The Virgin in Judgment by Eden Phillpotts
The Virgin in Judgment by Eden Phillpotts
Night stirred behind the eastern hills and a desert place burnt with fading splendour in the hour before sunset. The rolling miles of Ringmoor Down lay clad at this season in a wan integument of dead grass. Colourless as water, it simulated that element and reflected the tone of dawn or evening, sky or cloud; now sulked; now shone; now marked the passage of the wind with waves of light.
Ringmoor extends near the west quarter of Dartmoor Forest like an ocean of alternate trough and mound, built by the breath of storms. This region, indeed, shares something with the restless resting-places of the sea; and one may figure it as finally frozen into its present austerity by action of western winds that aforetime laboured without ceasing here on the bosom of a plastic earth. Only the primary forces model with such splendid economy of design, or present achievements so unadorned, yet so complete. The marvel of Ringmoor demanded unnumbered centuries of elemental collaboration before it spread, consummate and accomplished, under men's eyes. Rage of solar flame and fury of floods; the systole and diastole of Earth's own mighty heart-beat; the blast of inner fires, the rigour of age-long ice-caps--all have gone to mould this incarnate simplicity. Nor can Nature's achievement yet be gauged, for man himself must ascend to subtler perception before he shall gather the meaning of this moor.
The expanse is magnificently naked, yet sufficing; it is absolutely featureless, but never poverty-stricken. To the confines of a river it extends, and ceases there; yet that sudden wild uplifting of broken hills beyond; their dark, rocky places full of story; their porphyry pinnacles and precipices haunted by the legends and the spirits of old strike not so deeply into human sense as Ringmoor's vast monochrome fading slowly at the edge of night; fading as a cloudless sky fades; as light fades on the eyes of the semi-blind; fading without one stock or stone or man or beast to break the inexorable tenor of its way.
Upon some souls this huge monotony, thus mingling with the universal at eventide, casts fear; to others it is a manifestation precious as the presence of a friend; and for those whose working life brings them here, the waste's immensities at noon or night are one; its highways are their highways, and indifferently they move upon its bosom with the other ephemeral existences that haunt it. Yet by none of these people is Ringmoor truly felt or truly seen. Cultured minds weave pathetic fallacies and so pass by; while for the native this spot is first a grazing ground and last a recurrent incident of stern spaces to be compassed and recompassed on his own pilgrimage--to the young a weariness and to the old a grief.
Now light suffered a change. There was no detail to die, but a general fleeting radiance failed swiftly to the thick pallor that precedes darkness. Each perished grass-stem, of many millions that clad the waste, reflected the sky and paled its little lamp as the heavens paled. Then sobriety of dusk eliminated even the sweep and billow of the heath, and reduced all to a spectacle of withered and waning grey, that stretched formless, vague, vast, toward boundaries unseen.
It was at this stage in the unfolding phenomenon of night that life moved upon the void; a black, amorphous smudge crawled out of the gloom and crept tardily along. At length its form, as a double star seen through a telescope, divided and revealed a brace of animals, one of which staggered slowly on four legs, while the other went on two. A man led a horse by a halter; and the horse was old and black, bent, broken-kneed and worn out; while the man was also bent and ancient of his kind. Neither could travel very fast, and one was at the end of his life's journey, while the other had a small measure of years still assured.
Death thus moved across Ringmoor and trod a familiar rut in the wilderness; because, under the darkness eastward, was a bourn for beasts that had ceased to possess any living value. Through extinction only they served their masters for the last time and made profitable this final funeral march. The horse stopped, turned and seemed to ask a question with his eyes.
"Get on!" said the man. "There ban't much further for you to go."
The brute dragged towards peace and his hind hoofs struck sometimes and sounded the dull and dreary note of his own death bell; the old man sighed because he was very weary. Then from the fringe of night sprang young life and met this forlorn procession. A tall girl appeared and three collie dogs galloped and circled about her. Noting the man, they ran up to him, barked and wagged their tails in greeting.
"Be that anybody from Ditsworthy?" asked the traveller of the female shadow.
"'Tis I--Rhoda Bowden. I thought as you might be pretty tired and came to shorten your journey--that is if you'm old Mr. Elford from Good-a-Meavy."
"I am the man, and never older than to-night."
He stopped and rubbed his leg. The girl stood over him by half a foot. She was tall and straight, but in the murk one could see no more than her outlines, her pale sun-bonnet and a pale face under it.
"Have you got the money?" said the man.
"Yes--ten shillings."
She spoke slowly, with a voice uncommon deep for a young woman.
"Not twelve?"
"No."
The ancient made a sound that indicated disappointment and annoyance.
"And the price of the halter?"
"We don't want that. One of my brothers will bring it back to you next time they be down-along."
He handed her the rope and took a coin from her. Then he brought a little leathern purse from his breeches pocket and put the money into it.
"You're sure your faither didn't say twelve?"
"No."
"He's a hard man. Good-night to you."
"'Tis the right price for a dead horse. Good-night."
The ancient had no farewell word for his beast, and the companions of twelve years parted for ever. The girl took her way with the old horse; the man turned in his tracks moodily, chattering to himself.
"Warrener did ought to have give twelve," he said again and again as he went homewards. By furze banks and waste places and the confines of woods he passed, and then he stopped where a star twinkled above the gloomy summits of spruce firs. Beneath them there peered out a thatched cottage, but no light shone from its face. The patriarch entered with his frosty news, and almost instantly a female voice, shrill and full of trouble, struck upon the night.
"It did ought to have been twelve!"
Owls cried to each other across the forest and seemed to echo the lamentation.
I remember the very evening he came to Merivale. “Nubby” Tomkins had a cold on his chest, so Mathers and I stopped in from the half-hour “kick-about” in the playground before tea, being chums of Nubby’s. Whenever he gets a cold on the chest he thinks he is going to die, and this evening, sitting by the fire in the Fifth’s class-room, he roasted chestnuts for Mathers and me, and took a very gloomy view of his future life.
Two years of marriage left Brinley questioning everything, her supposed happiness revealed as nothing but sham. Abandoning her past for Colin, she discovered only betrayal and a counterfeit wedding. Accepting his heart would stay frozen, she called her estranged father, agreeing to the match he proposed. Laughter followed her, with whispers of Colin's power to toss her aside. Yet, she reinvented herself-legendary racer, casino mastermind, and acclaimed designer. When Colin tried to reclaim her, another man pulled Brinley close. "She's already carrying my child. You can't move on?"
Brenna lived with her adoptive parents for twenty years, enduring their exploitation. When their real daughter appeared, they sent Brenna back to her true parents, thinking they were broke. In reality, her birth parents belonged to a top circle that her adoptive family could never reach. Hoping Brenna would fail, they gasped at her status: a global finance expert, a gifted engineer, the fastest racer... Was there any end to the identities she kept hidden? After her fiancé ended their engagement, Brenna met his twin brother. Unexpectedly, her ex-fiancé showed up, confessing his love...
I was the spare daughter of the Vitiello crime family, born solely to provide organs for my golden sister, Isabella. Four years ago, under the codename "Seven," I nursed Dante Moretti, the Don of Chicago, back to health in a safe house. I was the one who held him in the dark. But Isabella stole my name, my credit, and the man I loved. Now, Dante looked at me with nothing but cold disgust, believing her lies. When a neon sign crashed down on the street, Dante used his body to shield Isabella, leaving me to be crushed under twisted steel. While Isabella sat in a VIP suite crying over a scratch, I lay broken, listening to my parents discuss if my kidneys were still viable for harvest. The final straw came at their engagement gala. When Dante saw me wearing the lava stone bracelet I had worn in the safe house, he accused me of stealing it from Isabella. He ordered my father to punish me. I took fifty lashes to my back while Dante covered Isabella's eyes, protecting her from the ugly truth. That night, the love in my heart finally died. On the morning of their wedding, I handed Dante a gift box containing a cassette tape—the only proof that I was Seven. Then, I signed the papers disowning my family, threw my phone out the car window, and boarded a one-way flight to Sydney. By the time Dante listens to that tape and realizes he married a monster, I will be thousands of miles away, never to return.
The sterile white of the operating room blurred, then sharpened, as Skye Sterling felt the cold clawing its way up her body. The heart monitor flatlined, a steady, high-pitched whine announcing her end. Her uterus had been removed, a desperate attempt to stop the bleeding, but the blood wouldn't clot. It just kept flowing, warm and sticky, pooling beneath her. Through heavy eyes, she saw a trembling nurse holding a phone on speaker. "Mr. Kensington," the nurse's voice cracked, "your wife... she's critical." A pause, then a sweet, poisonous giggle. Seraphina Miller. "Liam is in the shower," Seraphina's voice purred. "Stop calling, Skye. It's pathetic. Faking a medical emergency on our anniversary? Even for you, that's low." Then, Liam's bored voice: "If she dies, call the funeral home. I have a meeting in the morning." Click. The line went dead. A second later, so did Skye. The darkness that followed was absolute, suffocating, a black ocean crushing her lungs. She screamed into the void, a silent, agonizing wail of regret for loving a man who saw her as a nuisance, for dying without ever truly living. Until she died, she didn't understand. Why was her life so tragically wasted? Why did her husband, the man she loved, abandon her so cruelly? The injustice of it all burned hotter than the fever in her body. Then, the air rushed back in. Skye gasped, her body convulsing violently on the mattress. Her eyes flew open, wide and terrified, staring blindly into the darkness. Her trembling hand reached for her phone. May 12th. Five years ago. She was back.
Rumors said that Lucas married an unattractive woman with no background. In the three years they were together, he remained cold and distant to Belinda, who endured in silence. Her love for him forced her to sacrifice her self-worth and her dreams. When Lucas' true love reappeared, Belinda realized that their marriage was a sham from the start, a ploy to save another woman's life. She signed the divorce papers and left. Three years later, Belinda returned as a surgical prodigy and a maestro of the piano. Lost in regret, Lucas chased her in the rain and held her tightly. "You are mine, Belinda."
Vesper's marriage to Julian Sterling was a gilded cage. One morning, she woke naked beside Damon Sterling, Julian's terrifying brother, then found a text: Julian's mistress was pregnant. Her world shattered, but the real nightmare had just begun. Julian's abuse escalated, gaslighting Vesper, funding his secret life. Damon, a germaphobic billionaire, became her unsettling anchor amidst his chaos. As "Iris," Vesper exposed Julian's mistress, Serena Sharp, sparking brutal war: poisoned drinks, a broken leg, and the horrifying truth-Julian murdered her parents, trapping Vesper in marriage. The man she married was a killer. Broken and betrayed, Vesper was caught between monstrous brothers, burning with injustice. Refusing victimhood, Vesper reclaimed her identity. Fueled by vengeance, she allied with Damon, who vowed to burn his empire for her. Julian faced justice, but matriarch Eleanor's counterattack forced Vesper's choice as a hitman aimed for her.
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