This 1887 collection contains the story "The Merry Men," which is not about Robin Hood but is rather a supernatural tale set in Scotland, as well as "Will O' the Mill," "Markheim," "Thrawn Janet," "Olalla," and "The Treasure of Franchard."
This 1887 collection contains the story "The Merry Men," which is not about Robin Hood but is rather a supernatural tale set in Scotland, as well as "Will O' the Mill," "Markheim," "Thrawn Janet," "Olalla," and "The Treasure of Franchard."
They had sent for the doctor from Bourron before six. About eight some villagers came round for the performance, and were told how matters stood. It seemed a liberty for a mountebank to fall ill like real people, and they made off again in dudgeon. By ten Madame Tentaillon was gravely alarmed, and had sent down the street for Doctor Desprez.
The Doctor was at work over his manuscripts in one corner of the little dining-room, and his wife was asleep over the fire in another, when the messenger arrived.
'Sapristi!' said the Doctor, 'you should have sent for me before. It was a case for hurry.' And he followed the messenger as he was, in his slippers and skull-cap.
The inn was not thirty yards away, but the messenger did not stop there; he went in at one door and out by another into the court, and then led the way by a flight of steps beside the stable, to the loft where the mountebank lay sick. If Doctor Desprez were to live a thousand years, he would never forget his arrival in that room; for not only was the scene picturesque, but the moment made a date in his existence. We reckon our lives, I hardly know why, from the date of our first sorry appearance in society, as if from a first humiliation; for no actor can come upon the stage with a worse grace. Not to go further back, which would be judged too curious, there are subsequently many moving and decisive accidents in the lives of all, which would make as logical a period as this of birth. And here, for instance, Doctor Desprez, a man past forty, who had made what is called a failure in life, and was moreover married, found himself at a new point of departure when he opened the door of the loft above Tentaillon's stable.
It was a large place, lighted only by a single candle set upon the floor. The mountebank lay on his back upon a pallet; a large man, with a Quixotic nose inflamed with drinking. Madame Tentaillon stooped over him, applying a hot water and mustard embrocation to his feet; and on a chair close by sat a little fellow of eleven or twelve, with his feet dangling. These three were the only occupants, except the shadows. But the shadows were a company in themselves; the extent of the room exaggerated them to a gigantic size, and from the low position of the candle the light struck upwards and produced deformed foreshortenings. The mountebank's profile was enlarged upon the wall in caricature, and it was strange to see his nose shorten and lengthen as the flame was blown about by draughts. As for Madame Tentaillon, her shadow was no more than a gross hump of shoulders, with now and again a hemisphere of head. The chair legs were spindled out as long as stilts, and the boy set perched atop of them, like a cloud, in the corner of the roof.
It was the boy who took the Doctor's fancy. He had a great arched skull, the forehead and the hands of a musician, and a pair of haunting eyes. It was not merely that these eyes were large, or steady, or the softest ruddy brown. There was a look in them, besides, which thrilled the Doctor, and made him half uneasy. He was sure he had seen such a look before, and yet he could not remember how or where. It was as if this boy, who was quite a stranger to him, had the eyes of an old friend or an old enemy. And the boy would give him no peace; he seemed profoundly indifferent to what was going on, or rather abstracted from it in a superior contemplation, beating gently with his feet against the bars of the chair, and holding his hands folded on his lap. But, for all that, his eyes kept following the Doctor about the room with a thoughtful fixity of gaze. Desprez could not tell whether he was fascinating the boy, or the boy was fascinating him. He busied himself over the sick man: he put questions, he felt the pulse, he jested, he grew a little hot and swore: and still, whenever he looked round, there were the brown eyes waiting for his with the same inquiring, melancholy gaze.
At last the Doctor hit on the solution at a leap. He remembered the look now. The little fellow, although he was as straight as a dart, had the eyes that go usually with a crooked back; he was not at all deformed, and yet a deformed person seemed to be looking at you from below his brows. The Doctor drew a long breath, he was so much relieved to find a theory (for he loved theories) and to explain away his interest.
For all that, he despatched the invalid with unusual haste, and, still kneeling with one knee on the floor, turned a little round and looked the boy over at his leisure. The boy was not in the least put out, but looked placidly back at the Doctor.
'Is this your father?' asked Desprez.
'Oh, no,' returned the boy; 'my master.'
'Are you fond of him?' continued the Doctor.
'No, sir,' said the boy.
Madame Tentaillon and Desprez exchanged expressive glances.
'That is bad, my man,' resumed the latter, with a shade of sternness. 'Every one should be fond of the dying, or conceal their sentiments; and your master here is dying. If I have watched a bird a little while stealing my cherries, I have a thought of disappointment when he flies away over my garden wall, and I see him steer for the forest and vanish. How much more a creature such as this, so strong, so astute, so richly endowed with faculties! When I think that, in a few hours, the speech will be silenced, the breath extinct, and even the shadow vanished from the wall, I who never saw him, this lady who knew him only as a guest, are touched with some affection.'
The boy was silent for a little, and appeared to be reflecting.
'You did not know him,' he replied at last, 'he was a bad man.'
'He is a little pagan,' said the landlady. 'For that matter, they are all the same, these mountebanks, tumblers, artists, and what not. They have no interior.'
But the Doctor was still scrutinising the little pagan, his eyebrows knotted and uplifted.
'What is your name?' he asked.
'Jean-Marie,' said the lad.
Desprez leaped upon him with one of his sudden flashes of excitement, and felt his head all over from an ethnological point of view.
'Celtic, Celtic!' he said.
'Celtic!' cried Madame Tentaillon, who had perhaps confounded the word with hydrocephalous. 'Poor lad! is it dangerous?'
'That depends,' returned the Doctor grimly. And then once more addressing the boy: 'And what do you do for your living, Jean-Marie?' he inquired.
'I tumble,' was the answer.
'So! Tumble?' repeated Desprez. 'Probably healthful. I hazard the guess, Madame Tentaillon, that tumbling is a healthful way of life. And have you never done anything else but tumble?'
'Before I learned that, I used to steal,' answered Jean-Marie gravely.
'Upon my word!' cried the doctor. 'You are a nice little man for your age. Madame, when my confrère comes from Bourron, you will communicate my unfavourable opinion. I leave the case in his hands; but of course, on any alarming symptom, above all if there should be a sign of rally, do not hesitate to knock me up. I am a doctor no longer, I thank God; but I have been one. Good night, madame. Good sleep to you, Jean-Marie.'
Robert Louis Balfour Stevenson (13 November 1850 – 3 December 1894) was a Scottish novelist, poet, essayist, and travel writer. His most famous works are Treasure Island, Kidnapped, and Strange Case of Dr Jekyll and Mr Hyde. A literary celebrity during his lifetime, Stevenson now ranks among the 26 most translated authors in the world. (Excerpt from Wikipedia)
A collection of essays about writing: "On some technical elements of style in literature", "The morality of the profession of letters", "Books which have influenced me", "A note on realism", "My first book: 'Treasure Island'", "The genesis of 'the master of Ballantrae'" & "Preface to 'the master of Ballantrae'".
Any reader who has spent some time with Robert Louis Stevenson's body of work won't be surprised to learn that the Scottish author was an inveterate traveler and world explorer from early adulthood. Later in life, the chronically ill author lived in locales around the globe in an attempt to find a home that was amenable to his ailing health. The collection Essays of Travel brings together some of Stevenson's finest essays, short memoirs, and other works that detail his thoughts on travel and foreign lands.
Across the Plains, with Other Memories and Essays by Robert Louis Stevenson
Robert Louis Balfour Stevenson (13 November 1850 – 3 December 1894) was a Scottish novelist, poet, essayist, and travel writer. His most famous works are Treasure Island, Kidnapped, and Strange Case of Dr Jekyll and Mr Hyde. "St. Ives: Being The Adventures of a French Prisoner in England" (1897) is an unfinished novel by Robert Louis Stevenson. It was completed in 1898 by Arthur Quiller-Couch. The plot concerns the adventures of the dashing Capitaine Jacques St. Ives, a Napoleonic soldier, after his capture by the British. (Excerpt from Wikipedia)
For three quiet, patient years, Christina kept house, only to be coldly discarded by the man she once trusted. Instead, he paraded a new lover, making her the punchline of every town joke. Liberated, she honed her long-ignored gifts, astonishing the town with triumph after gleaming triumph. Upon discovering she'd been a treasure all along, her ex-husband's regret drove him to pursue her. "Honey, let's get back together!" With a cold smirk, Christina spat, "Fuck off." A silken-suited mogul slipped an arm around her waist. "She's married to me now. Guards, get him the hell out of here!"
In the glittering world of high society and cutthroat ambition, a single sentence shatters a marriage: "Let's get a divorce." For three years, Claire Thompson has lived in exile, her marriage to the powerful Nelson Cooper a hollow shell existing only on paper. Shipped abroad on her wedding day and utterly forgotten, she returns only to be handed divorce papers. But Claire is no longer the timid, heartbroken girl she once was. Behind her quiet facade lies a woman transformed, secretly rejoicing at her newfound freedom. However, freedom comes with a price. As Claire signs the papers with relief, a chilling phone call reveals a dark truth: the threats she faced overseas were no accident, and the trail leads shockingly close to home-to the family that raised her and the husband who discarded her. Just as she prepares to sever all ties, a twist of fate pulls her back into the gilded cage. Nelson, for reasons unknown, suddenly stalls the divorce. Meanwhile, the family that disowned her and the fragile, manipulative sister who stole her life are determined to ruin her reputation and drive her out for good. But Claire is playing a different game now. With a mysterious new identity, powerful allies, and secrets of her own, she is no one's pawn. As hidden truths unravel and loyalties are tested, a stunning question emerges: In this high-stakes battle of love, betrayal, and revenge, who is truly trapping whom?
I just got my billionaire husband to sign our divorce papers. He thinks it's another business document. Our marriage was a business transaction. I was his secretary by day, his invisible wife by night. He got a CEO title and a rebellion against his mother; I got the money to save mine. The only rule? Don't fall in love. I broke it. He didn't. So I'm cashing out. Thirty days from now, I'm gone. But now he's noticing me. Touching me. Claiming me. The same man who flaunts his mistresses is suddenly burning down a nightclub because another man insulted me. He says he'll never let me go. But he has no idea I'm already halfway out the door. How far will a billionaire go to keep a wife he never wanted until she tried to leave?
The sterile white of the operating room blurred, then sharpened, as Skye Sterling felt the cold clawing its way up her body. The heart monitor flatlined, a steady, high-pitched whine announcing her end. Her uterus had been removed, a desperate attempt to stop the bleeding, but the blood wouldn't clot. It just kept flowing, warm and sticky, pooling beneath her. Through heavy eyes, she saw a trembling nurse holding a phone on speaker. "Mr. Kensington," the nurse's voice cracked, "your wife... she's critical." A pause, then a sweet, poisonous giggle. Seraphina Miller. "Liam is in the shower," Seraphina's voice purred. "Stop calling, Skye. It's pathetic. Faking a medical emergency on our anniversary? Even for you, that's low." Then, Liam's bored voice: "If she dies, call the funeral home. I have a meeting in the morning." Click. The line went dead. A second later, so did Skye. The darkness that followed was absolute, suffocating, a black ocean crushing her lungs. She screamed into the void, a silent, agonizing wail of regret for loving a man who saw her as a nuisance, for dying without ever truly living. Until she died, she didn't understand. Why was her life so tragically wasted? Why did her husband, the man she loved, abandon her so cruelly? The injustice of it all burned hotter than the fever in her body. Then, the air rushed back in. Skye gasped, her body convulsing violently on the mattress. Her eyes flew open, wide and terrified, staring blindly into the darkness. Her trembling hand reached for her phone. May 12th. Five years ago. She was back.
"Stella once savored Marc's devotion, yet his covert cruelty cut deep. She torched their wedding portrait at his feet while he sent flirty messages to his mistress. With her chest tight and eyes blazing, Stella delivered a sharp slap. Then she deleted her identity, signed onto a classified research mission, vanished without a trace, and left him a hidden bombshell. On launch day she vanished; that same dawn Marc's empire crumbled. All he unearthed was her death certificate, and he shattered. When they met again, a gala spotlighted Stella beside a tycoon. Marc begged. With a smirk, she said, ""Out of your league, darling."
Being second best is practically in my DNA. My sister got the love, the attention, the spotlight. And now, even her damn fiancé. Technically, Rhys Granger was my fiancé now-billionaire, devastatingly hot, and a walking Wall Street wet dream. My parents shoved me into the engagement after Catherine disappeared, and honestly? I didn't mind. I'd crushed on Rhys for years. This was my chance, right? My turn to be the chosen one? Wrong. One night, he slapped me. Over a mug. A stupid, chipped, ugly mug my sister gave him years ago. That's when it hit me-he didn't love me. He didn't even see me. I was just a warm-bodied placeholder for the woman he actually wanted. And apparently, I wasn't even worth as much as a glorified coffee cup. So I slapped him right back, dumped his ass, and prepared for disaster-my parents losing their minds, Rhys throwing a billionaire tantrum, his terrifying family plotting my untimely demise. Obviously, I needed alcohol. A lot of alcohol. Enter him. Tall, dangerous, unfairly hot. The kind of man who makes you want to sin just by existing. I'd met him only once before, and that night, he just happened to be at the same bar as my drunk, self-pitying self. So I did the only logical thing: I dragged him into a hotel room and ripped off his clothes. It was reckless. It was stupid. It was completely ill-advised. But it was also: Best. Sex. Of. My. Life. And, as it turned out, the best decision I'd ever made. Because my one-night stand isn't just some random guy. He's richer than Rhys, more powerful than my entire family, and definitely more dangerous than I should be playing with. And now, he's not letting me go.
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