Make Your Own Hats by Gene Allen Martin
Make Your Own Hats by Gene Allen Martin
Equipment
Thimble
Thread
Needles
Tape-measure
Pins
Tailor's chalk or pencil
Milliner's pliers or wire cutters
Scissors, large and small
Paper for patterns
Thimble-good quality
Thread-Geneva lustre, black and white, number 36. Colored thread as needed.
Needles-assorted paper of milliner's needles, 8 to 10.
Tape-measure-of good quality sateen.
Tailor's chalk-white and dark blue.
Milliner's pliers-pliers which fit the hand, not too heavy, with blunt points, and sharp enough to cut a thread.
Materials used to make Hat Frames
Fabrics-
Buckram
Crinoline
Cape net
Neteen or Fly net
Willow plate
Wires-
Cable
Frame or brace wire
Lace
Tie
Ribbon
Sprung
Paper for patterns-
Heavy manila
Buckram-
Comes in black and white, about twenty-seven inches wide-a heavy stiff material, smooth on one side and rather rough on the other. It is more commonly used for hat foundations than any other fabric. There is also a summer buckram, lighter in weight and smooth on both sides.
Crinoline-
Comes in black and white, twenty-seven inches wide-a stiff, thin, open-meshed material, used to make soft hat frames, to cover wire frames, and in bias strips to cover edge wire after it is sewed on the fabric frame.
Neteen or fly net-
A stiff open-meshed material-comes in black, white, and ecru, one yard wide-a very popular material on account of its great pliability and lightness. It is used for blocking frames and copying, the lines being much softer than when made with buckram. Very durable.
Cape net-
A light-weight, open-meshed material used for blocking and for soft frames. Not as pliable as neteen.
Willow plate-
A coarse straw-like material, light in weight, brittle, and very expensive, used in blocking; frames are also made from it without blocking.
Must be dampened before using. Not recommended for amateurs.
Wire comes in black, white, silver, and gilt, and is covered with cotton, mercerized cotton, and silk. It may be procured in single and double bolts.
Cable-
Largest wire used in millinery. In making wire frames, it is used as edge wire and sometimes for the entire frame. Being larger than frame wire, it makes a pleasing effect when used as part of the wire frame design, if it is to be covered with sheer material.
Frame or brace wire-
Used in making frames and is sewed on the edge of all buckram and fabric hat frames.
Lace-
Smaller than frame wire, used for wiring lace ribbon and flowers, and sometimes for making an entire frame when a very dainty design is desired.
SHOWING SHAPED BRIM OF NETEEN WITH RIBBON-WIRE BRACES BASTED IN PLACE
Tie-
Smallest wire used in millinery; comes wound on spools. Is used to tie other wires, and in making hand-made flowers. Comes in black, white, and green.
Ribbon-
A cotton ribbon about three eighths of an inch wide, with a fine wire woven through the center, also a wire on each edge. Used to wire ribbons.
Sprung-
An uncovered steel wire used to make halo brims; is sometimes sewed on edge of buckram or other fabric brims, if the hat is unusually wide, or if a brim is to be especially stiff. It is occasionally used as an edge wire on wire frames.
Hat Frames of Fabric
Much care, thought, and patience must be exercised in making the frame of any hat. It is the foundation upon which we build, and if poorly made no amount of work can cover it up later. A hat must be right every step of the way. The frame is the first step, and so the most important.
The simplest hat to make is the straight brim sailor with a square crown, covered with velvet. Such a model we will take up at first.
Sailor hat frame-
For convenience we will use the following dimensions: Width of brim, three inches; height of crown, three and one-half inches; length of crown tip, eight and one-half inches; width of crown tip, six and one-half inches, and headsize, twenty-four inches.
Pattern for brim-
Cut from a piece of manila paper fourteen and one-half by fourteen and one-half inches the largest possible circle; the paper may be folded into halves, then quarters, then into eighths and creased.
A round brim will not be of equal width all around from headsize wire, because the headsize wire must be oval to fit the head. The front and back will both be about an inch narrower than the sides.
Headsize wire-
To measure-This is especially important, for upon the accuracy of this measurement depends the comfort of the wearer; this is the foundation wire. Pass a tape measure around the head over the hair where the hat is to rest and add two inches to this measure. One is for lapping the ends and the other inch is to allow for lining and covering of hat which goes up into the headsize.7-1
As our headsize measure is twenty-four inches long, cut a piece of frame wire twenty-six inches long; this allows for the two inches just mentioned. Lap the ends one inch and fasten each end with tie wire.7-2 Wire always laps one inch-no more, no less.
To shape-With the hands inside, pull the circle until it is elongated to fit the head. This headsize wire must not press unduly upon any part of the head.
To locate headsize on pattern-Lay pattern flat, pin headsize wire on pattern with joining at back crease in paper, having the back and front of brim of equal width, and the two sides of brim of equal width. Mark all around headsize wire with a pencil. Remove wire and cut paper one-half inch inside this mark.
To cut buckram brim-Lay pattern on smooth side of buckram, pin, and cut the edges very smoothly. Cut headsize same as pattern. Mark location of center back and center front. Remove pattern and with a hot iron press the buckram perfectly flat, being careful not to break or make a sharp bend in the buckram, for if once broken it cannot be satisfactorily repaired.
To sew headsize wire to brim-First note the relation of headsize wire to brim. If buckram is carefully cut, the wire may be pinned on one-half inch from edge. The brim has been cut round and will have the appearance of a round hat when worn and yet, on account of the oval headsize wire, the brim when finished will measure about three and one-half inches on each side and about two and one-half inches back and front. Pin wire on smooth side of buckram with lap at center back, also pin front and each side, being careful not to lose the shape of the headsize wire. Bring needle up from under side of brim close to wire, beginning at lap. Take stitch over wire to under side coming back through first stitch to right side. Take next stitch over wire one-fourth inch from first, coming back to right side. Repeat all the way around until lap is reached. Fasten thread by taking several stitches close together over ends of wire in order to join neatly and prevent their working loose. Slash buckram inside headsize wire every half inch and turn pieces up. This makes small flaps to which crown may be fastened later. The brim may now be tried on and changes made if necessary.
Edge wire-
This is cut from frame wire and must be long enough to reach around edge of brim and lap one inch. Edge wire is always sewed on same side of brim as the headsize wire, which is usually the smooth side. Shape this wire to conform to shape of brim. Never depend on the hat or the stitches to hold a wire in place. Begin at center-back of hat holding wire toward you, and sewing from right to left. Hold wire as near the edge as possible, without letting it slip over the edge. Sew on with overcasting stitch, taking two stitches in same hole. Take the stitches just the depth of the wire. If too shallow, the wire will slip off over the edge, or, if too deep, the wire will slip back away from the edge leaving it unprotected and liable to become broken and uneven-looking. A frame must be well made in every detail to produce satisfactory results when finished.
To cover edge wire-All edge wire must be covered with crinoline or a cheap muslin. Cut a strip of such goods on a true bias, three-eighths of an inch wide. Remove the selvage and stretch the strip. Bind the edge wire with it, holding it very tight. Sew close to wire using a stab stitch.
Right side-wrong side-
This stitch is made by taking a long stitch on right side and then a short back stitch on wrong side. Lap ends of crinoline one-fourth inch at finish, but do not turn ends under.
Square crown-
A square crown is one having a flat top, or one only slightly rounded, with the sides slightly sloping in towards the top. A crown of this type three or three and one-half inches in height would be at least one and one-half inches smaller at the top than at the bottom. Any crown made separately from the brim must be large enough to cover the headsize wire on the brim at the base. To eliminate any slashes or seams in the side crown, a paper pattern should be made. Following paragraphs explain how this is done.
Pattern for slanting side crown-
Cut a piece of manila paper one-fourth inch wider than crown height and one-half inch longer than headsize wire measure. Slash across this paper in four equally distant places, within one-fourth inch of edge of bottom, then lap slashes at top a little more than one-fourth inch, or about enough to take out about one and one-half inches. Pin slashes. Lap ends of paper one-fourth inch and pin together. Place this pattern on brim with joining at back and pin to upturned slashes on brim. Try on to see if any alterations are necessary. It can be decided at this point and changes made should the crown be too sloping or too straight. An amateur should try on a frame often in order to be assured of lines and curves that are becoming. Remove pattern from brim and cut off from top and bottom any irregularities on the edge.
To cut side crown from buckram-
Remove the pins from the seam, allowing pins in slashes to remain. Lay pattern flat on smooth side of buckram, lengthwise of the material to take advantage of the natural roll. Cut close to pattern; lap the ends one-fourth inch. Sew, using a fine back stitch close to each edge; this makes two rows of stitching. Sew a piece of frame wire to top and bottom of side crown, keeping all joining at back. Use same method as in sewing edge wire on brim. Cover both wires with crinoline.
Crown tips-
The top of the crown may be kept soft-looking or it may be made of buckram, producing a stiff effect. Both methods will be given.
Soft crown tip-First shape side crown to fit headsize wire on brim, which will be an ellipse. Cut piece of crinoline, the exact shape of the crown, plus one inch all around. Pin this over top, puffing it a very little, and sew with stab stitch close under wire. Cut surplus material off to one-fourth inch.
Stiff crown tip, made of buckram-Lay top of side crown on smooth side of buckram and mark the shape with a pencil. Cut buckram one-half inch outside of this mark. Next, in order to fold down this stiff crown tip, it will be necessary to cut, from this half-inch of buckram outside the pencil line, small wedge-like pieces, about one inch apart. Cut them close to the line drawn. Pin this piece on top of crown, press flaps down and sew on with stab stitch.
Crowns-
If a round crown is to be used it is advisable to buy a ten-cent separate crown or a frame with a round crown. If an entire frame is purchased, remove the crown and wire its bottom edge. After some skill has been acquired by the student of millinery, a round crown of fabric may be blocked by hand over a wire crown.
To cover round crown-
Pin material on top of crown with bias at front. Pull with the straight of the material and pin just below edge of curve. Sew one-half inch below this with stab stitch, trim material off close under this stitching. Remove pins. Fit a bias piece of material, using same method and measurements as for side crown of velvet sailor in chapter II. Sew the crown to brim before adjusting the side crown covering. Pull this bias piece over crown and pin smoothly in place. Finish top and bottom of this band by turning the edges over a wire. Use same stitch as in finishing edge of facing on brim.13-1 This makes a neat finish for a hat which will demand little trimming. If the amateur finds it too difficult to finish the bottom of a side crown in this way, the edge may be covered with a fold of material or a narrow ribbon; the top may also be finished by a narrow ribbon, but finishing neatly with a wire should be mastered if possible, as this style of finish is used in many places.
7-1 To cut wire see chapter IV.
7-2 To tie wire see chapter IV.
13-1 See chapter II.
* * *
Camille Lewis was the forgotten daughter, the unloved wife, the woman discarded like yesterday's news. Betrayed by her husband, cast aside by her own family, and left for dead by the sister who stole everything, she vanished without a trace. But the weak, naive Camille died the night her car was forced off that bridge. A year later, she returns as Camille Kane, richer, colder, and more powerful than anyone could have imagined. Armed with wealth, intelligence, and a hunger for vengeance, she is no longer the woman they once trampled on. She is the storm that will tear their world apart. Her ex-husband begs for forgiveness. Her sister's perfect life crumbles. Her parents regret the daughter they cast aside. But Camille didn't come back for apologies, she came back to watch them burn. But as her enemies fall at her feet, one question remains: when the revenge is over, what's left? A mysterious trillionaire Alexander Pierce steps into her path, offering something she thought she lost forever, a future. But can a woman built on ashes learn to love again? She rose from the fire to destroy those who betrayed her. Now, she must decide if she'll rule alone... or let someone melt the ice in her heart.
Her sister is marrying her ex. So she brings her best friend as her fake fiancé. What could possibly go wrong? Savannah Hart thought she was over Dean Archer-until her sister, Chloe announces she's marrying him. The same man Savannah never stopped loving. The man who left her heartbroken... and now belongs to her sister. A weeklong wedding in New Hope. One mansion full of guests. And a very bitter maid of honor. To survive it, Savannah brings a date-her charming, clean-cut best friend, Roman Blackwood. The one man who's always had her back. He owes her a favor, and pretending to be her fiancé? Easy. Until fake kisses start to feel real. Now Savannah's torn between keeping up the act... or risking everything for the one man she was never supposed to fall for.
"Let's get married," Mia declares, her voice trembling despite her defiant gaze into Stefan's guarded brown eyes. She needs this, even if he seems untouchable. Stefan raises a skeptical brow. "And why would I do that?" His voice was low, like a warning, and it made her shiver even though she tried not to show it. "We both have one thing in common," Mia continues, her gaze unwavering. "Shitty fathers. They want to take what's ours and give it to who they think deserves it." A pointed pause hangs in the air. "The only difference between us is that you're an illegitimate child, and I'm not." Stefan studies her, the heiress in her designer armor, the fire in her eyes that matches the burn of his own rage. "That's your solution? A wedding band as a weapon?" He said ignoring the part where she just referred to him as an illegitimate child. "The only weapon they won't see coming." She steps closer, close enough for him to catch the scent of her perfume, gunpowder and jasmine. "Our fathers stole our birthrights. The sole reason they betrayed us. We join forces, create our own empire that'll bring down theirs." A beat of silence. Then, Stefan's mouth curves into something sharp. "One condition," he murmurs, closing the distance. "No divorces. No surrenders. If we're doing this, it's for life" "Deal" Mia said without missing a beat. Her father wants to destroy her life. She wouldn't give him the pleasure, she would destroy her life as she seems fit. ................ Two shattered heirs. One deadly vow. A marriage built on revenge. Mia Meyers was born to rule her father's empire (so she thought), until he named his bastard son heir instead. Stefan Sterling knows the sting of betrayal too. His father discarded him like trash. Now the rivals' disgraced children have a poisonous proposal: Marry for vengeance. Crush their fathers' legacies. Never speak of divorce. Whoever cracks first loses everything. Can these two rivals, united by their vengeful hearts, pull off a marriage of convenience to reclaim what they believe is rightfully theirs? Or will their fathers' animosity, and their own complicated pasts tear their fragile alliance apart?
My wealthy husband, Nathaniel, stormed in, demanding a divorce to be with his "dying" first love, Julia. He expected tears, pleas, even hysteria. Instead, I calmly reached for a pen, ready to sign away our life for a fortune. For two years, I played the devoted wife in our sterile penthouse. That night, Nathaniel shattered the facade, tossing divorce papers. "Julia's back," he stated, "she needs me." He expected me to crumble. But my calm "Okay" shocked him. I coolly demanded his penthouse, shares, and a doubled stipend, letting him believe I was a greedy gold digger. He watched, disgusted, convinced I was a monster. He couldn't fathom my indifference or ruthless demands. He saw avarice, not a carefully constructed facade. His betrayal had awakened something far more dangerous. The second the door closed, the dutiful wife vanished. I retrieved a burner phone and a Glock, ready to expose the elaborate lie he and Julia had built.
Eliana reunited with her family, now ruined by fate: Dad jailed, Mom deathly ill, six crushed brothers, and a fake daughter who'd fled for richer prey. Everyone sneered. But at her command, Eliana summoned the Onyx Syndicate. Bars opened, sickness vanished, and her brothers rose-one walking again, others soaring in business, tech, and art. When society mocked the "country girl," she unmasked herself: miracle doctor, famed painter, genius hacker, shadow queen. A powerful tycoon held her close. "Country girl? She's my fiancée!" Eliana glared at him. "Dream on." Resolutely, he vowed never to let go.
Leland, the world's most eligible bachelor and powerful President, was rumored to be in love-with Valerie, the nation's favorite punchline. Once rejected by his nephew and scorned for her looks, Valerie faced public outrage for "leeching" off Leland's status and entering government circles. Elite society mocked, rivals sneered. But the tables turned: the mafia king was spotted carrying her bags, scientists begged for her help, and Valerie saved the nation. As chaos erupted, Leland posted on the presidential account. "My wife wants to dump me-how do I win her back? Urgent advice needed!"
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