The History of Samuel Titmarsh, and The Great Hoggarty Diamond
William Makepeace Thackeray was one of the mid-19th century's most popular authors, and this is one of his famous works, which is still widely read today.
William Makepeace Thackeray was one of the mid-19th century's most popular authors, and this is one of his famous works, which is still widely read today.
When I came up to town for my second year, my aunt Hoggarty made me a present of a diamond-pin; that is to say, it was not a diamond-pin then, but a large old-fashioned locket, of Dublin manufacture in the year 1795, which the late Mr. Hoggarty used to sport at the Lord Lieutenant's balls and elsewhere. He wore it, he said, at the battle of Vinegar Hill, when his club pigtail saved his head from being taken off,-but that is neither here nor there.
In the middle of the brooch was Hoggarty in the scarlet uniform of the corps of Fencibles to which he belonged; around it were thirteen locks of hair, belonging to a baker's dozen of sisters that the old gentleman had; and, as all these little ringlets partook of the family hue of brilliant auburn, Hoggarty's portrait seemed to the fanciful view like a great fat red round of beef surrounded by thirteen carrots. These were dished up on a plate of blue enamel, and it was from the Great Hoggarty Diamond (as we called it in the family) that the collection of hairs in question seemed as it were to spring.
My aunt, I need not say, is rich; and I thought I might be her heir as well as another. During my month's holiday, she was particularly pleased with me; made me drink tea with her often (though there was a certain person in the village with whom on those golden summer evenings I should have liked to have taken a stroll in the hayfields); promised every time I drank her bohea to do something handsome for me when I went back to town,-nay, three or four times had me to dinner at three, and to whist or cribbage afterwards. I did not care for the cards; for though we always played seven hours on a stretch, and I always lost, my losings were never more than nineteenpence a night: but there was some infernal sour black-currant wine, that the old lady always produced at dinner, and with the tray at ten o'clock, and which I dared not refuse; though upon my word and honour it made me very unwell.
Well, I thought after all this obsequiousness on my part, and my aunt's repeated promises, that the old lady would at least make me a present of a score of guineas (of which she had a power in the drawer); and so convinced was I that some such present was intended for me, that a young lady by the name of Miss Mary Smith, with whom I had conversed on the subject, actually netted me a little green silk purse, which she gave me (behind Hicks's hayrick, as you turn to the right up Churchyard Lane)-which she gave me, I say, wrapped up in a bit of silver paper. There was something in the purse, too, if the truth must be known. First there was a thick curl of the glossiest blackest hair you ever saw in your life, and next there was threepence: that is to say, the half of a silver sixpence hanging by a little necklace of blue riband. Ah, but I knew where the other half of the sixpence was, and envied that happy bit of silver!
The last day of my holiday I was obliged, of course, to devote to Mrs. Hoggarty. My aunt was excessively gracious; and by way of a treat brought out a couple of bottles of the black currant, of which she made me drink the greater part. At night when all the ladies assembled at her party had gone off with their pattens and their maids, Mrs. Hoggarty, who had made a signal to me to stay, first blew out three of the wax candles in the drawing-room, and taking the fourth in her hand, went and unlocked her escritoire.
I can tell you my heart beat, though I pretended to look quite unconcerned.
"Sam my dear," said she, as she was fumbling with her keys, "take another glass of Rosolio" (that was the name by which she baptised the cursed beverage): "it will do you good." I took it, and you might have seen my hand tremble as the bottle went click-click against the glass. By the time I had swallowed it, the old lady had finished her operations at the bureau, and was coming towards me, the wax-candle bobbing in one hand and a large parcel in the other.
"Now's the time," thought I.
"Samuel, my dear nephew," said she, "your first name you received from your sainted uncle, my blessed husband; and of all my nephews and nieces, you are the one whose conduct in life has most pleased me."
When you consider that my aunt herself was one of seven married sisters, that all the Hoggarties were married in Ireland and mothers of numerous children, I must say that the compliment my aunt paid me was a very handsome one.
"Dear aunt," says I, in a slow agitated voice, "I have often heard you say there were seventy-three of us in all, and believe me I do think your high opinion of me very complimentary indeed: I'm unworthy of it-indeed I am."
"As for those odious Irish people," says my aunt, rather sharply, "don't speak of them, I hate them, and every one of their mothers" (the fact is, there had been a lawsuit about Hoggarty's property); "but of all my other kindred, you, Samuel, have been the most dutiful and affectionate to me. Your employers in London give the best accounts of your regularity and good conduct. Though you have had eighty pounds a year (a liberal salary), you have not spent a shilling more than your income, as other young men would; and you have devoted your month's holidays to your old aunt, who, I assure you, is grateful."
"Oh, ma'am!" said I. It was all that I could utter.
"Samuel," continued she, "I promised you a present, and here it is. I first thought of giving you money; but you are a regular lad; and don't want it. You are above money, dear Samuel. I give you what I value most in life-the p,-the po, the po-ortrait of my sainted Hoggarty" (tears), "set in the locket which contains the valuable diamond that you have often heard me speak of. Wear it, dear Sam, for my sake; and think of that angel in heaven, and of your dear Aunt Susy."
She put the machine into my hands: it was about the size of the lid of a shaving-box: and I should as soon have thought of wearing it as of wearing a cocked-hat and pigtail. I was so disgusted and disappointed that I really could not get out a single word.
When I recovered my presence of mind a little, I took the locket out of the bit of paper (the locket indeed! it was as big as a barndoor padlock), and slowly put it into my shirt. "Thank you, Aunt," said I, with admirable raillery. "I shall always value this present for the sake of you, who gave it me; and it will recall to me my uncle, and my thirteen aunts in Ireland."
"I don't want you to wear it in that way!" shrieked Mrs. Hoggarty, "with the hair of those odious carroty women. You must have their hair removed."
"Then the locket will be spoiled, Aunt."
"Well, sir, never mind the locket; have it set afresh."
"Or suppose," said I, "I put aside the setting altogether: it is a little too large for the present fashion; and have the portrait of my uncle framed and placed over my chimney-piece, next to yours. It's a sweet miniature."
"That miniature," said Mrs. Hoggarty, solemnly, "was the great Mulcahy's chef-d'?uvre" (pronounced shy dewver, a favourite word of my aunt's; being, with the words bongtong and ally mode de Parry, the extent of her French vocabulary). "You know the dreadful story of that poor poor artist. When he had finished that wonderful likeness for the late Mrs. Hoggarty of Castle Hoggarty, county Mayo, she wore it in her bosom at the Lord Lieutenant's ball, where she played a game of piquet with the Commander-in-Chief. What could have made her put the hair of her vulgar daughters round Mick's portrait, I can't think; but so it was, as you see it this day. 'Madam,' says the Commander-in-Chief, 'if that is not my friend Mick Hoggarty, I'm a Dutchman!' Those were his Lordship's very words. Mrs. Hoggarty of Castle Hoggarty took off the brooch and showed it to him.
"'Who is the artist?' says my Lord. 'It's the most wonderful likeness I ever saw in my life!'
"'Mulcahy,' says she, 'of Ormond's Quay.'
"'Begad, I patronise him!' says my Lord; but presently his face darkened, and he gave back the picture with a dissatisfied air. 'There is one fault in that portrait,' said his Lordship, who was a rigid disciplinarian; 'and I wonder that my friend Mick, as a military man, should have overlooked it.'
"'What's that?' says Mrs. Hoggarty of Castle Hoggarty.
"'Madam, he has been painted without his sword-belt!' And he took up the cards again in a passion, and finished the game without saying a single word.
"The news was carried to Mr. Mulcahy the next day, and that unfortunate artist went mad immediately! He had set his whole reputation upon this miniature, and declared that it should be faultless. Such was the effect of the announcement upon his susceptible heart! When Mrs. Hoggarty died, your uncle took the portrait and always wore it himself. His sisters said it was for the sake of the diamond; whereas, ungrateful things! it was merely on account of their hair, and his love for the fine arts. As for the poor artist, my dear, some people said it was the profuse use of spirit that brought on delirium tremens; but I don't believe it. Take another glass of Rosolio."
The telling of this story always put my aunt into great good-humour, and she promised at the end of it to pay for the new setting of the diamond; desiring me to take it on my arrival in London to the great jeweller, Mr. Polonius, and send her the bill. "The fact is," said she, "that the gold in which the thing is set is worth five guineas at the very least, and you can have the diamond reset for two. However, keep the remainder, dear Sam, and buy yourself what you please with it."
With this the old lady bade me adieu. The clock was striking twelve as I walked down the village, for the story of Mulcahy always took an hour in the telling, and I went away not quite so downhearted as when the present was first made to me. "After all," thought I, "a diamond-pin is a handsome thing, and will give me a distingué air, though my clothes be never so shabby"-and shabby they were without any doubt. "Well," I said, "three guineas, which I shall have over, will buy me a couple of pairs of what-d'ye-call-'ems;" of which, entre nous, I was in great want, having just then done growing, whereas my pantaloons were made a good eighteen months before.
Well, I walked down the village, my hands in my breeches pockets; I had poor Mary's purse there, having removed the little things which she gave me the day before, and placed them-never mind where: but look you, in those days I had a heart, and a warm one too. I had Mary's purse ready for my aunt's donation, which never came, and with my own little stock of money besides, that Mrs. Hoggarty's card parties had lessened by a good five-and-twenty shillings, I calculated that, after paying my fare, I should get to town with a couple of seven-shilling pieces in my pocket.
I walked down the village at a deuce of a pace; so quick that, if the thing had been possible, I should have overtaken ten o'clock that had passed by me two hours ago, when I was listening to Mrs. H.'s long stories over her terrible Rosolio. The truth is, at ten I had an appointment under a certain person's window, who was to have been looking at the moon at that hour, with her pretty quilled nightcap on, and her blessed hair in papers.
There was the window shut, and not so much as a candle in it; and though I hemmed and hawed, and whistled over the garden paling, and sang a song of which Somebody was very fond, and even threw a pebble at the window, which hit it exactly at the opening of the lattice,-I woke no one except a great brute of a house-dog, that yelled, and howled, and bounced so at me over the rails, that I thought every moment he would have had my nose between his teeth.
So I was obliged to go off as quickly as might be; and the next morning Mamma and my sisters made breakfast for me at four, and at five came the "True Blue" light six-inside post-coach to London, and I got up on the roof without having seen Mary Smith.
As we passed the house, it did seem as if the window curtain in her room was drawn aside just a little bit. Certainly the window was open, and it had been shut the night before: but away went the coach; and the village, cottage, and the churchyard, and Hicks's hayricks were soon out of sight.
* * * * *
"My hi, what a pin!" said a stable-boy, who was smoking a cigar, to the guard, looking at me and putting his finger to his nose.
The fact is, that I had never undressed since my aunt's party; and being uneasy in mind and having all my clothes to pack up, and thinking of something else, had quite forgotten Mrs. Hoggarty's brooch, which I had stuck into my shirt-frill the night before.
Catherine: A Story was the first full-length work of fiction produced by William Makepeace Thackeray. It first appeared in serialized installments in Fraser's Magazine between May 1839 and February 1840. Thackeray's original intention in writing it was to criticize the Newgate school of crime fiction, exemplified by Bulwer-Lytton and Harrison Ainsworth, whose works Thackeray felt glorified criminals.
William Makepeace Thackeray was one of the mid-19th century's most popular authors, and this is one of his famous works, which is still widely read today.
We know exceedingly little of the genesis and progress of Esmond. "It did not seem to be a part of our lives as Pendennis was," says Lady Ritchie, though she wrote part of it to dictation. She "only heard Esmond spoken of very rarely". Perhaps its state was not the less gracious. The Milton girls found Paradise Lost a very considerable part of their lives—and were not the happier. But its parallels are respectable. The greatest things have a way of coming "all so still" into the world. We wrangle—that is, those of us who are not content simply not to know—about the composition of Homer, the purpose of the Divina Commedia, the probable plan of the Canterbury Tales, the Ur-Hamlet. Nobody put preliminary advertisements in the papers, you see, about these things: there was a discreditable neglect of the first requirements of the public. So it is with Esmond. There is, I thought, a reference to it in the Brookfield letters; but in several searches I cannot find it. To his mother he speaks of the book as "grand and melancholy", and to Lady Stanley as of "cut-throat melancholy". It is said to have been sold for a thousand pounds—the same sum that Master Shallow lent Falstaff on probably inferior security. Those who knew thought well of it—which is not wholly surprising.
I was the spare daughter of the Vitiello crime family, born solely to provide organs for my golden sister, Isabella. Four years ago, under the codename "Seven," I nursed Dante Moretti, the Don of Chicago, back to health in a safe house. I was the one who held him in the dark. But Isabella stole my name, my credit, and the man I loved. Now, Dante looked at me with nothing but cold disgust, believing her lies. When a neon sign crashed down on the street, Dante used his body to shield Isabella, leaving me to be crushed under twisted steel. While Isabella sat in a VIP suite crying over a scratch, I lay broken, listening to my parents discuss if my kidneys were still viable for harvest. The final straw came at their engagement gala. When Dante saw me wearing the lava stone bracelet I had worn in the safe house, he accused me of stealing it from Isabella. He ordered my father to punish me. I took fifty lashes to my back while Dante covered Isabella's eyes, protecting her from the ugly truth. That night, the love in my heart finally died. On the morning of their wedding, I handed Dante a gift box containing a cassette tape—the only proof that I was Seven. Then, I signed the papers disowning my family, threw my phone out the car window, and boarded a one-way flight to Sydney. By the time Dante listens to that tape and realizes he married a monster, I will be thousands of miles away, never to return.
"Let's get married," Mia declares, her voice trembling despite her defiant gaze into Stefan's guarded brown eyes. She needs this, even if he seems untouchable. Stefan raises a skeptical brow. "And why would I do that?" His voice was low, like a warning, and it made her shiver even though she tried not to show it. "We both have one thing in common," Mia continues, her gaze unwavering. "Shitty fathers. They want to take what's ours and give it to who they think deserves it." A pointed pause hangs in the air. "The only difference between us is that you're an illegitimate child, and I'm not." Stefan studies her, the heiress in her designer armor, the fire in her eyes that matches the burn of his own rage. "That's your solution? A wedding band as a weapon?" He said ignoring the part where she just referred to him as an illegitimate child. "The only weapon they won't see coming." She steps closer, close enough for him to catch the scent of her perfume, gunpowder and jasmine. "Our fathers stole our birthrights. The sole reason they betrayed us. We join forces, create our own empire that'll bring down theirs." A beat of silence. Then, Stefan's mouth curves into something sharp. "One condition," he murmurs, closing the distance. "No divorces. No surrenders. If we're doing this, it's for life" "Deal" Mia said without missing a beat. Her father wants to destroy her life. She wouldn't give him the pleasure, she would destroy her life as she seems fit. ................ Two shattered heirs. One deadly vow. A marriage built on revenge. Mia Meyers was born to rule her father's empire (so she thought), until he named his bastard son heir instead. Stefan Sterling knows the sting of betrayal too. His father discarded him like trash. Now the rivals' disgraced children have a poisonous proposal: Marry for vengeance. Crush their fathers' legacies. Never speak of divorce. Whoever cracks first loses everything. Can these two rivals, united by their vengeful hearts, pull off a marriage of convenience to reclaim what they believe is rightfully theirs? Or will their fathers' animosity, and their own complicated pasts tear their fragile alliance apart?
Camille Lewis was the forgotten daughter, the unloved wife, the woman discarded like yesterday's news. Betrayed by her husband, cast aside by her own family, and left for dead by the sister who stole everything, she vanished without a trace. But the weak, naive Camille died the night her car was forced off that bridge. A year later, she returns as Camille Kane, richer, colder, and more powerful than anyone could have imagined. Armed with wealth, intelligence, and a hunger for vengeance, she is no longer the woman they once trampled on. She is the storm that will tear their world apart. Her ex-husband begs for forgiveness. Her sister's perfect life crumbles. Her parents regret the daughter they cast aside. But Camille didn't come back for apologies, she came back to watch them burn. But as her enemies fall at her feet, one question remains: when the revenge is over, what's left? A mysterious trillionaire Alexander Pierce steps into her path, offering something she thought she lost forever, a future. But can a woman built on ashes learn to love again? She rose from the fire to destroy those who betrayed her. Now, she must decide if she'll rule alone... or let someone melt the ice in her heart.
For ten years, Daniela showered her ex-husband with unwavering devotion, only to discover she was just his biggest joke. Feeling humiliated yet determined, she finally divorced him. Three months later, Daniela returned in grand style. She was now the hidden CEO of a leading brand, a sought-after designer, and a wealthy mining mogul-her success unveiled at her triumphant comeback. Her ex-husband's entire family rushed over, desperate to beg for forgiveness and plead for another chance. Yet Daniela, now cherished by the famed Mr. Phillips, regarded them with icy disdain. "I'm out of your league."
Eliana reunited with her family, now ruined by fate: Dad jailed, Mom deathly ill, six crushed brothers, and a fake daughter who'd fled for richer prey. Everyone sneered. But at her command, Eliana summoned the Onyx Syndicate. Bars opened, sickness vanished, and her brothers rose-one walking again, others soaring in business, tech, and art. When society mocked the "country girl," she unmasked herself: miracle doctor, famed painter, genius hacker, shadow queen. A powerful tycoon held her close. "Country girl? She's my fiancée!" Eliana glared at him. "Dream on." Resolutely, he vowed never to let go.
Blinded in a crash, Cary was rejected by every socialite—except Evelina, who married him without hesitation. Three years later, he regained his sight and ended their marriage. "We’ve already lost so many years. I won’t let her waste another one on me." Evelina signed the divorce papers without a word. Everyone mocked her fall—until they discovered that the miracle doctor, jewelry mogul, stock genius, top hacker, and the President's true daughter… were all her. When Cary came crawling back, a ruthless tycoon had him kicked out. "She's my wife now. Get lost."
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