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The Brass Bound Box by Evelyn Raymond
The Brass Bound Box by Evelyn Raymond
Marsden was one of the few villages of our populous country yet left remote from any line of railway. The chief events of its quiet days were the morning and evening arrivals and departures of the mail-coach, whose driver still retained the almost obsolete custom of blowing a horn to signal his approach.
All Marsden favored the horn, it was so convenient and so-so antique! which word typified the spirit of the place. For if modest Marsden had any pride, it was in its own unchanging attitude toward modern ways and methods. So, whenever Reuben Smith's trumpet was heard, the villagers knew it was time to leave their homes along the main street and repair to the "general store and post-office" for the mail, which was their strongest connecting link with the outside world.
Occasionally, too, the coach brought a visitor to the village; though this was commonly in summer-time, when even its own stand-offishness could not wholly repel the "city boarder." After the leaves changed color, nobody went to and fro save those who "belonged," as the storekeeper, the milliner, and Squire Pettijohn, the lawyer; and it had been ten years, at least, since Reuben's four-in-hand was brought to a halt before Miss Eunice Maitland's gate. Now, on a windy day of late September, the two white horses and their two black companions were reined up there, while the trumpet gave a blast which startled the entire neighborhood.
"My heart was in my mouth the minute I heard it!" declared the Widow Sprigg to a crony, later on; although this curious disarrangement of her anatomy did not prevent the good woman from being foremost at the gate to learn the cause of this salute, thus rudely anticipating her mistress's rights in the case. Therefore, it was upon a time-damaged, cap-frilled countenance that Katharine Maitland's dismayed glance fell as she sprang from the stage and inquired:
"Are you my Aunt Eunice?"
"Your-Aunt-Eunice! Thank my stars, I ain't aunt to nobody!" returned the widow, almost as much alarmed by the appearance of this strange maiden as she had been by the coachman's blast.
"It is a matter of thankfulness," retorted the girl, pertly, and surveying the other with amused and critical eyes, which made Susanna Sprigg "squirm in her shoes."
Reuben now slowly climbed down from his high seat, and removed from the rumble a great trunk, a suit-case, a parcel of books, and a dog-basket; and the stranger at once occupied herself in releasing from his confined quarters a pug so atrociously high-bred that Susanna instantly exclaimed:
"My stars! That dog's so humbly he must ache!"
Katharine would have given a crisp reply had not her attention been distracted by Reuben's movements, who was waiting to receive his fare, yet in such terror of the pug's snapping jaws that he was stepping up and down in a lively fashion, as he rescued one foot and then the other from his enemy's attack.
"'Pears to blame me for bein' shut up in that there basket, don't he? When anybody knows 'twasn't my fault at all. I hain't enj'yed the trip no more'n what he has, hearin' him yelp that continual, an' I must say I didn't expect, at my time o' life, to commence drivin' stage for dogs. Here, sis, is your change. Good day to ye, an' a good welcome, I hope."
"Humph! You don't speak as if you really 'hoped' it, but quite the reverse!" returned Punch's mistress, more shrewdly than courteously.
"Dreadful smart, ain't ye?" said Reuben, and drove away, putting his horn to his lips, and thereby drowning any further remarks which the stranger might have addressed to him.
Lifting the ungainly brute in her arms, the girl now turned and surveyed the house beyond the gate, her heart far heavier with homesickness than seemed consistent with her outward, flippant bearing.
What she saw was a wide, rambling frame house; wherever they showed between the clambering vines which encircled it, its clapboards glistening white and its shutters vividly green. The few leaves still left upon the vines were scarlet, while behind the low roof rose maples in the full glory of their autumn reds and yellows. The long front yard was green and well kept, and the borders beside the path were gay with chrysanthemums, though between these showed the frost-blackened foliage of tenderer plants. Upon the porch was a woman with a shawl over her head, apparently shivering in the wind which tossed the maple boughs, and awaiting an explanation of this arrival.
"A pretty picture!" admitted Katharine, who fancied herself artistic, "but so lonesome it gives me the hypo! And that-that, I suppose, is my Aunt Eunice. Well, Punch, come on! Let's get it over with!"
The Widow Sprigg had remained motionless, but keenly observant, and her thoughts were:
"If that ain't a Maitland, I never knew the breed. And I reckon I do know it, bein's me an' my fam'ly has lived cheek by jowl with them an' their fam'ly since ever was. But which Maitland it is, or what in reason she's come for, beats me."
Then, as the stranger walked coolly through the gateway, leaving her luggage on the sidewalk outside, Susanna sniffed, and remarked-for anybody to hear who chose:
"What's that mean? Expect me to fetch an' carry for such a strappin' girl as that? Well, not if I know Susanna Sprigg, an' I think I do."
Whereupon, the widow, long time "assistant" to her more affluent "neighbor," Miss Maitland, shrugged her shoulders at the wind and this absurd notion, and followed Kate. She wouldn't have missed the interview between that young person and her enforced hostess "for a farm," and yet she was extremely anxious concerning the trunk and the parcels. But curiosity prevailed over caution, and she was in time to hear the rather nervous inquiry:
"Are you my Aunt Eunice-so called?"
"I am Eunice Maitland, and though I am not aunt in reality to any one, I have been lovingly nicknamed 'aunt' by many of my kin. But no matter what our relationship, you are a Maitland, I am sure, and I am very glad to see you in Marsden. Come in, come in at once. The wind is chill, and you have had a long ride," responded the precise old gentlewoman, extending her hand to Katharine, and cordially attempting to draw the girl within the shelter of the great hall.
But this hospitable attempt was rudely misunderstood by Punch, who snapped at the hand, and caused its owner to withdraw it hastily, saying: "It will be better to leave your dog outside."
"Leave my dog outside! Leave Punch, my-my-my darling! Oh! I can't do that. He has been so tenderly brought up, and is so sensitive to the cold. He has really suffered on that dreadful ride."
Miss Eunice frowned slightly, and merely remarking, "Very well, bring him in, though I caution you against Sir Philip. He is old and irritable," led the way through the wide hall into a sitting-room beyond, where a wood fire was burning on the hearth, and the furnishings were of the sort in vogue a hundred years ago. Even the disturbed young visitor thought she had never seen anything so charming as that simple interior, where everything was in keeping, and so spotlessly neat, and over which fell the cheerful radiance of the blazing logs. Unceremoniously dropping Punch, she clasped her hands in admiration, exclaiming:
"Oh, how quaint! How interesting! How unlike anything I expected to see!"
Although Miss Eunice was gratified by this tribute to her familiar surroundings, she fancied that its expression was overdone, and resented its seemingly patronizing insincerity. Placing a chair directly in the glow of the fire, she invited Katharine to take it, while she herself sat down on a straight-backed settle beyond.
Sensitive to feel the lessening cordiality of her hostess's manner, Katharine hid her feeling behind an added flippancy, as she tossed her palms outward, in a manner wholly natural to herself, but which the house-mistress again fancied an affectation, and exclaimed: "Well!"
"Well?" returned Miss Eunice, quietly but inquiringly.
"Well, I suppose you're the legatee and I'm the legacy. I hope you won't be half as unwilling to accept me as I am to be left to you. If you are, there'll be some high times in Marsden."
This mixture of frankness and bravado brought a second frown to Miss Maitland's fine face, but she said, quite courteously:
"Kindly explain, my child, who you are, and to what I am indebted-"
"For the nuisance of your legacy," interrupted the girl, excitedly, and, thrusting a sealed letter into the other's hand, drew back in her own chair and covered her face with her hands. Under all her self-confident manner her heart was throbbing painfully, and she felt as if she must get up and run away. Somewhere in the great forest through which Reuben had driven his coach lay an apparently deserted little cabin, which had attracted her by its overgrowth of woodbine-that hereabout seemed to envelop everything upon which it could clasp its tendrils-and whose memory now returned to her invitingly. Exiled from her own home, an alien here, such a spot as that would be a haven of refuge. She had not known exactly what was in the letter she had tossed Miss Maitland, but she had guessed sufficiently near to know its contents could not be flattering to herself. Beneath her hiding hands her cheeks were flushing with shame when she heard her name spoken with utmost gentleness and affection.
"So you are John's only child! I should have known it without being told, only it is so many, many years since he left me, a wild little lad who found the old home too dull. He was not as close of kin as some others I have reared here, and he was but fifteen when he went away. But I have always loved him, and hoped for his return; and now-"
"Oh, my stars!" inadvertently exclaimed the Widow Sprigg, thus disclosing the fact that she had been listening beyond the door.
"And now, Susanna, I smell your bread scorching," went on the mistress as calmly as if the other had not betrayed herself. Then, when the kitchen door had been slammed by the retreating hand-maiden, with an emphasis that said as clearly as words that her mistress might go on and talk, and things might happen enough to turn a body's head, for all she, Susanna Sprigg, cared or noticed, so there! Miss Eunice left her own seat, and, going around to Katharine's, gently drew the hiding hands away from the troubled young face, and, putting the letter into them, said: "There, my dear, read it."
"No, no! I can't! I won't! I hate it. I hate her, and all-all-belonging to her! I never want to see or hear of her again. And I won't stay. I see you don't want your legacy, and I'll go at once. I have ten dollars, I can live-"
"Why, there's some mistake, little girl. This is from no 'her,' but-a message from the dead."
The sudden break in the quiet old voice touched the listener more than the words, and she mechanically took the letter as she repeated:
"A message from the dead? What can you mean?"
"Read it and see."
Then Katharine read what her idolized father had written many months before, when the knowledge of his own approaching death had come to him; and it seemed to her that it was his own voice saying:
"Dear Aunt Eunice:-For dear you are, notwithstanding all these years of silence, during which your wild little lad has grown into a busy, care-burdened man. That you heard of my first marriage, and my wife's early death, leaving me with one little girl-your legacy-I know; because that all happened before the habit of our correspondence lapsed. But you may not know that two years ago I married again, a widow with four little sons; and though she has been the best of wives to me, she and my darling Katharine have not been happy together. Kate is a passionate, self-willed, but great-hearted child, so full of romantically generous impulses that I long ago nicknamed her my 'Kitty Quixote.' Her stepmother's nature and temperament are of quite another mold; and knowing what I have just learned concerning my own health, I foresee nothing but misery for these two, should they be left to live together without my presence.
"So, since my motherless daughter is my most precious possession and you have been my most devoted friend, I find it the most natural thing in the world to bequeath my treasure to my friend. If, for any reason unknown to me, you cannot accept my legacy I have made other arrangements for Katharine's future, which you can learn by applying to my lawyers, Messrs. Brown and Brown, Blank Street, New York.
"My wife knows of this letter, and we have arranged that after my death, should it occur, Kate is to remain with her for six months, as a final test of their ability to live happily together, and for the benefit of the schools in this city. At the end of that time, if these two well-meaning but uncongenial people decide that it is wisest to part, 'Kitty Quixote' will be sent to you, to do with as you see fit. In any case, she will be no pecuniary charge to any one; her own mother's little fortune, with such a portion of mine as is justly hers, being all-sufficient for ordinary needs.
"In loving remembrance of my boyhood, made happy by your care, and in firm reliance upon your friendship, your troublesome John bids you farewell."
Katharine had expected to find the sealed letter she had been commissioned to deliver to Miss Maitland but a complaining missive from her stepmother, setting forth the girl's faults and failures with that accuracy of detail so characteristic of the "second Mrs. John." That lady's handwriting upon the envelope had helped her to this impression, yet so honest was she that she had not once thought of protesting or refusing to deliver it. The revulsion of feeling was now so strong that she could not restrain her tears, nor the impulse to throw herself headlong upon Aunt Eunice, crying wildly:
"Oh, it's all true! But he loved me, my father loved me, bad as I am! And for his sake I wish-I wish I could be good. So folks, his folks, or-or anybody could stand it to live with me! But I can't. I've tried. I've tried ever so hard, yet the goodness gets down below and the badness stays on top, and then things go-smash!"
Aunt Eunice waited a moment, then replaced Katharine in her chair, thinking what a child she still seemed, despite her fourteen years and her city training. Also, recalling with a thrill of pride that she herself, at fourteen years, had been the head of her own father's widowed home and a woman, by contrast. "Though I was reared in Marsden," she complacently reflected, as she said:
"I should be glad to hear whatever you choose to tell me, my dear, of your life. Especially, what caused the final break between you and Mrs. Maitland."
"Why, it wasn't badness at all, that time! It was meant in kindness. Some other girls and I had fixed up a sort of house-picnic for washer-woman Biddy's children, who were all down with the measles, and just to amuse them I took stepmother's boys, the four young Snowballs-haven't they the absurdest name?-along; and she-she didn't like it. She said things. That I'd wilfully exposed them to danger, though I ought to be as careful of them as if they were my real brothers. And there I was trying to be, only she didn't understand. Then, another day, not long before, I coaxed some big boys who have a naphtha-launch to give the 'Balls a sail on it down the bay. The thing happened to explode, and, though nobody was hurt, she went on just terrible because I'd taken the children without asking her. How could I ask her when she was off shopping, or somewhere, just at the very moment the idea popped into my head? And nothing befell the little fellows except getting their clothes wet, and they always needed washing, anyway. The nice part of it was that they were scared into behaving themselves as they should for a whole week afterward, and she might have been pleased. But it was always like that. I'd have perfectly lovely plans for making everybody happy, all around, and they'd all end just the other way. So here I am. Mrs. John has cast me off; do you accept me?"
"First, let me ask if you were accustomed to speak of your father's wife in that manner?"
The girl was surprised by the other's tone, yet promptly answered: "Certainly. Everybody amongst father's artist friends called her either 'the second Mrs. John,' or 'Stepmother.' Either one it happened. Why?"
"It was most disrespectful."
At this uncompromising reply, Kate stared, exclaiming: "Why, you're a truth-teller yourself, aren't you?"
"I am. Did you not suppose so?" returned Miss Maitland, amused.
"Well, you see, I've been told you were very agreeable, and most of the really agreeable people I know lie like the mischief."
"Katharine!"
"Fact. And I've got into more scrapes for telling the truth than for any other thing I've done, except being kind to the little Snowballs. But-hark! What's that? Punch-Punch-You flippety-cap woman! Stop! Stop! Stop!"
An eruptive, agonized bark from the hall sent the girl thither at a bound, while Miss Eunice hastily followed, anxiously crying: "Philip! Sir Philip Sidney!"
* * *
Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The Moving Picture Girls: Or, First Appearances in Photo Dramas" is part of "The Moving Picture Girls" series. "The Moving Picture Girls" is a series about the adventures of Ruth and Alice DeVere who live with their father who is an actor.
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