The Second Chance by Nellie L. McClung
The Second Chance by Nellie L. McClung
In the long run all love is paid by love,
Tho' undervalued by the hosts of earth.
The great eternal government above
Keeps strict account, and will redeem its worth.
Give thy love freely; do not count the cost;
So beautiful a thing was never lost
In the long run.
--Ella Wheeler Wilcox.
THOMAS PERKINS was astonished beyond words. Martha had asked for money! The steady, reliable, early-to-bed, early-to-rise Martha-the only one of his family that was really like his own people. If he could believe his senses, Martha had asked for two dollars in cash, and had distinctly said that due bills on the store would not do!
If Martha had risen from her cradle twenty-five years ago and banged her estimable parent in the eye with her small pink fist, he could not have been more surprised than he was now! He stared at her with all this in his face, and Martha felt the ground slipping away from her. Maybe she shouldn't have asked for it!
She went over the argument again. "It's for a magazine Mrs. Cavers lent me. I would like to get it every month-it's-it's got lots of nice things in it." She did not look at her father as she said this.
Thomas Perkins moistened his lips.
"By George!" he said. "You youngsters never think how the money comes. You seem to think it grows on bushes!"
Martha might have said that spring frost must have nipped the buds for the last twenty-five years, but she did not. Ready speech was not one of Martha's accomplishments, so she continued to pleat her apron into a fan and said nothing.
"Here the other day didn't I send thirty-nine dollars into Winnipeg to get things for the house, and didn't I get you an eighteen-dollar wallaby coat last year, and let you wear it week days and all, and never said a word?"
Martha might have reminded him that she was watering and feeding the stock, and saving the wages of a hired man, while she was wearing the wallaby coat, but she said not a word.
"You get a queer old lot more than I got when I was a young shaver, let me tell you. I've often told you young ones how I left home, when I was nine years old, with the wind in my back-that's all I got from home-and with about enough clothes on me to flag a train with. There wasn't any of these magazines then, and I don't know as they do any good, anyway. Poor old Ann Winters sent away her good, hard-earned dollar to some place in the States, where they said: 'Send us a dollar, and we'll show you how to make fifty; light employment; will not have to leave home; either ladies or gentlemen can do it.' She saw this in a magazine and sent her dollar, and what she got was a pretty straight insult, I think. They wrote back, 'put an advertisement like ours in some paper, and get fifty people like yourself to answer it.' There's a magazine for you!"
Martha looked at him helplessly. "I promised Mrs. Cavers I'd take it. She's making a little money that way, to get a trip home this Christmas," she said, locking and unlocking her fingers, the rough, toil-worn joints of which spoke eloquently in her favour, if the old man had had eyes to see them.
"You women are too easy," he said. "You'll promise anything. Yer poor grandmother let a man put a piano in the shed once when it was raining, and he asked her to sign a paper sayin' it was there, and he could 'come any time he liked to get it; and, by Jinks! didn't a fellow come along in a few days wantin' her to pay for it, and showing her her own name to a note. She wasn't so slow either, for she purtended she doubted her own writin', and got near enough to make a grab for it, and tore her name off; but it gave me father such a turn he advertised her in the paper that he would not be responsible for her debts, and he never put his name to paper of any kind afterward. There was a fellow in the old Farmers' Home in Brandon that asked me father to sign his name in a big book that he showed up in front of him, and I tell you it was all we could do to keep the old man from hittin' him. Of course, Martha, if ye didn't put it down in writin' she can't hold ye; but puttin' it down is the deuce altogether."
"But I want to give it," Martha said slowly. "I want the magazine, and I want to help Mrs. Cavers."
"Now, Martha, look a here," the old man said, "you're a real good girl, and very like my own folks-in the way you handle a hoe yer just like my poor sister Lizzie that married a peddler against all our wishes. I mind well, the night before she ran away, how she kissed me and says she: 'Good-bye, Tommy, don't forgit to shut the henhouse door,' and in the mornin' she was gone."
Lizzie's bereaved brother wiped his eyes with a red handkerchief, and looked dreamily into the fire.
Martha, still pleating her apron, stood awkwardly by the table, but instinctively she felt that the meeting had closed, and the two-dollar bill was still inside.
She went upstairs to her own room. It was a neat and pretty little room, and the pride of Martha's heart, but to-night Martha's heart had nothing in it but a great loneliness, vague and indefinite, a longing for something she had never known.
A rag carpet in well-harmonized stripes was on the floor; a blue and white log-cabin quilt was on the bed; over the lace-edged pillow covers there hung embroidered pillow shams. One had on it a wreath of wild roses encircling the words "I slept and dreamed that life was Beauty," while its companion, with a similar profusion of roses, made the correction: "I woke and knew that, life was Duty." Martha had not chosen the words, for she had never even dreamed that life was beauty. A peddler (not the one that had beguiled her Aunt Lizzie) had been storm-stayed with them the winter before and he had given her these in payment for his lodging.
She sat now on a little stool that she had made for herself of empty tomato cans, covered with gaily flowered cretonne, and drawing back the muslin frilled curtains, looked wearily over the fields. It was a pleasant scene that lay before Martha's window-a long reach of stubble field, stretching away to the bank of the Souris, flanked by poplar bluffs. It was just a mile long, that field, a wonderful stretch of wheat-producing soil; but to Martha it was all a weariness of the flesh, for it meant the getting of innumerable meals for the men who ploughed and sowed and reaped thereon.
To-night, looking at the tall elms that fringed the river bank, she tried to think of the things that had made her happy. They were getting along well, there had been many improvements in the house and out of it. She had better clothes than ever she had; the trees had been lovely this last summer, and the garden never better; the lilacs had bloomed last spring. Everything was improving except herself, she thought sadly; the years that had been kind to everything else were cruel to her.
With a sudden impulse, she went to the mirror on her dressing table, and looked long and earnestly at her image there. Martha was twenty-five years old, and looked older. Her shoulders were slightly bent, and would suggest to an accurate observer that they had become so by carrying heavy burdens. Her hair was hay-coloured and broken. Her forehead and her eyes were her best features, and her mouth, too, was well formed and firm, giving her the look of a person who could endure.
To-night, as she sat leaning her head on the window-sill, Martha's thoughts were as near to bitterness as they had ever been. This, then, was all it came to, all her early rising and hard work, all her small economies. She had not been able to get even two dollars when she wanted it. She sat up straight and looked sadly out into the velvet dusk, and the tears that had been long gathering in her heart came slowly to her eyes; not the quick, glittering tears of childhood that can be soon chased away by smiles-not that kind, no, no; but the slow tears that scald and wither, the tears that make one old.
It was dark when Martha lifted her head. She hastily drew down the blind, lit the lamp, and washed away, all traces of her tears. Going to a cupboard that stood behind the door, she took out a piece of fine embroidery and was soon at work upon it.
Hidden away in her heart, so well hidden that no one could have suspected its presence, Martha cherished a sweet dream. To her stern sense of right and wrong it would have seemed improper to think the thoughts she was thinking, but for the fact that they were so idle, so vain, so false, so hopeless. It had all begun the fall before, when, at a party at one of the neighbours', Arthur Wemyss, the young Englishman, had asked her to dance. He had been so different from the young men she had known, so courteous and gentle, and had spoken to her with such respect, that her heart was swept with a strange, new feeling that perhaps, after all there might be for her the homage and admiration she had seen paid to other girls. In her innocence of the worlds ways, good and bad, she did not know that young men like Arthur were taught to reverence all women, and that the deference of his manner was nothing more than that.
Martha fed her heart with no false hope-she never forgot to remind herself that she was a dull, plain girl-and even when she sat at her embroidery and let the imagination of her heart weave for her a golden dream, it was only a dream to her, nothing more!
When Arthur bought Jim Russell's quarter-section and began farming independently, the Perkinses were his nearest neighbours. Martha baked his bread for him, and seldom gave him his basket of newly made loaves that it did not contain a pie, a loaf of cake, or some other expression of her good-will, all of which Arthur received very gratefully.
He never knew what pleasure it gave her to do this for him, and although she knew he was engaged to be married to a young lady in England, it was the one bright evening of the week for her when he came over, to get his weekly allowance.
Martha had never heard of unrequited love. The only books she had read were the Manitoba Readers as far as Book IV, and they are noticeably silent on the affairs of the heart. In the gossip of the neighbourhood she had heard of girls making "a dead set for fellows who did not care a row of pins" for them, and she knew it was not considered a nice thing for any girl to do; but it came to her now clearly that it was not a subject for mirth, and she wondered why any person found it so.
As for Martha herself, the tricks of coquetry were foreign to her, unless flaky biscuits and snowy bread may be so called; and so, day by day, she went on baking, scrubbing, and sewing, taking what happiness she could out of dreams, sweet, vanishing dreams.
Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The Moving Picture Girls: Or, First Appearances in Photo Dramas" is part of "The Moving Picture Girls" series. "The Moving Picture Girls" is a series about the adventures of Ruth and Alice DeVere who live with their father who is an actor.
The Black Creek Stopping-House, and Other Stories by Nellie L. McClung
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Serena Vance, an unloved wife, clutched a custom-made red velvet cake to her chest, enduring the cold rain outside an exclusive Upper East Side club. She hoped this small gesture for her husband, Julian, would bridge the growing chasm between them on their third anniversary. But as she neared the VIP suite, her world shattered. Julian's cold, detached voice sliced through the laughter, revealing he considered her nothing more than a "signature on a piece of paper" for a trust fund, mocking her changed appearance and respecting only another woman, Elena. The indifference in his tone was a physical blow, a brutal severance, not heartbreak. She gently placed the forgotten cake on the floor, leaving her wedding ring and a diamond necklace as she prepared to abandon a marriage built on lies. Her old life, once a prison of quiet suffering and constant humiliation, now lay in ruins around her. Three years of trying to be seen, to be loved, were erased by a few cruel words. Why had she clung to a man who saw her as a clause in a will, a "creature," not a wife? The shame and rage hardened her heart, freezing her tears. Returning to an empty penthouse, she packed a single battered suitcase, leaving behind every symbol of her failed marriage. With a burner phone, she dialed a number she hadn't touched in a decade, whispering, "Godfather, I'm ready to come home."
Elena, once a pampered heiress, suddenly lost everything when the real daughter framed her, her fiancé ridiculed her, and her adoptive parents threw her out. They all wanted to see her fall. But Elena unveiled her true identity: the heiress of a massive fortune, famed hacker, top jewelry designer, secret author, and gifted doctor. Horrified by her glorious comeback, her adoptive parents demanded half her newfound wealth. Elena exposed their cruelty and refused. Her ex pleaded for a second chance, but she scoffed, "Do you think you deserve it?" Then a powerful magnate gently proposed, "Marry me?"
Her ex-husband declared, "The person I admired most was that legendary racer." She smiled thinly. "Hate to break it to you-that was me." He said, "Jealous I blew a fortune on a world-famous jeweler for Violet?" She let out a cool laugh. "Funny, that designer trained under me." He scoffed, "Buying a dying firm won't put you in my league. Snap out of it." She shrugged. "Weird-I just steered your company off a cliff." Stunned, he blurted out, "Baby, come back. I'll love you forever." She wrinkled her nose. "Hard pass. Keep your cheap love." Then she took a mogul's arm and never looked back.
For eight years, Cecilia Moore was the perfect Luna, loyal, and unmarked. Until the day she found her Alpha mate with a younger, purebred she-wolf in his bed. In a world ruled by bloodlines and mating bonds, Cecilia was always the outsider. But now, she's done playing by wolf rules. She smiles as she hands Xavier the quarterly financials-divorce papers clipped neatly beneath the final page. "You're angry?" he growls. "Angry enough to commit murder," she replies, voice cold as frost. A silent war brews under the roof they once called home. Xavier thinks he still holds the power-but Cecilia has already begun her quiet rebellion. With every cold glance and calculated step, she's preparing to disappear from his world-as the mate he never deserved. And when he finally understands the strength of the heart he broke... It may be far too late to win it back.
"Let's get married," Mia declares, her voice trembling despite her defiant gaze into Stefan's guarded brown eyes. She needs this, even if he seems untouchable. Stefan raises a skeptical brow. "And why would I do that?" His voice was low, like a warning, and it made her shiver even though she tried not to show it. "We both have one thing in common," Mia continues, her gaze unwavering. "Shitty fathers. They want to take what's ours and give it to who they think deserves it." A pointed pause hangs in the air. "The only difference between us is that you're an illegitimate child, and I'm not." Stefan studies her, the heiress in her designer armor, the fire in her eyes that matches the burn of his own rage. "That's your solution? A wedding band as a weapon?" He said ignoring the part where she just referred to him as an illegitimate child. "The only weapon they won't see coming." She steps closer, close enough for him to catch the scent of her perfume, gunpowder and jasmine. "Our fathers stole our birthrights. The sole reason they betrayed us. We join forces, create our own empire that'll bring down theirs." A beat of silence. Then, Stefan's mouth curves into something sharp. "One condition," he murmurs, closing the distance. "No divorces. No surrenders. If we're doing this, it's for life" "Deal" Mia said without missing a beat. Her father wants to destroy her life. She wouldn't give him the pleasure, she would destroy her life as she seems fit. ................ Two shattered heirs. One deadly vow. A marriage built on revenge. Mia Meyers was born to rule her father's empire (so she thought), until he named his bastard son heir instead. Stefan Sterling knows the sting of betrayal too. His father discarded him like trash. Now the rivals' disgraced children have a poisonous proposal: Marry for vengeance. Crush their fathers' legacies. Never speak of divorce. Whoever cracks first loses everything. Can these two rivals, united by their vengeful hearts, pull off a marriage of convenience to reclaim what they believe is rightfully theirs? Or will their fathers' animosity, and their own complicated pasts tear their fragile alliance apart?
I died on a Tuesday. It wasn't a quick death. It was slow, cold, and meticulously planned by the man who called himself my father. I was twenty years old. He needed my kidney to save my sister. The spare part for the golden child. I remember the blinding lights of the operating theater, the sterile smell of betrayal, and the phantom pain of a surgeon's scalpel carving into my flesh while my screams echoed unheard. I remember looking through the observation glass and seeing him-my father, Giovanni Vitiello, the Don of the Chicago Outfit-watching me die with the same detached expression he used when signing a death warrant. He chose her. He always chose her. And then, I woke up. Not in heaven. Not in hell. But in my own bed, a year before my scheduled execution. My body was whole, unscarred. The timeline had reset, a glitch in the cruel matrix of my existence, giving me a second chance I never asked for. This time, when my father handed me a one-way ticket to London-an exile disguised as a severance package-I didn't cry. I didn't beg. My heart, once a bleeding wound, was now a block of ice. He didn't know he was talking to a ghost. He didn't know I had already lived through his ultimate betrayal. He also didn't know that six months ago, during the city's brutal territory wars, I was the one who saved his most valuable asset. In a secret safe house, I stitched up the wounds of a blinded soldier, a man whose life hung by a thread. He never saw my face. He only knew my voice, the scent of vanilla, and the steady touch of my hands. He called me Sette. Seven. For the seven stitches I put in his shoulder. That man was Dante Moretti. The Ruthless Capo. The man my sister, Isabella, is now set to marry. She stole my story. She claimed my actions, my voice, my scent. And Dante, the man who could spot a lie from a mile away, believed the beautiful deception because he wanted it to be true. He wanted the golden girl to be his savior, not the invisible sister who was only ever good for her spare parts. So I took the ticket. In my past life, I fought them, and they silenced me on an operating table. This time, I will let them have their perfect, gilded lie. I will go to London. I will disappear. I will let Seraphina Vitiello die on that plane. But I will not be a victim. This time, I will not be the lamb led to slaughter. This time, from the shadows of my exile, I will be the one holding the match. And I will wait, with the patience of the dead, to watch their entire world burn. Because a ghost has nothing to lose, and a queen of ashes has an empire to gain.
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