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Torchy, Private Sec. by Sewell Ford
Torchy, Private Sec. by Sewell Ford
Well, it's come! Uh-huh! And sudden, too, like I knew it would, if it came at all. No climbin' the ladder for me, not while they run express elevators. And, believe me, when the gate opened, I was right there with my foot out.
It was like this: One mornin' I'm in my old place behind the brass rail, at the jump-end of the buzzer. I'm everybody's slave in general, and Piddie's football in particular. You know-head office boy of the Corrugated Trust.
That's description enough, ain't it? And I'd been there so long-- Honest, when I first went on the job I used to sneak the city directory under the chair so my toes could touch. Now my knees rub the under-side of the desk. Familiar with the place? Say, there are just seventeen floor cracks between me and the opposite wall; it's fifty-eight steps through into Old Hickory's roll-top and back; and the ink I've poured into all them desk-wells would be enough to float a ferry-boat.
At 8.30 on this special mornin' there I am, as I said; and at 2.21 p.m. the same day I'm-- Well, of course, there was a few preliminaries, though I didn't tag 'em as such when they come along. I expect the new spring costume helped some. And the shave-oh, I was goin' it strong! No cut-price, closing-out, House-of-Smartheimer bargain, altered free to fit-not so, Lobelia! Why, I pawed over whole bales of stuff in a sure-enough Fifth-ave. tailor works; had blueprint plans of the front and side elevations drawn, even to the number of buttons on the cuffs, and spent three diff'rent noon hours havin' it modeled on me before they could pull a single bastin' thread.
But it's some stream line effect at the finish, take it from me! Nothing sporty or cake-walky, you understand: just quiet and dignified and rich-like, same as any second vice or gen'ral manager would wear. Two-button sack with wide English roll and no turn-up to the trousers-oh, I should ripple!
The shave was an afterthought. I'd worked up to it by havin' some of my lurid locks trimmed, and as Giuseppe quits shearin' and asks if there'll be anything else I rubs my hand casual across my jaw and remarks:
"Could you find anything there to mow with a razor?"
Could he? He'd go through the motions on a glass doorknob!
Then it's me tilted back with my heels up and the suds artist decoratin' my map until it looks like a Polish weddin' cake. Don't it hit you foolish the first time, though? I felt like everybody in the shop, includin' the brush boy and the battery of lady manicures, was all gathered around pipin' me off as a raw beginner. So I stares haughty at the ceilin' and tries to put on a bored look.
I'd been scraped twice over, and was just bein' unwrapped from the hot towel, when I turns to see who it is has camped down in the next chair, and finds Mr. Robert gazin' at me curious.
"Why!" says he, chucklin'. "If it isn't Torchy! Indulging in a shave, eh?"
"Oh, no, Sir," says I. "Been havin' my eye teeth tested for color blindness, that's all."
Mr. Robert grins amiable and reaches out for the check. "This is on me then," says he. "I claim the privilege."
As he comes in after luncheon he has to stop and grin again; and later on, when I answers the buzzer, he makes me turn clear around so he can inspect the effect and size up the new suit.
"Excellent, Torchy!" says he. "Whoever your tailor may be, you do him credit."
"This trip I paid cash, though," says I. "It's all right, is it?"
"In every particular," says he. "Why, you look almost grown up. May I ask the occasion? Can it be that Miss Verona is on the point of returning from somewhere or other?"
"Uh-huh," says I. "Bermuda. Got in yesterday."
"And Aunty, I trust," goes on Mr. Robert, "is as well as usual?"
"I'm hoping for the worst," says I; "but I expect she is."
We swaps merry expressions again, and Mr. Robert pats me chummy on the shoulder. "You're quite all right, Torchy," says he, "and I wish you luck." Then the twinkle fades out of his eyes and he turns serious. "I wish," he goes on, "that I could do more than just-well, some time, perhaps." And with another friendly pat he swings around to his desk, where the letters are stacked a foot high.
Say, he's the real thing, Mr. Robert is, no matter if he does take it out in wishin'! It ain't every boss would do that much, specially with the load he's carryin'. For you know since Old Hickory's been down South takin' seven kinds of baths, and prob'ly cussin' out them resort doctors as they was never cussed before, Mr. Robert Ellins has been doin' a heap more than give an imitation of bein' a busy man. But he's there with the wallop, and I guess it's goin' to take more'n a commerce court to put the Corrugated out of business.
Too bad, though, that Congress can't spare the time from botherin' about interlockin' directors to suppress a few padlockin' aunties. Say, the way that old girl does keep the bars up against an inoffensive party like me is something fierce! I tries to call Vee on the 'phone as soon as I've discovered where she is, and all the satisfaction I get is a message delivered by a French maid that "Miss Hemmingway is otherwise engaged." Wouldn't that crust you?
But I've been up against this embargo game before, you know; so the first chance I gets I slips uptown to do a little scoutin' at close range. It's an apartment hotel this time, and I hangs around the entrance, inspectin' the bay trees out front for half an hour, before I can work up the nerve to make the Brodie break. Fin'lly I marches in bold and calls for Aunty herself.
"Is she in, Cephas?" says I to the brunette Jamaican in the olive-green liv'ry who juggles the elevator.
"I don't rightly know, Suh," says he; "but you can send up a call, Suh, from the desk there, and--"
"Ah, let's not disturb the operator," says I. "Give a guess."
"I'm thinking she'll be taking her drive, Suh," says Cephas, blinkin' stupid.
"Then I'll have to go up and wait," says I. "She'd be mighty sore on us both if she missed me. Up, Cephas!"
"Yes, Suh," says he, pullin' the lever.
I should have known, though, from one look at that to-let expression of his, that his ideas on any subject would be vague. And this was a bum hunch on Aunty. Out? Why, she was propped up in an easy-chair with a sprained ankle, and had been for three days! And you should have seen the tight-lipped, welcome-to-our-grand-jury-room smile that she greets me with.
"Humph!" she says. "You! Well, young man, what is your excuse this time?"
I grins sheepish and shuffles my feet. "Same old excuse," says I.
"Do you mean to tell me," she gasps, "that you have the impudence to try to see my niece, after all I have--"
"Uh-huh," I breaks in. "Don't you ever take a sportin' chance yourself?"
She gurgles somethin' throaty, goes purple in the gills, and prepares to smear me on the spot; but I gives her the straight look between the eyes and hurries on.
"Oh, I know where you stand, all right," says I; "but ain't you drawin' it a little strong? Say, where's the harm in me takin' Verona out for a half-hour walk along the Drive? We ain't had a chat for over two months, you know, not a word, and I'd kind of like to--"
"No doubt," says Aunty. "Are you quite certain, however, that Verona would like it too?"
"I'm always guessin' where Vee is concerned," I admits; "but by the latest dope I had on the subject, I expect she wouldn't object strenuous."
Aunty sniffs. "It is quite possible," says she. "Verona is a whimsical, wilful girl at times, just as her poor mother was. Keeping up this pretense of friendship for you is one of her silly notions."
"Thanks awfully, Ma'am," says I.
"Let me see," goes on Aunty, squintin' foxy at me, "you are employed in Mr. Ellins's office, I believe?"
I nods.
"As office boy, still?" says she.
"No, as a live one," says I. "Anybody that stays still very long at the Corrugated gets canned."
"Please omit meaningless jargon," says Aunty. "Does my niece know just how humble a position you occupy? Have you ever told her?"
"Why," says I, "I don't know as I've ever gone into details."
"Ah-h-h!" says she. "I was certain that Verona did not fully realize. Perhaps it would be as well that she--" and here she breaks off sudden, like she'd been struck with a new idea. For a second or so she gazes blank over the top of my head, and then she comes to with a brisk, "That will do, young man! Verona is not at home. You need not trouble to call again. The maid will show you out. Celeste!"
And the next thing I knew I was ridin' down again with Cephas. I'm some shunter myself; but I dip the colors to Aunty: she does it so neat and sudden! It must be like the sensation of havin' a flight of trick stairs fold up under you,-one minute you're most to the top, the next you're pickin' yourself up at the bottom.
What worries me most, though, is this hint she drops about Vee. Looks like the old girl had something up her sleeve; but what it is I can't dope out. So all I can do is keep my eyes open and my ear stretched for the next few days, watchin' for something to happen.
Course, I had one or two other things on my mind meanwhile; for down at the gen'ral offices we wa'n't indulgin' in any spring-fever symptoms,-not with three big deals under way, all this income mess of deductin' at the source goin' on, and Mr. Robert's grand scheme for dissolvin' the Corrugated-on paper-bein' worked out. Oh, sure, that's the easiest thing we do. We've split up into nineteen sep'rate and distinct corporations, with a diff'rent set of directors for each one, and if the Attorney General can sleuth out where they're tied together he's got to do some high-class snoopin' around.
Maybe you think too, that little Sunny Haired Hank, guardin' the brass gate, ain't wise to every move. Say, I make that part of my job. If I didn't, I'd be towin' a grouchy bunch of minority kickers in where the reorganization board was cookin' up a new stock-transfer game, or make some other fool break that would spill the beans all over the pantry floor.
"Torchy," says Mr. Robert, chewin' his cigar nervous and pawin' through pigeonholes, "ask Mr. Piddie what was done with those Mesaba contracts."
"Filed under Associated Developments," says I.
"Oh, yes, so they were," says he. "Thanks. And could you find out for me when we organized General Transportation?"
"Wa'n't that pulled off the day you waited for that Duluth delegation to show up, just after Easter?" says I.
"That's it," says he, "the fifteenth! Has Marling of Chicago been called up yet?"
"Nope," says I. "He'll be waitin' for the closing quotations, won't he? But there's that four-eyed guy with the whiskers who's been hangin' around a couple of hours."
"Ah!" says Mr. Robert, huntin' out a card on his desk. "That Rowley person! I'd forgotten. What does he want?"
"Didn't say," says I. "Got a roll of something under one arm-crank promoter, maybe. Will I ditch him?"
"Not without being heard," says Mr. Robert. "I haven't time myself, though. Perhaps Mr. Piddie might interview him and--"
"Ah, Piddie!" says I. "He'd take one look at the old gink's round cuffs and turn him down haughty. You know Piddie?"
Mr. Robert smiles. "Then suppose you do it," says he. "Go ahead-full powers. Only remember this: My policy is to give everyone who has a proposition to submit to the Corrugated a respectful and adequate hearing. Get the idea?"
"I'm right behind you," says I. "The smooth stuff goes; and if we must spill 'em, grease the skids. Me for Rowley!"
And, say, you should have heard me shove over the diplomacy, tellin' how sorry Mr. Robert was he couldn't see him in person; but wouldn't he please state the case in full so no time might be lost in actin' one way or the other? Inside of three minutes too, he has his papers spread out and is explainin' his by-product scheme for mill tailings, with me busy takin' notes on a pad. He had it all figured out into big money; but of course I couldn't tell whether he had a sure thing, or was just exercisin' squirrels in the connin' tower.
"Ten millions a year," says he, "and I am offering to put this process in operation for a five-per-cent. royalty! I've been a mine superintendent for twenty years, young man, and I know what I'm talking about."
"Your spiel listens like the real thing, Mr. Rowley," says I; "only we can't jump at these things offhand. We have to chew 'em over, you know."
Rowley shakes his head decided. "You can't put me off for six months or a year," says he. "I've been through all that. If the Corrugated doesn't want to go into this--"
"Right you are!" I breaks in. "Ten days is enough. I'll put this up to the board next Wednesday week and get a decision. Much obliged to you, Mr. Rowley, for givin' us first whack at it. We 're out for anything that looks good, and we always take care of the parties that put us next. That's the Corrugated way. Good afternoon, Mr. Rowley. Drop in again. Here's your hat."
And as he drifts out, smilin', pleased and hopeful, I glances over the spring-water bottle, to see Mr. Robert standin' there listenin' with a grin on.
"Congratulations!" says he. "That peroration of yours was a classic, Torchy; the true Chesterfield spirit, if not the form. I am tempted to utilize your talent for that sort of thing once more. What do you say?"
"Then put it over the plate while I'm on my battin' streak," says I. "Who's next?"
"A lady this time," says he; "perchance two ladies." And he develops that eye twinkle of his.
"Huh!" says I, twistin' my neck and feelin' of my tie. "You ain't springin' any tea-pourin' stunt, are you?"
"Strictly business," says he; "at least," he adds, chucklin', "that is the presumption. As a matter of fact, I've just been called over the 'phone by Miss Verona Hemmingway's aunt."
"Eh!" says I, gawpin'.
"She holds some of our debenture bonds, you know," says Mr. Robert, "and I gather that she has been somewhat disturbed by these reorganization rumors."
"But she ought to know," says I, "that our D.B.'s. are as solid as--"
"The feminine mind," cuts in Mr. Robert, "does not readily grasp such simple facts. But I haven't half an hour or more to devote to the process of soothing her alarm; besides, you could do it so much more gracefully."
"Mooshwaw!" says I. "Maybe I could. But she's only one. Who's the other?"
"She failed to state," says Mr. Robert. "She merely said, 'We shall be down about three o'clock.'"
"We?" says I. Then I whistles. So that was her game! It was Vee she was bringin' along!
"Well?" says Mr. Robert.
I expect I was some pinked up, and fussed, too, at the prospect. "Excuse me," says I, "but I got to sidestep."
"Why," says he, "I rather thought this assignment might be somewhat agreeable."
"I know," says I. "You mean well enough; but, honest, Mr. Robert, if that foxy old dame's comin' down here with Miss Vee, I'm-well, I don't stand for it, that's all! I'm off; with a blue ticket or without one, just as you say."
I was reachin' for my new lid too, when Mr. Robert puts out his hand.
"Wouldn't that be-er-rather a serious breach of office discipline?" says he. "Surely, without some good reason--"
"Ah, say!" says I. "You don't think I'm springin' any prima donna whim, do you? It's this plot to show me up through the wrong end of the telescope that gets me sore."
"Scarcely lucid," says he, lookin' puzzled. "Could you put it a little simpler?"
"I'll make it long primer," says I. "How do I stand here in the Corrugated? You know, maybe, and sometimes I give a guess myself; but on the books, and as far as outsiders go, I'm just plain office boy, ain't I, like 'steen thousand other four-dollar-a-week kids that's old enough to have work papers? I've been here goin' on four years now, and I ain't beefed much about it, have I? That's because I've been used white and the pay has been decent. Also I'm strong for you and Mr. Ellins. I expect you know that, Mr. Robert. Maybe I ain't got it in me to be anything but an office boy, either; but when it comes to goin' on exhibition before certain parties as the double cipher on the east side of the decimal-well, that's where I make my foolish play."
"Ah!" says he, rubbin' his chin thoughtful. "Now I fully understand. And, as you suggest, there has been for some time past something-er-equivocal about your position here. However, just at this moment I have hardly time to-- By Jove!" Here he breaks off and glances at the clock. "Two-fifteen, and a general council of our attorneys called for half-past in the directors' room! Someone else must attend to Miss Verona's estimable aunt-positively! Now if there was anyone who could relieve you from the gate--"
"Heiny, the bondroom boy," says I.
"Why not?" says Mr. Robert. "Then, if you should choose to stay and prime yourself with facts about those debentures, there is that extra desk in my office, you know. Would you mind using that?"
"But see here, Mr. Robert," says I, "I wa'n't plannin' any masquerade, either."
"Quite so," says he; "nor I. It so happens, though, that the gentleman whose name appears as president of our Mutual Funding Company is-well, hardly in active business life. It is necessary that he be represented here in some nominal capacity. The directors are now meeting in Room 19. I have authority to name a private secretary pro tem. Do you accept the position?"
"With a pro-tem. salary, stage money barred?" says I.
"Oh, most certainly," says he.
"Then I'm the guy," says I.
"Good!" says Mr. Robert. "These debentures come in your department. I will notify Mr. Piddie that--"
"Say, Mr. Robert," says I, grinnin' once more, "I'd break it gentle to Piddie."
I don't know whether he did or not; for five minutes after that Heiny has my old seat, and I'm inside behind the ground-glass door, sittin' at a reg'lar roll-top, with a lot of file cases spread out, puzzlin' over this incorporation junk that makes the Fundin' Comp'ny the little joker in the Corrugated deck.
And next thing I know in comes Heiny, gawpin' foolish, and trailin' behind him Aunty and Vee. I wa'n't throwin' any bluff about tryin' to look busy, either. I was elbow-deep in papers, with a pen behind one ear and ink on three fingers.
You should have heard the gasp that comes from Aunty as she pipes off who it is at the desk. My surprise as I'm discovered is the real thing too.
"Chairs, Boy!" says I, snappin' my fingers at Heiny.
But Aunty catches her breath, draws herself up stiff, and waves away the seats. "Young man," says she, "I came here to consult with Mr. Robert Ellins about--"
"Yes'm," says I, "I understand. Debenture six's, ain't they? Not affected by the reorganization, Ma'am. You see, it's like this: Those bonds were issued in exchange for--"
"Young man," she breaks in, aimin' her lorgnette at me threatenin', "I prefer to discuss this matter with Mr. Robert."
"Sorry," says I, "but as he's very busy he asked me to--"
"And who, pray," snaps the old girl, "are you?"
"Representin' the president of the Mutual Funding Comp'ny," says I.
"Just how?" she demands.
"Private secretary, Ma'am," says I.
"Humph!" she snorts. "This is too absurd of Mr. Robert-wholly absurd! Come, Verona."
And as she sails out I just has time for a glance at Vee, and catches a wink. Believe me, though, a friendly wink from one of them gray eyes is worth waitin' for! She follows Aunty through the door with a handkerchief stuffed in her mouth like she was smotherin' a snicker; so I guess Vee was on. And I'm left feelin' all warmed up and chirky.
Mr. Robert comes in from his lawyer session just before closin' time; rubbin' his hands sort of satisfied too.
"Well," says I, jumpin' up from the swing-chair, "it was some jolt you slipped Aunty. I expect I can resign now?"
"Oh, I trust not," says he. "The board indorsed your appointment an hour ago. Keep your desk, Torchy. It is to be yours from now on."
"Wh-a-a-at?" says I, my eyes bugged. "Off the gate for good, am I?"
"We are hoping," says he, "that the gate's loss will be the Funding Company's gain."
I gurgles gaspy a couple of times before I catches my breath. "Will it?" says I. "Say, just watch me! I'm goin' to show you that fundin' is my long suit!"
* * *
Sewell Ford (1868-1946) was an American prolific author who wrote Horses Nine: Stories of Harness and Saddle (1903), Shorty McCabe (1906), Cherub Divine (1907), Side-Stepping with Shorty (1908), Torchy (1911), Trying Out Torchy (1912), Odd Numbers (1912), On With Torchy (1914), Torchy, Private Sec. (1915), Shorty McCabe on the Job (1915), Wilt Thou Torchy (1917), The House of Torchy (1918), Torchy and Vee (1919) and Torchy as a Pa (1921).
Some of these stories were written while the Great War was still on. So the setting and local coloring and atmosphere and all that sort of thing, such as it is, came from those strenuous days when we heroic civilians read the war extras with stern, unflinching eye, bought as many Liberty bonds as we were told we should, and subscribed to various drives as cheerfully as we might. Have you forgotten your reactions of a few short months ago? Perhaps then, these may revive your memory of some of them. You may note with disappointment that Torchy got no nearer to the front-line trenches than Bridgeport, Conn. That is a sentiment the writer shares with you. But the blame lies with an overcautious government which hesitated, perhaps from super-humane reasons, from turning loose on a tottering empire a middle-aged semi-literary person who was known to handle a typewriter with such reckless abandon. And where he could not go himself he refused to send another. So Torchy remained on this side, and whether or not his stay was a total loss is for you to decide.
I forget just what it was Vee was rummagin' for in the drawer of her writin' desk. Might have been last month's milk bill, or a stray hair net, or the plans and speci-fications for buildin' a spiced layer cake with only two eggs. Anyway, right in the middle of the hunt she cuts loose with the staccato stuff, indicatin' surprise, remorse, sudden grief and other emotions. "Eh?" says I. "Is it a woman-eatin' mouse, or did you grab a hatpin by the business end?" "Silly " says she. "Look what I ran across, Torchy." And she flips an engraved card at me. I picks it on the fly, reads the neat script on it, and then hunches my shoulders. "Well, well " says I. "At home after September 15, 309 West Hundred and Umpty Umpt street. How interestin' But who is this Mr. and Mrs. Hamilton Porter Blake, anyway?
Five years into marriage, Hannah caught Vincent slipping into a hotel with his first love-the woman he never forgot. The sight told her everything-he'd married her only for her resemblance to his true love. Hurt, she conned him into signing the divorce papers and, a month later, said, "Vincent, I'm done. May you two stay chained together." Red-eyed, he hugged her. "You came after me first." Her firm soon rocketed toward an IPO. At the launch, Vincent watched her clasp another man's hand. In the fitting room, he cornered her, tears burning in his eyes. "Is he really that perfect? Hannah, I'm sorry... marry me again."
After being kicked out of her home, Harlee learned she wasn't the biological daughter of her family. Rumors had it that her impoverished biological family favored sons and planned to profit from her return. Unexpectedly, her real father was a zillionaire, catapulting her into immense wealth and making her the most cherished member of the family. While they anticipated her disgrace, Harlee secretly held design patents worth billions. Celebrated for her brilliance, she was invited to mentor in a national astronomy group, drew interest from wealthy suitors, and caught the eye of a mysterious figure, ascending to legendary status.
Her marriage wasn't perfect. Infact, it wasn't anywhere close to being perfect. But she always had hope and tried to make things work. She had expected it to last forever, no matter how bad it was. But her hope came shattering down when he dropped the divorce papers on the table right in front of her. "Sign them." He had said coldly. That was five years ago. Now Alexandra was back, as the CEO of the fast rising clothing and apparels company, Velvet Vixen. This time, she came for revenge on the man who had broken her heart into several unmendable pieces. But she wasn't alone anymore. "Mommy, we saw a man who Jace looks like." She was back with two tiny accomplices in tow. Liam wanted to be the father of his kids and change back to the old times. Would he be able to accomplish his mission of making Alexandra fall in love with him again? Would Alexandra give in to this man who had once broken her heart and all the promises he made to her before? Would Jace and Jade accept their unknown father back?
She spent ten years chasing after the right brother, only to fall for the wrong one in one weekend. ~~~ Sloane Mercer has been hopelessly in love with her best friend, Finn Hartley, since college. For ten long years, she's stood by him, stitching him back together every time Delilah Crestfield-his toxic on-and-off girlfriend-shattered his heart. But when Delilah gets engaged to another man, Sloane thinks this might finally be her chance to have Finn for herself. She couldn't be more wrong. Heartbroken and desperate, Finn decides to crash Delilah's wedding and fight for her one last time. And he wants Sloane by his side. Reluctantly, Sloane follows him to Asheville, hoping that being close to Finn will somehow make him see her the way she's always seen him. Everything changes when she meets Knox Hartley, Finn's older brother-a man who couldn't be more different from Finn. He's dangerously magnetic. Knox sees right through Sloane and makes it his mission to pull her into his world. What starts as a game-a twisted bet between them-soon turns into something deeper. Sloane is trapped between two brothers: one who's always broken her heart and another who seems hell-bent on claiming it... no matter the cost. CONTENT WARNING: This story is strongly 18+. It delves into dark romance themes such as obsession and lust with morally complex characters. While this is a love story, reader discretion is advised.
Sunlit hours found their affection glimmering, while moonlit nights ignited reckless desire. But when Brandon learned his beloved might last only half a year, he coolly handed Millie divorce papers, murmuring, "This is all for appearances; we'll get married again once she's calmed down." Millie, spine straight and cheeks dry, felt her pulse go hollow. The sham split grew permanent; she quietly ended their unborn child and stepped into a new beginning. Brandon unraveled, his car tearing down the street, unwilling to let go of the woman he'd discarded, pleading for her to look back just once.
I was four months pregnant, a photographer excited for our future, attending a sophisticated baby brunch. Then I saw him, my husband Michael, with another woman, and a newborn introduced as "his son." My world shattered as a torrent of betrayal washed over me, magnified by Michael's dismissive claim I was "just being emotional." His mistress, Serena, taunted me, revealing Michael had discussed my pregnancy complications with her, then slapped me, causing a terrifying cramp. Michael sided with her, publicly shaming me, demanding I leave "their" party, as a society blog already paraded them as a "picture-perfect family." He fully expected me to return, to accept his double life, telling his friends I was "dramatic" but would "always come back." The audacity, the calculated cruelty of his deception, and Serena's chilling malice, fueled a cold, hard rage I barely recognized. How could I have been so blind, so trusting of the man who gaslighted me for months while building a second family? But on the plush carpet of that lawyer's office, as he turned his back on me, a new, unbreakable resolve solidified. They thought I was broken, disposable, easily manipulated – a "reasonable" wife who would accept a sham separation. They had no idea my calm acceptance was not surrender; it was strategy, a quiet promise to dismantle everything he held dear. I would not be handled; I would not understand; I would end this, and make sure their perfect family charade crumbled into dust.
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