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Muistelmia ja matkakuvia by Juhani Aho
Merkillinen l?yt?, jonka t?ss? tuonnoisena p?iv?n? aivan sattumalta tein.
Ei ole muka mit??n uutta auringon alla. Ja tottahan onkin, ett? niin outoja kuin olivatkin esim. pappiss??dyn mielipiteet kotimaisesta kirjallisuudestamme, niin semmoisia on kuultu ennenkin. Ei ainoastaan nykyisi? kirjailijoita ja sanomalehtimiehi? katsottu yleiselle j?rjestykselle, yhteiskunnalliselle moraalille ja kirkonopille niin vaarallisiksi henkil?iksi, ett? heid?n lehti??n on lakkautettu ja heid?n kirjojaan kielletty. Sellaiset miehet kuin Snellman, Runeberg ja Topelius ovat kyll? aikoinaan saaneet kuulla ankaroita moitteita jumalattomuudestaan ja maailmanmielisyydest??n, puhumattakaan suomalaisen realistisen kirjallisuuden is?st? Aleksis Kivest? ja h?nen ?Seitsem?st? veljeksest??n?, joka aikoinaan julistettiin jokaisen siivon ja sivistyneen perheen p?yd?lle sopimattomaksi kirjaksi. Mutta uutta lienee sent??n monelle, ett? n?iden t?llaisten joukkoon on luettu my?skin mies sellainen kuin-Elias L?nnrot.
Ja niin kuitenkin tapahtui viisikymment? vuotta sitten! Ajatelkaa, ett? t?t? siivoista siivointa, vaarattomista vaarattominta hiljaista ty?ntekij??, jonka kaikki sek? valtiolliset ett? kirkolliset auktoriteetit ovat asettaneet suoran suomalaisen esikuvaksi, on syytetty aivan samasta, mist? t?t? nyky? niin usein syytet??n sanomalehtimiehi? ja kirjailijoita. H?netkin on asetettu pilkkaajitten penkille ja h?nt?kin on pidetty uudenaikaisena pakanana, h?nen aikansa kannalta katsoen.
Paitsi sit?, ett? t?ll? asialla t?t? nyky? on n.s. p?iv?n kysymyksen merkitys, huvittanee se my?skin hauskana sivistyshistoriallisena ilmi?n?.
Lienee kyll? tunnettu asia, ett? kansanlaulujemme ja runojemme ker??j? ei t?m?n toimensa t?hden juuri ollut senaikuisen papiston suosiossa. Kuinka olisi muuten voinut ollakaan, sill? olihan vanha runoutemme kirkonmiesten mielest? pakanuuden aikuista lorua, jonka h?vitt?minen kuului heid?n ohjelmaansa. Niiden elvytt?mist? ja kansan muistoon johtamista katseltiin siis luonnollista kyll? sill? taholla karsain silmin. Mutta ett? L?nnrotia on syytetty niin samanlaisista asioista ja niin yhteen vivahtavilla sanoilla kuin t?t? nyky? syytet??n h?nen v?h?p?t?isi? j?lkel?isi??n sanomalehtimiehen ty?ss?, sen harvat tiet?nev?t.
Er?s l?hett?j? J.F.B. oli pit?nyt velvollisuutenaan ottaa t?t? osoittaakseen, ja varoittaakseen Suomen kansaa tuosta vaarallisesta miehest? ja h?nen sanomalehdest??n.
Kaikesta p??tt?en on kirjoittaja pappismies ja kenties on h?nen nimimerkkins? monellekin tunnettu.
Ottakaamme t?h?n ensin n?ytteeksi syyt?s ep?siveydest?. Siihen n?kyy antaneen aihetta er?s runo ?Hekkalan Mari?, joka on helmikuun numerossa 1836 ja jossa lauletaan rikkaan tyt?n sulhaspuuhista. Siin? tavataan esim. seuraavat s?keet:
?Mari s?nkyns? levitti,
Paljon peittoja paneepi,
Sanoopi sanalla tuolla:
Riisu vieras vikkel?sti,
Poes kintahat k?sist?,
Lakki laske arkulleni,
Keng?t keskilattialle,
Vilu siell' on seisoessa,
Painu t?nne pakkasesta,
Siirry peittojen sis?lle.?
J??k??n lukijan verrattavaksi, mitenk? likeinen on yht?l?isyys n?iden s?keiden ja er??n kohdan v?lill? muutamassa t?h?n aikaan paljon puheena olleessa kirjassa.
Mutta se tapa, mill? senaikuinen kirkollinen kritiikki otti vastaan t?m?n runon, muistuttaa ainakin hyvin el?v?sti siit?, mit? samalta taholta on t?h?n aikaan sanottu samanlaisista kuvauksista.
?T?h?n asti-niin kirjoittaa J.F.B.-ei yksin luonnollisille hyville tavoille ole Mehil?isess? ollut oikeata puolta. Mik? lieneek??n nostanut sen sellaiseen vimmaan? Kun L?nnrot edell? mainitun runon johdosta oli sanonut, ettei siin? 'Hekkalan Mariasta lausuta sen pahempaa, ettei kyll? valitettavasti monestakin tyt?st? k?y pahempia lauseita' ja kun h?n viel? uskaltaa lis?t?: 'Melkein lukisi koko runon h?lle kunniaksi, koska siin? ei voi h?nen arvoansa suuresti mill??n alentaa', niin ei sovi kummastella, ett? arvostelija 'ei toki usko yht??n Suomen sirkkuaan niin raaksi, ett? suuttumatta, ja viel?p? korvallekin l?pp??m?tt?' kuulisi itsest??n laulettavan t?llaista. 'En usko, sanon viel? kerran, Suomen tyt?n punottamatta ja vihastumatta toisestakaan t?t? kuulevan laulettavan.'?
Kuinka monta kertaa sit? sitten on samalla ponnella vedottu Suomen naisen kasvojen punaan, vaikken tied? mill? menestyksell?!
Saman runon lopussa on sit?paitsi kymmenkunta s?ett?, joita kainostelematta sanotaan ?irstaisiksi?. Ja jos ne todellakin silt? kannalta ovat ymm?rrett?v?t kuin arvostelija ne n?ytt?? ymm?rt?v?n, niin j?tt?? t?m? vanha runous t?ll?kin alalla uudemman realistisen kirjallisuuden kauas j?lkeens? ep?siisteydess? ja ajatuksen ep?puhtaudessa.
Rakkaudessaan kansan runouteen oli L?nnrot viel? lehdess??n koettanut poistaa v??ri? k?sityksi? vanhoista runoista ja sanonut, ett? ?monessa kohti maassamme on rahvaalla turha pelko runoistansa, kielletyn, luvattoman olevan, ei ainoasti tehd?, vaan laulellakin niit??.
Sen lis?ksi oli h?n viel? kehoittanut kansaa runontekoon, painattanut kansanrunoilijain kyh?yksi? ja antanut neuvojakin niiden tekemiseen. Yll?mainittu runo oli h?nen mielest??n esimerkiksi sopiva. ?Paljon ei puutu-kirjoittaa L?nnrot-ettei t?m? runo sopisi varsin hyvin osoitteeksi eli n?ytteeksi, miten laadullinen naururuno muillakin kansan runoilijoilla olisi toimitettava.?
Mutta siit? h?n sai mit? ankarimman kurituksen:
?Minun luullakseni, runojen ollessa sellaisia, kuin ?sken esimerkiksi pantu, ei toki nimitetty pelko olisikaan turha, vaan sangen hyv?, jos vaan voisi tukahuttaa sellaisen runoelemisen innon, joka ei ainoasti p??t? suoraa sodi puhdasta kristillisyytt? vastaan, vaan my?s on vahingollinen luonnolliselle siistimenoisuudelle.?
Se oli siihen aikaan. Ja jotenkin samalla lailla kuin nytkin.
Sill? jos siihen aikaan olisi tehty anomus kirjailijapalkkioista, niin olisi se tietysti saanut-juuri Elias L?nnrotin julkaisuja silm?ll? pit?en-pappiss??dyss? juuri saman vastauksen kuin kirjailijapalkkioasia sai siell? n?ill? valtiop?ivill?. Ja viel? suuremmalla syyll?, sill? olihan tuo kirjallisuus, jonka silloin katsottiin ?turmelevan kansan siveellist? mielt??, varsinaista kansankirjallisuutta, jonka h?vitt?miseen kansan keskess? kenties olisi voinut varoja my?nt??, mutta jonka kehitt?minen olisi ollut kauhistus.
Seuraavassa osassa t?t? kirjoitusta pyyd?n saada tuoda esimerkkej? siit?, mill? perusteilla L?nnrotista, t?st? silloisen ep?siveyden levitt?j?st?, sen lis?ksi viel? tehtiin-ep?uskon apostoli.
Hellmannin herra; Esimerkin vuoksi; Maailman murjoma by Juhani Aho
Lyric had spent her life being hated. Bullied for her scarred face and hated by everyone-including her own mate-she was always told she was ugly. Her mate only kept her around to gain territory, and the moment he got what he wanted, he rejected her, leaving her broken and alone. Then, she met him. The first man to call her beautiful. The first man to show her what it felt like to be loved. It was only one night, but it changed everything. For Lyric, he was a saint, a savior. For him, she was the only woman that had ever made him cum in bed-a problem he had been battling for years. Lyric thought her life would finally be different, but like everyone else in her life, he lied. And when she found out who he really was, she realized he wasn't just dangerous-he was the kind of man you don't escape from. Lyric wanted to run. She wanted freedom. But she desired to navigate her way and take back her respect, to rise above the ashes. Eventually, she was forced into a dark world she didn't wish to get involved with.
Rena got into an entanglement with a big shot when she was drunk one night. She needed Waylen's help while he was drawn to her youthful beauty. As such, what was supposed to be a one-night stand progressed into something serious. All was well until Rena discovered that Waylen's heart belonged to another woman. When his first love returned, he stopped coming home, leaving Rena all alone for many nights. She put up with it until she received a check and farewell note one day. Contrary to how Waylen expected her to react, Rena had a smile on her face as she bid him farewell. "It was fun while it lasted, Waylen. May our paths never cross. Have a nice life." But as fate would have it, their paths crossed again. This time, Rena had another man by her side. Waylen's eyes burned with jealousy. He spat, "How the hell did you move on? I thought you loved only me!" "Keyword, loved!" Rena flipped her hair back and retorted, "There are plenty of fish in the sea, Waylen. Besides, you were the one who asked for a breakup. Now, if you want to date me, you have to wait in line." The next day, Rena received a credit alert of billions and a diamond ring. Waylen appeared again, got down on one knee, and uttered, "May I cut in line, Rena? I still want you."
Corinne devoted three years of her life to her boyfriend, only for it to all go to waste. He saw her as nothing more than a country bumpkin and left her at the altar to be with his true love. After getting jilted, Corinne reclaimed her identity as the granddaughter of the town's richest man, inherited a billion-dollar fortune, and ultimately rose to the top. But her success attracted the envy of others, and people constantly tried to bring her down. As she dealt with these troublemakers one by one, Mr. Hopkins, notorious for his ruthlessness, stood by and cheered her on. "Way to go, honey!"
"Ahh!" She was in a moaning mess. She did not want to feel anything for this man. She hated him. His hands began to move all over her body. She gasped when he pulled down the back chain of her dress. The chain stopped at her lower waist, so when he zipped it off, her upper back and waist were exposed. "D-Don't touch m-ummm!" His fingers rolled around her bare back, and she pressed her head against the pillow. His touches were giving her goosebumps all over her body. With a deep angry voice, he whispered in her ear, "I am going to make you forget his touches, kisses, and everything. Every time you touch another man, you will only think of me." - - - Ava Adler was a nerdy omega. People bullied her because they thought she was ugly and unattractive. But Ava secretly loved the bad boy, Ian Dawson. He was the future Alpha of the Mystic Shadow Pack. However, he doesn't give a damn about rules and laws, as he only likes to play around with girls. Ava was unaware of Ian's arrogance until her fate intertwined with his. He neglected her and hurt her deeply. What would happen when Ava turned out to be a beautiful girl who could win over any boy, and Ian looked back and regretted his decisions? What if she had a secret identity that she had yet to discover? What if the tables turned and Ian begged her not to leave him?
A twist of fate bound Allison to Derek in marriage-she, a powerful heiress with countless hidden identities; he, the city's most admired man, now lying silent in a coma. For three years, Allison used her unmatched medical skills to heal him, all while quietly falling in love. But when Derek's long-lost love returned from abroad, he handed Allison divorce papers without a second thought. Resolved to stop chasing shadows, Allison signed the papers and turned her back on love-rising to fame as a dazzling force in business, medicine, and more. Only when she stood high above the world did Derek finally see her worth. He knelt before her, eyes brimming with regret. "Will you take me back?" he whispered.
Rumors said that Lucas married an unattractive woman with no background. In the three years they were together, he remained cold and distant to Belinda, who endured in silence. Her love for him forced her to sacrifice her self-worth and her dreams. When Lucas' true love reappeared, Belinda realized that their marriage was a sham from the start, a ploy to save another woman's life. She signed the divorce papers and left. Three years later, Belinda returned as a surgical prodigy and a maestro of the piano. Lost in regret, Lucas chased her in the rain and held her tightly. "You are mine, Belinda."