A collection of stories by Thomas Hardy including: An Imaginative Woman, The Three Strangers, The Withered Arm, Fellow-Townsmen, Interlopers at the Knap, The Distracted Preacher.
A collection of stories by Thomas Hardy including: An Imaginative Woman, The Three Strangers, The Withered Arm, Fellow-Townsmen, Interlopers at the Knap, The Distracted Preacher.
It was an eighty-cow dairy, and the troop of milkers, regular and supernumerary, were all at work; for, though the time of year was as yet but early April, the feed lay entirely in water-meadows, and the cows were 'in full pail.' The hour was about six in the evening, and three-fourths of the large, red, rectangular animals having been finished off, there was opportunity for a little conversation.
'He do bring home his bride to-morrow, I hear. They've come as far as Anglebury to-day.'
The voice seemed to proceed from the belly of the cow called Cherry, but the speaker was a milking-woman, whose face was buried in the flank of that motionless beast.
'Hav' anybody seen her?' said another.
There was a negative response from the first. 'Though they say she's a rosy-cheeked, tisty-tosty little body enough,' she added; and as the milkmaid spoke she turned her face so that she could glance past her cow's tail to the other side of the barton, where a thin, fading woman of thirty milked somewhat apart from the rest.
'Years younger than he, they say,' continued the second, with also a glance of reflectiveness in the same direction.
'How old do you call him, then?'
'Thirty or so.'
'More like forty,' broke in an old milkman near, in a long white pinafore or 'wropper,' and with the brim of his hat tied down, so that he looked like a woman. ''A was born before our Great Weir was builded, and I hadn't man's wages when I laved water there.'
The discussion waxed so warm that the purr of the milk-streams became jerky, till a voice from another cow's belly cried with authority, 'Now then, what the Turk do it matter to us about Farmer Lodge's age, or Farmer Lodge's new mis'ess? I shall have to pay him nine pound a year for the rent of every one of these milchers, whatever his age or hers. Get on with your work, or 'twill be dark afore we have done. The evening is pinking in a'ready.' This speaker was the dairyman himself; by whom the milkmaids and men were employed.
Nothing more was said publicly about Farmer Lodge's wedding, but the first woman murmured under her cow to her next neighbour, ''Tis hard for she,' signifying the thin worn milkmaid aforesaid.
'O no,' said the second. 'He ha'n't spoke to Rhoda Brook for years.'
When the milking was done they washed their pails and hung them on a many-forked stand made of the peeled limb of an oak-tree, set upright in the earth, and resembling a colossal antlered horn. The majority then dispersed in various directions homeward. The thin woman who had not spoken was joined by a boy of twelve or thereabout, and the twain went away up the field also.
Their course lay apart from that of the others, to a lonely spot high above the water-meads, and not far from the border of Egdon Heath, whose dark countenance was visible in the distance as they drew nigh to their home.
'They've just been saying down in barton that your father brings his young wife home from Anglebury to-morrow,' the woman observed. 'I shall want to send you for a few things to market, and you'll be pretty sure to meet 'em.'
'Yes, mother,' said the boy. 'Is father married then?'
'Yes . . . You can give her a look, and tell me what's she's like, if you do see her.'
'Yes, mother.'
'If she's dark or fair, and if she's tall-as tall as I. And if she seems like a woman who has ever worked for a living, or one that has been always well off, and has never done anything, and shows marks of the lady on her, as I expect she do.'
'Yes.'
They crept up the hill in the twilight, and entered the cottage. It was built of mud-walls, the surface of which had been washed by many rains into channels and depressions that left none of the original flat face visible; while here and there in the thatch above a rafter showed like a bone protruding through the skin.
She was kneeling down in the chimney-corner, before two pieces of turf laid together with the heather inwards, blowing at the red-hot ashes with her breath till the turves flamed. The radiance lit her pale cheek, and made her dark eyes, that had once been handsome, seem handsome anew. 'Yes,' she resumed, 'see if she is dark or fair, and if you can, notice if her hands be white; if not, see if they look as though she had ever done housework, or are milker's hands like mine.'
The boy again promised, inattentively this time, his mother not observing that he was cutting a notch with his pocket-knife in the beech-backed chair.
That, however, was thirteen years ago, and, in respect of the first opinion, I venture to think that those who care to read the story now will be quite astonished at the scrupulous propriety observed therein on the relations of the sexes; ...
Jocelyn Pierston, celebrated sculptor, tries to create an image of his ideal woman - his imaginary "Well-Beloved" - in stone, just as he tries to find her in the flesh.
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Dieses Werk ist Teil der Buchreihe TREDITION CLASSICS. Der Verlag tredition aus Hamburg ver??ffentlicht in der Buchreihe TREDITION CLASSICS Werke aus mehr als zwei Jahrtausenden. Diese waren zu einem Gro??teil vergriffen oder nur noch antiquarisch erh??ltlich. Mit der Buchreihe TREDITION CLASSICS verfolgt tredition das Ziel, tausende Klassiker der Weltliteratur verschiedener Sprachen wieder als gedruckte B\u00fccher zu verlegen \u2013 und das weltweit! Die Buchreihe dient zur Bewahrung der Literatur und F??rderung der Kultur. Sie tr??gt so dazu bei, dass viele tausend Werke nicht in Vergessenheit geraten.
Using the restoration of a castle as a framework, classic novelist Thomas Hardy (1840-1928) considers the ancient analogy between architecture and philosophy. "Laodicean" is a term for early Christians lukewarm in their beliefs. Hardy's character, passionate architect George Somerset finds himself captivated by "Laodicean" Paula Power, whose views on conventions of any kind are lukewarm at best.
"I heard you're going to marry Marcelo. Is this perhaps your revenge against me? It's very laughable, Renee. That man can barely function." Her foster family, her cheating ex, everyone thought Renee was going to live in pure hell after getting married to a disabled and cruel man. She didn't know if anything good would ever come out of it after all, she had always thought it would be hard for anyone to love her but this cruel man with dark secrets is never going to grant her a divorce because she makes him forget how to breathe.
"My sister threatens to take my mate. And I let her keep him." Born without a wolf, Seraphina is the disgrace of her pack-until a drunken night leaves her pregnant and married to Kieran, the ruthless Alpha who never wanted her. But their decade-long marriage was no fairytale. For ten years, she endured the humiliation: No Luna title. No mating mark. Just cold sheets and colder stares. When her perfect sister returned, Kieran filed for divorce the same night. And her family was happy to see her marriage broken. Seraphina didn't fight but left silently. However, when danger struck, shocking truths emerged: ☽ That night wasn't an accident ☽ Her "defect" is actually a rare gift ☽ And now every Alpha-including her ex-husband-will fight to claim her Too bad she's done being owned. *** Kieran's growl vibrated through my bones as he pinned me against the wall. The heat of him seared through layers of fabric. "You think leaving is that easy, Seraphina?" His teeth grazed the unmarked skin of my throat. "You. Are. Mine." A hot palm slid up my thigh. "No one else will ever touch you." "You had ten years to claim me, Alpha." I bared my teeth in a smile. "Funny how you only remember I'm yours... when I'm walking away."
Seven years ago, my fiancé, Don Dante Moretti, sent me to prison to take the fall for my adopted sister, Chiara. He called it a gift—a way to protect me from a worse fate. Today, he picked me up from prison only to abandon me at my family's estate. His reason? Chiara was having another one of her "episodes." My parents then informed me I'd be staying in the third-floor storage room, so as not to disturb the fragile girl who stole my life. They celebrated her "recovery" with a lavish dinner party, while I was treated like a ghost. When I refused to join, my mother hissed that I was ungrateful, and my father called me jealous. They assumed I couldn't understand their venomous whispers. But prison was my university. I learned Spanish. I understood every word. It was then I realized I wasn't just a sacrifice; I was disposable. The love I once felt for all of them had turned to ash. That night, in the dusty storage room, I logged onto an encrypted channel I'd set up years ago. A single message was waiting: "The offer stands. Do you accept?" My hands, scarred and steady, typed back, "I accept."
After five years of playing the perfect daughter, Rylie was exposed as a stand-in. Her fiancé bolted, friends scattered, and her adoptive brothers shoved her out, telling her to grovel back to her real family. Done with humiliation, she swore to claw back what was hers. Shock followed: her birth family ruled the town's wealth. Overnight, she became their precious girl. The boardroom brother canceled meetings, the genius brother ditched his lab, the musician brother postponed a tour. As those who spurned her begged forgiveness, Admiral Brad Morgan calmly declared, "She's already taken."
After two years of marriage, Kristian dropped a bombshell. "She's back. Let's get divorced. Name your price." Freya didn't argue. She just smiled and made her demands. "I want your most expensive supercar." "Okay." "The villa on the outskirts." "Sure." "And half of the billions we made together." Kristian froze. "Come again?" He thought she was ordinary-but Freya was the genius behind their fortune. And now that she'd gone, he'd do anything to win her back.
Luna has tried her best to make her forced marriage to Xen work for the sake of their child. But with Riley and Sophia- Xen's ex-girlfriend and her son in the picture. She fights a losing battle. Ollie, Xen's son is neglected by his father for a very long time and he is also suffering from a mysterious sickness that's draining his life force. When his last wish to have his dad come to his 5th birthday party is dashed by his failure to show up, Ollie dies in an accident after seeing his father celebrate Riley's birthday with Sophia and it's displayed on the big advertising boards that fill the city. Ollie dies and Luna follows after, unable to bear the grief, dying in her mate's hands cursing him and begging for a second chance to save her son. Luna gets the opportunity and is woken up in the past, exactly one year to the day Sophia and Riley show up. But this time around, Luna is willing to get rid of everyone and anyone even her mate if he steps in her way to save her son.
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