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The Girl Aviators' Sky Cruise by Margaret Burnham
The Girl Aviators' Sky Cruise by Margaret Burnham
"It isn't to be a barn; that's one thing certain. Who ever saw a barn with skylights on it?"
Peggy Prescott, in a pretty, fluffy morning dress of pale green, which set off her blonde beauty to perfection, laid down her racket, and, leaving the tennis-court, joined her brother Roy at the picket fence. The lad, bronzed and toughened by his trip to the Nevada desert, was leaning upon the paling, gazing down the dusty road.
About a quarter of a mile away was the object of his contemplation-a big, new structure, painted a staring red. It had no windows, but in front were great sliding doors. On its flat roof the forms of a dozen or more glazed skylights upreared themselves jauntily.
"No, it's a work-shop of some sort. But what? Old man Harding is interested in it, that's one thing sure. I heard, too, that while we were away, cases of machinery had arrived and been delivered there, and that active work of some sort had been going forward ever since," rejoined Roy, who was clad in white tennis flannels, with white shoes and an outing shirt, set off by a dark-red necktie.
"See Roy," cried Peggy suddenly, "they're putting up some sort of sign on it, or else I'm very much mistaken."
"So they are. I see men on some ladders, and now, look Peg, they are carrying up a big board with something painted on it. Perhaps at last the mystery will be solved, as they say in the dime novels."
"Can you read the printing on that sign?" inquired Peggy.
"Not a word. I can see the letters to know that they are printed characters, but that's all. Tell you what, Peg, just run and get those glasses we used on the desert-there's a good fellow-and we'll soon find out."
"Isn't that just like a brother? Always sending his long-suffering sister on his errands."
"Why, you know you are dying with curiosity yourself, to know what's on that signboard," parried Roy.
"And I suppose you're not," pouted Peggy in mock indignation. "However, I'll get the field glasses to oblige you-just once."
"As if you won't try to secure the first peek through them!" laughed Roy, as sunny Peggy tripped off across the lawn to a big shed in the rear of the Prescott home, where the aeroplanes and their appurtenances were kept.
She soon was back with the field glasses, and, as Roy had prophesied, raised them to her eyes first. Having adjusted the focus, she scrutinized the sign carefully. By this time the big board had been raised horizontally above the doors and was being fixed in position.
Suddenly Peggy gave a little squeal of astonishment and lowered the magnifiers.
"Well, what is it?" chaffed Roy; "an anarchist bomb factory or an establishment for raising goats, or something that will "butt in" just as much on our peace and quiet, or--"
"Roy Prescott," enunciated Peggy, severely shaking one pink-tipped finger under Roy's freckled nose, "this is not a subject for jesting."
"Never more serious in my life, Sis. If you could have seen your own face as you peeked through those glasses--"
Peggy stuffed the binoculars into her brother's brown hands.
"Here, look for yourself," she ordered. Her voice was so imperious that Roy obeyed immediately.
An instant later his sister's expression of dumfounded amazement was mirrored on his own straightforward, good-looking countenance.
"Well, as Bud used to say out West, 'if that ain't the beatingest'!" he gasped.
"What did you read?" demanded Peggy breathlessly. "Repeat it so that I may be sure my eyes didn't play me a trick."
"Not likely, Sis; the letters are big enough. They show up on that red painted barn of a place like a big freckle on a pretty girl's chin."
Then he repeated slowly, mimicking a boy reciting a lesson:
"The Mortlake Aeroplane Company. Well, wouldn't that jar you?"
"Roy!" reproved Peggy.
"There's no other way to express it, Sis," protested the boy. "Why, that's the concern that's been advertising so much recently. Just to think, it was right at our door, and we never knew it."
"And that hateful old Mr. Harding is interested in it, too, oh!"
The exclamation and its intonation expressed Peggy's dislike of the gentleman mentioned.
"It's a scheme oh his part to make trouble for us, I'll bet on it," burst out Roy. "But this time I guess it's no phantom airship, but the real thing. What time is that naval lieutenant coming to look over the Prescott aeroplane, Peggy?"
"Some time to-day. He mentioned no particular hour."
"Do you think it possible that he is also going to take in that outfit down the road?"
"It wouldn't surprise me. Maybe that's why they are just putting up the sign. They evidently have refrained from doing so till now in order to keep the nature of their business secret. If we hadn't come back from Nevada sooner than we expected, we might not have known anything about it till the navy had investigated and-approved."
Far down the road, beyond the big red building, came a whirl of dust. From it presently emerged a big maroon car. Peggy scrutinized it through the glasses.
"Mr. Harding is in that auto," she said, rather quietly for Peggy, as the car came to a stop in front of the Mortlake Aeroplane Manufacturing Company's plant.
Shortly before Peggy and Roy Prescott, their aunt, Miss Sallie Prescott, with whom they made their home, and their chums, Jess and Jimsy Bancroft, had returned from the Nevada alkali wastes, the red building which engaged their attention that morning had caused a good deal of speculation in the humdrum Long Island village of Sandy Beach. In the first place, coincident with the completion of the building, a new element had been introduced into the little community by the arrival of several keen-eyed, close-mouthed men, who boarded at the local hotel and were understood to be employees at the new building. But what the nature of their employment was to be, even the keenest of the village "cross examiners" had failed to elicit.
Before long, within the freshly painted wooden walls, still sticky with pigment, there could be heard, all day, and sometimes far into the night, the buzz and whir of machinery and other more mystic sounds. The village was on tenter-hooks of curiosity, but there being no side windows to peer through, and a watchman of ferocious aspect stationed at the door, their inquisitiveness was, perforce, unsatisfied. Not even a sign appeared on the building to indicate the nature of the industry carried on within, and its employees continued to observe the stoniest of silences. They herded together, ignoring all attempts to draw them into conversation. What Peggy and Roy had observed that day had been the first outward sign of the inward business.
From the throbbing automobile, which the boy and girl had observed draw up in front of the Mortlake plant, a man of advanced age alighted, whose yellow skin was stretched tightly, like a drumhead, over his bony face. From the new building, at the same time, there emerged a short, stout personage, garbed in overalls. But the fine quality of his linen, and a diamond pin, which nestled in the silken folds of his capacious necktie, showed as clearly as did his self-assertive manner, that the newcomer was by no means an ordinary workman.
His face was pouchy and heavy, although the whole appearance of the man was by no means ill-looking. His cheeks and chin were clean shaven, the close-cut beard showing bluely under the coarse skin. For the rest, his hair was black and thick, slightly streaked with gray, and heavy eyebrows as dark in hue as his hair, overhung a pair of shrewd, gray eyes like small pent-houses. The man was Eugene Mortlake, the brains of the Mortlake Company. The individual who had just descended from the automobile, throwing a word to the chauffeur over his shoulder, was a person we have met before-Mr. Harding, the banker and local magnate of Sandy Beach, whose money it was that had financed the new aeroplane concern.
* * *
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When I was eight, Dante Moretti pulled me from the fire that killed my family. For ten years, the powerful crime boss was my protector and my god. Then, he announced his engagement to another woman to unite two criminal empires. He brought her home and named her the future mistress of the Moretti family. In front of everyone, his fiancée forced a cheap metal collar around my neck, calling me their pet. Dante knew I was allergic. He just watched, his eyes cold, and ordered me to take it. That night, I listened through the walls as he took her to his bed. I finally understood the promise he’d made me as a child was a lie. I wasn't his family. I was his property. After a decade of devotion, my love for him finally turned to ash. So on his birthday, the day he celebrated his new future, I walked out of his gilded cage for good. A private jet was waiting to take me to my real father—his greatest enemy.
Brenna lived with her adoptive parents for twenty years, enduring their exploitation. When their real daughter appeared, they sent Brenna back to her true parents, thinking they were broke. In reality, her birth parents belonged to a top circle that her adoptive family could never reach. Hoping Brenna would fail, they gasped at her status: a global finance expert, a gifted engineer, the fastest racer... Was there any end to the identities she kept hidden? After her fiancé ended their engagement, Brenna met his twin brother. Unexpectedly, her ex-fiancé showed up, confessing his love...
After two years of marriage, Kristian dropped a bombshell. "She's back. Let's get divorced. Name your price." Freya didn't argue. She just smiled and made her demands. "I want your most expensive supercar." "Okay." "The villa on the outskirts." "Sure." "And half of the billions we made together." Kristian froze. "Come again?" He thought she was ordinary-but Freya was the genius behind their fortune. And now that she'd gone, he'd do anything to win her back.
Joelle thought she could change Adrian's heart after three years of marriage, but she realized too late that it already belonged to another woman. "Give me a baby, and I'll set you free." The day Joelle went into labor, Adrian was traveling with his mistress on his private jet. "I don't care whom you love. My debt is paid. From now on, we have nothing to do with each other." Not long after Joelle left, Adrian found himself begging on his knees. "Please come back to me."
Lyric had spent her life being hated. Bullied for her scarred face and hated by everyone-including her own mate-she was always told she was ugly. Her mate only kept her around to gain territory, and the moment he got what he wanted, he rejected her, leaving her broken and alone. Then, she met him. The first man to call her beautiful. The first man to show her what it felt like to be loved. It was only one night, but it changed everything. For Lyric, he was a saint, a savior. For him, she was the only woman that had ever made him cum in bed-a problem he had been battling for years. Lyric thought her life would finally be different, but like everyone else in her life, he lied. And when she found out who he really was, she realized he wasn't just dangerous-he was the kind of man you don't escape from. Lyric wanted to run. She wanted freedom. But she desired to navigate her way and take back her respect, to rise above the ashes. Eventually, she was forced into a dark world she didn't wish to get involved with.
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