The Idiot at Home by John Kendrick Bangs
The Idiot at Home by John Kendrick Bangs
"My dear," said the Idiot one morning, as he and his good wife and the two little ones, Mollie and Tommy, sat down at the breakfast-table, "now that we are finally settled in our new house I move we celebrate. Let's give a dinner to my old friends of Mrs. Smithers's; they were nice old people, and I should like to get them together again. I saw Dr. Pedagog in the city yesterday, and he inquired most affectionately, not to say anxiously, about the children."
"Why should he be anxious about the children?" asked Mrs. Idiot, placidly, as she sweetened her husband's coffee. "Does he suspect them of lacking completeness or variety?"
The Idiot tapped his forehead significantly.
"He didn't know whether they take after you or after me, but I relieved his mind on that score," he said. "I told him that they didn't take after anybody that either of us ever knew. They have started in on a line of Idiocy that is entirely their own. He seemed very much pleased when I said that, and observed that he was glad to hear it."
Mrs. Idiot laughed.
"It was very nice of the Doctor to ask about them, but I am a little afraid he wants to take a hand in their bringing up," she said.
"No doubt of it," said the Idiot. "Pedagog always was anxious to experiment. Many a time I have suspected him of having designs even on me."
"Mrs. Pedagog told me last year that he had devised an entirely new system of home training," observed Mrs. Idiot, "and they both regretted that they had no children of their own to try it on."
"And of course you offered to lend Tommy to them?" said the Idiot, with a sly glance at his son, who was stowing away his oatmeal at a rate that bade fair to create a famine.
"Of course," said Mrs. Idiot. "He's got to get raw material somewhere, and I thought Tommy would be just the thing."
"Well, I ain't a-goin'," said Tommy, helping himself liberally and for the third time to the oatmeal.
"My son," said the Idiot, with a mock show of sternness, "if your mother chooses to lend you to any one it is not for you to say that you 'ain't a-goin'. It may be that I shall interfere to the extent of demanding to know what security for your safe return is offered, but otherwise neither you nor I shall intervene. What your mother says is law for you as well as for me. Please understand that, Thomas."
"All right, pa," said Tommy; and then he added in an undertone, presumably to the butter, "But I ain't a-goin', just the same."
"I'll go," said Mollie, who rather liked the idea of being lent to somebody, since it involved a visit to some strange and therefore fascinating spot away from home. "Lend me to somebody, will you, mamma?"
"Yes, ma, lend Mollie to 'em," said Tommy, with, a certain dry enthusiasm, "and then maybe you can borrow a boy from somebody else for me to play with. I don't see why you don't swap her off for a boy, anyhow. I like her well enough, but what you ever wanted to buy her for in the beginning I don't know. Girls isn't any good."
"Thomas," said the Idiot, "you talk too much, and, what is more, you say vain things which some day you will regret. When you get older you will recall this dictum of yours, that 'girls isn't any good,' with a blush of shame, and remember that your mother was once a girl."
"Well, she's outgrown it," said Tommy; and then reverting to his father's choice of words, he added, "What is dictums, anyhow?"
"Pooh!" cried the little girl. "Smarty don't know what dictums is!"
"Suppose you two young persons subside for a few minutes!" interrupted the Idiot. "I wish to talk to your mother, and I haven't got all day. You'll be wanting some bread and butter to-morrow, and I must go to town and earn it."
"All right, pa," said Tommy. "I ain't got anything to say that I can't say to myself. I'd rather talk to myself, anyhow. You can be as sassy-"
"Thomas!" said the Idiot, severely.
"All right, pa," said Tommy; and with a side remark to the cream-jug, that he still thought Mollie ought to be swapped off for something, it didn't matter what as long as it wasn't another girl, the boy lapsed into a deep though merely temporary silence.
"You said you'd like to give a dinner to Mr. and Mrs. Pedagog and the others," said Mrs. Idiot. "I quite approve."
"I think it would be nice," returned the Idiot. "It has been more than six years since we were all together."
"You wouldn't prefer having them at breakfast, would you?" asked Mrs. Idiot, with a smile. "I remember hearing you say once that breakfast was your best time."
"How long is six years, pa?" asked Tommy.
"Really, Thomas," replied the Idiot, severely, "you are the most absurd creature. How long is six years!"
"I meant in inches," said Tommy, unabashed. "You always told me to ask you when I wanted to know things. Of course, if you don't know-"
"It's more'n a mile, I guess," observed Mollie, with some superiority of manner. "Ain't it, pa?"
The Idiot glanced at his wife in despair.
"I don't think, my dear, that I am as strong at breakfast as I used to be," said he. "There was a time when I could hold my own, but things seem to have changed. Make it dinner; and, Tommy, when you have deep problems to solve, like how long is six years in inches, try to work them out for yourself. It will fix the results more firmly in your mind."
"All right, pa," replied Tommy; "I thought maybe you knew. I thought you said you knew everything."
"POSSESSED A LIBRARY OF FIRST EDITIONS"
In accordance with the Idiot's suggestion the invitations were sent out. It was a most agreeable proposition as far as his wife was concerned, for the Idiot's old associates, his fellow-boarders at Mrs. Smithers-Pedagog's "High-Class Home for Single Gentlemen," had proved to be the stanchest of his friends. They had, as time passed on, gone their several ways. The Poet had made himself so famous that even his bad things got into print; the Bibliomaniac, by an unexpected stroke of fortune, had come into possession of his own again, and now possessed a library of first editions that auctioneers looked upon with envious eyes, and which aroused the hatred of many another collector. The Doctor had prospered equally, and was now one of the most successful operators for appendicitis; in fact, could now afford to refuse all other practice than that involved in that delicate and popular line of work. The genial gentleman who occasionally imbibed had not wholly reformed, but, as the Idiot put it, had developed into one who occasionally did not imbibe. Mr. Brief had become an assistant district attorney, and was prominently mentioned for a judgeship, and Mr. and Mrs. Pedagog lived placidly along together, never for an instant regretting the inspiration which led them to economize by making two into one. In short, time and fortune had dealt kindly with all, even with Mary, the housemaid, who was now general manager of the nursery in the Idiot's household.
The home life of "Mr. and Mrs. Idiot" had been all that either of the young people could have wished for, and prosperity had waited upon them in all things. The Idiot had become a partner in the business of his father-in-law, and even in bad times had managed to save something, until now, with two children, aged five and six, he found himself the possessor of his own home in a suburban city. It had been finished only a month when the proposed dinner was first mentioned, and the natural pride of its master and mistress was delightful to look upon.
"Why, do you know, my dear," said the Idiot one evening, on his return from town, "they are talking of asking me to resign from the club because they say I am offensive about this place, and Watson says my conversation has become a bore to everybody because the burden of my song yesterday was pots and pans and kettles and things like that?"
"I suppose clubmen are not interested in pots and pans and kettles and things," Mrs. Idiot observed. "Some people aren't, you know."
"Not interested?" echoed the Idiot. "What kind of people can they be not to be interested in pots and pans and kettles and things? I guess it's because of their dense ignorance."
"'THEY NEVER HAD THE FUN OF BUYING THEM'"
"They never had the fun of buying them, perhaps," suggested Mrs. Idiot.
"Possibly," assented the Idiot. "And I'll tell you one thing, Pollie, dear," he added, "if they had had that fun just once, instead of squandering their savings on clothes and the theatre, and on horses, you'd find every blessed one of those chaps thronging the hardware shops all day and spending their money there. Why, do you know I even enjoyed getting the clothes-pins, and what is more, it was instructive. I never knew before what countless varieties of clothes-pins there were. There's the plain kind of commerce that look like a pair of legs with a polo-cap on. I was brought up on those, and I used to steal them when I was a small boy, to act as understudies for Noah and Shem and Ham and Japheth in my Noah's ark. Then there's the patent kind with a spring to it that is guaranteed to hang onto a garment in a gale if it has to let go of the rope. Very few people realize the infinite variety of the clothes-pin, and when I try to tell these chaps at the club about it they yawn and try to change the subject to things like German opera and impressionism and international complications."
"'GUARANTEED TO HANG ONTO A GARMENT IN A GALE'"
"How foolish of them!" laughed Mrs. Idiot. "The idea of preferring to talk of Wagner when one can discourse upon clothes-pins!"
"I am afraid you are sarcastic," rejoined the Idiot. "But you needn't be; if you'd only reason it out you'd see at once that my view is correct. Anybody can talk about Wagner. Any person who knows a picture from a cable-car can talk with seeming intelligence on art, and even a member of Congress can talk about international complications off-hand for hours; but how many of these people know about clothes-pins?"
"Very few," said Mrs. Idiot, meekly.
"Very few, indeed," observed the Idiot. "And the same way with egg-beaters. I'll bet you a laundry-stove that if I should write to the Recorder to-morrow morning, and ask a question about Wagner, the musical editor would give me an answer within twenty-four hours; but with reference to egg-beaters it would take 'em a week to find out. And that's just the trouble. The newspapers are filled up with stuff that everybody knows about, but they don't know a thing about other things on the subject of which the public is ignorant."
"I think," said Mrs. Idiot, reflectively, "that that is probably due to the fact that they consider Wagner more important than an egg-beater."
"'AND SOME PEOPLE SAY WAGNER IS MORE IMPORTANT THAN THAT'"
"Well, then, they don't know, that's all," rejoined the Idiot, rising and walking out into the kitchen and taking the fascinating object over which he was waxing so enthusiastic from the dresser drawer. "Just look at that!" he cried, turning the cog-wheel which set the three intersecting metal loops whizzing like a squirrel in its wheel-cage. "Just look at that! It's beautiful, and some people say Wagner is more important than that."
"Well, I must say, my dear," said Mrs. Idiot, "that I have a leaning that way myself. Of course, I admit the charm of the egg-beater, but-"
"Tell me one thing," demanded the Idiot. "Can you get along without Wagner?"
"Why, yes," Mrs. Idiot replied, "if I have to."
"And can you get along without an egg-beater?" he cried, triumphantly.
The evidence was overwhelming, and Mrs. Idiot, with an appreciative ebullition of mirth, acknowledged herself defeated, and so charmingly withal, that the next day when her husband returned home he brought her two tickets for the opera of Siegfried as a reward for her graceful submission.
"I could have bought ten dozen muffin-rings for the same money," said he, as he gave them to her, "but people who know when to give in, and do give in as amiably as you do, my dear, deserve to be rewarded; and, on the whole, when you use these tickets, if you'll ask me, I think I'll escort you to Siegfried myself."
Stuart Harley, despite his authorship of many novels, still considered himself a realist. He affected to say that he did not write his books; that he merely transcribed them from life as he saw it, and he insisted always that he saw life as it was.
If you prefer your ghost stories to have a stout dose of rollicking wit, add Toppleton's Client to your must-read list. A lawyer moves into a new office and soon discovers it is haunted—and worse yet, the lingering spirit wants to engage the lawyer's services to oust another supernatural being that is squatting, so to speak, in his physical body.
What happens when a brilliant but eccentric tinkerer sets his mind on improving the conditions of mankind through the power of science? John Kendrick Bangs' follow-up to The Idiot details this one-of-a-kind inventor's ideas -- some brilliant, some batty -- in this eminently readable romp.
Having recently passed into what my great-grandson Shem calls my Anecdotage, it has occurred to me that perhaps some of the recollections of a more or less extended existence upon this globular[1] mass of dust and water that we are pleased to call the earth, may prove of interest to posterity, and I have accordingly, at [2]the earnest solicitation of my grandson, Noah, and his sons, Shem, Ham and Japhet, consented to put them into permanent literary form.
Narine never expected to survive. Not after what was done to her body, mind, and soul. But fate had other plans. Rescued by Supreme Alpha Sargis, the kingdom's most feared ruler, she finds herself under the protection of a man she doesn't know... and a bond she doesn't understand. Sargis is no stranger to sacrifice. Ruthless, ambitious, and loyal to the sacred matebond, he's spent years searching for the soul fate promised him, never imagining she would come to him broken, on the brink of death, and afraid of her own shadow. He never meant to fall for her... but he does. Hard and fast. And he'll burn the world before letting anyone hurt her again. What begins in silence between two fractured souls slowly grows into something intimate and real. But healing is never linear. With the court whispering, the past clawing at their heels, and the future hanging by a thread, their bond is tested again and again. Because falling in love is one thing. Surviving it? That's a war of its own. Narine must decide, can she survive being loved by a man who burns like fire, when all she's ever known is how not to feel? Will she shrink for the sake of peace, or rise as Queen for the sake of his soul? For readers who believe even the most fractured souls can be whole again, and that true love doesn't save you. It stands beside you while you save yourself.
My Luna became an alpha after I rejected her : she was my Luna. I rejected her. Now she's stronger than ever and she has my son. Amelia's world shattered the day her daughter died-and her mate, Alpha Aiden of the Red Moon Pack, divorced her to reunite with his ex-girlfriend. Cast out, disgraced, and accused of poisoning her own child, Amelia was stripped of her title and driven from her pack. The next morning, her lifeless body was found at the border.They all believed she was dead.But she wasn't. Far from the ashes of betrayal, Amelia rebuilt herself-rising from rejection and ruin to become the first female Alpha of Velaris, the most powerful and respected pack in the realm. She also carried a secret Aiden never discovered:She was pregnant-with his son.Years later, fate brings them face to face once more. A deadly disease is spreading through the packs, and the only one who can stop it is the renowned doctor they thought had died. When Aiden sees the boy at her side-his eyes, his blood-he realizes the truth.He didn't just lose his Luna. He destroyed the mother of his child.And now, she's everything he's not-stronger, wiser, untouchable. Will she heal the pack that betrayed her?Will she ever let him near her heart again?Or is his punishment simply living with the consequences?
In the glittering world of high society and cutthroat ambition, a single sentence shatters a marriage: "Let's get a divorce." For three years, Claire Thompson has lived in exile, her marriage to the powerful Nelson Cooper a hollow shell existing only on paper. Shipped abroad on her wedding day and utterly forgotten, she returns only to be handed divorce papers. But Claire is no longer the timid, heartbroken girl she once was. Behind her quiet facade lies a woman transformed, secretly rejoicing at her newfound freedom. However, freedom comes with a price. As Claire signs the papers with relief, a chilling phone call reveals a dark truth: the threats she faced overseas were no accident, and the trail leads shockingly close to home-to the family that raised her and the husband who discarded her. Just as she prepares to sever all ties, a twist of fate pulls her back into the gilded cage. Nelson, for reasons unknown, suddenly stalls the divorce. Meanwhile, the family that disowned her and the fragile, manipulative sister who stole her life are determined to ruin her reputation and drive her out for good. But Claire is playing a different game now. With a mysterious new identity, powerful allies, and secrets of her own, she is no one's pawn. As hidden truths unravel and loyalties are tested, a stunning question emerges: In this high-stakes battle of love, betrayal, and revenge, who is truly trapping whom?
Everyone in town knew Amelia had chased Jaxton for years, even etching his initials on her skin. When malicious rumors swarmed, he merely straightened his cuff links and ordered her to kneel before the woman he truly loved. Seething with realization, she slammed her engagement ring down on his desk and walked away. Not long after, she whispered "I do" to a billionaire, their wedding post crashing every feed. Panic cracked Jaxton. "She's using you to spite me," he spat. The billionaire just smiled. "Being her sword is my honor."
Two years of marriage left Brinley questioning everything, her supposed happiness revealed as nothing but sham. Abandoning her past for Colin, she discovered only betrayal and a counterfeit wedding. Accepting his heart would stay frozen, she called her estranged father, agreeing to the match he proposed. Laughter followed her, with whispers of Colin's power to toss her aside. Yet, she reinvented herself-legendary racer, casino mastermind, and acclaimed designer. When Colin tried to reclaim her, another man pulled Brinley close. "She's already carrying my child. You can't move on?"
I died on a Tuesday. It wasn't a quick death. It was slow, cold, and meticulously planned by the man who called himself my father. I was twenty years old. He needed my kidney to save my sister. The spare part for the golden child. I remember the blinding lights of the operating theater, the sterile smell of betrayal, and the phantom pain of a surgeon's scalpel carving into my flesh while my screams echoed unheard. I remember looking through the observation glass and seeing him-my father, Giovanni Vitiello, the Don of the Chicago Outfit-watching me die with the same detached expression he used when signing a death warrant. He chose her. He always chose her. And then, I woke up. Not in heaven. Not in hell. But in my own bed, a year before my scheduled execution. My body was whole, unscarred. The timeline had reset, a glitch in the cruel matrix of my existence, giving me a second chance I never asked for. This time, when my father handed me a one-way ticket to London-an exile disguised as a severance package-I didn't cry. I didn't beg. My heart, once a bleeding wound, was now a block of ice. He didn't know he was talking to a ghost. He didn't know I had already lived through his ultimate betrayal. He also didn't know that six months ago, during the city's brutal territory wars, I was the one who saved his most valuable asset. In a secret safe house, I stitched up the wounds of a blinded soldier, a man whose life hung by a thread. He never saw my face. He only knew my voice, the scent of vanilla, and the steady touch of my hands. He called me Sette. Seven. For the seven stitches I put in his shoulder. That man was Dante Moretti. The Ruthless Capo. The man my sister, Isabella, is now set to marry. She stole my story. She claimed my actions, my voice, my scent. And Dante, the man who could spot a lie from a mile away, believed the beautiful deception because he wanted it to be true. He wanted the golden girl to be his savior, not the invisible sister who was only ever good for her spare parts. So I took the ticket. In my past life, I fought them, and they silenced me on an operating table. This time, I will let them have their perfect, gilded lie. I will go to London. I will disappear. I will let Seraphina Vitiello die on that plane. But I will not be a victim. This time, I will not be the lamb led to slaughter. This time, from the shadows of my exile, I will be the one holding the match. And I will wait, with the patience of the dead, to watch their entire world burn. Because a ghost has nothing to lose, and a queen of ashes has an empire to gain.
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