Vanity Fair: A Novel without a Hero is a novel by William Makepeace Thackeray, first published in 1847–48, satirizing society in early 19th-century Britain. The book's title comes from John Bunyan's allegorical story The Pilgrim's Progress, first published in 1678 and still widely read at the time of Thackeray's novel. Vanity fair refers to a stop along the pilgrim's progress: a never-ending fair held in a town called Vanity, which is meant to represent man's sinful attachment to worldly things. The novel is now considered a classic, and has inspired several film adaptations.
As the manager of the Performance sits before the curtain on the boards and looks into the Fair, a feeling of profound melancholy comes over him in his survey of the bustling place.
There is a great quantity of eating and drinking, making love and jilting, laughing and the contrary, smoking, cheating, fighting, dancing and fiddling; there are bullies pushing about, bucks ogling the women, knaves picking pockets, policemen on the look-out, quacks (other quacks, plague take them!) bawling in front of their booths, and yokels looking up at the tinselled dancers and poor old rouged tumblers, while the light-fingered folk are operating upon their pockets behind. Yes, this is VANITY FAIR; not a moral place certainly; nor a merry one, though very noisy. Look at the faces of the actors and buffoons when they come off from their business; and Tom Fool washing the paint off his cheeks before he sits down to dinner with his wife and the little Jack Puddings behind the canvas. The curtain will be up presently, and he will be turning over head and heels, and crying, "How are you?"A man with a reflective turn of mind, walking through an exhibition of this sort, will not be oppressed, I take it, by his own or other people's hilarity. An episode of humour or kindness touches and amuses him here and there-a pretty child looking at a gingerbread stall; a pretty girl blushing whilst her lover talks to her and chooses her fairing; poor Tom Fool, yonder behind the waggon, mumbling his bone with the honest family which lives by his tumbling; but the general impression is one more melancholy than mirthful. When you come home you sit down in a sober, contemplative, not uncharitable frame of mind, and apply yourself to your books or your business.I have no other moral than this to tag to the present story of "Vanity Fair." Some people consider Fairs immoral altogether, and eschew such, with their servants and families: very likely they are right. But persons who think otherwise, and are of a lazy, or a benevolent, or a sarcastic mood, may perhaps like to step in for half an hour, and look at the performances. There are scenes of all sorts; some dreadful combats, some grand and lofty horse-riding, some scenes of high life, and some of very middling indeed; some love-making for the sentimental, and some light comic business; the whole accompanied by appropriate scenery and brilliantly illuminated with the Author's own candles.What more has the Manager of the Performance to say?- To acknowledge the kindness with which it has been received in all the principal towns of England through which the Show has passed, and where it has been most favourably noticed by the respected conductors of the public Press, and by the Nobility and Gentry. He is proud to think that his Puppets have given satisfaction to the very best company in this empire. The famous little Becky Puppet has been pronounced to be uncommonly flexible in the joints, and lively on the wire; the Amelia Doll, though it has had a smaller circle of admirers, has yet been carved and dressed with the greatest care by the artist; the Dobbin Figure, though apparently clumsy, yet dances in a very amusing and natural manner; the Little Boys' Dance has been liked by some; and please to remark the richly dressed figure of the Wicked Nobleman, on which no expense has been spared, and which Old Nick will fetch away at the end of this singular performance.And with this, and a profound bow to his patrons, the Manager retires, and the curtain rises.LONDON, June 28, 1848
Catherine: A Story was the first full-length work of fiction produced by William Makepeace Thackeray. It first appeared in serialized installments in Fraser's Magazine between May 1839 and February 1840. Thackeray's original intention in writing it was to criticize the Newgate school of crime fiction, exemplified by Bulwer-Lytton and Harrison Ainsworth, whose works Thackeray felt glorified criminals.
William Makepeace Thackeray was one of the mid-19th century's most popular authors, and this is one of his famous works, which is still widely read today.
William Makepeace Thackeray was one of the mid-19th century's most popular authors, and this is one of his famous works, which is still widely read today.
“Drive this woman out!” "Throw this woman into the sea!” When he doesn’t know Debbie Nelson’s true identity, Carlos Hilton cold-shoulders her. “Mr. Hilton, she is your wife,” Carlos’ secretary reminded him. Hearing that, Carlos gives him a cold stare and complained, “why didn’t you tell me earlier?” From then on, Carlos spoils her rotten. Little did everyone expect that they would get a divorce.
Rumors said that Lucas married an unattractive woman with no background. In the three years they were together, he remained cold and distant to Belinda, who endured in silence. Her love for him forced her to sacrifice her self-worth and her dreams. When Lucas' true love reappeared, Belinda realized that their marriage was a sham from the start, a ploy to save another woman's life. She signed the divorce papers and left. Three years later, Belinda returned as a surgical prodigy and a maestro of the piano. Lost in regret, Lucas chased her in the rain and held her tightly. "You are mine, Belinda."
Allison fell in love with Ethan Iversen, the soon-to-be Alpha of the Moonlight Crown pack. She always wanted him to notice her. Meanwhile, Ethan was an arrogant Alpha who thought a weak Omega could not be his companion. Ethan's cousin, Ryan Iversen, who came back from abroad and was the actual heir of the pack, never tried to get the position nor did he show any interest in it. He was a popular playboy Alpha but when he came back to the pack, one thing captured his eyes and that was Allison.
Darya spent three years loving Micah, worshipping the ground he walked on. Until his neglect and his family's abuse finally woke her up to the ugly truth-he doesn't love her. Never did, never will. To her, he is a hero, her knight in shining armour. To him, she is an opportunist, a gold digger who schemed her way into his life. Darya accepts the harsh reality, gathers the shattered pieces of her dignity, divorces him, takes back her real name, reclaims her title as the country's youngest billionaire heiress. Their paths cross again at a party. Micah watches his ex-wife sing like an angel, tear up the dance floor, then thwart a lecher with a roundhouse kick. He realises, belatedly, that she's exactly the kind of woman he'd want to marry, if only he had taken the trouble to get to know her. Micah acts promptly to win her back, but discovers she's now surrounded by eligible bachelors: high-powered CEO, genius biochemist, award-winning singer, reformed playboy. Worse, she makes it pretty clear that she's done with him. Micah gears up for an uphill battle. He must prove to her he's still worthy of her love before she falls for someone else. And time is running out.
After three secretive years of marriage, Eliana never met her enigmatic husband until she was served with divorce papers and learned of his extravagant pursuit of another. She snapped back to reality and secured a divorce. Thereafter, Eliana unveiled her various personas: an esteemed doctor, legendary secret agent, master hacker, celebrated designer, adept race car driver, and distinguished scientist. As her diverse talents became known, her ex-husband was consumed by remorse. Desperately, he pleaded, "Eliana, give me another chance! All my properties, even my life, are yours."
Maia grew up a pampered heiress-until the real daughter returned and framed her, sending Maia to prison with help from her fiancé and family. Four years later, free and married to Chris, a notorious outcast, everyone assumed Maia was finished. They soon discovered she was secretly a famed jeweler, elite hacker, celebrity chef, and top game designer. As her former family begged for help, Chris smiled calmly. "Honey, let's go home." Only then did Maia realize her "useless" husband was a legendary tycoon who'd adored her from the start.