The Boy Ranchers on the Trail; Or, The Diamond X After Cattle Rustlers
The Boy Ranchers on the Trail; Or, The Diamond X After Cattle Rustlers by Willard F. Baker
The Boy Ranchers on the Trail; Or, The Diamond X After Cattle Rustlers by Willard F. Baker
"Come on, Nort! It's your turn to cut out the next one!"
"S'pose I make a mux of it, Bud!"
"Shucks! You won't do that! You've roped a calf before!"
"Yes, but not at a big round-up like this. If I make a fizzle the fellows will give me the laugh!"
"What if they do? Everybody knows you haven't been at it long, and you've got to make a start. Besides, anybody's likely to make a mistake. That's why they put rubbers on the ends of pencils. Ride in now and snake out the next one, Nort!"
"All right, Bud! Here goes!"
Blaze, the pony Nort Shannon was riding toward the bunch of cattle gathered at Diamond X ranch for the big, spring round-up, leaped forward at the sound of his master's voice, and in response to the little jerk of the reins and the clap of heels against his sides. Into the herd of milling, turning and twisting cattle the intelligent animal made his way, needing hardly any guidance from Nort. The lad, by a mere touch, corrected the course of Blaze slightly, and in a moment he was heading for a calf which bawled loudly.
"Get him, Nort!" cried a voice from among the cowboys looking on.
"Don't get me fussed, Dick!" Nort shouted back to his brother, who sat astride his pony near Bud Merkle. "It'll be your turn next!"
Into the herd he wormed his way on Blaze, dodging here and there, but with his eyes ever on the calf he hoped to cut out so it could be branded. Nort leaned forward in his saddle, and then his cousin and brother, eagerly watching from outside the herd, saw the boy rancher's hand shoot up.
Through the air the rope went, turning, twisting, writhing and uncoiling like a snake. In an instant it had flipped around the hind legs of a calf.
"Good!" yelled Dick.
"Even Babe couldn't 'a' done better!" complimented Bud, enthusiastically.
"'Tisn't over yet!" gasped Nort, for he had hard work ahead of him, and the dust raised by thousands of hoofs was choking. "Wait 'till I get it to the branding corral!"
He leaned over in his other stirrup, causing the lariat to pull taut and, the next instant the calf flopped on its side.
"Snake him out, Blaze!" cried Nort to his pony, and the animal turned and dragged the prostrate calf along over the ground, an operation not as cruel as it sounds as the surface was inches thick in soft dust, like flour.
"That's the boy, Nort!" called his cousin Bud. "I knew you could do it! Now then, Dick! Let's see how you'll make out!"
"I can't throw a rope as good as Nort," answered the stouter lad, as he urged his pony, Blackie, into the herd. "But here goes!"
Meanwhile Nort had dragged the calf he had cut out to the corral where the branding was going on. Two cowboys, stationed there for the purpose, leaped forward and threw the calf over on its side, for it had managed to struggle to its feet when Nort ceased dragging it. One man twisted a front leg of the struggling creature back in a hammerlock and knelt on its neck. The other took hold of the upper hind leg, and with this hold prevented the calf from sprawling along on the ground.
"Sit on him!" called Mr. Merkel, owner of Diamond X and other ranches. He was superintending the round-up of his herds and those entrusted to Bud, Nort and Dick in the first business venture of the boy ranchers. "Sit on him!" yelled Bud's father.
Accordingly the men sat on the calf, thus, with the holds they had secured, keeping it under restraint with the least possible pain to the small creature.
"Branding iron!" sang out Slim Degnan, foreman of the ranch.
A little blaze was flickering on the ground, not far from where the calf Nort had cut out was thrown and held. In a moment the fire-tender had seized the branding iron, and, a second or two later, it was being pressed on the calf's flank.
The creature bawled loudly, and kicked out, thereby nearly throwing off the men who were sitting on it. But the branding was all over in a moment, and the men leaped up, releasing the animal.
The calf stood, dazed for the time being, after it had scrambled to its feet, and then trotted out of the corral, lashing its side with its little tail. Plainly branded on it now, never to be completely effaced, was the mark of the ownership of Mr. Merkel-an X inside a diamond.
"Next!" called the branders:
"Here comes Dick!" shouted Bud, as Nort rode up beside him. "And he got his calf!"
"Good!" exclaimed the brother. "I guess we're learning the business!"
"Surest thing you know!" asserted the son of the owner of Diamond X. "I told you it wasn't so hard, and you've done the same thing before."
"But not at such a big round-up," remarked Nort, as he prepared to ride in again and cut out another calf.
"Yes, it is big," admitted Bud, as he made ready for his share in the affair-his task being the same as that of his cousins-to cut out the calves for branding purposes. "It sure is a big round-up."
It had been in progress for days. Twice a year on the big, western ranches, the cattle are driven in from the outlying ranges, to be tallied, inspected, marked and shipped away. The spring and fall round-ups are always busy seasons at any ranch.
During the times between round-ups the new calves attained their growth, but they needed to have branded into their hides the marks of their owners. Then, too, some yearlings escaped branding at times, either by remaining out of sight at the round-up, or in the attending confusion.
Unbranded calves who had partly attained their growth, were termed "mavericks," and when the herds of different owners mingled, there was, usually, a division of the mavericks, since it could not be accurately told who owned them.
The title maverick was derived from a stock man of that name, whose practice was to claim all unbranded calves in a herd. His cowboys would ride about, cutting out the unmarked animals, with the cool statement:
"That's a maverick," meaning that it belonged to their "boss."
And so the name has commonly become associated with any half-grown, unbranded calf.
Mr. Merkel was the owner of several ranches, Square M, Triangle B and Diamond X, not to mention Diamond X Second, or Flume Valley, of which his son Bud, and the latter's cousins, Norton and Richard Shannon, were the nominal proprietors.
The cattle from Flume Valley, or "Happy Valley" as Bud called it after the mystery of the underground water was solved, were in the round-up with the others from his father's ranches.
For days preceding the lively doings I have just described, the cowboys, called in from distant ranges, had driven the cattle toward the central assembling point-the corrals at Diamond X.
Slowly the longhorns, the shorthorns and cattle with no horns at all, had been "hazed" in from their feeding grounds toward Diamond X. The cow punchers had galloped hard all day, and they had ridden herd at night, to keep the animals from straying. At night this was not so hard, for the animals were glad to rest during the darkness.
But during the day there was always some steer-often more than one-that wanted to run away from the herd. As this might start a stampede it was necessary to drive the "striker" back, and this was, often enough, a difficult task.
Bud, Nort and Dick had borne their share of this difficult round-up task, and now, when the thousand or more of steers, calves and mavericks had been gathered at Diamond X, the work of tallying them, branding those that were without marks and shipping away the best was well under way.
In and out of the herd rode the boy ranchers, doing their best alongside of more seasoned "punchers." Calves were cut out, thrown and branded, to be quickly released and again mingle with the herd.
"Oh, I'm Captain Jinks,
Of the Horse Marines!"
One of the cowboys, wiping the dust and sweat from his face, with his big, red silk handkerchief, or, rather, neckerchief, started this song. It was taken up by half a score of loud voices.
"Yi-yippy!" came in stentorian tones from Yellin' Kid. "This is the life!"
But as, just then, his pony slipped and he missed the throw he made for a calf, it is doubtful if Yellin' Kid felt as gay as he sounded.
"Hot work; eh, boys?" asked Mr. Merkel, when Dick, Nort and Bud rode past to get drinks of water.
"But it's great, all the same!" answered Dick, with shining eyes-eyes that gleamed amid a face dark with the tan of the western sun and grimy with the dust of the western plains.
"Glad you like it!" commented the proprietor of Diamond X as he kept on with his tallying. "How they coming, Slim?" he asked his foreman.
"Couldn't be better! Old Buck Tooth is doing a heap sight more than I ever dreamed a Zuni could."
"Bud said that his old Indian helper was up to snuff!" commented Mr. Merkel. "I'm glad to know it. Heard anything from Double Z?" he asked, and there was an anxious note in his voice.
"No, Hank and his gang seem to have quieted down after what I told 'em!"
"Well, I hope he doesn't make trouble for Bud and the boys.
They're going back to Happy Valley to-night."
"So I understand. Oh, shucks! Don't worry about Hank! He's all talk-he and that blustery foreman of his, Ike Johnson!"
There had been a dispute between the cowboys of Diamond X and those of Double Z, a ranch owned by the notorious Hank Fisher, a few days before the round-up, the subject of dispute being the ownership of certain mavericks. It had ended with the triumph of Slim Degnan, foreman of Mr. Merkel's holdings.
And so the round-up went on, the heat, the dust, the noise and confusion increasing as calf after calf, maverick after maverick, was branded, and the steers to be shipped were cut out, to be hazed over to the railroad stock yards.
And yet, with all the seeming confusion, there was order and system in the work.
"Well, I guess this is the last," remarked Mr. Merkel to his son, as Bud, with his cousins, rode slowly up to the ranch house, when the final calf had been cut out and the tally made. "You boys going back after grub?"
"Yep," answered Bud, but there was no enthusiasm in his voice. He, like his cousins, was too tired. For the day had been a grueling one, with the heat and hard work.
"You sure did make out a whole lot better than I ever thought you would," said Mr. Merkel, as he rode along with his son and nephew's. "Putting water into that valley made a big difference."
"I should say so!" exclaimed Bud. "Our stock will lay over anything you will ship from any of your three ranches, Dad!"
"I wouldn't wonder but what you are right, Bud! Well, let's wash up and eat."
One by one the cowboys drifted in, some singing ranch songs in spite of their weariness. Bud and his cousins were through with their meal first, and, having persuaded his sister, Nell, to pack a basket of doughnuts, pie and cheese for him, Bud signalled to his cousins to join him out at the pony corral.
"Let's get an early start back to Happy Valley," he urged. "It's a long enough ride, anyhow."
"You said it!" commented Nort.
"Well, there's one thing we don't have to worry about, and that is not finding any water running into the reservoir," added Dick, as he slipped in through the gate and caught one of his ponies-not Blackie, who was tired out from the round-up. Each cow puncher, including the boy ranchers, had several animals in his "string."
"No, I guess, since we solved the mystery of the water supply, we'll have no more trouble," agreed Bud.
The boy ranchers rode over the trail to their own camp-it was actually a camp, for permanent ranch buildings had not yet been erected in Happy Valley, though some were projected. Tents formed the abiding place of our heroes, and as they were only there during the summer months the canvas shelters served very well, indeed.
The moon rose, shining down from a starlit sky, as the rough but faithful and sturdy cow ponies ambled along. Now the boy ranchers would be down in some swale, or valley, and again topping one of the foothills which led to Buffalo Ridge or Snake Mountain, between which elevations lay Happy Valley, where the cattle of Diamond X Second were quartered.
"There she is-the old camp," murmured Dick, as they started down the slope which led to the collection of tents erected against the earthen and stone bank of the reservoir.
"And maybe I won't hit the hay!" exclaimed Bud, with a yawn. "We don't have to get up to-morrow until we're ready."
"Oh, boy!" cried Nort in delight.
They rode forward, and were almost at their camp when Bud, who had trotted ahead, pulled his pony to a sudden stop and cried out:
"Hold on there! Who are you and where are you going?"
At the same moment his cousins saw the moon gleaming on the .45 gun which Bud drew from his holster.
Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The Moving Picture Girls: Or, First Appearances in Photo Dramas" is part of "The Moving Picture Girls" series. "The Moving Picture Girls" is a series about the adventures of Ruth and Alice DeVere who live with their father who is an actor.
Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The Moving Picture Girls: Or, First Appearances in Photo Dramas" is part of "The Moving Picture Girls" series. "The Moving Picture Girls" is a series about the adventures of Ruth and Alice DeVere who live with their father who is an actor.
The Boy Ranchers in Camp; Or, The Water Fight at Diamond X by Willard F. Baker
Marrying her best friend was a dream come true for Kelly, but everything truly has a limitation. Pierce is Kelly’s first love, but as his best friend, she knew well there was always another woman deep in his heart. Lexi Gilbert. The woman Pierce could never forget even if he had already been arranged to marry Kelly. *** Kelly finally realized their happy marriage of the last three years was just a beautiful dream when Pierce asked for a divorce just because Lexi returned. She could only be his best friend even if she was carrying his baby. *** Since their friendship had become a cage, Kelly chose to set him free, as well as the miserable herself. But why then, it was Pierce who became the one who refused to move on? To make matters worse, her devil stepbrother also domineeringly stepped in at the same time, asking her to be his. *** Her Prince Charming vs. Her Devil Stepbrother? How could Kelly save her heart in this battle of love and hate?
I was finally brought back to the billionaire Vance estate after years in the grimy foster system, but the luxury Lincoln felt more like a funeral procession. My biological family didn't welcome me with open arms; they looked at me like a stain on a silk shirt. They thought I was a "defective" mute with cognitive delays, a spare part to be traded away. Within hours of my arrival, my father decided to sell me to Julian Thorne, a bitter, paralyzed heir, just to secure a corporate merger. My sister Tiffany treated me like trash, whispering for me to "go back to the gutter" before pouring red wine over my dress in front of Manhattan's elite. When a drunk cousin tried to lay hands on me at the engagement gala, my grandmother didn't protect me-she raised her silver-topped cane to strike my face for "embarrassing the family." They called me a sacrificial lamb, laughing as they signed the prenuptial agreement that stripped me of my freedom. They had no idea I was E-11, the underground hacker-artist the world was obsessed with, or that I had already breached their private servers. I found the hidden medical records-blood types A, A, and B-a biological impossibility that proved my "parents" were harboring a scandal that could ruin them. Why bring me back just to discard me again? And why was Julian Thorne, the man supposedly bound to a wheelchair, secretly running miles at dawn on his private estate? Standing in the middle of the ballroom, I didn't plead for mercy. I used a text-to-speech app to broadcast a cold, synthetic threat: "I have the records, Richard. Do you want me to explain genetics to the press, or should we leave quietly?" With the "paralyzed" billionaire as my unexpected accomplice, I walked out of the Vance house and into a much more dangerous game.
Abandoned as a child and orphaned by murder, Kathryn swore she'd reclaim every shred of her stolen birthright. When she returned, society called her an unpolished love-child, scoffing that Evan had lost his mind to marry her. Only Evan knew the truth: the quiet woman he cradled like porcelain hid secrets enough to set the city trembling. She doubled as a legendary healer, an elusive hacker, and the royal court's favorite perfumer. At meetings, the directors groaned at the lovey-dovey couple, "Does she really have to be here?" Evan shrugged. "Happy wife, happy life." Soon her masks fell, and those who sneered bowed in awe.
I gave him three years of silent devotion behind a mask I never wanted to wear. I made a wager for our bond-he paid me off like a mistress. "Chloe's back," Zane said coldly. "It's over." I laughed, poured wine on his face, and walked away from the only love I'd ever known. "What now?" my best friend asked. I smiled. "The real me returns." But fate wasn't finished yet. That same night, Caesar Conrad-the Alpha every wolf feared-opened his car door and whispered, "Get in." Our gazes collided. The bond awakened. No games. No pretending. Just raw, unstoppable power. "Don't regret this," he warned, lips brushing mine. But I didn't. Because the mate I'd been chasing never saw me. And the one who did? He's ready to burn the world for me.
The sterile white of the operating room blurred, then sharpened, as Skye Sterling felt the cold clawing its way up her body. The heart monitor flatlined, a steady, high-pitched whine announcing her end. Her uterus had been removed, a desperate attempt to stop the bleeding, but the blood wouldn't clot. It just kept flowing, warm and sticky, pooling beneath her. Through heavy eyes, she saw a trembling nurse holding a phone on speaker. "Mr. Kensington," the nurse's voice cracked, "your wife... she's critical." A pause, then a sweet, poisonous giggle. Seraphina Miller. "Liam is in the shower," Seraphina's voice purred. "Stop calling, Skye. It's pathetic. Faking a medical emergency on our anniversary? Even for you, that's low." Then, Liam's bored voice: "If she dies, call the funeral home. I have a meeting in the morning." Click. The line went dead. A second later, so did Skye. The darkness that followed was absolute, suffocating, a black ocean crushing her lungs. She screamed into the void, a silent, agonizing wail of regret for loving a man who saw her as a nuisance, for dying without ever truly living. Until she died, she didn't understand. Why was her life so tragically wasted? Why did her husband, the man she loved, abandon her so cruelly? The injustice of it all burned hotter than the fever in her body. Then, the air rushed back in. Skye gasped, her body convulsing violently on the mattress. Her eyes flew open, wide and terrified, staring blindly into the darkness. Her trembling hand reached for her phone. May 12th. Five years ago. She was back.
Vivian clutched her Hermès bag, her doctor's words echoing: "Extremely high-risk pregnancy." She hoped the baby would save her cold marriage, but Julian wasn't in London as his schedule claimed. Instead, a paparazzi photo revealed his early return-with a blonde woman, not his wife, at the private airport exit. The next morning, Julian served divorce papers, callously ending their "duty" marriage for his ex, Serena. A horrifying contract clause gave him the right to terminate her pregnancy or seize their child. Humiliated, demoted, and forced to fake an ulcer, Vivian watched him parade his affair, openly discarding her while celebrating Serena. This was a calculated erasure, not heartbreak. He cared only for his image, confirming he would "handle" the baby himself. A primal rage ignited her. "Just us," she whispered to her stomach, vowing to sign the divorce on her terms, keep her secret safe, and walk away from Sterling Corp for good, ready to protect her child alone.
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