Published in 1862, this charming, often amusing book recounts Borrow's experiences on a walking tour of Wales undertaken in 1854.
Published in 1862, this charming, often amusing book recounts Borrow's experiences on a walking tour of Wales undertaken in 1854.
The Starting-Peterborough Cathedral-Anglo-Saxon Names-K?mpe Viser-Steam-Norman Barons-Chester Ale-Sion Tudor-Pretty Welsh Tongue.
So our little family, consisting of myself, my wife Mary, and my daughter Henrietta, for daughter I shall persist in calling her, started for Wales in the afternoon of the 27th July, 1854. We flew through part of Norfolk and Cambridgeshire in a train which we left at Ely, and getting into another, which did not fly quite so fast as the one we had quieted, reached the Peterborough station at about six o'clock of a delightful evening. We proceeded no farther on our journey that day, in order that we might have an opportunity of seeing the cathedral.
Sallying arm in arm from the Station Hotel, where we had determined to take up our quarters for the night, we crossed a bridge over the deep quiet Nen, on the southern bank of which stands the station, and soon arrived at the cathedral-unfortunately we were too late to procure admission into the interior, and had to content ourselves with walking round it and surveying its outside.
It is named after, and occupies the site, or part of the site of an immense monastery, founded by the Mercian King Peda, in the year 665, and destroyed by fire in the year 1116, which monastery, though originally termed Medeshamsted, or the homestead on the meads, was subsequently termed Peterborough, from the circumstance of its having been reared by the old Saxon monarch for the love of God and the honour of Saint Peter, as the Saxon Chronicle says, a book which I went through carefully in my younger days, when I studied Saxon, for, as I have already told the reader, I was in those days a bit of a philologist. Like the first, the second edifice was originally a monastery, and continued so till the time of the Reformation; both were abodes of learning; for if the Saxon Chronicle was commenced in the monkish cells of the first, it was completed in those of the second. What is at present called Peterborough Cathedral is a noble venerable pile, equal upon the whole in external appearance to the cathedrals of Toledo, Burgos and Leon, all of which I have seen. Nothing in architecture can be conceived more beautiful than the principal entrance, which fronts the west, and which, at the time we saw it, was gilded with the rays of the setting sun.
After having strolled about the edifice surveying it until we were weary, we returned to our inn, and after taking an excellent supper retired to rest.
At ten o'clock next morning we left the capital of the meads. With dragon speed, and dragon noise, fire, smoke, and fury, the train dashed along its road through beautiful meadows, garnished here and there with pollard sallows; over pretty streams, whose waters stole along imperceptibly; by venerable old churches, which I vowed I would take the first opportunity of visiting: stopping now and then to recruit its energies at places, whose old Anglo-Saxon names stared me in the eyes from station boards, as specimens of which, let me only dot down Willy Thorpe, Ringsted, and Yrthling Boro. Quite forgetting everything Welsh, I was enthusiastically Saxon the whole way from Medeshamsted to Blissworth, so thoroughly Saxon was the country, with its rich meads, its old churches and its names. After leaving Blissworth, a thoroughly Saxon place by-the-bye, as its name shows, signifying the stronghold or possession of Bligh or Blee, I became less Saxon; the country was rather less Saxon, and I caught occasionally the word "by" on a board, the Danish for a town; which "by" waked in me a considerable portion of Danish enthusiasm, of which I have plenty, and with reason, having translated the glorious K?mpe Viser over the desk of my ancient master, the gentleman solicitor of East Anglia. At length we drew near the great workshop of England, called by some, Brummagem or Bromwicham, by others Birmingham, and I fell into a philological reverie, wondering which was the right name. Before, however, we came to the station, I decided that both names were right enough, but that Bromwicham was the original name; signifying the home on the broomie moor, which name it lost in polite parlance for Birmingham, or the home of the son of Biarmer, when a certain man of Danish blood, called Biarming, or the son of Biarmer, got possession of it, whether by force, fraud, or marriage-the latter, by-the-bye, is by far the best way of getting possession of an estate-this deponent neither knoweth nor careth. At Birmingham station I became a modern Englishman, enthusiastically proud of modern England's science and energy; that station alone is enough to make one proud of being a modern Englishman. Oh, what an idea does that station, with its thousand trains dashing off in all directions, or arriving from all quarters, give of modern English science and energy. My modern English pride accompanied me all the way to Tipton; for all along the route there were wonderful evidences of English skill and enterprise; in chimneys high as cathedral spires, vomiting forth smoke, furnaces emitting flame and lava, and in the sound of gigantic hammers, wielded by steam, the Englishman's slave. After passing Tipton, at which place one leaves the great working district behind; I became for a considerable time a yawning, listless Englishman, without pride, enthusiasm, or feeling of any kind, from which state I was suddenly roused by the sight of ruined edifices on the tops of hills. They were remains of castles built by Norman Barons. Here, perhaps, the reader will expect from me a burst of Norman enthusiasm: if so he will be mistaken; I have no Norman enthusiasm, and hate and abominate the name of Norman, for I have always associated that name with the deflowering of helpless Englishwomen, the plundering of English homesteads, and the tearing out of poor Englishmen's eyes. The sight of those edifices, now in ruins, but which were once the strongholds of plunder, violence, and lust, made me almost ashamed of being an Englishman, for they brought to my mind the indignities to which poor English blood has been subjected. I sat silent and melancholy, till looking from the window I caught sight of a long line of hills, which I guessed to be the Welsh hills, as indeed they proved, which sight causing me to remember that I was bound for Wales, the land of the bard, made me cast all gloomy thoughts aside and glow with all the Welsh enthusiasm with which I glowed when I first started in the direction of Wales.
On arriving at Chester, at which place we intended to spend two or three days, we put up at an old-fashioned inn in Northgate Street, to which we had been recommended; my wife and daughter ordered tea and its accompaniments, and I ordered ale, and that which always should accompany it, cheese. "The ale I shall find bad," said I; Chester ale had a villainous character in the time of old Sion Tudor, who made a first-rate englyn upon it, and it has scarcely improved since; "but I shall have a treat in the cheese, Cheshire cheese has always been reckoned excellent, and now that I am in the capital of the cheese country, of course I shall have some of the very prime." Well, the tea, loaf and butter made their appearance, and with them my cheese and ale. To my horror the cheese had much the appearance of soap of the commonest kind, which indeed I found it much resembled in taste, on putting a small portion into my mouth. "Ah," said I, after I had opened the window and ejected the half-masticated morsel into the street, "those who wish to regale on good Cheshire cheese must not come to Chester, no more than those who wish to drink first-rate coffee must go to Mocha. I'll now see whether the ale is drinkable;" so I took a little of the ale into my mouth, and instantly going to the window, spirted it out after the cheese. "Of a surety," said I, "Chester ale must be of much the same quality as it was in the time of Sion Tudor, who spoke of it to the following effect:-
"Chester ale, Chester ale! I could ne'er get it down,
'Tis made of ground-ivy, of dirt, and of bran,
'Tis as thick as a river below a huge town!
'Tis not lap for a dog, far less drink for a man.'
Well! if I have been deceived in the cheese, I have at any rate not been deceived in the ale, which I expected to find execrable. Patience! I shall not fall into a passion, more especially as there are things I can fall back upon. Wife! I will trouble you for a cup of tea. Henrietta! have the kindness to cut me a slice of bread and butter."
Upon the whole we found ourselves very comfortable in the old-fashioned inn, which was kept by a nice old-fashioned gentlewoman, with the assistance of three servants, namely, a "boots" and two strapping chambermaids, one of which was a Welsh girl, with whom I soon scraped acquaintance, not, I assure the reader, for the sake of the pretty Welsh eyes which she carried in her head, but for the sake of the pretty Welsh tongue which she carried in her mouth, from which I confess occasionally proceeded sounds which, however pretty, I was quite unable to understand.
Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The Moving Picture Girls: Or, First Appearances in Photo Dramas" is part of "The Moving Picture Girls" series. "The Moving Picture Girls" is a series about the adventures of Ruth and Alice DeVere who live with their father who is an actor.
Hired by a bible society to bring the word of God to the Romany people of Spain, Borrow embarked on journey of mutual discovery whose result was this volume, published in 1841.
Lavengro’ and ‘The Romany Rye’ are one book, though the former was published in 1851 and the latter not until 1857. After a slumber of six years the dingle re-awakes to life, Lavengro’s hammer shatters the stillness, and the blaze of his forge again lights up its shadows, while all the strange persons of the drama take up their parts at the point where the curtain had been so abruptly rung down.
In the glittering world of high society and cutthroat ambition, a single sentence shatters a marriage: "Let's get a divorce." For three years, Claire Thompson has lived in exile, her marriage to the powerful Nelson Cooper a hollow shell existing only on paper. Shipped abroad on her wedding day and utterly forgotten, she returns only to be handed divorce papers. But Claire is no longer the timid, heartbroken girl she once was. Behind her quiet facade lies a woman transformed, secretly rejoicing at her newfound freedom. However, freedom comes with a price. As Claire signs the papers with relief, a chilling phone call reveals a dark truth: the threats she faced overseas were no accident, and the trail leads shockingly close to home-to the family that raised her and the husband who discarded her. Just as she prepares to sever all ties, a twist of fate pulls her back into the gilded cage. Nelson, for reasons unknown, suddenly stalls the divorce. Meanwhile, the family that disowned her and the fragile, manipulative sister who stole her life are determined to ruin her reputation and drive her out for good. But Claire is playing a different game now. With a mysterious new identity, powerful allies, and secrets of her own, she is no one's pawn. As hidden truths unravel and loyalties are tested, a stunning question emerges: In this high-stakes battle of love, betrayal, and revenge, who is truly trapping whom?
I was finally brought back to the billionaire Vance estate after years in the grimy foster system, but the luxury Lincoln felt more like a funeral procession. My biological family didn't welcome me with open arms; they looked at me like a stain on a silk shirt. They thought I was a "defective" mute with cognitive delays, a spare part to be traded away. Within hours of my arrival, my father decided to sell me to Julian Thorne, a bitter, paralyzed heir, just to secure a corporate merger. My sister Tiffany treated me like trash, whispering for me to "go back to the gutter" before pouring red wine over my dress in front of Manhattan's elite. When a drunk cousin tried to lay hands on me at the engagement gala, my grandmother didn't protect me-she raised her silver-topped cane to strike my face for "embarrassing the family." They called me a sacrificial lamb, laughing as they signed the prenuptial agreement that stripped me of my freedom. They had no idea I was E-11, the underground hacker-artist the world was obsessed with, or that I had already breached their private servers. I found the hidden medical records-blood types A, A, and B-a biological impossibility that proved my "parents" were harboring a scandal that could ruin them. Why bring me back just to discard me again? And why was Julian Thorne, the man supposedly bound to a wheelchair, secretly running miles at dawn on his private estate? Standing in the middle of the ballroom, I didn't plead for mercy. I used a text-to-speech app to broadcast a cold, synthetic threat: "I have the records, Richard. Do you want me to explain genetics to the press, or should we leave quietly?" With the "paralyzed" billionaire as my unexpected accomplice, I walked out of the Vance house and into a much more dangerous game.
Vesper's marriage to Julian Sterling was a gilded cage. One morning, she woke naked beside Damon Sterling, Julian's terrifying brother, then found a text: Julian's mistress was pregnant. Her world shattered, but the real nightmare had just begun. Julian's abuse escalated, gaslighting Vesper, funding his secret life. Damon, a germaphobic billionaire, became her unsettling anchor amidst his chaos. As "Iris," Vesper exposed Julian's mistress, Serena Sharp, sparking brutal war: poisoned drinks, a broken leg, and the horrifying truth-Julian murdered her parents, trapping Vesper in marriage. The man she married was a killer. Broken and betrayed, Vesper was caught between monstrous brothers, burning with injustice. Refusing victimhood, Vesper reclaimed her identity. Fueled by vengeance, she allied with Damon, who vowed to burn his empire for her. Julian faced justice, but matriarch Eleanor's counterattack forced Vesper's choice as a hitman aimed for her.
Trigger/Content Warning: This story contains mature themes and explicit content intended for adult audiences(18+). Reader discretion is advised. It includes elements such as BDSM dynamics, explicit sexual content, toxic family relationships, occasional violence and strong language. This is not a fluffy romance. It is intense, raw and messy, and explores the darker side of desire. ***** "Take off your dress, Meadow." "Why?" "Because your ex is watching," he said, leaning back into his seat. "And I want him to see what he lost." ••••*••••*••••* Meadow Russell was supposed to get married to the love of her life in Vegas. Instead, she walked in on her twin sister riding her fiance. One drink at the bar turned to ten. One drunken mistake turned into reality. And one stranger's offer turned into a contract that she signed with shaking hands and a diamond ring. Alaric Ashford is the devil in a tailored Tom Ford suit. Billionaire CEO, brutal, possessive. A man born into an empire of blood and steel. He also suffers from a neurological condition-he can't feel. Not objects, not pain, not even human touch. Until Meadow touches him, and he feels everything. And now he owns her. On paper and in his bed. She wants him to ruin her. Take what no one else could have. He wants control, obedience... revenge. But what starts as a transaction slowly turns into something Meadow never saw coming. Obsession, secrets that were never meant to surface, and a pain from the past that threatens to break everything. Alaric doesn't share what's his. Not his company. Not his wife. And definitely not his vengeance.
I watched my husband sign the papers that would end our marriage while he was busy texting the woman he actually loved. He didn't even glance at the header. He just scribbled the sharp, jagged signature that had signed death warrants for half of New York, tossed the file onto the passenger seat, and tapped his screen again. "Done," he said, his voice devoid of emotion. That was Dante Moretti. The Underboss. A man who could smell a lie from a mile away but couldn't see that his wife had just handed him an annulment decree disguised beneath a stack of mundane logistics reports. For three years, I scrubbed his blood out of his shirts. I saved his family's alliance when his ex, Sofia, ran off with a civilian. In return, he treated me like furniture. He left me in the rain to save Sofia from a broken nail. He left me alone on my birthday to drink champagne on a yacht with her. He even handed me a glass of whiskey—her favorite drink—forgetting that I despised the taste. I was merely a placeholder. A ghost in my own home. So, I stopped waiting. I burned our wedding portrait in the fireplace, left my platinum ring in the ashes, and boarded a one-way flight to San Francisco. I thought I was finally free. I thought I had escaped the cage. But I underestimated Dante. When he finally opened that file weeks later and realized he had signed away his wife without looking, the Reaper didn't accept defeat. He burned down the world to find me, obsessed with reclaiming the woman he had already thrown away.
On the day of their wedding anniversary, Joshua's mistress drugged Alicia, and she ended up in a stranger's bed. In one night, Alicia lost her innocence, while Joshua's mistress carried his child in her womb. Heartbroken and humiliated, Alicia demanded a divorce, but Joshua saw it as yet another tantrum. When they finally parted ways, she went on to become a renowned artist, sought out and admired by everyone. Consumed by regret, Joshua darkened her doorstep in hopes of reconciliation, only to find her in the arms of a powerful tycoon. "Say hello to your sister-in-law."
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