Midnight by Octavus Roy Cohen
Midnight by Octavus Roy Cohen
Taxicab No. 92,381 skidded crazily on the icy pavement of Atlantic Avenue. Spike Walters, its driver, cursed roundly as he applied the brakes and with difficulty obtained control of the little closed car. Depressing the clutch pedal, he negotiated the frozen thoroughfare and parked his car in the lee of the enormous Union Station, which bulked forbiddingly in the December midnight.
Atlantic Avenue was deserted. The lights at the main entrance of the Union Station glowed frigidly. Opposite, a single arc-lamp on the corner of Cypress Street cast a white, cheerless light on the gelid pavement. The few stores along the avenue were dark, with the exception of the warmly lighted White Star restaurant directly opposite the Stygian spot where Spike's car was parked.
The city was in the grip of the first cold wave of the year. For two days the rain had fallen-a nasty, drizzling rain which made the going soggy and caused people to greet one another with frowns. Late that afternoon the mercury had started a rapid downward journey. Fires were piled high in the furnaces, automobile-owners poured alcohol into their radiators. The streets were deserted early, and the citizens, for the most part, had retired shiveringly under mountains of blankets and down quilts still redolent of moth-balls.
Winter had come with freezing blasts which swept around corners and chilled to the bone. The rain of two days became a driving sleet, which formed a mirror of ice over the city.
On the seat of his yellow taxicab, Spike Walters drew a heavy lap-robe more closely about his husky figure and shivered miserably. Fortunately, the huge bulk of the station to his right protected him in a large measure from the shrieking wintry winds. Mechanically Spike kept his eyes focused upon the station entrance, half a block ahead.
But no one was there. Nowhere was there a sign of life, nowhere an indication of warmth or cheer or comfort. With fingers so numb that they were almost powerless to do the bidding of his mind, Spike drew forth his watch and glanced at it. Midnight!
Spike replaced the watch, blew on his numb fingers in a futile effort to restore warmth, slipped his hands back into a pair of heavy-but, on this night, entirely inadequate-driving-gloves, and gave himself over to a mental rebellion against the career of a professional taxi-driver.
"Worst night I've ever known," he growled to himself; and he was not far wrong.
Midnight! No train due until 12.25, and that an accommodation from some small town up-State. No taxi fares on such a train as that. The north-bound fast train-headed for New York-that was late, too. Due at 11.55, Spike had seen a half-frozen station-master mark it up as being fifty minutes late. Perhaps a passenger to be picked up there-some sleepy, disgruntled, entirely unhappy person eager to attain the warmth and coziness of a big hotel.
Yet Spike knew that he must wait. The company for which he worked specialized on service. It boasted that every train was met by a yellow taxicab-and this was Spike's turn for all-night duty at the Union Station.
All the independent taxi-drivers had long since deserted their posts. The parking space on Cypress Street, opposite the main entrance of the station-a space usually crowded with commercial cars-was deserted. No private cars were there, either. Spike seemed alone in the drear December night, his car an exotic of the early winter.
Ten minutes passed-fifteen. The cold bit through Spike's overcoat, battled to the skin, and chewed to the bone. It was well nigh unbearable. The young taxi-driver's lips became blue. He tried to light a cigarette, but his fingers were unable to hold the match.
He looked around. A street-car, bound for a suburb, passed noisily. It paused briefly before the railroad-station, neither discharging nor taking on a passenger, then clanged protestingly on its way. Impressed in Spike's mind was a mental picture of the chilled motorman, and of the conductor huddled over the electric heater within the car. Spike felt a personal resentment against that conductor. Comfort seemed unfair on a night like this; heat a luxury more to be desired than much fine gold.
From across the street the light of the White Star Café beckoned. Ordinarily Spike was not a patron of the White Star, nor other eating establishments of its class. The White Star was notoriously unsanitary, its food poisonously indigestible; but as Spike's eyes were held hypnotically by the light he thought of two things-within the circle of that light he could find heat and a scalding liquid which was flavored with coffee.
The vision was too much for Spike. The fast train, due now at 12.45, might bring a fare. It was well beyond the bounds of reason that he would get a passenger from the accommodation due in a few minutes. There were no casuals abroad.
The young driver clambered with difficulty from his seat. He staggered as he tried to stand erect, his numb limbs protesting against the burden of his healthy young body. A gale howled around the dark Jackson Street corner of the long, rambling station, and Spike defensively covered both ears with his gloved hands.
He made his way eagerly across the street; slipping and sliding on the glassy surface, head bent against the driving sleet, clothes crackling where particles of ice had formed. Spike reached the door of the eating-house, opened it, and almost staggered as the warmth of the place smote him like a hot blast.
For a few seconds he stood motionless, reveling in the sheer animal comfort of the change. Then he made his way to the counter, seated himself on a revolving stool, and looked up at the waiter who came stolidly forward from the big, round-bellied stove at the rear.
"Hello, George!"
The restauranteur nodded.
"Hello!"
"My gosh! What a night!"
"Pretty cold, ain't it?"
"Cold?" Spike Walters looked up antagonistically. "Say, you don't know what cold means. I'd rather have your job to-night than a million dollars. Only if I had a million dollars I'd buy twenty stoves, set 'em in a circle, build a big fire in each one, sit in the middle, and tell winter to go to thunder-that's what I'd do. Now, George, hustle and lay me out a cup of coffee, hot-get that?-and a couple of them greasy doughnuts of yourn."
The coffee and doughnuts were duly produced, and the stolid Athenian retired to the torrid zone of his stove. Spike bravely tried one of the doughnuts and gave it up as a bad job, but he quaffed the coffee with an eagerness which burned his throat and imparted a pleasing sensation of inward warmth. Then he stretched luxuriously and lighted a cigarette.
He glanced through the long-unwashed window of the White Star Cafe-"Ladies and gents welcome," it announced-and shuddered at the prospect of again braving the elements. Across the street his unprotesting taxicab stood parked parallel to the curb; beyond it glowered the end of the station. To the right of the long, rambling structure he could see the occasional glare of switch engines and track-walkers' lanterns in the railroad yards.
As he looked, he saw the headlight of the locomotive at the head of the accommodation split the gloom. Instinctively Spike rose, paid his check, and stood uncomfortably at the door, buttoning the coat tightly around his neck.
Of course it was impossible that the accommodation carried a fare for him; but then duty was duty, and Spike took exceeding pride in the company for which he worked. The company's slogan of service was part of Spike's creed. He opened the door, recoiled for a second as the gale swept angrily against him, then plunged blindly across the street. He clambered into the seat of his cab, depressed the starter, and eventually was answered by the reluctant cough of the motor. He raced it for a while, getting the machinery heated up preparatory to the possibility of a run.
Then he saw the big doors at the main entrance of the station open and a few melancholy passengers, brought to town by the accommodation train, step to the curb, glance about in search of a street-car, and then duck back into the station. Spike shoved his clutch in and crawled forward along the curb, leaving the inky shadows of the far end of the station, and emerging finally into the effulgence of the arc at the corner of Cypress Street.
Once again the door of the Union Station opened. This time Spike took a professional interest in the person who stepped uncertainly out into the night. Long experience informed him that this was a fare.
She was of medium height, and comfortably guarded against the frigidity of the night by a long fur coat buttoned snugly around her neck. She wore a small squirrel tam, and was heavily veiled. In her right hand she carried a large suit-case and in her left a purse.
She stepped to the curb and looked around inquiringly. She signalled the cab. Even as he speeded his car forward, Spike wondered at her indifference to the almost unbearable cold.
"Cab, miss?"
He pulled up short before her.
"Yes." Her tone was almost curt. She had her hand on the door handle before Spike could make a move to alight. "Drive to 981 East End Avenue."
Without leaving the driver's seat, Spike reached for her suit-case and put it beside him. The woman-a young woman, Spike reflected-stepped inside and slammed the door. Spike fed the gas and started, whirling south on Atlantic Avenue for two blocks, and then turning to his left across the long viaduct which marks the beginning of East End Avenue.
He settled himself for a long and unpleasant drive. To reach 981 East End
Avenue he had to drive nearly five miles straight in the face of the
December gale.
And then he found himself wondering about the woman. Her coat-a rich fur thing of black and gray-her handbag, her whole demeanor-all bespoke affluence. She had probably been visiting at some little town, and had come down on the accommodation; but no one had been there to meet her. Anyway, Spike found himself too miserable and too cold to reflect much about his passenger.
He drove into a head wind. The sleet slapped viciously against his windshield and stuck there. The patent device he carried for the purpose of clearing rain away refused to work. Spike shoved his windshield up in order to afford a vision of the icy asphalt ahead.
And then he grew cold in earnest. He seemed to freeze all the way through. He drove mechanically, becoming almost numb as the wind, unimpeded now, struck him squarely. He lost all interest in what he was doing or where he was going. He called himself a fool for having left the cozy warmth of the White Star Café. He told himself-
Suddenly he clamped on the brakes. It was a narrow squeak! The end of the long freight train rumbled on into the night. Spike hadn't seen it; only the racket of the big cars as they crossed East End Avenue, and then the lights on the rear of the caboose, had warned him.
He stopped his car for perhaps fifteen seconds to make sure that the crossing was clear, then started on again, a bit shaken by the narrow escape. He bumped cautiously across the railroad tracks.
The rest of the journey was a nightmare. The suburb through which he was passing seemed to have congealed. Save for the corner lights, there was no sign of life. The roofs and sidewalks glistened with ice. Occasionally the car struck a bump and skidded dangerously. Spike had forgotten his passenger, forgotten the restaurant, the coffee, the weather itself. He only remembered that he was cold-almost unbearably cold.
Then he began taking note of the houses. There was No. 916. He looked ahead. These were houses of the poorer type, the homes of laborers situated on the outer edge of the suburb of East End. Funny-the handsomely dressed woman-such a poor neighborhood-
He came to a halt before a dilapidated bungalow which squatted darkly in the night. Stiff with cold, he reached his hand back to the door on the right of the car, and with difficulty opened it. Then he spoke:
"Here y'are, miss-No. 981!"
There was no answer. Spike repeated:
"Here y'are, miss."
Still no answer. Spike clambered stiffly from the car, circled to the curb, and stuck his head in the door.
"Here, miss-"
Spike stepped back. Then he again put his head inside the cab.
"Well, I'll be-"
The thing was impossible, and yet it was true. Spike gazed at the seat.
The woman had disappeared!
The thing was absurd; impossible. He had seen her get into the cab at the Union Station. There, in the front of the car, was her suit-case; but she had gone-disappeared completely, vanished without leaving a sign.
Momentarily forgetful of the cold, Spike found a match and lighted it. Holding it cupped in his hands, he peered within the cab. Then he recoiled with a cry of horror.
For, huddled on the floor, he discerned the body of a man!
Gabriela learned her boyfriend had been two-timing her and writing her off as a brainless bimbo, so she drowned her heartache in reckless adventure. One sultry blackout night she tumbled into bed with a stranger, then slunk away at dawn, convinced she'd succumbed to a notorious playboy. She prayed she'd never see him again. Yet the man beneath those sheets was actually Wesley, the decisive, ice-cool, unshakeable CEO who signed her paychecks. Assuming her heart was elsewhere, Wesley returned to the office cloaked in calm, but every polite smile masked a dark surge of possessive jealousy.
Serena Vance, an unloved wife, clutched a custom-made red velvet cake to her chest, enduring the cold rain outside an exclusive Upper East Side club. She hoped this small gesture for her husband, Julian, would bridge the growing chasm between them on their third anniversary. But as she neared the VIP suite, her world shattered. Julian's cold, detached voice sliced through the laughter, revealing he considered her nothing more than a "signature on a piece of paper" for a trust fund, mocking her changed appearance and respecting only another woman, Elena. The indifference in his tone was a physical blow, a brutal severance, not heartbreak. She gently placed the forgotten cake on the floor, leaving her wedding ring and a diamond necklace as she prepared to abandon a marriage built on lies. Her old life, once a prison of quiet suffering and constant humiliation, now lay in ruins around her. Three years of trying to be seen, to be loved, were erased by a few cruel words. Why had she clung to a man who saw her as a clause in a will, a "creature," not a wife? The shame and rage hardened her heart, freezing her tears. Returning to an empty penthouse, she packed a single battered suitcase, leaving behind every symbol of her failed marriage. With a burner phone, she dialed a number she hadn't touched in a decade, whispering, "Godfather, I'm ready to come home."
Eliana reunited with her family, now ruined by fate: Dad jailed, Mom deathly ill, six crushed brothers, and a fake daughter who'd fled for richer prey. Everyone sneered. But at her command, Eliana summoned the Onyx Syndicate. Bars opened, sickness vanished, and her brothers rose-one walking again, others soaring in business, tech, and art. When society mocked the "country girl," she unmasked herself: miracle doctor, famed painter, genius hacker, shadow queen. A powerful tycoon held her close. "Country girl? She's my fiancée!" Eliana glared at him. "Dream on." Resolutely, he vowed never to let go.
I died on a Tuesday. It wasn't a quick death. It was slow, cold, and meticulously planned by the man who called himself my father. I was twenty years old. He needed my kidney to save my sister. The spare part for the golden child. I remember the blinding lights of the operating theater, the sterile smell of betrayal, and the phantom pain of a surgeon's scalpel carving into my flesh while my screams echoed unheard. I remember looking through the observation glass and seeing him-my father, Giovanni Vitiello, the Don of the Chicago Outfit-watching me die with the same detached expression he used when signing a death warrant. He chose her. He always chose her. And then, I woke up. Not in heaven. Not in hell. But in my own bed, a year before my scheduled execution. My body was whole, unscarred. The timeline had reset, a glitch in the cruel matrix of my existence, giving me a second chance I never asked for. This time, when my father handed me a one-way ticket to London-an exile disguised as a severance package-I didn't cry. I didn't beg. My heart, once a bleeding wound, was now a block of ice. He didn't know he was talking to a ghost. He didn't know I had already lived through his ultimate betrayal. He also didn't know that six months ago, during the city's brutal territory wars, I was the one who saved his most valuable asset. In a secret safe house, I stitched up the wounds of a blinded soldier, a man whose life hung by a thread. He never saw my face. He only knew my voice, the scent of vanilla, and the steady touch of my hands. He called me Sette. Seven. For the seven stitches I put in his shoulder. That man was Dante Moretti. The Ruthless Capo. The man my sister, Isabella, is now set to marry. She stole my story. She claimed my actions, my voice, my scent. And Dante, the man who could spot a lie from a mile away, believed the beautiful deception because he wanted it to be true. He wanted the golden girl to be his savior, not the invisible sister who was only ever good for her spare parts. So I took the ticket. In my past life, I fought them, and they silenced me on an operating table. This time, I will let them have their perfect, gilded lie. I will go to London. I will disappear. I will let Seraphina Vitiello die on that plane. But I will not be a victim. This time, I will not be the lamb led to slaughter. This time, from the shadows of my exile, I will be the one holding the match. And I will wait, with the patience of the dead, to watch their entire world burn. Because a ghost has nothing to lose, and a queen of ashes has an empire to gain.
The acrid smell of smoke still clung to Evelyn in the ambulance, her lungs raw from the penthouse fire. She was alive, but the world around her felt utterly destroyed, a feeling deepened by the small TV flickering to life. On it, her husband, Julian Vance, thousands of miles away, publicly comforted his mistress, Serena Holloway, shielding her from paparazzi after *her* "panic attack." Julian's phone went straight to voicemail. Alone in the hospital with second-degree burns, Evelyn watched news replays, her heart rate spiking. He protected Serena from camera flashes while Evelyn burned. When he finally called, he demanded she handle insurance, dismissing the fire; Serena's voice faintly heard. The shallow family ties and pretense of marriage evaporated. A searing injustice and cold anger replaced pain; Evelyn knew Julian had chosen to let her burn. "Evelyn Vance died in that fire," she declared, ripping out her IV. Armed with a secret fortune as "The Architect," Hollywood's top ghostwriter, she walked out. She would divorce Julian, reclaim her name, and finally step into the spotlight as an actress.
Everyone in town knew Amelia had chased Jaxton for years, even etching his initials on her skin. When malicious rumors swarmed, he merely straightened his cuff links and ordered her to kneel before the woman he truly loved. Seething with realization, she slammed her engagement ring down on his desk and walked away. Not long after, she whispered "I do" to a billionaire, their wedding post crashing every feed. Panic cracked Jaxton. "She's using you to spite me," he spat. The billionaire just smiled. "Being her sword is my honor."
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