fine picture of Apollo, the swan, lord of the backwater."
Sime stared dully through the smoke haze.
"It gave me a sort of shock," continued Cairn. "It made me think, harder than ever, of the thing he had thrown in the fire. Then, in his photographic zenana, was a picture of a girl whom I am almost sure was the one I had met at the bottom of the stair. Another was of Myra Duquesne."
"His cousin?"
"Yes. I felt like tearing it from the wall. In fact, the moment I saw it, I stood up to go. I wanted to run to my rooms and strip the man's clothes off my back! It was a struggle to be civil any longer. Sime, if you had seen that swan die-"
Sime walked over to the window.
"I have a glimmering of your monstrous suspicions," he said slowly. "The last man to be kicked out of an English varsity for this sort of thing, so far as I know, was Dr. Dee of St. John's, Cambridge, and that's going back to the sixteenth century."
"I know; it's utterly preposterous, of course. But I had to confide in somebody. I'll shift off now, Sime."
Sime nodded, staring from the open window. As Cairn was about to close the outer door:
"Cairn," cried Sime, "since you are now a man of letters and leisure, you might drop in and borrow Wilson's brains for me."
"All right," shouted Cairn.
Down in the quadrangle he stood for a moment, reflecting; then, acting upon a sudden resolution, he strode over towards the gate and ascended Ferrara's stair.
For some time he knocked at the door in vain, but he persisted in his clamouring, arousing the ancient echoes. Finally, the door was opened.
Antony Ferrara faced him. He wore a silver-grey dressing gown, trimmed with white swansdown, above which his ivory throat rose statuesque. The almond-shaped eyes, black as night, gleamed strangely beneath the low, smooth brow. The lank black hair appeared lustreless by comparison. His lips were very red. In his whole appearance there was something repellently effeminate.
"Can I come in?" demanded Cairn abruptly.
"Is it-something important?" Ferrara's voice was husky but not unmusical.
"Why, are you busy?"
"Well-er-" Ferrara smiled oddly.
"Oh, a visitor?" snapped Cairn.
"Not at all."
"Accounts for your delay in opening," said Cairn, and turned on his heel. "Mistook me for the proctor, in person, I suppose. Good-night."
Ferrara made no reply. But, although he never once glanced back, Cairn knew that Ferrara, leaning over the rail, above, was looking after him; it was as though elemental heat were beating down upon his head.
* * *
This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.
The Golden Scorpion linked the story lines developed in the Yellow Claw (1915) with Dr. Fu Manchu who appears but is not named. "He wore a plain yellow robe and had a little black cap on his head. His face, his wonderful evil face I can never forget, and his eyes — I fear you will think I exaggerate — but his eyes were green as emeralds!"
This is the second volume in Sax Rohmer's Fu Manchu series, and the first full novel; it may also be found alternatively titled as "The Return of Dr. Fu Manchu." (The first volume, if you wish to start at the beginning, is a collection of short stories, and can be found either titled "The Mystery of Dr. Fu Manchu" or "The Insidious Dr. Fu Manchu"). "The Devil Doctor" was written by Arthur Henry Sarsfield Ward, known better under his pseudonym, Sax Rohmer. Sax Rohmer was a prolific eng novelist. He is best remembered for his series of novels featuring the master criminal Dr. Fu Manchu. (Excerpt from Wikipedia)
Bat Wing is the first Paul Harley detective story. Harley is called on to investigate a mysterious case in the heart of London, involving voodoo, vampirism and macabre murder. This series is considered one of Rohmer's best outside his famous Dr. Fu Manchu series.
When Zora was sick during the early days of her pregnancy, Ezrah was with his first love, Piper. When Zora got into an accident and called Ezrah, he said he was busy, when in actual fact, he was buying shoes for Piper. Zora lost her baby because of the accident, and throughout her stay at the hospital, Ezrah never showed up. She already knew that he didn't love her, but that was the last straw for the camel's back, and her fragile heart could not take it anymore. When Ezrah arrived home a few days after Zora was discharged from the hospital, he no longer met the woman who always greeted him with a smile and cared for him. Zora stood at the top of the stairs and yelled with a cold expression, "Good news, Ezrah! Our baby died in a car accident. There is nothing between us anymore, so let's get a divorce." The man who claimed not to have any feelings for Zora, being cold and distant towards her, and having asked her for a divorce twice, instantly panicked.
After hiding her true identity throughout her three-year marriage to Colton, Allison had committed wholeheartedly, only to find herself neglected and pushed toward divorce. Disheartened, she set out to rediscover her true self-a talented perfumer, the mastermind of a famous intelligence agency, and the heir to a secret hacker network. Realizing his mistakes, Colton expressed his regret. "I know I messed up. Please, give me another chance." Yet, Kellan, a once-disabled tycoon, stood up from his wheelchair, took Allison's hand, and scoffed dismissively, "You think she'll take you back? Dream on."
On the day of their wedding anniversary, Joshua's mistress drugged Alicia, and she ended up in a stranger's bed. In one night, Alicia lost her innocence, while Joshua's mistress carried his child in her womb. Heartbroken and humiliated, Alicia demanded a divorce, but Joshua saw it as yet another tantrum. When they finally parted ways, she went on to become a renowned artist, sought out and admired by everyone. Consumed by regret, Joshua darkened her doorstep in hopes of reconciliation, only to find her in the arms of a powerful tycoon. "Say hello to your sister-in-law."
Maia grew up a pampered heiress-until the real daughter returned and framed her, sending Maia to prison with help from her fiancé and family. Four years later, free and married to Chris, a notorious outcast, everyone assumed Maia was finished. They soon discovered she was secretly a famed jeweler, elite hacker, celebrity chef, and top game designer. As her former family begged for help, Chris smiled calmly. "Honey, let's go home." Only then did Maia realize her "useless" husband was a legendary tycoon who'd adored her from the start.
Three years of marriage couldn't melt Theo's frozen heart. When an art gallery collapsed on Lena, he was off romancing another woman—lavishing her with a private jet. Three steel pins held Lena's shoulder together, but her heart remained broken. She filed for divorce and told everyone that he was impotent. Rising from the rubble, Lena blazed onto the design world's A‑list. She expected him to sail off with his true love—until Theo reappeared at her runway, pressing her against the wall. "Impotent, huh? Care to give it a try?"
Rachel used to think that her devotion would win Brian over one day, but she was proven wrong when his true love returned. Rachel had endured it all—from standing alone at the altar to dragging herself to the hospital for an emergency treatment. Everyone thought she was crazy to give up so much of herself for someone who didn’t return her feelings. But when Brian received news of Rachel’s terminal illness and realized she didn’t have long to live, he completely broke down. "I forbid you to die!" Rachel just smiled. She no longer needed him. "I will finally be free."