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CHAPTER XXIII MUSICAL INSTRUMENTS

Word Count: 2565    |    Released on: 19/11/2017

Veneer and inlaid work-Musical instruments-Imitations and fakers of musical instruments-Connoisseurship of musical i

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Contents

The Gentle Art of Faking
PREFACE
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The Gentle Art of Faking
Part I THE BIRTH AND DEVELOPMENT OF FAKING CHAPTER I GREEKS AND ROMANS AS ART COLLECTORS
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CHAPTER II COLLECTOMANIA IN ROME
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CHAPTER III RAPACIOUS ROMAN COLLECTORS
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The Gentle Art of Faking
CHAPTER IV ROME AS AN ART EMPORIUM
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The Gentle Art of Faking
CHAPTER V INCREASE OF FAKING IN ROME
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The Gentle Art of Faking
CHAPTER VI DECADENCE OF ART AND CONSEQUENT CHANGES
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CHAPTER VII THE RENAISSANCE PERIOD
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CHAPTER VIII IMITATION, PLAGIARISM AND FAKING
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The Gentle Art of Faking
CHAPTER IX COLLECTORS OF THE SIXTEENTH CENTURY
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CHAPTER X COLLECTING IN FRANCE AND ENGLAND
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CHAPTER XI MAZARIN AS A COLLECTOR
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CHAPTER XII SOME NOTABLE FRENCH COLLECTORS
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The Gentle Art of Faking
Part II THE COLLECTOR AND THE FAKER CHAPTER XIII COLLECTORS AND COLLECTIONS
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CHAPTER XIV THE COLLECTOR'S FRIENDS AND ENEMIES
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CHAPTER XV IMITATORS AND FAKERS
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CHAPTER XVI THE ARTISTIC QUALITIES OF IMITATORS
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CHAPTER XVII FAKERS, FORGERS AND THE LAW
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The Gentle Art of Faking
CHAPTER XVIII THE FAKED ATMOSPHERE AND PUBLIC SALES
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Part III THE FAKED ARTICLE CHAPTER XIX THE MAKE-UP OF FAKED ANTIQUES
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CHAPTER XX FAKED SCULPTURE, BAS-RELIEFS AND BRONZES
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CHAPTER XXI FAKED POTTERY
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CHAPTER XXII METAL FAKES
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CHAPTER XXIII MUSICAL INSTRUMENTS
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CHAPTER XXIV VELVETS, TAPESTRIES AND BOOKS
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The Gentle Art of Faking
CHAPTER XXV SUMMING UP
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